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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A33BA it is the complementary color #A5CC45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A33BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A33BA shade: #5F33B5, #7045C8, #8157DB, #9269EE and #A37BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A33BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A33BA shade: #5A33BA, #4921A7, #380F94, #270081 and #16006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A33BA shade: #5932B8, #7D32B8, #A132B8, #B832AB and #B83287

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A33BA shade: #5932B8, #3532B8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A33BA shade matches the following richer shades: #5932B8, #511FCB and #490CDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A33BA shade: #5932B8, #6145A5, #695892, #716B7F and #797E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A33BA shade: #3254B8, #3532B8, #5832B8, #7C32B8 and #A032B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A33BA shade: #3A2177, #492A98, #5932B8, #6E47CD and #8768D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A33BA shade: #5A33BA, #B83278 and #42B832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A33BA shade: #5A33BA, #B85832 and #32B858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A33BA shade: #5A33BA, #B83278, #92B832 and #32B873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A33BA shade: #5A33BA, #B8324F, #92B832 and #32B89B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 73 / 0 / 27

HEX #5A33BA

RGB 90 51 186

HSL 257.33, 0.57%, 0.46%

LAB 34.16, 49.49, -64.95

 

Complementary color

CMYK 19 / 0 / 66 / 20

HEX #A5CC45

RGB 165 204 69

HSL 77.33, 0.57%, 0.54%

LAB 77.05, -32.14, 60.5

 

CMYK 48 / 72 / 0 / 29

HEX #5F33B5

RGB 95 51 181

HSL 260.31, 0.56%, 0.45%

LAB 34.27, 48.92, -61.8

 

CMYK 44 / 66 / 0 / 22

HEX #7045C8

RGB 112 69 200

HSL 259.69, 0.54%, 0.53%

LAB 41.01, 47.82, -61.87

 

CMYK 41 / 60 / 0 / 14

HEX #8157DB

RGB 129 87 219

HSL 259.09, 0.65%, 0.6%

LAB 47.75, 46.63, -61.78

 

CMYK 39 / 56 / 0 / 7

HEX #9269EE

RGB 146 105 238

HSL 258.5, 0.8%, 0.67%

LAB 54.44, 45.46, -61.63

 

CMYK 36 / 52 / 0 / 0

HEX #A37BFF

RGB 163 123 255

HSL 258.18, 1%, 0.74%

LAB 60.93, 43.82, -60.53

 

CMYK 52 / 73 / 0 / 27

HEX #5A33BA

RGB 90 51 186

HSL 257.33, 0.57%, 0.46%

LAB 34.16, 49.49, -64.95

 

CMYK 56 / 80 / 0 / 35

HEX #4921A7

RGB 73 33 167

HSL 257.91, 0.67%, 0.39%

LAB 27.56, 50.38, -64.52

 

CMYK 62 / 90 / 0 / 42

HEX #380F94

RGB 56 15 148

HSL 258.5, 0.82%, 0.32%

LAB 21.28, 50.33, -63.32

 

CMYK 70 / 100 / 0 / 49

HEX #270081

RGB 39 0 129

HSL 258.14, 1%, 0.25%

LAB 15.57, 48.72, -60.94

 

CMYK 80 / 100 / 0 / 57

HEX #16006E

RGB 22 0 110

HSL 252, 1%, 0.22%

LAB 11.25, 43.07, -55.93

 

CMYK 52 / 73 / 0 / 28

HEX #5932B8

RGB 89 50 184

HSL 257.46, 0.57%, 0.46%

LAB 33.7, 49.27, -64.52

 

CMYK 32 / 73 / 0 / 28

HEX #7D32B8

RGB 125 50 184

HSL 273.58, 0.57%, 0.46%

LAB 38.02, 55.59, -57.29

 

CMYK 13 / 73 / 0 / 28

HEX #A132B8

RGB 161 50 184

HSL 289.7, 0.57%, 0.46%

LAB 43.24, 62.82, -48.61

 

CMYK 0 / 73 / 7 / 28

HEX #B832AB

RGB 184 50 171

HSL 305.82, 0.57%, 0.46%

LAB 46.19, 65.64, -36.03

 

CMYK 0 / 73 / 27 / 28

HEX #B83287

RGB 184 50 135

HSL 321.94, 0.57%, 0.46%

LAB 44.55, 60.57, -16.98

 

CMYK 52 / 73 / 0 / 28

HEX #5932B8

RGB 89 50 184

HSL 257.46, 0.57%, 0.46%

LAB 33.7, 49.27, -64.52

 

CMYK 71 / 73 / 0 / 28

HEX #3532B8

RGB 53 50 184

HSL 241.34, 0.57%, 0.46%

LAB 30.64, 44.55, -69.67

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 52 / 73 / 0 / 28

HEX #5932B8

RGB 89 50 184

HSL 257.46, 0.57%, 0.46%

LAB 33.7, 49.27, -64.52

 

CMYK 60 / 85 / 0 / 20

HEX #511FCB

RGB 81 31 203

HSL 257.44, 0.74%, 0.46%

LAB 31.9, 61.69, -78.68

 

CMYK 67 / 95 / 0 / 13

HEX #490CDE

RGB 73 12 222

HSL 257.43, 0.9%, 0.46%

LAB 31.7, 70.84, -90.04

 

CMYK 52 / 73 / 0 / 28

HEX #5932B8

RGB 89 50 184

HSL 257.46, 0.57%, 0.46%

LAB 33.7, 49.27, -64.52

 

CMYK 41 / 58 / 0 / 35

HEX #6145A5

RGB 97 69 165

HSL 257.5, 0.41%, 0.46%

LAB 36.96, 34.85, -47.89

 

CMYK 28 / 40 / 0 / 43

HEX #695892

RGB 105 88 146

HSL 257.59, 0.25%, 0.46%

LAB 41.31, 20.17, -29.51

 

CMYK 11 / 16 / 0 / 50

HEX #716B7F

RGB 113 107 127

HSL 258, 0.09%, 0.46%

LAB 46.39, 6.57, -10.22

 

CMYK 4 / 0 / 14 / 51

HEX #797E6C

RGB 121 126 108

HSL 76.67, 0.08%, 0.46%

LAB 51.92, -5.33, 9.17

 

CMYK 73 / 54 / 0 / 28

HEX #3254B8

RGB 50 84 184

HSL 224.78, 0.57%, 0.46%

LAB 38.69, 22.79, -56.51

 

CMYK 71 / 73 / 0 / 28

HEX #3532B8

RGB 53 50 184

HSL 241.34, 0.57%, 0.46%

LAB 30.64, 44.55, -69.67

 

CMYK 52 / 73 / 0 / 28

HEX #5832B8

RGB 88 50 184

HSL 257.01, 0.57%, 0.46%

LAB 33.6, 49.12, -64.7

 

CMYK 33 / 73 / 0 / 28

HEX #7C32B8

RGB 124 50 184

HSL 273.13, 0.57%, 0.46%

LAB 37.89, 55.4, -57.51

 

CMYK 13 / 73 / 0 / 28

HEX #A032B8

RGB 160 50 184

HSL 289.25, 0.57%, 0.46%

LAB 43.09, 62.61, -48.87

 

CMYK 51 / 72 / 0 / 53

HEX #3A2177

RGB 58 33 119

HSL 257.44, 0.57%, 0.3%

LAB 21.28, 34.09, -45.08

 

CMYK 52 / 72 / 0 / 40

HEX #492A98

RGB 73 42 152

HSL 256.91, 0.57%, 0.38%

LAB 27.68, 41.65, -55.19

 

CMYK 52 / 73 / 0 / 28

HEX #5932B8

RGB 89 50 184

HSL 257.46, 0.57%, 0.46%

LAB 33.7, 49.27, -64.52

 

CMYK 46 / 65 / 0 / 20

HEX #6E47CD

RGB 110 71 205

HSL 257.46, 0.57%, 0.54%

LAB 41.58, 47.73, -63.85

 

CMYK 37 / 51 / 0 / 16

HEX #8768D6

RGB 135 104 214

HSL 256.91, 0.57%, 0.62%

LAB 51.73, 37.06, -52.51

 

CMYK 52 / 73 / 0 / 27

HEX #5A33BA

RGB 90 51 186

HSL 257.33, 0.57%, 0.46%

LAB 34.16, 49.49, -64.95

 

CMYK 0 / 73 / 35 / 28

HEX #B83278

RGB 184 50 120

HSL 328.66, 0.57%, 0.46%

LAB 43.98, 58.78, -8.65

 

CMYK 64 / 0 / 73 / 28

HEX #42B832

RGB 66 184 50

HSL 112.84, 0.57%, 0.46%

LAB 66.27, -57.39, 55.2

 

CMYK 52 / 73 / 0 / 27

HEX #5A33BA

RGB 90 51 186

HSL 257.33, 0.57%, 0.46%

LAB 34.16, 49.49, -64.95

 

CMYK 0 / 52 / 73 / 28

HEX #B85832

RGB 184 88 50

HSL 17.01, 0.57%, 0.46%

LAB 48.76, 36.15, 39.47

 

CMYK 73 / 0 / 52 / 28

HEX #32B858

RGB 50 184 88

HSL 137.01, 0.57%, 0.46%

LAB 66.26, -56.11, 38.42

 

CMYK 52 / 73 / 0 / 27

HEX #5A33BA

RGB 90 51 186

HSL 257.33, 0.57%, 0.46%

LAB 34.16, 49.49, -64.95

 

CMYK 0 / 73 / 35 / 28

HEX #B83278

RGB 184 50 120

HSL 328.66, 0.57%, 0.46%

LAB 43.98, 58.78, -8.65

 

CMYK 21 / 0 / 73 / 28

HEX #92B832

RGB 146 184 50

HSL 77.01, 0.57%, 0.46%

LAB 69.91, -31.5, 60.04

 

CMYK 73 / 0 / 38 / 28

HEX #32B873

RGB 50 184 115

HSL 149.1, 0.57%, 0.46%

LAB 66.67, -51.45, 25.05

 

CMYK 52 / 73 / 0 / 27

HEX #5A33BA

RGB 90 51 186

HSL 257.33, 0.57%, 0.46%

LAB 34.16, 49.49, -64.95

 

CMYK 0 / 73 / 57 / 28

HEX #B8324F

RGB 184 50 79

HSL 347.01, 0.57%, 0.46%

LAB 42.82, 54.95, 15.15

 

CMYK 21 / 0 / 73 / 28

HEX #92B832

RGB 146 184 50

HSL 77.01, 0.57%, 0.46%

LAB 69.91, -31.5, 60.04

 

CMYK 73 / 0 / 16 / 28

HEX #32B89B

RGB 50 184 155

HSL 167.01, 0.57%, 0.46%

LAB 67.52, -42.35, 4.52

 

Description

Color code: HEX #5A33BA | qconv.com Color code: HEX #5A33BA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 51 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 51 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 73 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 73% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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