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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6BAF it is the complementary color #A59450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6BAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6BAF shade: #5F6BAA, #707DBD, #818FD0, #92A1E3 and #A3B3F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6BAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6BAF shade: #5A6BAF, #49599C, #384789, #273576 and #162363

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6BAF shade: #5A6BAF, #605AAF, #775AAF, #8E5AAF and #A55AAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6BAF shade: #5A6BAF and #5A5AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6BAF shade matches the following richer shades: #5A6BAF, #465FC3, #3253D7, #1E47EB and #0B3BFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6BAF shade: #5A6BAF, #6E779C, #818388, #958F74 and #A99A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6BAF shade: #5A99AF, #5A82AF, #5A6BAF, #5F5AAF and #765AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6BAF shade: #3B487B, #495897, #5A6BAF, #7684BD and #919DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6BAF shade: #5A6BAF, #AF5AAF and #8DAF5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6BAF shade: #5A6BAF, #AF5A6B and #6BAF5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6BAF shade: #5A6BAF, #AF5AAF, #AF9E5A and #5AAF5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6BAF shade: #5A6BAF, #AF5A96, #AF9E5A and #5AAF73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

Complementary color

CMYK 0 / 10 / 52 / 35

HEX #A59450

RGB 165 148 80

HSL 48, 0.35%, 0.48%

LAB 61.45, -2.89, 37.95

 

CMYK 44 / 37 / 0 / 33

HEX #5F6BAA

RGB 95 107 170

HSL 230.4, 0.31%, 0.52%

LAB 46.78, 12.4, -35.22

 

CMYK 41 / 34 / 0 / 26

HEX #707DBD

RGB 112 125 189

HSL 229.87, 0.37%, 0.59%

LAB 53.8, 11.62, -35.11

 

CMYK 38 / 31 / 0 / 18

HEX #818FD0

RGB 129 143 208

HSL 229.37, 0.46%, 0.66%

LAB 60.66, 10.97, -35.05

 

CMYK 36 / 29 / 0 / 11

HEX #92A1E3

RGB 146 161 227

HSL 228.89, 0.59%, 0.73%

LAB 67.39, 10.41, -35.04

 

CMYK 34 / 27 / 0 / 4

HEX #A3B3F6

RGB 163 179 246

HSL 228.43, 0.82%, 0.8%

LAB 73.98, 9.92, -35.07

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 53 / 43 / 0 / 39

HEX #49599C

RGB 73 89 156

HSL 228.43, 0.36%, 0.45%

LAB 39.52, 13.76, -38.52

 

CMYK 59 / 48 / 0 / 46

HEX #384789

RGB 56 71 137

HSL 228.89, 0.42%, 0.38%

LAB 32.15, 15.15, -38.8

 

CMYK 67 / 55 / 0 / 54

HEX #273576

RGB 39 53 118

HSL 229.37, 0.5%, 0.31%

LAB 24.59, 17, -39.13

 

CMYK 78 / 65 / 0 / 61

HEX #162363

RGB 22 35 99

HSL 229.87, 0.64%, 0.24%

LAB 16.86, 19.54, -39.43

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 45 / 49 / 0 / 31

HEX #605AAF

RGB 96 90 175

HSL 244.24, 0.35%, 0.52%

LAB 42.6, 24.72, -44.77

 

CMYK 32 / 49 / 0 / 31

HEX #775AAF

RGB 119 90 175

HSL 260.47, 0.35%, 0.52%

LAB 44.7, 30.72, -41.3

 

CMYK 19 / 49 / 0 / 31

HEX #8E5AAF

RGB 142 90 175

HSL 276.71, 0.35%, 0.52%

LAB 47.18, 37.2, -37.22

 

CMYK 6 / 49 / 0 / 31

HEX #A55AAF

RGB 165 90 175

HSL 292.94, 0.35%, 0.52%

LAB 49.99, 43.9, -32.61

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 49 / 49 / 0 / 31

HEX #5A5AAF

RGB 90 90 175

HSL 240, 0.35%, 0.52%

LAB 42.13, 23.28, -45.56

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 64 / 51 / 0 / 24

HEX #465FC3

RGB 70 95 195

HSL 228, 0.51%, 0.52%

LAB 43.4, 22.71, -55.26

 

CMYK 77 / 61 / 0 / 16

HEX #3253D7

RGB 50 83 215

HSL 228, 0.67%, 0.52%

LAB 40.85, 34.86, -70.97

 

CMYK 87 / 70 / 0 / 8

HEX #1E47EB

RGB 30 71 235

HSL 228, 0.84%, 0.52%

LAB 39.21, 48.01, -85.09

 

CMYK 96 / 77 / 0 / 0

HEX #0B3BFF

RGB 11 59 255

HSL 228.2, 1%, 0.52%

LAB 38.58, 60.88, -97.39

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 29 / 24 / 0 / 39

HEX #6E779C

RGB 110 119 156

HSL 228.26, 0.19%, 0.52%

LAB 50.58, 5.51, -21.02

 

CMYK 5 / 4 / 0 / 47

HEX #818388

RGB 129 131 136

HSL 222.86, 0.03%, 0.52%

LAB 54.74, 0.28, -2.96

 

CMYK 0 / 4 / 22 / 42

HEX #958F74

RGB 149 143 116

HSL 49.09, 0.13%, 0.52%

LAB 59.25, -2.41, 15.19

 

CMYK 0 / 9 / 43 / 34

HEX #A99A60

RGB 169 154 96

HSL 47.67, 0.3%, 0.52%

LAB 63.66, -2.84, 32.4

 

CMYK 49 / 13 / 0 / 31

HEX #5A99AF

RGB 90 153 175

HSL 195.53, 0.35%, 0.52%

LAB 59.94, -14.18, -17.77

 

CMYK 49 / 26 / 0 / 31

HEX #5A82AF

RGB 90 130 175

HSL 211.76, 0.35%, 0.52%

LAB 53.2, -1.21, -28.1

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 46 / 49 / 0 / 31

HEX #5F5AAF

RGB 95 90 175

HSL 243.53, 0.35%, 0.52%

LAB 42.52, 24.48, -44.9

 

CMYK 33 / 49 / 0 / 31

HEX #765AAF

RGB 118 90 175

HSL 259.76, 0.35%, 0.52%

LAB 44.6, 30.44, -41.47

 

CMYK 52 / 41 / 0 / 52

HEX #3B487B

RGB 59 72 123

HSL 227.81, 0.35%, 0.36%

LAB 31.79, 10.3, -30.68

 

CMYK 52 / 42 / 0 / 41

HEX #495897

RGB 73 88 151

HSL 228.46, 0.35%, 0.44%

LAB 38.95, 12.74, -36.41

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 38 / 30 / 0 / 26

HEX #7684BD

RGB 118 132 189

HSL 228.17, 0.35%, 0.6%

LAB 56.12, 9.12, -31.46

 

CMYK 28 / 22 / 0 / 21

HEX #919DCA

RGB 145 157 202

HSL 227.37, 0.35%, 0.68%

LAB 65.28, 5.97, -24.47

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 0 / 49 / 0 / 31

HEX #AF5AAF

RGB 175 90 175

HSL 300, 0.35%, 0.52%

LAB 51.29, 46.84, -30.48

 

CMYK 19 / 0 / 49 / 31

HEX #8DAF5A

RGB 141 175 90

HSL 84, 0.35%, 0.52%

LAB 67.32, -25.82, 39.59

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 0 / 49 / 39 / 31

HEX #AF5A6B

RGB 175 90 107

HSL 348, 0.35%, 0.52%

LAB 48.87, 36.37, 6.26

 

CMYK 39 / 0 / 49 / 31

HEX #6BAF5A

RGB 107 175 90

HSL 108, 0.35%, 0.52%

LAB 65.38, -38.11, 36.75

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 0 / 49 / 0 / 31

HEX #AF5AAF

RGB 175 90 175

HSL 300, 0.35%, 0.52%

LAB 51.29, 46.84, -30.48

 

CMYK 0 / 10 / 49 / 31

HEX #AF9E5A

RGB 175 158 90

HSL 48, 0.35%, 0.52%

LAB 65.2, -3.09, 37.59

 

CMYK 49 / 0 / 49 / 31

HEX #5AAF5A

RGB 90 175 90

HSL 120, 0.35%, 0.52%

LAB 64.62, -43.37, 35.65

 

CMYK 49 / 39 / 0 / 31

HEX #5A6BAF

RGB 90 107 175

HSL 228, 0.35%, 0.52%

LAB 46.69, 12.66, -38.3

 

CMYK 0 / 49 / 14 / 31

HEX #AF5A96

RGB 175 90 150

HSL 317.65, 0.35%, 0.52%

LAB 50.25, 42.48, -17.4

 

CMYK 0 / 10 / 49 / 31

HEX #AF9E5A

RGB 175 158 90

HSL 48, 0.35%, 0.52%

LAB 65.2, -3.09, 37.59

 

CMYK 49 / 0 / 34 / 31

HEX #5AAF73

RGB 90 175 115

HSL 137.65, 0.35%, 0.52%

LAB 65.02, -39.27, 23.04

 

Description

Color code: HEX #5A6BAF | qconv.com Color code: HEX #5A6BAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 107 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 107 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 39 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 39% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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