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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3198 it is the complementary color #A5CE67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3198 shade: #5F3193, #7043A6, #8155B9, #9267CC and #A379DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3198 shade: #5A3198, #491F85, #380D72, #27005F and #16004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3198 shade: #593196, #743196, #903196, #963181 and #963166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3198 shade: #593196, #3E3196 and #313196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3198 shade matches the following richer shades: #593196, #5621A6, #5311B6 and #4F00C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3198 shade: #593196, #5C4186, #605176, #636166 and #667156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3198 shade: #314096, #3D3196, #583196, #733196 and #8E3196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3198 shade: #341D58, #472777, #593196, #6C3BB5 and #8152C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3198 shade: #5A3198, #96315B and #329631

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3198 shade: #5A3198, #965831 and #319658

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3198 shade: #5A3198, #96315B, #6F9631 and #31966C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3198 shade: #5A3198, #96313D, #6F9631 and #31968A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 68 / 0 / 40

HEX #5A3198

RGB 90 49 152

HSL 263.88, 0.51%, 0.39%

LAB 30.97, 41.09, -49.75

 

Complementary color

CMYK 20 / 0 / 50 / 19

HEX #A5CE67

RGB 165 206 103

HSL 83.88, 0.51%, 0.61%

LAB 77.95, -30.13, 46.47

 

CMYK 35 / 67 / 0 / 42

HEX #5F3193

RGB 95 49 147

HSL 268.16, 0.5%, 0.38%

LAB 31.2, 40.84, -46.29

 

CMYK 33 / 60 / 0 / 35

HEX #7043A6

RGB 112 67 166

HSL 267.27, 0.42%, 0.46%

LAB 38.22, 39.88, -46.37

 

CMYK 30 / 54 / 0 / 27

HEX #8155B9

RGB 129 85 185

HSL 266.4, 0.42%, 0.53%

LAB 45.17, 38.87, -46.34

 

CMYK 28 / 50 / 0 / 20

HEX #9267CC

RGB 146 103 204

HSL 265.54, 0.5%, 0.6%

LAB 52.03, 37.88, -46.28

 

CMYK 27 / 46 / 0 / 13

HEX #A379DF

RGB 163 121 223

HSL 264.71, 0.61%, 0.67%

LAB 58.78, 36.95, -46.22

 

CMYK 41 / 68 / 0 / 40

HEX #5A3198

RGB 90 49 152

HSL 263.88, 0.51%, 0.39%

LAB 30.97, 41.09, -49.75

 

CMYK 45 / 77 / 0 / 48

HEX #491F85

RGB 73 31 133

HSL 264.71, 0.62%, 0.32%

LAB 23.97, 41.92, -49.48

 

CMYK 51 / 89 / 0 / 55

HEX #380D72

RGB 56 13 114

HSL 265.54, 0.8%, 0.25%

LAB 17.2, 41.89, -48.57

 

CMYK 59 / 100 / 0 / 63

HEX #27005F

RGB 39 0 95

HSL 264.63, 1%, 0.19%

LAB 10.98, 40.01, -46.4

 

CMYK 71 / 100 / 0 / 70

HEX #16004C

RGB 22 0 76

HSL 257.37, 1%, 0.15%

LAB 6.25, 33.16, -41.31

 

CMYK 41 / 67 / 0 / 41

HEX #593196

RGB 89 49 150

HSL 263.76, 0.51%, 0.39%

LAB 30.69, 40.33, -48.98

 

CMYK 23 / 67 / 0 / 41

HEX #743196

RGB 116 49 150

HSL 279.8, 0.51%, 0.39%

LAB 34.21, 46.39, -43.12

 

CMYK 4 / 67 / 0 / 41

HEX #903196

RGB 144 49 150

HSL 296.44, 0.51%, 0.39%

LAB 38.42, 53.1, -36.15

 

CMYK 0 / 67 / 14 / 41

HEX #963181

RGB 150 49 129

HSL 312.48, 0.51%, 0.39%

LAB 38.32, 51.08, -23.39

 

CMYK 0 / 67 / 32 / 41

HEX #963166

RGB 150 49 102

HSL 328.51, 0.51%, 0.39%

LAB 37.19, 47.24, -8.23

 

CMYK 41 / 67 / 0 / 41

HEX #593196

RGB 89 49 150

HSL 263.76, 0.51%, 0.39%

LAB 30.69, 40.33, -48.98

 

CMYK 59 / 67 / 0 / 41

HEX #3E3196

RGB 62 49 150

HSL 247.72, 0.51%, 0.39%

LAB 27.91, 35.13, -53.64

 

CMYK 67 / 67 / 0 / 41

HEX #313196

RGB 49 49 150

HSL 240, 0.51%, 0.39%

LAB 26.88, 33.1, -55.36

 

CMYK 41 / 67 / 0 / 41

HEX #593196

RGB 89 49 150

HSL 263.76, 0.51%, 0.39%

LAB 30.69, 40.33, -48.98

 

CMYK 48 / 80 / 0 / 35

HEX #5621A6

RGB 86 33 166

HSL 263.91, 0.67%, 0.39%

LAB 28.95, 51.84, -61.56

 

CMYK 54 / 91 / 0 / 29

HEX #5311B6

RGB 83 17 182

HSL 264, 0.83%, 0.39%

LAB 28.43, 60.81, -72.04

 

CMYK 60 / 100 / 0 / 22

HEX #4F00C6

RGB 79 0 198

HSL 263.94, 1%, 0.39%

LAB 28.75, 67.48, -80.99

 

CMYK 41 / 67 / 0 / 41

HEX #593196

RGB 89 49 150

HSL 263.76, 0.51%, 0.39%

LAB 30.69, 40.33, -48.98

 

CMYK 31 / 51 / 0 / 47

HEX #5C4186

RGB 92 65 134

HSL 263.48, 0.35%, 0.39%

LAB 33.51, 27.3, -34.59

 

CMYK 19 / 31 / 0 / 54

HEX #605176

RGB 96 81 118

HSL 264.32, 0.19%, 0.39%

LAB 37.26, 14.36, -18.8

 

CMYK 3 / 5 / 0 / 60

HEX #636166

RGB 99 97 102

HSL 264, 0.03%, 0.39%

LAB 41.47, 1.84, -2.56

 

CMYK 10 / 0 / 24 / 56

HEX #667156

RGB 102 113 86

HSL 84.44, 0.14%, 0.39%

LAB 46.05, -9.42, 13.64

 

CMYK 67 / 57 / 0 / 41

HEX #314096

RGB 49 64 150

HSL 231.09, 0.51%, 0.39%

LAB 30.69, 23.25, -49.14

 

CMYK 59 / 67 / 0 / 41

HEX #3D3196

RGB 61 49 150

HSL 247.13, 0.51%, 0.39%

LAB 27.82, 34.96, -53.78

 

CMYK 41 / 67 / 0 / 41

HEX #583196

RGB 88 49 150

HSL 263.17, 0.51%, 0.39%

LAB 30.58, 40.12, -49.17

 

CMYK 23 / 67 / 0 / 41

HEX #733196

RGB 115 49 150

HSL 279.21, 0.51%, 0.39%

LAB 34.07, 46.16, -43.35

 

CMYK 5 / 67 / 0 / 41

HEX #8E3196

RGB 142 49 150

HSL 295.25, 0.51%, 0.39%

LAB 38.11, 52.61, -36.67

 

CMYK 41 / 67 / 0 / 65

HEX #341D58

RGB 52 29 88

HSL 263.39, 0.5%, 0.23%

LAB 17.05, 25.71, -31.68

 

CMYK 40 / 67 / 0 / 53

HEX #472777

RGB 71 39 119

HSL 264, 0.51%, 0.31%

LAB 24.07, 33.34, -40.47

 

CMYK 41 / 67 / 0 / 41

HEX #593196

RGB 89 49 150

HSL 263.76, 0.51%, 0.39%

LAB 30.69, 40.33, -48.98

 

CMYK 40 / 67 / 0 / 29

HEX #6C3BB5

RGB 108 59 181

HSL 264.1, 0.51%, 0.47%

LAB 37.21, 47.23, -56.93

 

CMYK 35 / 59 / 0 / 22

HEX #8152C7

RGB 129 82 199

HSL 264.1, 0.51%, 0.55%

LAB 45.39, 44.12, -54.12

 

CMYK 41 / 68 / 0 / 40

HEX #5A3198

RGB 90 49 152

HSL 263.88, 0.51%, 0.39%

LAB 30.97, 41.09, -49.75

 

CMYK 0 / 67 / 39 / 41

HEX #96315B

RGB 150 49 91

HSL 335.05, 0.51%, 0.39%

LAB 36.81, 45.92, -1.81

 

CMYK 67 / 0 / 67 / 41

HEX #329631

RGB 50 150 49

HSL 119.41, 0.51%, 0.39%

LAB 54.78, -48.94, 43.4

 

CMYK 41 / 68 / 0 / 40

HEX #5A3198

RGB 90 49 152

HSL 263.88, 0.51%, 0.39%

LAB 30.97, 41.09, -49.75

 

CMYK 0 / 41 / 67 / 41

HEX #965831

RGB 150 88 49

HSL 23.17, 0.51%, 0.39%

LAB 43.78, 21.94, 33.05

 

CMYK 67 / 0 / 41 / 41

HEX #319658

RGB 49 150 88

HSL 143.17, 0.51%, 0.39%

LAB 55.25, -43.45, 24.43

 

CMYK 41 / 68 / 0 / 40

HEX #5A3198

RGB 90 49 152

HSL 263.88, 0.51%, 0.39%

LAB 30.97, 41.09, -49.75

 

CMYK 0 / 67 / 39 / 41

HEX #96315B

RGB 150 49 91

HSL 335.05, 0.51%, 0.39%

LAB 36.81, 45.92, -1.81

 

CMYK 26 / 0 / 67 / 41

HEX #6F9631

RGB 111 150 49

HSL 83.17, 0.51%, 0.39%

LAB 57.48, -29.49, 47.1

 

CMYK 67 / 0 / 28 / 41

HEX #31966C

RGB 49 150 108

HSL 155.05, 0.51%, 0.39%

LAB 55.63, -39.28, 13.84

 

CMYK 41 / 68 / 0 / 40

HEX #5A3198

RGB 90 49 152

HSL 263.88, 0.51%, 0.39%

LAB 30.97, 41.09, -49.75

 

CMYK 0 / 67 / 59 / 41

HEX #96313D

RGB 150 49 61

HSL 352.87, 0.51%, 0.39%

LAB 36.02, 43.06, 16.25

 

CMYK 26 / 0 / 67 / 41

HEX #6F9631

RGB 111 150 49

HSL 83.17, 0.51%, 0.39%

LAB 57.48, -29.49, 47.1

 

CMYK 67 / 0 / 8 / 41

HEX #31968A

RGB 49 150 138

HSL 172.87, 0.51%, 0.39%

LAB 56.39, -31.63, -2.15

 

Description

Color code: HEX #5A3198 | qconv.com Color code: HEX #5A3198 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 49 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 49 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 68 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 68% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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