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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A5EAF it is the complementary color #A5A150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A5EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A5EAF shade: #5F5EAA, #7070BD, #8182D0, #9294E3 and #A3A6F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A5EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A5EAF shade: #5A5EAF, #494C9C, #383A89, #272876 and #161663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A5EAF shade: #5A5EAF, #6D5AAF, #845AAF, #9B5AAF and #AF5AAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A5EAF shade: #5A5EAF and #5A5AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A5EAF shade matches the following richer shades: #5A5EAF, #464CC3, #323AD7, #1E28EB and #0B16FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A5EAF shade: #5A5EAF, #6E709C, #818288, #959474 and #A9A660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A5EAF shade: #5A8CAF, #5A75AF, #5A5EAF, #6C5AAF and #835AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A5EAF shade: #3B3E7B, #494C97, #5A5EAF, #7679BD and #9194CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A5EAF shade: #5A5EAF, #AF5AA3 and #80AF5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A5EAF shade: #5A5EAF, #AF5A5E and #5EAF5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A5EAF shade: #5A5EAF, #AF5AA3, #AFAB5A and #5AAF67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A5EAF shade: #5A5EAF, #AF5A89, #AFAB5A and #5AAF80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

Complementary color

CMYK 0 / 2 / 52 / 35

HEX #A5A150

RGB 165 161 80

HSL 57.18, 0.35%, 0.48%

LAB 65.02, -9.88, 42.22

 

CMYK 44 / 45 / 0 / 33

HEX #5F5EAA

RGB 95 94 170

HSL 240.79, 0.31%, 0.52%

LAB 43.27, 20.47, -40.76

 

CMYK 41 / 41 / 0 / 26

HEX #7070BD

RGB 112 112 189

HSL 240, 0.37%, 0.59%

LAB 50.34, 19.45, -40.54

 

CMYK 38 / 38 / 0 / 18

HEX #8182D0

RGB 129 130 208

HSL 239.24, 0.46%, 0.66%

LAB 57.26, 18.59, -40.39

 

CMYK 36 / 35 / 0 / 11

HEX #9294E3

RGB 146 148 227

HSL 238.52, 0.59%, 0.73%

LAB 64.03, 17.85, -40.28

 

CMYK 34 / 33 / 0 / 4

HEX #A3A6F6

RGB 163 166 246

HSL 237.83, 0.82%, 0.8%

LAB 70.67, 17.19, -40.22

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 53 / 51 / 0 / 39

HEX #494C9C

RGB 73 76 156

HSL 237.83, 0.36%, 0.45%

LAB 35.96, 22.14, -44.2

 

CMYK 59 / 58 / 0 / 46

HEX #383A89

RGB 56 58 137

HSL 238.52, 0.42%, 0.38%

LAB 28.57, 23.85, -44.56

 

CMYK 67 / 66 / 0 / 54

HEX #272876

RGB 39 40 118

HSL 239.24, 0.5%, 0.31%

LAB 21.04, 25.98, -44.89

 

CMYK 78 / 78 / 0 / 61

HEX #161663

RGB 22 22 99

HSL 240, 0.64%, 0.24%

LAB 13.5, 28.53, -44.94

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 38 / 49 / 0 / 31

HEX #6D5AAF

RGB 109 90 175

HSL 253.41, 0.35%, 0.52%

LAB 43.74, 28.03, -42.89

 

CMYK 25 / 49 / 0 / 31

HEX #845AAF

RGB 132 90 175

HSL 269.65, 0.35%, 0.52%

LAB 46.06, 34.34, -39.06

 

CMYK 11 / 49 / 0 / 31

HEX #9B5AAF

RGB 155 90 175

HSL 285.88, 0.35%, 0.52%

LAB 48.73, 40.97, -34.67

 

CMYK 0 / 49 / 1 / 31

HEX #AF5AAD

RGB 175 90 173

HSL 301.41, 0.35%, 0.52%

LAB 51.2, 46.47, -29.45

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 49 / 49 / 0 / 31

HEX #5A5AAF

RGB 90 90 175

HSL 240, 0.35%, 0.52%

LAB 42.13, 23.28, -45.56

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 64 / 61 / 0 / 24

HEX #464CC3

RGB 70 76 195

HSL 237.12, 0.51%, 0.52%

LAB 38.57, 34.75, -63.09

 

CMYK 77 / 73 / 0 / 16

HEX #323AD7

RGB 50 58 215

HSL 237.09, 0.67%, 0.52%

LAB 35.22, 49.98, -80.22

 

CMYK 87 / 83 / 0 / 8

HEX #1E28EB

RGB 30 40 235

HSL 237.07, 0.84%, 0.52%

LAB 33.55, 64.18, -94.48

 

CMYK 96 / 91 / 0 / 0

HEX #0B16FF

RGB 11 22 255

HSL 237.3, 1%, 0.52%

LAB 33.7, 75.41, -105.52

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 29 / 28 / 0 / 39

HEX #6E709C

RGB 110 112 156

HSL 237.39, 0.19%, 0.52%

LAB 48.64, 9.7, -24.01

 

CMYK 5 / 4 / 0 / 47

HEX #818288

RGB 129 130 136

HSL 231.43, 0.03%, 0.52%

LAB 54.46, 0.85, -3.37

 

CMYK 0 / 1 / 22 / 42

HEX #959474

RGB 149 148 116

HSL 58.18, 0.13%, 0.52%

LAB 60.63, -5.17, 17.1

 

CMYK 0 / 2 / 43 / 34

HEX #A9A660

RGB 169 166 96

HSL 57.53, 0.3%, 0.52%

LAB 66.94, -9.27, 36.52

 

CMYK 49 / 20 / 0 / 31

HEX #5A8CAF

RGB 90 140 175

HSL 204.71, 0.35%, 0.52%

LAB 56.11, -6.97, -23.61

 

CMYK 49 / 33 / 0 / 31

HEX #5A75AF

RGB 90 117 175

HSL 220.94, 0.35%, 0.52%

LAB 49.49, 6.53, -33.9

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 38 / 49 / 0 / 31

HEX #6C5AAF

RGB 108 90 175

HSL 252.71, 0.35%, 0.52%

LAB 43.65, 27.77, -43.04

 

CMYK 25 / 49 / 0 / 31

HEX #835AAF

RGB 131 90 175

HSL 268.94, 0.35%, 0.52%

LAB 45.95, 34.06, -39.24

 

CMYK 52 / 50 / 0 / 52

HEX #3B3E7B

RGB 59 62 123

HSL 237.19, 0.35%, 0.36%

LAB 28.92, 16.99, -35.26

 

CMYK 52 / 50 / 0 / 41

HEX #494C97

RGB 73 76 151

HSL 237.69, 0.35%, 0.44%

LAB 35.63, 20.49, -41.7

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 38 / 36 / 0 / 26

HEX #7679BD

RGB 118 121 189

HSL 237.46, 0.35%, 0.6%

LAB 53.17, 15.65, -36.06

 

CMYK 28 / 27 / 0 / 21

HEX #9194CA

RGB 145 148 202

HSL 236.84, 0.35%, 0.68%

LAB 62.9, 11.09, -28.13

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 0 / 49 / 7 / 31

HEX #AF5AA3

RGB 175 90 163

HSL 308.47, 0.35%, 0.52%

LAB 50.77, 44.68, -24.27

 

CMYK 27 / 0 / 49 / 31

HEX #80AF5A

RGB 128 175 90

HSL 93.18, 0.35%, 0.52%

LAB 66.51, -30.75, 38.41

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 0 / 49 / 46 / 31

HEX #AF5A5E

RGB 175 90 94

HSL 357.18, 0.35%, 0.52%

LAB 48.55, 34.93, 13.62

 

CMYK 46 / 0 / 49 / 31

HEX #5EAF5A

RGB 94 175 90

HSL 117.18, 0.35%, 0.52%

LAB 64.79, -42.19, 35.89

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 0 / 49 / 7 / 31

HEX #AF5AA3

RGB 175 90 163

HSL 308.47, 0.35%, 0.52%

LAB 50.77, 44.68, -24.27

 

CMYK 0 / 2 / 49 / 31

HEX #AFAB5A

RGB 175 171 90

HSL 57.18, 0.35%, 0.52%

LAB 68.74, -10, 41.89

 

CMYK 49 / 0 / 41 / 31

HEX #5AAF67

RGB 90 175 103

HSL 129.18, 0.35%, 0.52%

LAB 64.81, -41.37, 29.16

 

CMYK 49 / 46 / 0 / 31

HEX #5A5EAF

RGB 90 94 175

HSL 237.18, 0.35%, 0.52%

LAB 43.17, 20.77, -43.89

 

CMYK 0 / 49 / 22 / 31

HEX #AF5A89

RGB 175 90 137

HSL 326.82, 0.35%, 0.52%

LAB 49.78, 40.43, -10.39

 

CMYK 0 / 2 / 49 / 31

HEX #AFAB5A

RGB 175 171 90

HSL 57.18, 0.35%, 0.52%

LAB 68.74, -10, 41.89

 

CMYK 49 / 0 / 27 / 31

HEX #5AAF80

RGB 90 175 128

HSL 146.82, 0.35%, 0.52%

LAB 65.27, -36.75, 16.32

 

Description

Color code: HEX #5A5EAF | qconv.com Color code: HEX #5A5EAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 94 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 94 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 46 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 46% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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