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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3278 it is the complementary color #A5CD87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3278 shade: #5F3273, #704486, #815699, #9268AC and #A37ABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3278 shade: #5A3278, #492065, #380E52, #27003F and #16002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3278 shade: #593277, #6C3277, #77326F, #77325C and #77324A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3278 shade: #593277, #463277, #343277 and #323277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3278 shade matches the following richer shades: #593277, #5B2484, #5D1692 and #5F099F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3278 shade: #593277, #573F69, #554D5B, #535A4E and #516840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3278 shade: #343277, #463277, #593277, #6B3277 and #773270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3278 shade: #2D193C, #43255A, #593277, #6F3E94 and #854AB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3278 shade: #5A3278, #773242 and #32773D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3278 shade: #5A3278, #775932 and #327759

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3278 shade: #5A3278, #773242, #507732 and #327767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3278 shade: #5A3278, #773632, #507732 and #327277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 58 / 0 / 53

HEX #5A3278

RGB 90 50 120

HSL 274.29, 0.41%, 0.33%

LAB 28.93, 32.08, -33.17

 

Complementary color

CMYK 20 / 0 / 34 / 20

HEX #A5CD87

RGB 165 205 135

HSL 94.29, 0.41%, 0.67%

LAB 78.12, -25.68, 30.65

 

CMYK 17 / 57 / 0 / 55

HEX #5F3273

RGB 95 50 115

HSL 281.54, 0.39%, 0.32%

LAB 29.29, 32.29, -29.39

 

CMYK 16 / 49 / 0 / 47

HEX #704486

RGB 112 68 134

HSL 280, 0.33%, 0.4%

LAB 36.56, 31.43, -29.63

 

CMYK 16 / 44 / 0 / 40

HEX #815699

RGB 129 86 153

HSL 278.51, 0.28%, 0.47%

LAB 43.69, 30.56, -29.8

 

CMYK 15 / 40 / 0 / 33

HEX #9268AC

RGB 146 104 172

HSL 277.06, 0.29%, 0.54%

LAB 50.68, 29.73, -29.95

 

CMYK 15 / 36 / 0 / 25

HEX #A37ABF

RGB 163 122 191

HSL 275.65, 0.35%, 0.61%

LAB 57.53, 28.97, -30.11

 

CMYK 25 / 58 / 0 / 53

HEX #5A3278

RGB 90 50 120

HSL 274.29, 0.41%, 0.33%

LAB 28.93, 32.08, -33.17

 

CMYK 28 / 68 / 0 / 60

HEX #492065

RGB 73 32 101

HSL 275.65, 0.52%, 0.26%

LAB 21.54, 32.9, -32.92

 

CMYK 32 / 83 / 0 / 68

HEX #380E52

RGB 56 14 82

HSL 277.06, 0.71%, 0.19%

LAB 14.2, 33.14, -32.22

 

CMYK 38 / 100 / 0 / 75

HEX #27003F

RGB 39 0 63

HSL 277.14, 1%, 0.12%

LAB 7.14, 31.89, -30.58

 

CMYK 50 / 100 / 0 / 83

HEX #16002C

RGB 22 0 44

HSL 270, 1%, 0.09%

LAB 3.18, 18.46, -23.08

 

CMYK 25 / 58 / 0 / 53

HEX #593277

RGB 89 50 119

HSL 273.91, 0.41%, 0.33%

LAB 28.74, 31.54, -32.85

 

CMYK 9 / 58 / 0 / 53

HEX #6C3277

RGB 108 50 119

HSL 290.43, 0.41%, 0.33%

LAB 31.35, 36.99, -28.54

 

CMYK 0 / 58 / 7 / 53

HEX #77326F

RGB 119 50 111

HSL 306.96, 0.41%, 0.33%

LAB 32.59, 38.69, -21.42

 

CMYK 0 / 58 / 23 / 53

HEX #77325C

RGB 119 50 92

HSL 323.48, 0.41%, 0.33%

LAB 31.75, 35.45, -10.56

 

CMYK 0 / 58 / 38 / 53

HEX #77324A

RGB 119 50 74

HSL 339.13, 0.41%, 0.33%

LAB 31.11, 32.87, 0.18

 

CMYK 25 / 58 / 0 / 53

HEX #593277

RGB 89 50 119

HSL 273.91, 0.41%, 0.33%

LAB 28.74, 31.54, -32.85

 

CMYK 41 / 58 / 0 / 53

HEX #463277

RGB 70 50 119

HSL 257.39, 0.41%, 0.33%

LAB 26.49, 26.39, -36.57

 

CMYK 56 / 58 / 0 / 53

HEX #343277

RGB 52 50 119

HSL 241.74, 0.41%, 0.33%

LAB 24.77, 22.07, -39.43

 

CMYK 58 / 58 / 0 / 53

HEX #323277

RGB 50 50 119

HSL 240, 0.41%, 0.33%

LAB 24.61, 21.64, -39.7

 

CMYK 25 / 58 / 0 / 53

HEX #593277

RGB 89 50 119

HSL 273.91, 0.41%, 0.33%

LAB 28.74, 31.54, -32.85

 

CMYK 31 / 73 / 0 / 48

HEX #5B2484

RGB 91 36 132

HSL 274.38, 0.57%, 0.33%

LAB 27.16, 42.77, -43.55

 

CMYK 36 / 85 / 0 / 43

HEX #5D1692

RGB 93 22 146

HSL 274.35, 0.74%, 0.33%

LAB 26.67, 52.05, -53.05

 

CMYK 40 / 94 / 0 / 38

HEX #5F099F

RGB 95 9 159

HSL 274.4, 0.89%, 0.33%

LAB 27.11, 58.41, -60.3

 

CMYK 25 / 58 / 0 / 53

HEX #593277

RGB 89 50 119

HSL 273.91, 0.41%, 0.33%

LAB 28.74, 31.54, -32.85

 

CMYK 17 / 40 / 0 / 59

HEX #573F69

RGB 87 63 105

HSL 274.29, 0.25%, 0.33%

LAB 30.88, 19.38, -20.6

 

CMYK 7 / 15 / 0 / 64

HEX #554D5B

RGB 85 77 91

HSL 274.29, 0.08%, 0.33%

LAB 33.97, 6.33, -7

 

CMYK 8 / 0 / 13 / 65

HEX #535A4E

RGB 83 90 78

HSL 95, 0.07%, 0.33%

LAB 37.3, -5.29, 6

 

CMYK 22 / 0 / 38 / 59

HEX #516840

RGB 81 104 64

HSL 94.5, 0.24%, 0.33%

LAB 41.25, -16.61, 19.82

 

CMYK 56 / 58 / 0 / 53

HEX #343277

RGB 52 50 119

HSL 241.74, 0.41%, 0.33%

LAB 24.77, 22.07, -39.43

 

CMYK 41 / 58 / 0 / 53

HEX #463277

RGB 70 50 119

HSL 257.39, 0.41%, 0.33%

LAB 26.49, 26.39, -36.57

 

CMYK 25 / 58 / 0 / 53

HEX #593277

RGB 89 50 119

HSL 273.91, 0.41%, 0.33%

LAB 28.74, 31.54, -32.85

 

CMYK 10 / 58 / 0 / 53

HEX #6B3277

RGB 107 50 119

HSL 289.57, 0.41%, 0.33%

LAB 31.2, 36.7, -28.78

 

CMYK 0 / 58 / 6 / 53

HEX #773270

RGB 119 50 112

HSL 306.09, 0.41%, 0.33%

LAB 32.64, 38.87, -21.98

 

CMYK 25 / 58 / 0 / 76

HEX #2D193C

RGB 45 25 60

HSL 274.29, 0.41%, 0.17%

LAB 13.1, 18.02, -18.77

 

CMYK 26 / 59 / 0 / 65

HEX #43255A

RGB 67 37 90

HSL 273.96, 0.42%, 0.25%

LAB 21.04, 25.46, -26.52

 

CMYK 25 / 58 / 0 / 53

HEX #593277

RGB 89 50 119

HSL 273.91, 0.41%, 0.33%

LAB 28.74, 31.54, -32.85

 

CMYK 25 / 58 / 0 / 42

HEX #6F3E94

RGB 111 62 148

HSL 274.19, 0.41%, 0.41%

LAB 35.91, 37.91, -39.22

 

CMYK 25 / 58 / 0 / 31

HEX #854AB1

RGB 133 74 177

HSL 274.37, 0.41%, 0.49%

LAB 42.85, 44.01, -45.33

 

CMYK 25 / 58 / 0 / 53

HEX #5A3278

RGB 90 50 120

HSL 274.29, 0.41%, 0.33%

LAB 28.93, 32.08, -33.17

 

CMYK 0 / 58 / 45 / 53

HEX #773242

RGB 119 50 66

HSL 346.09, 0.41%, 0.33%

LAB 30.87, 31.89, 5.07

 

CMYK 58 / 0 / 49 / 53

HEX #32773D

RGB 50 119 61

HSL 129.57, 0.41%, 0.33%

LAB 44.53, -35.1, 25.42

 

CMYK 25 / 58 / 0 / 53

HEX #5A3278

RGB 90 50 120

HSL 274.29, 0.41%, 0.33%

LAB 28.93, 32.08, -33.17

 

CMYK 0 / 25 / 58 / 53

HEX #775932

RGB 119 89 50

HSL 33.91, 0.41%, 0.33%

LAB 40.08, 7.41, 27.13

 

CMYK 58 / 0 / 25 / 53

HEX #327759

RGB 50 119 89

HSL 153.91, 0.41%, 0.33%

LAB 45.07, -29.46, 10.06

 

CMYK 25 / 58 / 0 / 53

HEX #5A3278

RGB 90 50 120

HSL 274.29, 0.41%, 0.33%

LAB 28.93, 32.08, -33.17

 

CMYK 0 / 58 / 45 / 53

HEX #773242

RGB 119 50 66

HSL 346.09, 0.41%, 0.33%

LAB 30.87, 31.89, 5.07

 

CMYK 33 / 0 / 58 / 53

HEX #507732

RGB 80 119 50

HSL 93.91, 0.41%, 0.33%

LAB 45.81, -26.66, 33.16

 

CMYK 58 / 0 / 13 / 53

HEX #327767

RGB 50 119 103

HSL 166.09, 0.41%, 0.33%

LAB 45.43, -25.94, 2.27

 

CMYK 25 / 58 / 0 / 53

HEX #5A3278

RGB 90 50 120

HSL 274.29, 0.41%, 0.33%

LAB 28.93, 32.08, -33.17

 

CMYK 0 / 55 / 58 / 53

HEX #773632

RGB 119 54 50

HSL 3.48, 0.41%, 0.33%

LAB 31.33, 28.07, 16.08

 

CMYK 33 / 0 / 58 / 53

HEX #507732

RGB 80 119 50

HSL 93.91, 0.41%, 0.33%

LAB 45.81, -26.66, 33.16

 

CMYK 58 / 4 / 0 / 53

HEX #327277

RGB 50 114 119

HSL 184.35, 0.41%, 0.33%

LAB 44.3, -18.76, -8.97

 

Description

Color code: HEX #5A3278 | qconv.com Color code: HEX #5A3278 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 50 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 50 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 58 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 58% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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