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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2F8C it is the complementary color #A5D073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2F8C shade: #5F2F87, #70419A, #8153AD, #9265C0 and #A377D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2F8C shade: #5A2F8C, #491D79, #380B66, #270053 and #160040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2F8C shade: #5B2F8E, #742F8E, #8E2F8D, #8E2F74 and #8E2F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2F8C shade: #5B2F8E, #412F8E and #2F2F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2F8C shade matches the following richer shades: #5B2F8E, #5A209D, #5811AC and #5701BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2F8C shade: #5B2F8E, #5C3E7E, #5D4E6F, #5E5D60 and #5F6C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2F8C shade: #2F378E, #402F8E, #5A2F8E, #732F8E and #8C2F8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2F8C shade: #331B50, #47256F, #5B2F8E, #6F39AC and #834CC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2F8C shade: #5A2F8C, #8E2F50 and #2F8E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2F8C shade: #5A2F8C, #8E5A2F and #2F8E5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2F8C shade: #5A2F8C, #8E2F50, #638E2F and #2F8E6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2F8C shade: #5A2F8C, #8E2F34, #638E2F and #2F8E89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 66 / 0 / 45

HEX #5A2F8C

RGB 90 47 140

HSL 267.74, 0.5%, 0.37%

LAB 29.66, 38.95, -44.49

 

Complementary color

CMYK 21 / 0 / 45 / 18

HEX #A5D073

RGB 165 208 115

HSL 87.74, 0.5%, 0.63%

LAB 78.66, -29.73, 41.5

 

CMYK 30 / 65 / 0 / 47

HEX #5F2F87

RGB 95 47 135

HSL 272.73, 0.48%, 0.36%

LAB 29.95, 38.84, -40.9

 

CMYK 27 / 58 / 0 / 40

HEX #70419A

RGB 112 65 154

HSL 271.69, 0.41%, 0.43%

LAB 37.04, 37.97, -41.05

 

CMYK 25 / 52 / 0 / 32

HEX #8153AD

RGB 129 83 173

HSL 270.67, 0.35%, 0.5%

LAB 44.05, 37.02, -41.1

 

CMYK 24 / 47 / 0 / 25

HEX #9265C0

RGB 146 101 192

HSL 269.67, 0.42%, 0.57%

LAB 50.95, 36.1, -41.11

 

CMYK 23 / 44 / 0 / 17

HEX #A377D3

RGB 163 119 211

HSL 268.7, 0.51%, 0.65%

LAB 57.74, 35.22, -41.12

 

CMYK 36 / 66 / 0 / 45

HEX #5A2F8C

RGB 90 47 140

HSL 267.74, 0.5%, 0.37%

LAB 29.66, 38.95, -44.49

 

CMYK 40 / 76 / 0 / 53

HEX #491D79

RGB 73 29 121

HSL 268.7, 0.61%, 0.29%

LAB 22.57, 39.66, -44.17

 

CMYK 45 / 89 / 0 / 60

HEX #380B66

RGB 56 11 102

HSL 269.67, 0.81%, 0.22%

LAB 15.69, 39.44, -43.19

 

CMYK 53 / 100 / 0 / 67

HEX #270053

RGB 39 0 83

HSL 268.19, 1%, 0.16%

LAB 9.45, 36.96, -40.79

 

CMYK 66 / 100 / 0 / 75

HEX #160040

RGB 22 0 64

HSL 260.63, 1%, 0.13%

LAB 4.88, 28.2, -35.08

 

CMYK 36 / 67 / 0 / 44

HEX #5B2F8E

RGB 91 47 142

HSL 267.79, 0.5%, 0.37%

LAB 29.94, 39.71, -45.28

 

CMYK 18 / 67 / 0 / 44

HEX #742F8E

RGB 116 47 142

HSL 283.58, 0.5%, 0.37%

LAB 33.35, 45.58, -39.61

 

CMYK 0 / 67 / 1 / 44

HEX #8E2F8D

RGB 142 47 141

HSL 300.63, 0.5%, 0.37%

LAB 37.31, 51.81, -32.45

 

CMYK 0 / 67 / 18 / 44

HEX #8E2F74

RGB 142 47 116

HSL 316.42, 0.5%, 0.37%

LAB 36.07, 47.69, -18.88

 

CMYK 0 / 67 / 37 / 44

HEX #8E2F5A

RGB 142 47 90

HSL 332.84, 0.5%, 0.37%

LAB 35.05, 44.14, -3.93

 

CMYK 36 / 67 / 0 / 44

HEX #5B2F8E

RGB 91 47 142

HSL 267.79, 0.5%, 0.37%

LAB 29.94, 39.71, -45.28

 

CMYK 54 / 67 / 0 / 44

HEX #412F8E

RGB 65 47 142

HSL 251.37, 0.5%, 0.37%

LAB 27.05, 34.3, -50.1

 

CMYK 67 / 67 / 0 / 44

HEX #2F2F8E

RGB 47 47 142

HSL 240, 0.5%, 0.37%

LAB 25.53, 31.27, -52.63

 

CMYK 36 / 67 / 0 / 44

HEX #5B2F8E

RGB 91 47 142

HSL 267.79, 0.5%, 0.37%

LAB 29.94, 39.71, -45.28

 

CMYK 43 / 80 / 0 / 38

HEX #5A209D

RGB 90 32 157

HSL 267.84, 0.66%, 0.37%

LAB 28.49, 50.56, -56.84

 

CMYK 49 / 90 / 0 / 33

HEX #5811AC

RGB 88 17 172

HSL 267.48, 0.82%, 0.37%

LAB 27.99, 58.9, -66.75

 

CMYK 53 / 99 / 0 / 27

HEX #5701BB

RGB 87 1 187

HSL 267.74, 0.99%, 0.37%

LAB 28.47, 65.33, -74.92

 

CMYK 36 / 67 / 0 / 44

HEX #5B2F8E

RGB 91 47 142

HSL 267.79, 0.5%, 0.37%

LAB 29.94, 39.71, -45.28

 

CMYK 27 / 51 / 0 / 51

HEX #5C3E7E

RGB 92 62 126

HSL 268.13, 0.34%, 0.37%

LAB 32.32, 27, -31.53

 

CMYK 16 / 30 / 0 / 56

HEX #5D4E6F

RGB 93 78 111

HSL 267.27, 0.17%, 0.37%

LAB 35.84, 13.45, -16.67

 

CMYK 2 / 3 / 0 / 62

HEX #5E5D60

RGB 94 93 96

HSL 260, 0.02%, 0.37%

LAB 39.67, 1.03, -1.58

 

CMYK 12 / 0 / 26 / 58

HEX #5F6C50

RGB 95 108 80

HSL 87.86, 0.15%, 0.37%

LAB 43.85, -10.48, 14.08

 

CMYK 67 / 61 / 0 / 44

HEX #2F378E

RGB 47 55 142

HSL 234.95, 0.5%, 0.37%

LAB 27.54, 26.01, -49.35

 

CMYK 55 / 67 / 0 / 44

HEX #402F8E

RGB 64 47 142

HSL 250.74, 0.5%, 0.37%

LAB 26.95, 34.11, -50.26

 

CMYK 37 / 67 / 0 / 44

HEX #5A2F8E

RGB 90 47 142

HSL 267.16, 0.5%, 0.37%

LAB 29.81, 39.48, -45.49

 

CMYK 19 / 67 / 0 / 44

HEX #732F8E

RGB 115 47 142

HSL 282.95, 0.5%, 0.37%

LAB 33.2, 45.33, -39.85

 

CMYK 1 / 67 / 0 / 44

HEX #8C2F8E

RGB 140 47 142

HSL 298.74, 0.5%, 0.37%

LAB 37.04, 51.49, -33.5

 

CMYK 36 / 66 / 0 / 69

HEX #331B50

RGB 51 27 80

HSL 267.17, 0.5%, 0.21%

LAB 15.83, 24.32, -28.25

 

CMYK 36 / 67 / 0 / 56

HEX #47256F

RGB 71 37 111

HSL 267.57, 0.5%, 0.29%

LAB 23.03, 32.25, -37.02

 

CMYK 36 / 67 / 0 / 44

HEX #5B2F8E

RGB 91 47 142

HSL 267.79, 0.5%, 0.37%

LAB 29.94, 39.71, -45.28

 

CMYK 35 / 67 / 0 / 33

HEX #6F39AC

RGB 111 57 172

HSL 268.17, 0.5%, 0.45%

LAB 36.53, 46.56, -52.69

 

CMYK 33 / 61 / 0 / 24

HEX #834CC3

RGB 131 76 195

HSL 267.73, 0.5%, 0.53%

LAB 44.14, 46.82, -53.81

 

CMYK 36 / 66 / 0 / 45

HEX #5A2F8C

RGB 90 47 140

HSL 267.74, 0.5%, 0.37%

LAB 29.66, 38.95, -44.49

 

CMYK 0 / 67 / 44 / 44

HEX #8E2F50

RGB 142 47 80

HSL 339.16, 0.5%, 0.37%

LAB 34.73, 42.99, 2.03

 

CMYK 67 / 0 / 63 / 44

HEX #2F8E34

RGB 47 142 52

HSL 123.16, 0.5%, 0.37%

LAB 52.06, -46.32, 39.01

 

CMYK 36 / 66 / 0 / 45

HEX #5A2F8C

RGB 90 47 140

HSL 267.74, 0.5%, 0.37%

LAB 29.66, 38.95, -44.49

 

CMYK 0 / 37 / 67 / 44

HEX #8E5A2F

RGB 142 90 47

HSL 27.16, 0.5%, 0.37%

LAB 43.16, 17.12, 33.16

 

CMYK 67 / 0 / 37 / 44

HEX #2F8E5A

RGB 47 142 90

HSL 147.16, 0.5%, 0.37%

LAB 52.61, -40.16, 19.81

 

CMYK 36 / 66 / 0 / 45

HEX #5A2F8C

RGB 90 47 140

HSL 267.74, 0.5%, 0.37%

LAB 29.66, 38.95, -44.49

 

CMYK 0 / 67 / 44 / 44

HEX #8E2F50

RGB 142 47 80

HSL 339.16, 0.5%, 0.37%

LAB 34.73, 42.99, 2.03

 

CMYK 30 / 0 / 67 / 44

HEX #638E2F

RGB 99 142 47

HSL 87.16, 0.5%, 0.37%

LAB 54.24, -30.59, 44.3

 

CMYK 67 / 0 / 23 / 44

HEX #2F8E6D

RGB 47 142 109

HSL 159.16, 0.5%, 0.37%

LAB 53.01, -35.9, 9.59

 

CMYK 36 / 66 / 0 / 45

HEX #5A2F8C

RGB 90 47 140

HSL 267.74, 0.5%, 0.37%

LAB 29.66, 38.95, -44.49

 

CMYK 0 / 67 / 63 / 44

HEX #8E2F34

RGB 142 47 52

HSL 356.84, 0.5%, 0.37%

LAB 34.05, 40.5, 19.12

 

CMYK 30 / 0 / 67 / 44

HEX #638E2F

RGB 99 142 47

HSL 87.16, 0.5%, 0.37%

LAB 54.24, -30.59, 44.3

 

CMYK 67 / 0 / 4 / 44

HEX #2F8E89

RGB 47 142 137

HSL 176.84, 0.5%, 0.37%

LAB 53.77, -28.37, -5.45

 

Description

Color code: HEX #5A2F8C | qconv.com Color code: HEX #5A2F8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 47 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 47 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 66 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 66% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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