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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3ADE it is the complementary color #A5C521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3ADE shade: #5F3AD9, #704CEC, #815EFF, #9270FF and #A382FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3ADE shade: #5A3ADE, #4928CB, #3816B8, #2704A5 and #160092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3ADE shade: #5B3BDE, #873BDE, #B23BDE, #DE3BDD and #DE3BB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3ADE shade: #5B3BDE and #3B3BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3ADE shade matches the following richer shades: #5B3BDE and #4F28F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3ADE shade: #5B3BDE, #664DCB, #7160B9, #7D72A6 and #888593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3ADE shade: #3B74DE, #3B48DE, #593BDE, #843BDE and #B03BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3ADE shade: #381DA9, #4423CD, #5B3BDE, #785EE4 and #9681EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3ADE shade: #5A3ADE, #DE3B9F and #5EDE3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3ADE shade: #5A3ADE, #DE593B and #3BDE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3ADE shade: #5A3ADE, #DE3B9F, #C0DE3B and #3BDE79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3ADE shade: #5A3ADE, #DE3B6E, #C0DE3B and #3BDEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 74 / 0 / 13

HEX #5A3ADE

RGB 90 58 222

HSL 251.71, 0.71%, 0.55%

LAB 38.68, 56.23, -78.45

 

Complementary color

CMYK 16 / 0 / 83 / 23

HEX #A5C521

RGB 165 197 33

HSL 71.71, 0.71%, 0.45%

LAB 74.85, -30.65, 70.08

 

CMYK 56 / 73 / 0 / 15

HEX #5F3AD9

RGB 95 58 217

HSL 253.96, 0.68%, 0.54%

LAB 38.67, 55.45, -75.58

 

CMYK 53 / 68 / 0 / 7

HEX #704CEC

RGB 112 76 236

HSL 253.5, 0.81%, 0.61%

LAB 45.18, 54.1, -75.67

 

CMYK 49 / 63 / 0 / 0

HEX #815EFF

RGB 129 94 255

HSL 253.04, 1%, 0.68%

LAB 51.72, 52.69, -75.56

 

CMYK 43 / 56 / 0 / 0

HEX #9270FF

RGB 146 112 255

HSL 254.27, 1%, 0.72%

LAB 57, 46.11, -66.94

 

CMYK 36 / 49 / 0 / 0

HEX #A382FF

RGB 163 130 255

HSL 255.84, 1%, 0.75%

LAB 62.48, 39.92, -58.06

 

CMYK 59 / 74 / 0 / 13

HEX #5A3ADE

RGB 90 58 222

HSL 251.71, 0.71%, 0.55%

LAB 38.68, 56.23, -78.45

 

CMYK 64 / 80 / 0 / 20

HEX #4928CB

RGB 73 40 203

HSL 252.15, 0.67%, 0.48%

LAB 32.36, 57.39, -77.95

 

CMYK 70 / 88 / 0 / 28

HEX #3816B8

RGB 56 22 184

HSL 252.59, 0.79%, 0.4%

LAB 26.38, 57.78, -76.72

 

CMYK 76 / 98 / 0 / 35

HEX #2704A5

RGB 39 4 165

HSL 253.04, 0.95%, 0.33%

LAB 20.96, 56.77, -74.34

 

CMYK 85 / 100 / 0 / 43

HEX #160092

RGB 22 0 146

HSL 249.04, 1%, 0.29%

LAB 16.73, 52.55, -69.74

 

CMYK 59 / 73 / 0 / 13

HEX #5B3BDE

RGB 91 59 222

HSL 251.78, 0.71%, 0.55%

LAB 38.94, 55.85, -78.01

 

CMYK 39 / 73 / 0 / 13

HEX #873BDE

RGB 135 59 222

HSL 267.98, 0.71%, 0.55%

LAB 43.58, 62.42, -70.23

 

CMYK 20 / 73 / 0 / 13

HEX #B23BDE

RGB 178 59 222

HSL 283.8, 0.71%, 0.55%

LAB 49.33, 70.19, -60.63

 

CMYK 0 / 73 / 0 / 13

HEX #DE3BDD

RGB 222 59 221

HSL 300.37, 0.71%, 0.55%

LAB 55.97, 78.75, -49.07

 

CMYK 0 / 73 / 20 / 13

HEX #DE3BB1

RGB 222 59 177

HSL 316.56, 0.71%, 0.55%

LAB 53.85, 72.45, -27.12

 

CMYK 59 / 73 / 0 / 13

HEX #5B3BDE

RGB 91 59 222

HSL 251.78, 0.71%, 0.55%

LAB 38.94, 55.85, -78.01

 

CMYK 73 / 73 / 0 / 13

HEX #3B3BDE

RGB 59 59 222

HSL 240, 0.71%, 0.55%

LAB 36.62, 52.43, -81.93

 

CMYK 59 / 73 / 0 / 13

HEX #5B3BDE

RGB 91 59 222

HSL 251.78, 0.71%, 0.55%

LAB 38.94, 55.85, -78.01

 

CMYK 67 / 83 / 0 / 6

HEX #4F28F0

RGB 79 40 240

HSL 251.7, 0.87%, 0.55%

LAB 36.88, 68.04, -91.7

 

CMYK 59 / 73 / 0 / 13

HEX #5B3BDE

RGB 91 59 222

HSL 251.78, 0.71%, 0.55%

LAB 38.94, 55.85, -78.01

 

CMYK 50 / 62 / 0 / 20

HEX #664DCB

RGB 102 77 203

HSL 251.9, 0.55%, 0.55%

LAB 41.91, 42.28, -62.19

 

CMYK 39 / 48 / 0 / 27

HEX #7160B9

RGB 113 96 185

HSL 251.46, 0.39%, 0.55%

LAB 46.15, 28.27, -44.88

 

CMYK 25 / 31 / 0 / 35

HEX #7D72A6

RGB 125 114 166

HSL 252.69, 0.23%, 0.55%

LAB 50.86, 15.79, -26.33

 

CMYK 7 / 10 / 0 / 42

HEX #888593

RGB 136 133 147

HSL 252.86, 0.06%, 0.55%

LAB 56.2, 3.96, -7.09

 

CMYK 73 / 48 / 0 / 13

HEX #3B74DE

RGB 59 116 222

HSL 219.02, 0.71%, 0.55%

LAB 50.33, 17.49, -59.56

 

CMYK 73 / 68 / 0 / 13

HEX #3B48DE

RGB 59 72 222

HSL 235.21, 0.71%, 0.55%

LAB 39.31, 45, -77.49

 

CMYK 60 / 73 / 0 / 13

HEX #593BDE

RGB 89 59 222

HSL 251.04, 0.71%, 0.55%

LAB 38.77, 55.6, -78.3

 

CMYK 41 / 73 / 0 / 13

HEX #843BDE

RGB 132 59 222

HSL 266.87, 0.71%, 0.55%

LAB 43.22, 61.92, -70.83

 

CMYK 21 / 73 / 0 / 13

HEX #B03BDE

RGB 176 59 222

HSL 283.07, 0.71%, 0.55%

LAB 49.05, 69.81, -61.11

 

CMYK 67 / 83 / 0 / 34

HEX #381DA9

RGB 56 29 169

HSL 251.57, 0.71%, 0.39%

LAB 25.52, 50.89, -69.15

 

CMYK 67 / 83 / 0 / 20

HEX #4423CD

RGB 68 35 205

HSL 251.65, 0.71%, 0.47%

LAB 31.44, 59.62, -80.65

 

CMYK 59 / 73 / 0 / 13

HEX #5B3BDE

RGB 91 59 222

HSL 251.78, 0.71%, 0.55%

LAB 38.94, 55.85, -78.01

 

CMYK 47 / 59 / 0 / 11

HEX #785EE4

RGB 120 94 228

HSL 251.64, 0.71%, 0.63%

LAB 49.01, 43.34, -64.89

 

CMYK 36 / 45 / 0 / 8

HEX #9681EA

RGB 150 129 234

HSL 252, 0.71%, 0.71%

LAB 60, 31.74, -50.49

 

CMYK 59 / 74 / 0 / 13

HEX #5A3ADE

RGB 90 58 222

HSL 251.71, 0.71%, 0.55%

LAB 38.68, 56.23, -78.45

 

CMYK 0 / 73 / 28 / 13

HEX #DE3B9F

RGB 222 59 159

HSL 323.19, 0.71%, 0.55%

LAB 53.12, 70.22, -17.67

 

CMYK 58 / 0 / 73 / 13

HEX #5EDE3B

RGB 94 222 59

HSL 107.12, 0.71%, 0.55%

LAB 79.01, -63.39, 65.12

 

CMYK 59 / 74 / 0 / 13

HEX #5A3ADE

RGB 90 58 222

HSL 251.71, 0.71%, 0.55%

LAB 38.68, 56.23, -78.45

 

CMYK 0 / 60 / 73 / 13

HEX #DE593B

RGB 222 89 59

HSL 11.04, 0.71%, 0.55%

LAB 55.06, 50.32, 43.34

 

CMYK 73 / 0 / 60 / 13

HEX #3BDE59

RGB 59 222 89

HSL 131.04, 0.71%, 0.55%

LAB 78.4, -67.49, 52.41

 

CMYK 59 / 74 / 0 / 13

HEX #5A3ADE

RGB 90 58 222

HSL 251.71, 0.71%, 0.55%

LAB 38.68, 56.23, -78.45

 

CMYK 0 / 73 / 28 / 13

HEX #DE3B9F

RGB 222 59 159

HSL 323.19, 0.71%, 0.55%

LAB 53.12, 70.22, -17.67

 

CMYK 14 / 0 / 73 / 13

HEX #C0DE3B

RGB 192 222 59

HSL 71.04, 0.71%, 0.55%

LAB 83.84, -30.4, 71.48

 

CMYK 73 / 0 / 45 / 13

HEX #3BDE79

RGB 59 222 121

HSL 142.82, 0.71%, 0.55%

LAB 78.78, -62.99, 37.82

 

CMYK 59 / 74 / 0 / 13

HEX #5A3ADE

RGB 90 58 222

HSL 251.71, 0.71%, 0.55%

LAB 38.68, 56.23, -78.45

 

CMYK 0 / 73 / 50 / 13

HEX #DE3B6E

RGB 222 59 110

HSL 341.23, 0.71%, 0.55%

LAB 51.59, 65.33, 9.37

 

CMYK 14 / 0 / 73 / 13

HEX #C0DE3B

RGB 192 222 59

HSL 71.04, 0.71%, 0.55%

LAB 83.84, -30.4, 71.48

 

CMYK 73 / 0 / 23 / 13

HEX #3BDEAA

RGB 59 222 170

HSL 160.86, 0.71%, 0.55%

LAB 79.66, -53.31, 13.77

 

Description

Color code: HEX #5A3ADE | qconv.com Color code: HEX #5A3ADE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 58 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 58 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 74 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 74% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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