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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A5D6300 it is the complementary color #A5A29C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A5D6300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A5D6300 shade: #5F5D5E00, #706F7100, #81818400, #92939700 and #A3A5AA00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A5D6300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A5D6300 shade: #5A5D6300, #494B5000, #38393D00, #27272A00 and #16151700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A5D6300 shade: #5A5D63, #5A5A63, #5C5A63, #5E5A63 and #615A63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A5D6300 shade: #5A5D63 and #5A5A63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A5D6300 shade matches the following richer shades: #5A5D63, #4A5872, #3B5382, #2C4E91 and #1D48A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A5D6300 shade: #5A5D63, #696254, #786745, #876C35 and #977126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A5D6300 shade: #5A6263, #5A5F63, #5A5D63, #5A5A63 and #5C5A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A5D6300 shade: #323438, #46484D, #5A5D63, #6D7179 and #82868E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A5D6300 shade: #5A5D63, #625A63 and #61635A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A5D6300 shade: #5A5D63, #635A5D and #5D635A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A5D6300 shade: #5A5D63, #625A63, #63605A and #5B635A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A5D6300 shade: #5A5D63, #635A61, #63605A and #5A635B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #5A5D6300

RGBA 90 93 99 0

HSLA 220, 0.05%, 0.37%, 0

LABA 39.42, 0.15, -3.84, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #A5A29C00

RGBA 165 162 156 0

HSLA 40, 0.05%, 0.63%, 0

LABA 66.7, -0.02, 3.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5F5D5E00

RGBA 95 93 94 0

HSLA 330, 0.01%, 0.37%, 0

LABA 39.7, 1, -0.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #706F7100

RGBA 112 111 113 0

HSLA 270, 0.01%, 0.44%, 0

LABA 46.98, 0.8, -0.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81818400

RGBA 129 129 132 0

HSLA 240, 0.01%, 0.51%, 0

LABA 54.06, 0.6, -1.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92939700

RGBA 146 147 151 0

HSLA 228, 0.02%, 0.58%, 0

LABA 60.97, 0.43, -2.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3A5AA00

RGBA 163 165 170 0

HSLA 222.86, 0.04%, 0.65%, 0

LABA 67.72, 0.26, -2.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A5D6300

RGBA 90 93 99 0

HSLA 220, 0.05%, 0.37%, 0

LABA 39.42, 0.15, -3.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #494B5000

RGBA 73 75 80 0

HSLA 222.86, 0.05%, 0.3%, 0

LABA 31.87, 0.33, -3.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38393D00

RGBA 56 57 61 0

HSLA 228, 0.04%, 0.23%, 0

LABA 24.01, 0.52, -2.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #27272A00

RGBA 39 39 42 0

HSLA 240, 0.04%, 0.16%, 0

LABA 15.75, 0.75, -1.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #16151700

RGBA 22 21 23 0

HSLA 270, 0.05%, 0.09%, 0

LABA 6.94, 0.94, -1.18, 0

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 9 / 9 / 0 / 61

HEX #5A5A63

RGB 90 90 99

HSL 240, 0.05%, 0.37%

LAB 38.53, 1.99, -5.16

 

CMYK 7 / 9 / 0 / 61

HEX #5C5A63

RGB 92 90 99

HSL 253.33, 0.05%, 0.37%

LAB 38.71, 2.75, -4.88

 

CMYK 5 / 9 / 0 / 61

HEX #5E5A63

RGB 94 90 99

HSL 266.67, 0.05%, 0.37%

LAB 38.89, 3.52, -4.59

 

CMYK 2 / 9 / 0 / 61

HEX #615A63

RGB 97 90 99

HSL 286.67, 0.05%, 0.37%

LAB 39.16, 4.68, -4.15

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 9 / 9 / 0 / 61

HEX #5A5A63

RGB 90 90 99

HSL 240, 0.05%, 0.37%

LAB 38.53, 1.99, -5.16

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 35 / 23 / 0 / 55

HEX #4A5872

RGB 74 88 114

HSL 219, 0.21%, 0.37%

LAB 37.21, 1.48, -16.57

 

CMYK 55 / 36 / 0 / 49

HEX #3B5382

RGB 59 83 130

HSL 219.72, 0.38%, 0.37%

LAB 35.46, 5.48, -29.23

 

CMYK 70 / 46 / 0 / 43

HEX #2C4E91

RGB 44 78 145

HSL 219.8, 0.53%, 0.37%

LAB 34.04, 11.13, -40.71

 

CMYK 82 / 55 / 0 / 37

HEX #1D48A0

RGB 29 72 160

HSL 220.31, 0.69%, 0.37%

LAB 32.78, 19.08, -51.87

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 0 / 7 / 20 / 59

HEX #696254

RGB 105 98 84

HSL 40, 0.11%, 0.37%

LAB 41.81, 0.2, 8.98

 

CMYK 0 / 14 / 43 / 53

HEX #786745

RGB 120 103 69

HSL 40, 0.27%, 0.37%

LAB 44.41, 1.58, 21.68

 

CMYK 0 / 20 / 61 / 47

HEX #876C35

RGB 135 108 53

HSL 40.24, 0.44%, 0.37%

LAB 47.15, 3.87, 34.33

 

CMYK 0 / 25 / 75 / 41

HEX #977126

RGB 151 113 38

HSL 39.82, 0.6%, 0.37%

LAB 50.13, 7.39, 45.35

 

CMYK 9 / 1 / 0 / 61

HEX #5A6263

RGB 90 98 99

HSL 186.67, 0.05%, 0.37%

LAB 40.91, -2.86, -1.64

 

CMYK 9 / 4 / 0 / 61

HEX #5A5F63

RGB 90 95 99

HSL 206.67, 0.05%, 0.37%

LAB 40.01, -1.06, -2.96

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 9 / 9 / 0 / 61

HEX #5A5A63

RGB 90 90 99

HSL 240, 0.05%, 0.37%

LAB 38.53, 1.99, -5.16

 

CMYK 7 / 9 / 0 / 61

HEX #5C5A63

RGB 92 90 99

HSL 253.33, 0.05%, 0.37%

LAB 38.71, 2.75, -4.88

 

CMYK 11 / 7 / 0 / 78

HEX #323438

RGB 50 52 56

HSL 220, 0.06%, 0.21%

LAB 21.65, 0.12, -2.82

 

CMYK 9 / 6 / 0 / 70

HEX #46484D

RGB 70 72 77

HSL 222.86, 0.05%, 0.29%

LAB 30.57, 0.33, -3.27

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 10 / 7 / 0 / 53

HEX #6D7179

RGB 109 113 121

HSL 220, 0.05%, 0.45%

LAB 47.55, 0.21, -4.94

 

CMYK 8 / 6 / 0 / 44

HEX #82868E

RGB 130 134 142

HSL 220, 0.05%, 0.53%

LAB 55.84, 0.19, -4.8

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 1 / 9 / 0 / 61

HEX #625A63

RGB 98 90 99

HSL 293.33, 0.05%, 0.37%

LAB 39.26, 5.08, -4

 

CMYK 2 / 0 / 9 / 61

HEX #61635A

RGB 97 99 90

HSL 73.33, 0.05%, 0.37%

LAB 41.54, -2.61, 4.84

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 0 / 9 / 6 / 61

HEX #635A5D

RGB 99 90 93

HSL 340, 0.05%, 0.37%

LAB 39.17, 4.23, -0.41

 

CMYK 6 / 0 / 9 / 61

HEX #5D635A

RGB 93 99 90

HSL 100, 0.05%, 0.37%

LAB 41.2, -4.21, 4.31

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 1 / 9 / 0 / 61

HEX #625A63

RGB 98 90 99

HSL 293.33, 0.05%, 0.37%

LAB 39.26, 5.08, -4

 

CMYK 0 / 3 / 9 / 61

HEX #63605A

RGB 99 96 90

HSL 40, 0.05%, 0.37%

LAB 40.83, -0, 3.84

 

CMYK 8 / 0 / 9 / 61

HEX #5B635A

RGB 91 99 90

HSL 113.33, 0.05%, 0.37%

LAB 41.03, -5, 4.05

 

CMYK 9 / 6 / 0 / 61

HEX #5A5D63

RGB 90 93 99

HSL 220, 0.05%, 0.37%

LAB 39.42, 0.15, -3.84

 

CMYK 0 / 9 / 2 / 61

HEX #635A61

RGB 99 90 97

HSL 313.33, 0.05%, 0.37%

LAB 39.29, 5.05, -2.7

 

CMYK 0 / 3 / 9 / 61

HEX #63605A

RGB 99 96 90

HSL 40, 0.05%, 0.37%

LAB 40.83, -0, 3.84

 

CMYK 9 / 0 / 8 / 61

HEX #5A635B

RGB 90 99 91

HSL 126.67, 0.05%, 0.37%

LAB 40.98, -5.19, 3.35

 

Description

Color code: HEX #5A5D6300 | qconv.com Color code: HEX #5A5D6300 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 93 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 93 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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