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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A323F it is the complementary color #A5CDC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A323F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A323F shade: #5F323A, #70444D, #815660, #926873 and #A37A86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A323F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A323F shade: #5A323F, #49202C, #380E19, #270006 and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A323F shade: #59313E, #593133 and #593131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A323F shade: #59313E, #593149, #593153, #533159 and #493159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A323F shade matches the following richer shades: #59313E, #64263A, #6F1B36, #7A0F32 and #85042E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A323F shade: #59313E, #4E3C42, #434746, #37524A and #2C5D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A323F shade: #593153, #593149, #59313E, #593134 and #593931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A323F shade: #241419, #3E222B, #59313E, #734050 and #8E4E63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A323F shade: #5A323F, #595331 and #314E59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A323F shade: #5A323F, #3E5931 and #313E59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A323F shade: #5A323F, #595331, #31594C and #313659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A323F shade: #5A323F, #525931, #31594C and #383159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 30 / 65

HEX #5A323F

RGB 90 50 63

HSL 340.5, 0.29%, 0.27%

LAB 26.2, 19.97, -0.28

 

Complementary color

CMYK 20 / 0 / 6 / 20

HEX #A5CDC0

RGB 165 205 192

HSL 160.5, 0.29%, 0.73%

LAB 79.31, -15.82, 2.1

 

CMYK 0 / 47 / 39 / 63

HEX #5F323A

RGB 95 50 58

HSL 349.33, 0.31%, 0.28%

LAB 26.79, 21.32, 4.01

 

CMYK 0 / 39 / 31 / 56

HEX #70444D

RGB 112 68 77

HSL 347.73, 0.24%, 0.35%

LAB 34.22, 20.27, 2.63

 

CMYK 0 / 33 / 26 / 49

HEX #815660

RGB 129 86 96

HSL 346.05, 0.2%, 0.42%

LAB 41.48, 19.36, 1.51

 

CMYK 0 / 29 / 21 / 43

HEX #926873

RGB 146 104 115

HSL 344.29, 0.17%, 0.49%

LAB 48.57, 18.56, 0.56

 

CMYK 0 / 25 / 18 / 36

HEX #A37A86

RGB 163 122 134

HSL 342.44, 0.18%, 0.56%

LAB 55.51, 17.86, -0.29

 

CMYK 0 / 44 / 30 / 65

HEX #5A323F

RGB 90 50 63

HSL 340.5, 0.29%, 0.27%

LAB 26.2, 19.97, -0.28

 

CMYK 0 / 56 / 40 / 71

HEX #49202C

RGB 73 32 44

HSL 342.44, 0.39%, 0.21%

LAB 18.5, 21.03, 1.2

 

CMYK 0 / 75 / 55 / 78

HEX #380E19

RGB 56 14 25

HSL 344.29, 0.6%, 0.14%

LAB 10.74, 21.93, 3.5

 

CMYK 0 / 100 / 85 / 85

HEX #270006

RGB 39 0 6

HSL 350.77, 1%, 0.08%

LAB 4.01, 18.3, 3.89

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 45 / 30 / 65

HEX #59313E

RGB 89 49 62

HSL 340.5, 0.29%, 0.27%

LAB 25.77, 20.02, -0.26

 

CMYK 0 / 45 / 43 / 65

HEX #593133

RGB 89 49 51

HSL 357, 0.29%, 0.27%

LAB 25.44, 18.4, 6.64

 

CMYK 0 / 45 / 45 / 65

HEX #593131

RGB 89 49 49

HSL 0, 0.29%, 0.27%

LAB 25.39, 18.14, 7.9

 

CMYK 0 / 45 / 30 / 65

HEX #59313E

RGB 89 49 62

HSL 340.5, 0.29%, 0.27%

LAB 25.77, 20.02, -0.26

 

CMYK 0 / 45 / 18 / 65

HEX #593149

RGB 89 49 73

HSL 324, 0.29%, 0.27%

LAB 26.16, 21.9, -7.01

 

CMYK 0 / 45 / 7 / 65

HEX #593153

RGB 89 49 83

HSL 309, 0.29%, 0.27%

LAB 26.58, 23.84, -13

 

CMYK 7 / 45 / 0 / 65

HEX #533159

RGB 83 49 89

HSL 291, 0.29%, 0.27%

LAB 26.03, 22.97, -17.85

 

CMYK 18 / 45 / 0 / 65

HEX #493159

RGB 73 49 89

HSL 276, 0.29%, 0.27%

LAB 24.75, 19.49, -19.95

 

CMYK 0 / 45 / 30 / 65

HEX #59313E

RGB 89 49 62

HSL 340.5, 0.29%, 0.27%

LAB 25.77, 20.02, -0.26

 

CMYK 0 / 62 / 42 / 61

HEX #64263A

RGB 100 38 58

HSL 340.65, 0.45%, 0.27%

LAB 24.96, 30.14, 1.47

 

CMYK 0 / 76 / 51 / 56

HEX #6F1B36

RGB 111 27 54

HSL 340.71, 0.61%, 0.27%

LAB 25.04, 38.62, 4.59

 

CMYK 0 / 88 / 59 / 52

HEX #7A0F32

RGB 122 15 50

HSL 340.37, 0.78%, 0.27%

LAB 25.89, 45.4, 8.85

 

CMYK 0 / 97 / 65 / 48

HEX #85042E

RGB 133 4 46

HSL 340.47, 0.94%, 0.27%

LAB 27.49, 50.21, 14.15

 

CMYK 0 / 45 / 30 / 65

HEX #59313E

RGB 89 49 62

HSL 340.5, 0.29%, 0.27%

LAB 25.77, 20.02, -0.26

 

CMYK 0 / 23 / 15 / 69

HEX #4E3C42

RGB 78 60 66

HSL 340, 0.13%, 0.27%

LAB 27.42, 9.02, -0.66

 

CMYK 6 / 0 / 1 / 72

HEX #434746

RGB 67 71 70

HSL 165, 0.03%, 0.27%

LAB 29.77, -1.87, 0.03

 

CMYK 33 / 0 / 10 / 68

HEX #37524A

RGB 55 82 74

HSL 162.22, 0.2%, 0.27%

LAB 32.57, -12.18, 1.44

 

CMYK 53 / 0 / 17 / 64

HEX #2C5D4D

RGB 44 93 77

HSL 160.41, 0.36%, 0.27%

LAB 35.79, -20.97, 4.13

 

CMYK 0 / 45 / 7 / 65

HEX #593153

RGB 89 49 83

HSL 309, 0.29%, 0.27%

LAB 26.58, 23.84, -13

 

CMYK 0 / 45 / 18 / 65

HEX #593149

RGB 89 49 73

HSL 324, 0.29%, 0.27%

LAB 26.16, 21.9, -7.01

 

CMYK 0 / 45 / 30 / 65

HEX #59313E

RGB 89 49 62

HSL 340.5, 0.29%, 0.27%

LAB 25.77, 20.02, -0.26

 

CMYK 0 / 45 / 42 / 65

HEX #593134

RGB 89 49 52

HSL 355.5, 0.29%, 0.27%

LAB 25.47, 18.54, 6.01

 

CMYK 0 / 36 / 45 / 65

HEX #593931

RGB 89 57 49

HSL 12, 0.29%, 0.27%

LAB 27.5, 13.11, 10.8

 

CMYK 0 / 44 / 31 / 86

HEX #241419

RGB 36 20 25

HSL 341.25, 0.29%, 0.11%

LAB 8.53, 9.16, -0.16

 

CMYK 0 / 45 / 31 / 76

HEX #3E222B

RGB 62 34 43

HSL 340.71, 0.29%, 0.19%

LAB 17.19, 14.86, -0.22

 

CMYK 0 / 45 / 30 / 65

HEX #59313E

RGB 89 49 62

HSL 340.5, 0.29%, 0.27%

LAB 25.77, 20.02, -0.26

 

CMYK 0 / 44 / 30 / 55

HEX #734050

RGB 115 64 80

HSL 341.18, 0.28%, 0.35%

LAB 33.75, 24.32, 0.08

 

CMYK 0 / 45 / 30 / 44

HEX #8E4E63

RGB 142 78 99

HSL 340.31, 0.29%, 0.43%

LAB 41.38, 29.53, -0.29

 

CMYK 0 / 44 / 30 / 65

HEX #5A323F

RGB 90 50 63

HSL 340.5, 0.29%, 0.27%

LAB 26.2, 19.97, -0.28

 

CMYK 0 / 7 / 45 / 65

HEX #595331

RGB 89 83 49

HSL 51, 0.29%, 0.27%

LAB 35.07, -3.14, 20.78

 

CMYK 45 / 12 / 0 / 65

HEX #314E59

RGB 49 78 89

HSL 196.5, 0.29%, 0.27%

LAB 31.4, -7.53, -9.88

 

CMYK 0 / 44 / 30 / 65

HEX #5A323F

RGB 90 50 63

HSL 340.5, 0.29%, 0.27%

LAB 26.2, 19.97, -0.28

 

CMYK 30 / 0 / 45 / 65

HEX #3E5931

RGB 62 89 49

HSL 100.5, 0.29%, 0.27%

LAB 34.78, -18.56, 19.97

 

CMYK 45 / 30 / 0 / 65

HEX #313E59

RGB 49 62 89

HSL 220.5, 0.29%, 0.27%

LAB 26.21, 2.76, -17.84

 

CMYK 0 / 44 / 30 / 65

HEX #5A323F

RGB 90 50 63

HSL 340.5, 0.29%, 0.27%

LAB 26.2, 19.97, -0.28

 

CMYK 0 / 7 / 45 / 65

HEX #595331

RGB 89 83 49

HSL 51, 0.29%, 0.27%

LAB 35.07, -3.14, 20.78

 

CMYK 45 / 0 / 15 / 65

HEX #31594C

RGB 49 89 76

HSL 160.5, 0.29%, 0.27%

LAB 34.64, -17.61, 3.13

 

CMYK 45 / 39 / 0 / 65

HEX #313659

RGB 49 54 89

HSL 232.5, 0.29%, 0.27%

LAB 23.71, 8.21, -21.75

 

CMYK 0 / 44 / 30 / 65

HEX #5A323F

RGB 90 50 63

HSL 340.5, 0.29%, 0.27%

LAB 26.2, 19.97, -0.28

 

CMYK 8 / 0 / 45 / 65

HEX #525931

RGB 82 89 49

HSL 70.5, 0.29%, 0.27%

LAB 36.29, -9.92, 22.19

 

CMYK 45 / 0 / 15 / 65

HEX #31594C

RGB 49 89 76

HSL 160.5, 0.29%, 0.27%

LAB 34.64, -17.61, 3.13

 

CMYK 37 / 45 / 0 / 65

HEX #383159

RGB 56 49 89

HSL 250.5, 0.29%, 0.27%

LAB 22.86, 13.83, -23.05

 

Description

Color code: HEX #5A323F | qconv.com Color code: HEX #5A323F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 50 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 50 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 30 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 30% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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