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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A414B it is the complementary color #A5BEB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A414B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A414B shade: #5F4146, #705359, #81656C, #92777F and #A38992

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A414B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A414B shade: #5A414B, #492F38, #381D25, #270B12 and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A414B shade: #59404A, #594043 and #594040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A414B shade: #59404A, #594051, #594057, #544059 and #4D4059

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A414B shade matches the following richer shades: #59404A, #653448, #712845, #7E1B43 and #8A0F40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A414B shade: #59404A, #4C4D4D, #40594F, #346551 and #277254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A414B shade: #594057, #594051, #59404A, #594044 and #594440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A414B shade: #291E22, #412F36, #59404A, #71525E and #896372

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A414B shade: #5A414B, #595440 and #405459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A414B shade: #5A414B, #4A5940 and #404A59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A414B shade: #5A414B, #595440, #40594F and #404559

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A414B shade: #5A414B, #565940, #40594F and #434059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 17 / 65

HEX #5A414B

RGB 90 65 75

HSL 336, 0.16%, 0.3%

LAB 30.55, 12.63, -1.78

 

Complementary color

CMYK 13 / 0 / 5 / 25

HEX #A5BEB4

RGB 165 190 180

HSL 156, 0.16%, 0.7%

LAB 74.9, -10.47, 2.17

 

CMYK 0 / 32 / 26 / 63

HEX #5F4146

RGB 95 65 70

HSL 350, 0.19%, 0.31%

LAB 31.01, 13.86, 2.2

 

CMYK 0 / 26 / 21 / 56

HEX #705359

RGB 112 83 89

HSL 347.59, 0.15%, 0.38%

LAB 38.47, 13.09, 1.22

 

CMYK 0 / 22 / 16 / 49

HEX #81656C

RGB 129 101 108

HSL 345, 0.12%, 0.45%

LAB 45.71, 12.43, 0.36

 

CMYK 0 / 18 / 13 / 43

HEX #92777F

RGB 146 119 127

HSL 342.22, 0.11%, 0.52%

LAB 52.77, 11.87, -0.41

 

CMYK 0 / 16 / 10 / 36

HEX #A38992

RGB 163 137 146

HSL 339.23, 0.12%, 0.59%

LAB 59.67, 11.38, -1.13

 

CMYK 0 / 28 / 17 / 65

HEX #5A414B

RGB 90 65 75

HSL 336, 0.16%, 0.3%

LAB 30.55, 12.63, -1.78

 

CMYK 0 / 36 / 23 / 71

HEX #492F38

RGB 73 47 56

HSL 339.23, 0.22%, 0.24%

LAB 22.78, 13.45, -0.86

 

CMYK 0 / 48 / 34 / 78

HEX #381D25

RGB 56 29 37

HSL 342.22, 0.32%, 0.17%

LAB 14.7, 14.46, 0.32

 

CMYK 0 / 72 / 54 / 85

HEX #270B12

RGB 39 11 18

HSL 345, 0.56%, 0.1%

LAB 6.45, 15.13, 1.77

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 28 / 17 / 65

HEX #59404A

RGB 89 64 74

HSL 336, 0.16%, 0.3%

LAB 30.12, 12.66, -1.78

 

CMYK 0 / 28 / 25 / 65

HEX #594043

RGB 89 64 67

HSL 352.8, 0.16%, 0.3%

LAB 29.9, 11.4, 2.45

 

CMYK 0 / 28 / 28 / 65

HEX #594040

RGB 89 64 64

HSL 0, 0.16%, 0.3%

LAB 29.81, 10.89, 4.27

 

CMYK 0 / 28 / 17 / 65

HEX #59404A

RGB 89 64 74

HSL 336, 0.16%, 0.3%

LAB 30.12, 12.66, -1.78

 

CMYK 0 / 28 / 9 / 65

HEX #594051

RGB 89 64 81

HSL 319.2, 0.16%, 0.3%

LAB 30.36, 14.03, -5.96

 

CMYK 0 / 28 / 2 / 65

HEX #594057

RGB 89 64 87

HSL 304.8, 0.16%, 0.3%

LAB 30.59, 15.28, -9.49

 

CMYK 6 / 28 / 0 / 65

HEX #544059

RGB 84 64 89

HSL 288, 0.16%, 0.3%

LAB 30.09, 13.8, -11.6

 

CMYK 13 / 28 / 0 / 65

HEX #4D4059

RGB 77 64 89

HSL 271.2, 0.16%, 0.3%

LAB 29.33, 11.14, -12.83

 

CMYK 0 / 28 / 17 / 65

HEX #59404A

RGB 89 64 74

HSL 336, 0.16%, 0.3%

LAB 30.12, 12.66, -1.78

 

CMYK 0 / 49 / 29 / 60

HEX #653448

RGB 101 52 72

HSL 335.51, 0.32%, 0.3%

LAB 28.62, 24.63, -2.5

 

CMYK 0 / 65 / 39 / 56

HEX #712845

RGB 113 40 69

HSL 336.16, 0.48%, 0.3%

LAB 28, 35.18, -1.2

 

CMYK 0 / 79 / 47 / 51

HEX #7E1B43

RGB 126 27 67

HSL 335.76, 0.65%, 0.3%

LAB 28.45, 44.54, 1.08

 

CMYK 0 / 89 / 54 / 46

HEX #8A0F40

RGB 138 15 64

HSL 336.1, 0.8%, 0.3%

LAB 29.7, 50.87, 5.22

 

CMYK 0 / 28 / 17 / 65

HEX #59404A

RGB 89 64 74

HSL 336, 0.16%, 0.3%

LAB 30.12, 12.66, -1.78

 

CMYK 1 / 0 / 0 / 70

HEX #4C4D4D

RGB 76 77 77

HSL 180, 0.01%, 0.3%

LAB 32.66, -0.41, -0.15

 

CMYK 28 / 0 / 11 / 65

HEX #40594F

RGB 64 89 79

HSL 156, 0.16%, 0.3%

LAB 35.59, -11.83, 2.74

 

CMYK 49 / 0 / 20 / 60

HEX #346551

RGB 52 101 81

HSL 155.51, 0.32%, 0.3%

LAB 38.95, -21.88, 6.23

 

CMYK 66 / 0 / 26 / 55

HEX #277254

RGB 39 114 84

HSL 156, 0.49%, 0.3%

LAB 42.92, -30.78, 9.96

 

CMYK 0 / 28 / 2 / 65

HEX #594057

RGB 89 64 87

HSL 304.8, 0.16%, 0.3%

LAB 30.59, 15.28, -9.49

 

CMYK 0 / 28 / 9 / 65

HEX #594051

RGB 89 64 81

HSL 319.2, 0.16%, 0.3%

LAB 30.36, 14.03, -5.96

 

CMYK 0 / 28 / 17 / 65

HEX #59404A

RGB 89 64 74

HSL 336, 0.16%, 0.3%

LAB 30.12, 12.66, -1.78

 

CMYK 0 / 28 / 24 / 65

HEX #594044

RGB 89 64 68

HSL 350.4, 0.16%, 0.3%

LAB 29.93, 11.57, 1.84

 

CMYK 0 / 24 / 28 / 65

HEX #594440

RGB 89 68 64

HSL 9.6, 0.16%, 0.3%

LAB 30.95, 8.35, 5.88

 

CMYK 0 / 27 / 17 / 84

HEX #291E22

RGB 41 30 34

HSL 338.18, 0.15%, 0.14%

LAB 12.71, 6.19, -0.67

 

CMYK 0 / 28 / 17 / 75

HEX #412F36

RGB 65 47 54

HSL 336.67, 0.16%, 0.22%

LAB 21.66, 9.55, -1.25

 

CMYK 0 / 28 / 17 / 65

HEX #59404A

RGB 89 64 74

HSL 336, 0.16%, 0.3%

LAB 30.12, 12.66, -1.78

 

CMYK 0 / 27 / 17 / 56

HEX #71525E

RGB 113 82 94

HSL 336.77, 0.16%, 0.38%

LAB 38.47, 14.99, -1.88

 

CMYK 0 / 28 / 17 / 46

HEX #896372

RGB 137 99 114

HSL 336.32, 0.16%, 0.46%

LAB 46.25, 17.81, -2.36

 

CMYK 0 / 28 / 17 / 65

HEX #5A414B

RGB 90 65 75

HSL 336, 0.16%, 0.3%

LAB 30.55, 12.63, -1.78

 

CMYK 0 / 6 / 28 / 65

HEX #595440

RGB 89 84 64

HSL 48, 0.16%, 0.3%

LAB 35.66, -1.62, 12.45

 

CMYK 28 / 6 / 0 / 65

HEX #405459

RGB 64 84 89

HSL 192, 0.16%, 0.3%

LAB 34.3, -6.34, -5.43

 

CMYK 0 / 28 / 17 / 65

HEX #5A414B

RGB 90 65 75

HSL 336, 0.16%, 0.3%

LAB 30.55, 12.63, -1.78

 

CMYK 17 / 0 / 28 / 65

HEX #4A5940

RGB 74 89 64

HSL 96, 0.16%, 0.3%

LAB 35.93, -11.08, 12.6

 

CMYK 28 / 17 / 0 / 65

HEX #404A59

RGB 64 74 89

HSL 216, 0.16%, 0.3%

LAB 31.13, -0.11, -10.19

 

CMYK 0 / 28 / 17 / 65

HEX #5A414B

RGB 90 65 75

HSL 336, 0.16%, 0.3%

LAB 30.55, 12.63, -1.78

 

CMYK 0 / 6 / 28 / 65

HEX #595440

RGB 89 84 64

HSL 48, 0.16%, 0.3%

LAB 35.66, -1.62, 12.45

 

CMYK 28 / 0 / 11 / 65

HEX #40594F

RGB 64 89 79

HSL 156, 0.16%, 0.3%

LAB 35.59, -11.83, 2.74

 

CMYK 28 / 22 / 0 / 65

HEX #404559

RGB 64 69 89

HSL 228, 0.16%, 0.3%

LAB 29.58, 3.11, -12.55

 

CMYK 0 / 28 / 17 / 65

HEX #5A414B

RGB 90 65 75

HSL 336, 0.16%, 0.3%

LAB 30.55, 12.63, -1.78

 

CMYK 3 / 0 / 28 / 65

HEX #565940

RGB 86 89 64

HSL 67.2, 0.16%, 0.3%

LAB 36.92, -5.95, 14.11

 

CMYK 28 / 0 / 11 / 65

HEX #40594F

RGB 64 89 79

HSL 156, 0.16%, 0.3%

LAB 35.59, -11.83, 2.74

 

CMYK 25 / 28 / 0 / 65

HEX #434059

RGB 67 64 89

HSL 247.2, 0.16%, 0.3%

LAB 28.33, 7.47, -14.44

 

Description

Color code: HEX #5A414B | qconv.com Color code: HEX #5A414B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 65 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 65 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 17 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 17% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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