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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6F8C it is the complementary color #A59073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6F8C shade: #5F6F87, #70819A, #8193AD, #92A5C0 and #A3B7D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6F8C shade: #5A6F8C, #495D79, #384B66, #273953 and #162740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6F8C shade: #5A6F8C, #5A618C, #605A8C, #6D5A8C and #7B5A8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6F8C shade: #5A6F8C, #5A618C and #5A5A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6F8C shade matches the following richer shades: #5A6F8C, #476C9F, #3469B1, #2266C4 and #0F63D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6F8C shade: #5A6F8C, #6C7279, #7F7567, #917854 and #A47B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6F8C shade: #5A8A8C, #5A7D8C, #5A6F8C, #5A628C and #5F5A8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6F8C shade: #39475A, #495B73, #5A6F8C, #6D83A2 and #8699B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6F8C shade: #5A6F8C, #805A8C and #848C5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6F8C shade: #5A6F8C, #8C5A6F and #6F8C5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6F8C shade: #5A6F8C, #805A8C, #8C765A and #658C5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6F8C shade: #5A6F8C, #8C5A89, #8C765A and #5A8C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

Complementary color

CMYK 0 / 13 / 30 / 35

HEX #A59073

RGB 165 144 115

HSL 34.8, 0.22%, 0.55%

LAB 60.94, 3.34, 18.32

 

CMYK 30 / 18 / 0 / 47

HEX #5F6F87

RGB 95 111 135

HSL 216, 0.17%, 0.45%

LAB 46.38, -0.02, -15.15

 

CMYK 27 / 16 / 0 / 40

HEX #70819A

RGB 112 129 154

HSL 215.71, 0.17%, 0.52%

LAB 53.47, -0.24, -15.44

 

CMYK 25 / 15 / 0 / 32

HEX #8193AD

RGB 129 147 173

HSL 215.45, 0.21%, 0.59%

LAB 60.38, -0.44, -15.74

 

CMYK 24 / 14 / 0 / 25

HEX #92A5C0

RGB 146 165 192

HSL 215.22, 0.27%, 0.66%

LAB 67.15, -0.61, -16.06

 

CMYK 23 / 13 / 0 / 17

HEX #A3B7D3

RGB 163 183 211

HSL 215, 0.35%, 0.73%

LAB 73.78, -0.78, -16.39

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 40 / 23 / 0 / 53

HEX #495D79

RGB 73 93 121

HSL 215, 0.25%, 0.38%

LAB 38.94, 0.11, -18.21

 

CMYK 45 / 26 / 0 / 60

HEX #384B66

RGB 56 75 102

HSL 215.22, 0.29%, 0.31%

LAB 31.42, 0.54, -18.08

 

CMYK 53 / 31 / 0 / 67

HEX #273953

RGB 39 57 83

HSL 215.45, 0.36%, 0.24%

LAB 23.61, 1.14, -18.01

 

CMYK 66 / 39 / 0 / 75

HEX #162740

RGB 22 39 64

HSL 215.71, 0.49%, 0.17%

LAB 15.44, 2.08, -18.02

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 36 / 31 / 0 / 45

HEX #5A618C

RGB 90 97 140

HSL 231.6, 0.22%, 0.45%

LAB 42.18, 8.32, -24.64

 

CMYK 31 / 36 / 0 / 45

HEX #605A8C

RGB 96 90 140

HSL 247.2, 0.22%, 0.45%

LAB 40.72, 14.52, -26.87

 

CMYK 22 / 36 / 0 / 45

HEX #6D5A8C

RGB 109 90 140

HSL 262.8, 0.22%, 0.45%

LAB 41.93, 18.65, -24.89

 

CMYK 12 / 36 / 0 / 45

HEX #7B5A8C

RGB 123 90 140

HSL 279.6, 0.22%, 0.45%

LAB 43.38, 23.28, -22.53

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 36 / 31 / 0 / 45

HEX #5A618C

RGB 90 97 140

HSL 231.6, 0.22%, 0.45%

LAB 42.18, 8.32, -24.64

 

CMYK 36 / 36 / 0 / 45

HEX #5A5A8C

RGB 90 90 140

HSL 240, 0.22%, 0.45%

LAB 40.21, 12.69, -27.71

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 55 / 32 / 0 / 38

HEX #476C9F

RGB 71 108 159

HSL 214.77, 0.38%, 0.45%

LAB 45.04, 2.34, -31.59

 

CMYK 71 / 41 / 0 / 31

HEX #3469B1

RGB 52 105 177

HSL 214.56, 0.55%, 0.45%

LAB 44.24, 6.9, -43.48

 

CMYK 83 / 48 / 0 / 23

HEX #2266C4

RGB 34 102 196

HSL 214.81, 0.7%, 0.45%

LAB 43.99, 13.87, -54.97

 

CMYK 93 / 54 / 0 / 16

HEX #0F63D6

RGB 15 99 214

HSL 214.67, 0.87%, 0.45%

LAB 44.06, 21.7, -65.2

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 11 / 6 / 0 / 53

HEX #6C7279

RGB 108 114 121

HSL 212.31, 0.06%, 0.45%

LAB 47.76, -0.75, -4.65

 

CMYK 0 / 8 / 19 / 50

HEX #7F7567

RGB 127 117 103

HSL 35, 0.1%, 0.45%

LAB 49.75, 1.36, 9.12

 

CMYK 0 / 17 / 42 / 43

HEX #917854

RGB 145 120 84

HSL 35.41, 0.27%, 0.45%

LAB 51.94, 4.51, 23.4

 

CMYK 0 / 25 / 60 / 36

HEX #A47B42

RGB 164 123 66

HSL 34.9, 0.43%, 0.45%

LAB 54.5, 9.37, 36.91

 

CMYK 36 / 1 / 0 / 45

HEX #5A8A8C

RGB 90 138 140

HSL 182.4, 0.22%, 0.45%

LAB 54.29, -15.62, -6.23

 

CMYK 36 / 11 / 0 / 45

HEX #5A7D8C

RGB 90 125 140

HSL 198, 0.22%, 0.45%

LAB 50.37, -8.4, -12.09

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 36 / 30 / 0 / 45

HEX #5A628C

RGB 90 98 140

HSL 230.4, 0.22%, 0.45%

LAB 42.46, 7.7, -24.2

 

CMYK 32 / 36 / 0 / 45

HEX #5F5A8C

RGB 95 90 140

HSL 246, 0.22%, 0.45%

LAB 40.64, 14.21, -27.01

 

CMYK 37 / 21 / 0 / 65

HEX #39475A

RGB 57 71 90

HSL 214.55, 0.22%, 0.29%

LAB 29.7, -0.29, -13.06

 

CMYK 37 / 21 / 0 / 55

HEX #495B73

RGB 73 91 115

HSL 214.29, 0.22%, 0.37%

LAB 38.09, -0.41, -15.84

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 33 / 19 / 0 / 36

HEX #6D83A2

RGB 109 131 162

HSL 215.09, 0.22%, 0.53%

LAB 54.12, -0.26, -19.09

 

CMYK 25 / 14 / 0 / 30

HEX #8699B2

RGB 134 153 178

HSL 214.09, 0.22%, 0.61%

LAB 62.56, -1.03, -15.24

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 9 / 36 / 0 / 45

HEX #805A8C

RGB 128 90 140

HSL 285.6, 0.22%, 0.45%

LAB 43.94, 24.97, -21.63

 

CMYK 6 / 0 / 36 / 45

HEX #848C5A

RGB 132 140 90

HSL 69.6, 0.22%, 0.45%

LAB 56.49, -11.42, 25.77

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 0 / 36 / 21 / 45

HEX #8C5A6F

RGB 140 90 111

HSL 334.8, 0.22%, 0.45%

LAB 44.28, 23.74, -3.41

 

CMYK 21 / 0 / 36 / 45

HEX #6F8C5A

RGB 111 140 90

HSL 94.8, 0.22%, 0.45%

LAB 54.94, -19.83, 23.45

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 9 / 36 / 0 / 45

HEX #805A8C

RGB 128 90 140

HSL 285.6, 0.22%, 0.45%

LAB 43.94, 24.97, -21.63

 

CMYK 0 / 16 / 36 / 45

HEX #8C765A

RGB 140 118 90

HSL 33.6, 0.22%, 0.45%

LAB 51, 4.26, 18.62

 

CMYK 28 / 0 / 36 / 45

HEX #658C5A

RGB 101 140 90

HSL 106.8, 0.22%, 0.45%

LAB 54.3, -23.6, 22.49

 

CMYK 36 / 21 / 0 / 45

HEX #5A6F8C

RGB 90 111 140

HSL 214.8, 0.22%, 0.45%

LAB 46.23, -0.23, -18.39

 

CMYK 0 / 36 / 2 / 45

HEX #8C5A89

RGB 140 90 137

HSL 303.6, 0.22%, 0.45%

LAB 45.21, 28.44, -17.75

 

CMYK 0 / 16 / 36 / 45

HEX #8C765A

RGB 140 118 90

HSL 33.6, 0.22%, 0.45%

LAB 51, 4.26, 18.62

 

CMYK 36 / 0 / 34 / 45

HEX #5A8C5D

RGB 90 140 93

HSL 123.6, 0.22%, 0.45%

LAB 53.73, -26.97, 19.94

 

Description

Color code: HEX #5A6F8C | qconv.com Color code: HEX #5A6F8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 111 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 111 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 21 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 21% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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