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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A191C it is the complementary color #A5E6E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A191C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A191C shade: #5F1917, #702B2A, #813D3D, #924F50 and #A36163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A191C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A191C shade: #5A191C, #490709, #380000, #270000 and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A191C shade: #5C191C and #5C1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A191C shade: #5C191C, #5C192E, #5C1940, #5C1952 and #54195C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A191C shade matches the following richer shades: #5C191C, #661014 and #6F060B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A191C shade: #5C191C, #532325, #492C2E, #403636 and #363F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A191C shade: #5C1940, #5C192E, #5C191D, #5C2819 and #5C3A19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A191C shade: #1B0708, #3C1012, #5C191C, #7C2226 and #9D2B30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A191C shade: #5A191C, #525C19 and #19375C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A191C shade: #5A191C, #1D5C19 and #191D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A191C shade: #5A191C, #525C19, #195C59 and #23195C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A191C shade: #5A191C, #3E5C19, #195C59 and #37195C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 69 / 65

HEX #5A191C

RGB 90 25 28

HSL 357.23, 0.57%, 0.23%

LAB 19.85, 29.93, 14.77

 

Complementary color

CMYK 28 / 0 / 1 / 10

HEX #A5E6E3

RGB 165 230 227

HSL 177.23, 0.57%, 0.77%

LAB 87.06, -20.93, -5.13

 

CMYK 0 / 74 / 76 / 63

HEX #5F1917

RGB 95 25 23

HSL 1.67, 0.61%, 0.23%

LAB 20.79, 31.5, 19.53

 

CMYK 0 / 62 / 63 / 56

HEX #702B2A

RGB 112 43 42

HSL 0.86, 0.45%, 0.3%

LAB 27.68, 30.51, 16.27

 

CMYK 0 / 53 / 53 / 49

HEX #813D3D

RGB 129 61 61

HSL 0, 0.36%, 0.37%

LAB 34.68, 29.29, 13.84

 

CMYK 0 / 46 / 45 / 43

HEX #924F50

RGB 146 79 80

HSL 359.1, 0.3%, 0.44%

LAB 41.66, 28.1, 11.94

 

CMYK 0 / 40 / 39 / 36

HEX #A36163

RGB 163 97 99

HSL 358.18, 0.26%, 0.51%

LAB 48.56, 27.01, 10.38

 

CMYK 0 / 72 / 69 / 65

HEX #5A191C

RGB 90 25 28

HSL 357.23, 0.57%, 0.23%

LAB 19.85, 29.93, 14.77

 

CMYK 0 / 90 / 88 / 71

HEX #490709

RGB 73 7 9

HSL 358.18, 0.83%, 0.16%

LAB 13.16, 30.07, 16.77

 

CMYK 0 / 100 / 100 / 78

HEX #380000

RGB 56 0 0

HSL 0, 1%, 0.11%

LAB 7.59, 27.26, 12

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 73 / 70 / 64

HEX #5C191C

RGB 92 25 28

HSL 357.31, 0.57%, 0.23%

LAB 20.26, 30.69, 15.37

 

CMYK 0 / 73 / 73 / 64

HEX #5C1919

RGB 92 25 25

HSL 0, 0.57%, 0.23%

LAB 20.21, 30.49, 17.35

 

CMYK 0 / 73 / 70 / 64

HEX #5C191C

RGB 92 25 28

HSL 357.31, 0.57%, 0.23%

LAB 20.26, 30.69, 15.37

 

CMYK 0 / 73 / 50 / 64

HEX #5C192E

RGB 92 25 46

HSL 341.19, 0.57%, 0.23%

LAB 20.7, 32.27, 3.42

 

CMYK 0 / 73 / 30 / 64

HEX #5C1940

RGB 92 25 64

HSL 325.07, 0.57%, 0.23%

LAB 21.36, 34.52, -8.13

 

CMYK 0 / 73 / 11 / 64

HEX #5C1952

RGB 92 25 82

HSL 308.96, 0.57%, 0.23%

LAB 22.23, 37.4, -19.03

 

CMYK 9 / 73 / 0 / 64

HEX #54195C

RGB 84 25 92

HSL 292.84, 0.57%, 0.23%

LAB 21.4, 37.14, -27.11

 

CMYK 0 / 73 / 70 / 64

HEX #5C191C

RGB 92 25 28

HSL 357.31, 0.57%, 0.23%

LAB 20.26, 30.69, 15.37

 

CMYK 0 / 84 / 80 / 60

HEX #661014

RGB 102 16 20

HSL 357.21, 0.73%, 0.23%

LAB 21, 37.25, 22.15

 

CMYK 0 / 95 / 90 / 56

HEX #6F060B

RGB 111 6 11

HSL 357.14, 0.9%, 0.23%

LAB 22.07, 42.27, 28.8

 

CMYK 0 / 73 / 70 / 64

HEX #5C191C

RGB 92 25 28

HSL 357.31, 0.57%, 0.23%

LAB 20.26, 30.69, 15.37

 

CMYK 0 / 58 / 55 / 67

HEX #532325

RGB 83 35 37

HSL 357.5, 0.41%, 0.23%

LAB 20.73, 22.59, 9.47

 

CMYK 0 / 40 / 37 / 71

HEX #492C2E

RGB 73 44 46

HSL 355.86, 0.25%, 0.23%

LAB 21.64, 13.72, 4.31

 

CMYK 0 / 16 / 16 / 75

HEX #403636

RGB 64 54 54

HSL 0, 0.08%, 0.23%

LAB 23.65, 4.42, 1.63

 

CMYK 14 / 0 / 0 / 75

HEX #363F3F

RGB 54 63 63

HSL 180, 0.08%, 0.23%

LAB 25.86, -3.7, -1.26

 

CMYK 0 / 73 / 30 / 64

HEX #5C1940

RGB 92 25 64

HSL 325.07, 0.57%, 0.23%

LAB 21.36, 34.52, -8.13

 

CMYK 0 / 73 / 50 / 64

HEX #5C192E

RGB 92 25 46

HSL 341.19, 0.57%, 0.23%

LAB 20.7, 32.27, 3.42

 

CMYK 0 / 73 / 68 / 64

HEX #5C191D

RGB 92 25 29

HSL 356.42, 0.57%, 0.23%

LAB 20.28, 30.76, 14.71

 

CMYK 0 / 57 / 73 / 64

HEX #5C2819

RGB 92 40 25

HSL 13.43, 0.57%, 0.23%

LAB 23.21, 22.57, 20.94

 

CMYK 0 / 37 / 73 / 64

HEX #5C3A19

RGB 92 58 25

HSL 29.55, 0.57%, 0.23%

LAB 27.77, 11.55, 26.12

 

CMYK 0 / 74 / 70 / 89

HEX #1B0708

RGB 27 7 8

HSL 357, 0.59%, 0.07%

LAB 3.64, 7.75, 2.3

 

CMYK 0 / 73 / 70 / 76

HEX #3C1012

RGB 60 16 18

HSL 357.27, 0.58%, 0.15%

LAB 11.79, 21.8, 9.97

 

CMYK 0 / 73 / 70 / 64

HEX #5C191C

RGB 92 25 28

HSL 357.31, 0.57%, 0.23%

LAB 20.26, 30.69, 15.37

 

CMYK 0 / 73 / 69 / 51

HEX #7C2226

RGB 124 34 38

HSL 357.33, 0.57%, 0.31%

LAB 28.3, 38.92, 20.13

 

CMYK 0 / 73 / 69 / 38

HEX #9D2B30

RGB 157 43 48

HSL 357.37, 0.57%, 0.39%

LAB 36.19, 47.03, 24.93

 

CMYK 0 / 72 / 69 / 65

HEX #5A191C

RGB 90 25 28

HSL 357.23, 0.57%, 0.23%

LAB 19.85, 29.93, 14.77

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 73 / 40 / 0 / 64

HEX #19375C

RGB 25 55 92

HSL 213.13, 0.57%, 0.23%

LAB 22.69, 2.65, -25.43

 

CMYK 0 / 72 / 69 / 65

HEX #5A191C

RGB 90 25 28

HSL 357.23, 0.57%, 0.23%

LAB 19.85, 29.93, 14.77

 

CMYK 68 / 0 / 73 / 64

HEX #1D5C19

RGB 29 92 25

HSL 116.42, 0.57%, 0.23%

LAB 33.95, -34.31, 31.46

 

CMYK 73 / 68 / 0 / 64

HEX #191D5C

RGB 25 29 92

HSL 236.42, 0.57%, 0.23%

LAB 14.72, 21.47, -38.27

 

CMYK 0 / 72 / 69 / 65

HEX #5A191C

RGB 90 25 28

HSL 357.23, 0.57%, 0.23%

LAB 19.85, 29.93, 14.77

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 73 / 0 / 3 / 64

HEX #195C59

RGB 25 92 89

HSL 177.31, 0.57%, 0.23%

LAB 35.17, -21.12, -4.33

 

CMYK 62 / 73 / 0 / 64

HEX #23195C

RGB 35 25 92

HSL 248.96, 0.57%, 0.23%

LAB 14.54, 25.88, -38.53

 

CMYK 0 / 72 / 69 / 65

HEX #5A191C

RGB 90 25 28

HSL 357.23, 0.57%, 0.23%

LAB 19.85, 29.93, 14.77

 

CMYK 33 / 0 / 73 / 64

HEX #3E5C19

RGB 62 92 25

HSL 86.87, 0.57%, 0.23%

LAB 35.5, -23, 33.56

 

CMYK 73 / 0 / 3 / 64

HEX #195C59

RGB 25 92 89

HSL 177.31, 0.57%, 0.23%

LAB 35.17, -21.12, -4.33

 

CMYK 40 / 73 / 0 / 64

HEX #37195C

RGB 55 25 92

HSL 266.87, 0.57%, 0.23%

LAB 16.89, 30.01, -34.6

 

Description

Color code: HEX #5A191C | qconv.com Color code: HEX #5A191C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 25 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 25 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 69 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 69% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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