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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2EB7 it is the complementary color #A5D148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2EB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2EB7 shade: #5F2EB2, #7040C5, #8152D8, #9264EB and #A376FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2EB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2EB7 shade: #5A2EB7, #491CA4, #380A91, #27007E and #16006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2EB7 shade: #5A2EB8, #7F2EB8, #A42EB8, #B82EA6 and #B82E81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2EB7 shade: #5A2EB8, #352EB8 and #2E2EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2EB7 shade matches the following richer shades: #5A2EB8, #531BCA and #4D09DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2EB7 shade: #5A2EB8, #6140A5, #675392, #6E6680 and #75786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2EB7 shade: #2E4CB8, #352EB8, #5A2EB8, #7E2EB8 and #A32EB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2EB7 shade: #3A1D76, #4A2697, #5A2EB8, #6E40CF and #8761D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2EB7 shade: #5A2EB7, #B82E70 and #39B82E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2EB7 shade: #5A2EB7, #B85A2E and #2EB85A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2EB7 shade: #5A2EB7, #B82E70, #8CB82E and #2EB875

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2EB7 shade: #5A2EB7, #B82E47, #8CB82E and #2EB89E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 75 / 0 / 28

HEX #5A2EB7

RGB 90 46 183

HSL 259.27, 0.6%, 0.45%

LAB 33.02, 51.12, -65.04

 

Complementary color

CMYK 21 / 0 / 66 / 18

HEX #A5D148

RGB 165 209 72

HSL 79.27, 0.6%, 0.55%

LAB 78.5, -34.25, 60.83

 

CMYK 47 / 74 / 0 / 30

HEX #5F2EB2

RGB 95 46 178

HSL 262.27, 0.59%, 0.44%

LAB 33.14, 50.56, -61.86

 

CMYK 43 / 68 / 0 / 23

HEX #7040C5

RGB 112 64 197

HSL 261.65, 0.53%, 0.51%

LAB 39.82, 49.65, -62.06

 

CMYK 40 / 62 / 0 / 15

HEX #8152D8

RGB 129 82 216

HSL 261.04, 0.63%, 0.58%

LAB 46.52, 48.56, -62.06

 

CMYK 38 / 57 / 0 / 8

HEX #9264EB

RGB 146 100 235

HSL 260.44, 0.77%, 0.66%

LAB 53.19, 47.43, -61.95

 

CMYK 36 / 54 / 0 / 0

HEX #A376FE

RGB 163 118 254

HSL 259.85, 0.99%, 0.73%

LAB 59.8, 46.33, -61.8

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB7

RGB 90 46 183

HSL 259.27, 0.6%, 0.45%

LAB 33.02, 51.12, -65.04

 

CMYK 55 / 83 / 0 / 36

HEX #491CA4

RGB 73 28 164

HSL 259.85, 0.71%, 0.38%

LAB 26.53, 51.66, -64.4

 

CMYK 61 / 93 / 0 / 43

HEX #380A91

RGB 56 10 145

HSL 260.44, 0.87%, 0.3%

LAB 20.45, 50.97, -62.85

 

CMYK 69 / 100 / 0 / 51

HEX #27007E

RGB 39 0 126

HSL 258.57, 1%, 0.25%

LAB 15.16, 47.95, -59.72

 

CMYK 79 / 100 / 0 / 58

HEX #16006B

RGB 22 0 107

HSL 252.34, 1%, 0.21%

LAB 10.79, 42.26, -54.73

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB8

RGB 90 46 184

HSL 259.13, 0.6%, 0.45%

LAB 33.11, 51.4, -65.49

 

CMYK 31 / 75 / 0 / 28

HEX #7F2EB8

RGB 127 46 184

HSL 275.22, 0.6%, 0.45%

LAB 37.71, 57.63, -57.79

 

CMYK 11 / 75 / 0 / 28

HEX #A42EB8

RGB 164 46 184

HSL 291.3, 0.6%, 0.45%

LAB 43.22, 64.83, -48.61

 

CMYK 0 / 75 / 10 / 28

HEX #B82EA6

RGB 184 46 166

HSL 307.83, 0.6%, 0.45%

LAB 45.49, 66.15, -34.16

 

CMYK 0 / 75 / 30 / 28

HEX #B82E81

RGB 184 46 129

HSL 323.91, 0.6%, 0.45%

LAB 43.84, 61.16, -14.39

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB8

RGB 90 46 184

HSL 259.13, 0.6%, 0.45%

LAB 33.11, 51.4, -65.49

 

CMYK 71 / 75 / 0 / 28

HEX #352EB8

RGB 53 46 184

HSL 243.04, 0.6%, 0.45%

LAB 29.84, 46.78, -70.98

 

CMYK 75 / 75 / 0 / 28

HEX #2E2EB8

RGB 46 46 184

HSL 240, 0.6%, 0.45%

LAB 29.4, 46.15, -71.73

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB8

RGB 90 46 184

HSL 259.13, 0.6%, 0.45%

LAB 33.11, 51.4, -65.49

 

CMYK 59 / 87 / 0 / 21

HEX #531BCA

RGB 83 27 202

HSL 259.2, 0.76%, 0.45%

LAB 31.55, 62.95, -78.68

 

CMYK 65 / 96 / 0 / 13

HEX #4D09DD

RGB 77 9 221

HSL 259.25, 0.92%, 0.45%

LAB 31.79, 71.27, -89.31

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB8

RGB 90 46 184

HSL 259.13, 0.6%, 0.45%

LAB 33.11, 51.4, -65.49

 

CMYK 41 / 61 / 0 / 35

HEX #6140A5

RGB 97 64 165

HSL 259.6, 0.44%, 0.45%

LAB 35.84, 37.78, -49.69

 

CMYK 29 / 43 / 0 / 43

HEX #675392

RGB 103 83 146

HSL 259.05, 0.28%, 0.45%

LAB 39.82, 22.65, -31.86

 

CMYK 14 / 20 / 0 / 50

HEX #6E6680

RGB 110 102 128

HSL 258.46, 0.11%, 0.45%

LAB 44.77, 8.74, -13.3

 

CMYK 3 / 0 / 9 / 53

HEX #75786D

RGB 117 120 109

HSL 76.36, 0.05%, 0.45%

LAB 49.88, -3.29, 5.64

 

CMYK 75 / 59 / 0 / 28

HEX #2E4CB8

RGB 46 76 184

HSL 226.96, 0.6%, 0.45%

LAB 36.39, 27.53, -60.26

 

CMYK 71 / 75 / 0 / 28

HEX #352EB8

RGB 53 46 184

HSL 243.04, 0.6%, 0.45%

LAB 29.84, 46.78, -70.98

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB8

RGB 90 46 184

HSL 259.13, 0.6%, 0.45%

LAB 33.11, 51.4, -65.49

 

CMYK 32 / 75 / 0 / 28

HEX #7E2EB8

RGB 126 46 184

HSL 274.78, 0.6%, 0.45%

LAB 37.57, 57.45, -58.02

 

CMYK 11 / 75 / 0 / 28

HEX #A32EB8

RGB 163 46 184

HSL 290.87, 0.6%, 0.45%

LAB 43.06, 64.62, -48.88

 

CMYK 51 / 75 / 0 / 54

HEX #3A1D76

RGB 58 29 118

HSL 259.55, 0.61%, 0.29%

LAB 20.39, 36.02, -45.9

 

CMYK 51 / 75 / 0 / 41

HEX #4A2697

RGB 74 38 151

HSL 259.12, 0.6%, 0.37%

LAB 26.95, 43.63, -55.77

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB8

RGB 90 46 184

HSL 259.13, 0.6%, 0.45%

LAB 33.11, 51.4, -65.49

 

CMYK 47 / 69 / 0 / 19

HEX #6E40CF

RGB 110 64 207

HSL 259.3, 0.6%, 0.53%

LAB 40.39, 51.97, -66.95

 

CMYK 37 / 55 / 0 / 16

HEX #8761D7

RGB 135 97 215

HSL 259.32, 0.6%, 0.61%

LAB 50.22, 41.33, -55.49

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB7

RGB 90 46 183

HSL 259.27, 0.6%, 0.45%

LAB 33.02, 51.12, -65.04

 

CMYK 0 / 75 / 39 / 28

HEX #B82E70

RGB 184 46 112

HSL 331.3, 0.6%, 0.45%

LAB 43.23, 59.25, -4.83

 

CMYK 69 / 0 / 75 / 28

HEX #39B82E

RGB 57 184 46

HSL 115.22, 0.6%, 0.45%

LAB 66.02, -59.54, 56.31

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB7

RGB 90 46 183

HSL 259.27, 0.6%, 0.45%

LAB 33.02, 51.12, -65.04

 

CMYK 0 / 51 / 75 / 28

HEX #B85A2E

RGB 184 90 46

HSL 19.13, 0.6%, 0.45%

LAB 49.13, 34.93, 41.93

 

CMYK 75 / 0 / 51 / 28

HEX #2EB85A

RGB 46 184 90

HSL 139.13, 0.6%, 0.45%

LAB 66.21, -56.41, 37.35

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB7

RGB 90 46 183

HSL 259.27, 0.6%, 0.45%

LAB 33.02, 51.12, -65.04

 

CMYK 0 / 75 / 39 / 28

HEX #B82E70

RGB 184 46 112

HSL 331.3, 0.6%, 0.45%

LAB 43.23, 59.25, -4.83

 

CMYK 24 / 0 / 75 / 28

HEX #8CB82E

RGB 140 184 46

HSL 79.13, 0.6%, 0.45%

LAB 69.51, -34.11, 60.9

 

CMYK 75 / 0 / 36 / 28

HEX #2EB875

RGB 46 184 117

HSL 150.87, 0.6%, 0.45%

LAB 66.63, -51.62, 23.92

 

CMYK 51 / 75 / 0 / 28

HEX #5A2EB7

RGB 90 46 183

HSL 259.27, 0.6%, 0.45%

LAB 33.02, 51.12, -65.04

 

CMYK 0 / 75 / 61 / 28

HEX #B82E47

RGB 184 46 71

HSL 349.13, 0.6%, 0.45%

LAB 42.15, 55.78, 19.24

 

CMYK 24 / 0 / 75 / 28

HEX #8CB82E

RGB 140 184 46

HSL 79.13, 0.6%, 0.45%

LAB 69.51, -34.11, 60.9

 

CMYK 75 / 0 / 14 / 28

HEX #2EB89E

RGB 46 184 158

HSL 168.7, 0.6%, 0.45%

LAB 67.52, -42.07, 2.87

 

Description

Color code: HEX #5A2EB7 | qconv.com Color code: HEX #5A2EB7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 46 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 46 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 75 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 75% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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