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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A629E it is the complementary color #A59D61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A629E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A629E shade: #5F6299, #7074AC, #8186BF, #9298D2 and #A3AAE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A629E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A629E shade: #5A629E, #49508B, #383E78, #272C65 and #161A52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A629E shade: #5B639E, #655B9E, #775B9E, #895B9E and #9C5B9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A629E shade: #5B639E and #5B5B9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A629E shade matches the following richer shades: #5B639E, #4653B2, #3244C7, #1E34DB and #0A25EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A629E shade: #5B639E, #6F728A, #838276, #979162 and #ACA04D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A629E shade: #5B889E, #5B769E, #5B649E, #645B9E and #765B9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A629E shade: #3D426A, #4C5284, #5B639E, #747AAF and #8E93BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A629E shade: #5A629E, #9E5B9A and #7F9E5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A629E shade: #5A629E, #9E5B64 and #649E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A629E shade: #5A629E, #9E5B9A, #9E955B and #5B9E5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A629E shade: #5A629E, #9E5B85, #9E955B and #5B9E73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 38 / 0 / 38

HEX #5A629E

RGB 90 98 158

HSL 232.94, 0.27%, 0.49%

LAB 43.33, 13.01, -33.6

 

Complementary color

CMYK 0 / 5 / 41 / 35

HEX #A59D61

RGB 165 157 97

HSL 52.94, 0.27%, 0.51%

LAB 64.14, -6.02, 32.4

 

CMYK 38 / 36 / 0 / 40

HEX #5F6299

RGB 95 98 153

HSL 236.9, 0.23%, 0.49%

LAB 43.46, 12.92, -30.39

 

CMYK 35 / 33 / 0 / 33

HEX #7074AC

RGB 112 116 172

HSL 236, 0.27%, 0.56%

LAB 50.59, 12.23, -30.33

 

CMYK 32 / 30 / 0 / 25

HEX #8186BF

RGB 129 134 191

HSL 235.16, 0.33%, 0.63%

LAB 57.54, 11.63, -30.32

 

CMYK 30 / 28 / 0 / 18

HEX #9298D2

RGB 146 152 210

HSL 234.38, 0.42%, 0.7%

LAB 64.34, 11.12, -30.36

 

CMYK 29 / 26 / 0 / 10

HEX #A3AAE5

RGB 163 170 229

HSL 233.64, 0.56%, 0.77%

LAB 71, 10.66, -30.44

 

CMYK 43 / 38 / 0 / 38

HEX #5A629E

RGB 90 98 158

HSL 232.94, 0.27%, 0.49%

LAB 43.33, 13.01, -33.6

 

CMYK 47 / 42 / 0 / 45

HEX #49508B

RGB 73 80 139

HSL 233.64, 0.31%, 0.42%

LAB 36.02, 13.98, -33.79

 

CMYK 53 / 48 / 0 / 53

HEX #383E78

RGB 56 62 120

HSL 234.38, 0.36%, 0.35%

LAB 28.49, 15.22, -34.07

 

CMYK 61 / 56 / 0 / 60

HEX #272C65

RGB 39 44 101

HSL 235.16, 0.44%, 0.27%

LAB 20.72, 16.88, -34.43

 

CMYK 73 / 68 / 0 / 68

HEX #161A52

RGB 22 26 82

HSL 236, 0.58%, 0.2%

LAB 12.73, 19.18, -34.79

 

CMYK 42 / 37 / 0 / 38

HEX #5B639E

RGB 91 99 158

HSL 232.84, 0.27%, 0.49%

LAB 43.68, 12.66, -33.04

 

CMYK 36 / 42 / 0 / 38

HEX #655B9E

RGB 101 91 158

HSL 248.96, 0.27%, 0.49%

LAB 42.33, 20.43, -35.11

 

CMYK 25 / 42 / 0 / 38

HEX #775B9E

RGB 119 91 158

HSL 265.07, 0.27%, 0.49%

LAB 44.05, 25.72, -32.29

 

CMYK 13 / 42 / 0 / 38

HEX #895B9E

RGB 137 91 158

HSL 281.19, 0.27%, 0.49%

LAB 46, 31.28, -29.09

 

CMYK 1 / 42 / 0 / 38

HEX #9C5B9E

RGB 156 91 158

HSL 298.21, 0.27%, 0.49%

LAB 48.28, 37.28, -25.37

 

CMYK 42 / 37 / 0 / 38

HEX #5B639E

RGB 91 99 158

HSL 232.84, 0.27%, 0.49%

LAB 43.68, 12.66, -33.04

 

CMYK 42 / 42 / 0 / 38

HEX #5B5B9E

RGB 91 91 158

HSL 240, 0.27%, 0.49%

LAB 41.49, 17.66, -36.49

 

CMYK 42 / 37 / 0 / 38

HEX #5B639E

RGB 91 99 158

HSL 232.84, 0.27%, 0.49%

LAB 43.68, 12.66, -33.04

 

CMYK 61 / 53 / 0 / 30

HEX #4653B2

RGB 70 83 178

HSL 232.78, 0.44%, 0.49%

LAB 39.08, 24.48, -52.3

 

CMYK 75 / 66 / 0 / 22

HEX #3244C7

RGB 50 68 199

HSL 232.75, 0.6%, 0.49%

LAB 35.86, 38.57, -69.9

 

CMYK 86 / 76 / 0 / 14

HEX #1E34DB

RGB 30 52 219

HSL 233.02, 0.76%, 0.49%

LAB 33.66, 53.41, -85.13

 

CMYK 96 / 85 / 0 / 6

HEX #0A25EF

RGB 10 37 239

HSL 232.93, 0.92%, 0.49%

LAB 33.18, 66.2, -97.37

 

CMYK 42 / 37 / 0 / 38

HEX #5B639E

RGB 91 99 158

HSL 232.84, 0.27%, 0.49%

LAB 43.68, 12.66, -33.04

 

CMYK 20 / 17 / 0 / 46

HEX #6F728A

RGB 111 114 138

HSL 233.33, 0.11%, 0.49%

LAB 48.57, 4.27, -13.49

 

CMYK 0 / 1 / 10 / 49

HEX #838276

RGB 131 130 118

HSL 55.38, 0.05%, 0.49%

LAB 54.13, -1.89, 6.63

 

CMYK 0 / 4 / 35 / 41

HEX #979162

RGB 151 145 98

HSL 53.21, 0.21%, 0.49%

LAB 59.63, -5.23, 25.78

 

CMYK 0 / 7 / 55 / 33

HEX #ACA04D

RGB 172 160 77

HSL 52.42, 0.38%, 0.49%

LAB 65.32, -6.61, 44.2

 

CMYK 42 / 14 / 0 / 38

HEX #5B889E

RGB 91 136 158

HSL 199.7, 0.27%, 0.49%

LAB 54.35, -9.38, -16.54

 

CMYK 42 / 25 / 0 / 38

HEX #5B769E

RGB 91 118 158

HSL 215.82, 0.27%, 0.49%

LAB 49.07, 1.05, -24.63

 

CMYK 42 / 37 / 0 / 38

HEX #5B649E

RGB 91 100 158

HSL 231.94, 0.27%, 0.49%

LAB 43.96, 12.03, -32.61

 

CMYK 37 / 42 / 0 / 38

HEX #645B9E

RGB 100 91 158

HSL 248.06, 0.27%, 0.49%

LAB 42.25, 20.14, -35.25

 

CMYK 25 / 42 / 0 / 38

HEX #765B9E

RGB 118 91 158

HSL 264.18, 0.27%, 0.49%

LAB 43.95, 25.42, -32.45

 

CMYK 42 / 38 / 0 / 58

HEX #3D426A

RGB 61 66 106

HSL 233.33, 0.27%, 0.33%

LAB 29.23, 9.23, -24

 

CMYK 42 / 38 / 0 / 48

HEX #4C5284

RGB 76 82 132

HSL 233.57, 0.27%, 0.41%

LAB 36.44, 11.3, -28.84

 

CMYK 42 / 37 / 0 / 38

HEX #5B639E

RGB 91 99 158

HSL 232.84, 0.27%, 0.49%

LAB 43.68, 12.66, -33.04

 

CMYK 34 / 30 / 0 / 31

HEX #747AAF

RGB 116 122 175

HSL 233.9, 0.27%, 0.57%

LAB 52.65, 10.62, -28.83

 

CMYK 25 / 23 / 0 / 25

HEX #8E93BE

RGB 142 147 190

HSL 233.75, 0.27%, 0.65%

LAB 61.94, 7.78, -22.89

 

CMYK 43 / 38 / 0 / 38

HEX #5A629E

RGB 90 98 158

HSL 232.94, 0.27%, 0.49%

LAB 43.33, 13.01, -33.6

 

CMYK 0 / 42 / 3 / 38

HEX #9E5B9A

RGB 158 91 154

HSL 303.58, 0.27%, 0.49%

LAB 48.37, 37.15, -22.85

 

CMYK 20 / 0 / 42 / 38

HEX #7F9E5B

RGB 127 158 91

HSL 87.76, 0.27%, 0.49%

LAB 61.41, -22.7, 31.5

 

CMYK 43 / 38 / 0 / 38

HEX #5A629E

RGB 90 98 158

HSL 232.94, 0.27%, 0.49%

LAB 43.33, 13.01, -33.6

 

CMYK 0 / 42 / 37 / 38

HEX #9E5B64

RGB 158 91 100

HSL 351.94, 0.27%, 0.49%

LAB 46.54, 28.53, 6.84

 

CMYK 37 / 0 / 42 / 38

HEX #649E5B

RGB 100 158 91

HSL 111.94, 0.27%, 0.49%

LAB 59.81, -32.55, 29.14

 

CMYK 43 / 38 / 0 / 38

HEX #5A629E

RGB 90 98 158

HSL 232.94, 0.27%, 0.49%

LAB 43.33, 13.01, -33.6

 

CMYK 0 / 42 / 3 / 38

HEX #9E5B9A

RGB 158 91 154

HSL 303.58, 0.27%, 0.49%

LAB 48.37, 37.15, -22.85

 

CMYK 0 / 6 / 42 / 38

HEX #9E955B

RGB 158 149 91

HSL 51.94, 0.27%, 0.49%

LAB 61.24, -5.31, 31.78

 

CMYK 42 / 0 / 40 / 38

HEX #5B9E5F

RGB 91 158 95

HSL 123.58, 0.27%, 0.49%

LAB 59.44, -34.84, 26.42

 

CMYK 43 / 38 / 0 / 38

HEX #5A629E

RGB 90 98 158

HSL 232.94, 0.27%, 0.49%

LAB 43.33, 13.01, -33.6

 

CMYK 0 / 42 / 16 / 38

HEX #9E5B85

RGB 158 91 133

HSL 322.39, 0.27%, 0.49%

LAB 47.55, 33.41, -11.58

 

CMYK 0 / 6 / 42 / 38

HEX #9E955B

RGB 158 149 91

HSL 51.94, 0.27%, 0.49%

LAB 61.24, -5.31, 31.78

 

CMYK 42 / 0 / 27 / 38

HEX #5B9E73

RGB 91 158 115

HSL 141.49, 0.27%, 0.49%

LAB 59.81, -31.2, 15.95

 

Description

Color code: HEX #5A629E | qconv.com Color code: HEX #5A629E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 98 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 98 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 38 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 38% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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