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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2B6E it is the complementary color #A5D491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2B6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2B6E shade: #5F2B69, #703D7C, #814F8F, #9261A2 and #A373B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2B6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2B6E shade: #5A2B6E, #49195B, #380748, #270035 and #160022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2B6E shade: #5A2B6E, #6C2B6E, #6E2B5E, #6E2B4C and #6E2B3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2B6E shade: #5A2B6E, #482B6E, #362B6E and #2B2B6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2B6E shade matches the following richer shades: #5A2B6E, #5F1E7B, #641287 and #690693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2B6E shade: #5A2B6E, #553762, #504455, #4B5049 and #465C3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2B6E shade: #362B6E, #482B6E, #5A2B6E, #6C2B6E and #6E2B5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2B6E shade: #291433, #421F50, #5A2B6E, #72368C and #8B42AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2B6E shade: #5A2B6E, #6E2B32 and #2B6E3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2B6E shade: #5A2B6E, #6E5A2B and #2B6E5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2B6E shade: #5A2B6E, #6E2B32, #3F6E2B and #2B6E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2B6E shade: #5A2B6E, #6E382B, #3F6E2B and #2B616E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

Complementary color

CMYK 22 / 0 / 32 / 17

HEX #A5D491

RGB 165 212 145

HSL 102.09, 0.44%, 0.7%

LAB 80.25, -27.59, 28.32

 

CMYK 10 / 59 / 0 / 59

HEX #5F2B69

RGB 95 43 105

HSL 290.32, 0.42%, 0.29%

LAB 27.24, 33.94, -26.23

 

CMYK 10 / 51 / 0 / 51

HEX #703D7C

RGB 112 61 124

HSL 288.57, 0.34%, 0.36%

LAB 34.47, 33.2, -26.72

 

CMYK 10 / 45 / 0 / 44

HEX #814F8F

RGB 129 79 143

HSL 286.88, 0.29%, 0.44%

LAB 41.6, 32.37, -27.06

 

CMYK 10 / 40 / 0 / 36

HEX #9261A2

RGB 146 97 162

HSL 285.23, 0.26%, 0.51%

LAB 48.6, 31.55, -27.33

 

CMYK 10 / 36 / 0 / 29

HEX #A373B5

RGB 163 115 181

HSL 283.64, 0.31%, 0.58%

LAB 55.47, 30.78, -27.58

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 20 / 73 / 0 / 64

HEX #49195B

RGB 73 25 91

HSL 283.64, 0.57%, 0.23%

LAB 19.5, 34.11, -29.59

 

CMYK 22 / 90 / 0 / 72

HEX #380748

RGB 56 7 72

HSL 285.23, 0.82%, 0.15%

LAB 12.36, 33.6, -28.31

 

CMYK 26 / 100 / 0 / 79

HEX #270035

RGB 39 0 53

HSL 284.15, 1%, 0.1%

LAB 6.22, 29.07, -24.82

 

CMYK 35 / 100 / 0 / 87

HEX #160022

RGB 22 0 34

HSL 278.82, 1%, 0.07%

LAB 2.58, 14.24, -16.28

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 2 / 61 / 0 / 57

HEX #6C2B6E

RGB 108 43 110

HSL 298.21, 0.44%, 0.3%

LAB 29.52, 38.76, -25.72

 

CMYK 0 / 61 / 15 / 57

HEX #6E2B5E

RGB 110 43 94

HSL 314.33, 0.44%, 0.3%

LAB 29.03, 36.41, -16.14

 

CMYK 0 / 61 / 31 / 57

HEX #6E2B4C

RGB 110 43 76

HSL 330.45, 0.44%, 0.3%

LAB 28.29, 33.57, -5.48

 

CMYK 0 / 61 / 47 / 57

HEX #6E2B3A

RGB 110 43 58

HSL 346.57, 0.44%, 0.3%

LAB 27.7, 31.27, 5.64

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 35 / 61 / 0 / 57

HEX #482B6E

RGB 72 43 110

HSL 265.97, 0.44%, 0.3%

LAB 24.42, 28.66, -34.14

 

CMYK 51 / 61 / 0 / 57

HEX #362B6E

RGB 54 43 110

HSL 249.85, 0.44%, 0.3%

LAB 22.44, 24.14, -37.44

 

CMYK 61 / 61 / 0 / 57

HEX #2B2B6E

RGB 43 43 110

HSL 240, 0.44%, 0.3%

LAB 21.46, 21.73, -39.07

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 23 / 76 / 0 / 52

HEX #5F1E7B

RGB 95 30 123

HSL 281.94, 0.61%, 0.3%

LAB 26.13, 44.24, -39.52

 

CMYK 26 / 87 / 0 / 47

HEX #641287

RGB 100 18 135

HSL 282.05, 0.76%, 0.3%

LAB 26.42, 51.96, -46.56

 

CMYK 29 / 96 / 0 / 42

HEX #690693

RGB 105 6 147

HSL 282.13, 0.92%, 0.3%

LAB 27.41, 57.71, -52.38

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 13 / 44 / 0 / 62

HEX #553762

RGB 85 55 98

HSL 281.86, 0.28%, 0.3%

LAB 28.24, 22.03, -20.26

 

CMYK 6 / 20 / 0 / 67

HEX #504455

RGB 80 68 85

HSL 282.35, 0.11%, 0.3%

LAB 30.63, 8.74, -8.24

 

CMYK 6 / 0 / 9 / 69

HEX #4B5049

RGB 75 80 73

HSL 102.86, 0.05%, 0.3%

LAB 33.38, -3.53, 3.43

 

CMYK 24 / 0 / 34 / 64

HEX #465C3D

RGB 70 92 61

HSL 102.58, 0.2%, 0.3%

LAB 36.54, -14.96, 15.21

 

CMYK 51 / 61 / 0 / 57

HEX #362B6E

RGB 54 43 110

HSL 249.85, 0.44%, 0.3%

LAB 22.44, 24.14, -37.44

 

CMYK 35 / 61 / 0 / 57

HEX #482B6E

RGB 72 43 110

HSL 265.97, 0.44%, 0.3%

LAB 24.42, 28.66, -34.14

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 2 / 61 / 0 / 57

HEX #6C2B6E

RGB 108 43 110

HSL 298.21, 0.44%, 0.3%

LAB 29.52, 38.76, -25.72

 

CMYK 0 / 61 / 15 / 57

HEX #6E2B5E

RGB 110 43 94

HSL 314.33, 0.44%, 0.3%

LAB 29.03, 36.41, -16.14

 

CMYK 20 / 61 / 0 / 80

HEX #291433

RGB 41 20 51

HSL 280.65, 0.44%, 0.14%

LAB 10.64, 17.52, -16.26

 

CMYK 18 / 61 / 0 / 69

HEX #421F50

RGB 66 31 80

HSL 282.86, 0.44%, 0.22%

LAB 18.87, 26.23, -23.26

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 19 / 61 / 0 / 45

HEX #72368C

RGB 114 54 140

HSL 281.86, 0.44%, 0.38%

LAB 34.21, 41.14, -37.02

 

CMYK 18 / 61 / 0 / 33

HEX #8B42AA

RGB 139 66 170

HSL 282.12, 0.44%, 0.46%

LAB 41.67, 48.08, -43.04

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 0 / 61 / 55 / 57

HEX #6E2B32

RGB 110 43 50

HSL 353.73, 0.44%, 0.3%

LAB 27.5, 30.43, 10.68

 

CMYK 61 / 0 / 43 / 57

HEX #2B6E3F

RGB 43 110 63

HSL 137.91, 0.44%, 0.3%

LAB 41.25, -32.62, 20.03

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 0 / 18 / 61 / 57

HEX #6E5A2B

RGB 110 90 43

HSL 42.09, 0.44%, 0.3%

LAB 39.24, 1.96, 29.8

 

CMYK 61 / 0 / 18 / 57

HEX #2B6E5A

RGB 43 110 90

HSL 162.09, 0.44%, 0.3%

LAB 41.85, -26.48, 4.87

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 0 / 61 / 55 / 57

HEX #6E2B32

RGB 110 43 50

HSL 353.73, 0.44%, 0.3%

LAB 27.5, 30.43, 10.68

 

CMYK 43 / 0 / 61 / 57

HEX #3F6E2B

RGB 63 110 43

HSL 102.09, 0.44%, 0.3%

LAB 41.82, -29.53, 31.84

 

CMYK 61 / 0 / 6 / 57

HEX #2B6E67

RGB 43 110 103

HSL 173.73, 0.44%, 0.3%

LAB 42.22, -22.89, -2.44

 

CMYK 18 / 61 / 0 / 57

HEX #5A2B6E

RGB 90 43 110

HSL 282.09, 0.44%, 0.3%

LAB 26.81, 33.62, -30.18

 

CMYK 0 / 49 / 61 / 57

HEX #6E382B

RGB 110 56 43

HSL 11.64, 0.44%, 0.3%

LAB 30.2, 22.52, 18.79

 

CMYK 43 / 0 / 61 / 57

HEX #3F6E2B

RGB 63 110 43

HSL 102.09, 0.44%, 0.3%

LAB 41.82, -29.53, 31.84

 

CMYK 61 / 12 / 0 / 57

HEX #2B616E

RGB 43 97 110

HSL 191.64, 0.44%, 0.3%

LAB 38.18, -13.63, -12.77

 

Description

Color code: HEX #5A2B6E | qconv.com Color code: HEX #5A2B6E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 43 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 43 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 61 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 61% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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