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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59F664 it is the complementary color #A6099B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59F664. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59F664 shade: #5EF65F, #6FFF72, #80FF85, #91FF98 and #A2FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59F664. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59F664 shade: #59F664, #48E451, #37D23E, #26C02B and #15AE18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59F664 shade: #5AF665, #79F65A, #A4F65A, #CEF65A and #F6F55A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59F664 shade: #5AF665, #5AF68F, #5AF6B9, #5AF6E3 and #5ADFF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59F664 shade matches the following richer shades: #5AF665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59F664 shade: #5AF665, #68E871, #76DA7D, #84CC89 and #92BE95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59F664 shade: #A3F65A, #79F65A, #5AF665, #5AF68E and #5AF6B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59F664 shade: #0DF11D, #33F441, #5AF665, #81F88A and #A9FAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59F664 shade: #59F664, #5ACDF6 and #F65A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59F664 shade: #59F664, #655AF6 and #F6655A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59F664 shade: #59F664, #5ACDF6, #F65AEC and #F6845A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59F664 shade: #59F664, #5A9EF6, #F65AEC and #F6B35A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 59 / 4

HEX #59F664

RGB 89 246 100

HSL 124.2, 0.9%, 0.66%

LAB 86.48, -69, 57.08

 

Complementary color

CMYK 0 / 95 / 7 / 35

HEX #A6099B

RGB 166 9 155

HSL 304.2, 0.9%, 0.34%

LAB 39.02, 68.64, -38.01

 

CMYK 62 / 0 / 61 / 4

HEX #5EF65F

RGB 94 246 95

HSL 120.39, 0.89%, 0.67%

LAB 86.56, -68.52, 59.33

 

CMYK 56 / 0 / 55 / 0

HEX #6FFF72

RGB 111 255 114

HSL 121.25, 1%, 0.72%

LAB 89.91, -65.81, 55.09

 

CMYK 50 / 0 / 48 / 0

HEX #80FF85

RGB 128 255 133

HSL 122.36, 1%, 0.75%

LAB 90.69, -59.24, 47.43

 

CMYK 43 / 0 / 40 / 0

HEX #91FF98

RGB 145 255 152

HSL 123.82, 1%, 0.78%

LAB 91.6, -51.97, 39.57

 

CMYK 36 / 0 / 33 / 0

HEX #A2FFAB

RGB 162 255 171

HSL 125.81, 1%, 0.82%

LAB 92.64, -44.14, 31.65

 

CMYK 64 / 0 / 59 / 4

HEX #59F664

RGB 89 246 100

HSL 124.2, 0.9%, 0.66%

LAB 86.48, -69, 57.08

 

CMYK 68 / 0 / 64 / 11

HEX #48E451

RGB 72 228 81

HSL 123.46, 0.74%, 0.59%

LAB 80.44, -68.2, 58.17

 

CMYK 74 / 0 / 70 / 18

HEX #37D23E

RGB 55 210 62

HSL 122.71, 0.63%, 0.52%

LAB 74.35, -67, 59.01

 

CMYK 80 / 0 / 78 / 25

HEX #26C02B

RGB 38 192 43

HSL 121.95, 0.67%, 0.45%

LAB 68.23, -65.25, 59.36

 

CMYK 88 / 0 / 86 / 32

HEX #15AE18

RGB 21 174 24

HSL 121.18, 0.78%, 0.38%

LAB 62.08, -62.74, 58.82

 

CMYK 63 / 0 / 59 / 4

HEX #5AF665

RGB 90 246 101

HSL 124.23, 0.9%, 0.66%

LAB 86.52, -68.69, 56.7

 

CMYK 51 / 0 / 63 / 4

HEX #79F65A

RGB 121 246 90

HSL 108.08, 0.9%, 0.66%

LAB 87.35, -62.56, 62.5

 

CMYK 33 / 0 / 63 / 4

HEX #A4F65A

RGB 164 246 90

HSL 91.54, 0.9%, 0.66%

LAB 89.18, -49.43, 65.02

 

CMYK 16 / 0 / 63 / 4

HEX #CEF65A

RGB 206 246 90

HSL 75.38, 0.9%, 0.66%

LAB 91.58, -34.19, 68.32

 

CMYK 0 / 0 / 63 / 4

HEX #F6F55A

RGB 246 245 90

HSL 59.62, 0.9%, 0.66%

LAB 94.16, -17.96, 71.89

 

CMYK 63 / 0 / 59 / 4

HEX #5AF665

RGB 90 246 101

HSL 124.23, 0.9%, 0.66%

LAB 86.52, -68.69, 56.7

 

CMYK 63 / 0 / 42 / 4

HEX #5AF68F

RGB 90 246 143

HSL 140.38, 0.9%, 0.66%

LAB 87.03, -62.87, 37.71

 

CMYK 63 / 0 / 25 / 4

HEX #5AF6B9

RGB 90 246 185

HSL 156.54, 0.9%, 0.66%

LAB 87.77, -54.92, 17.45

 

CMYK 63 / 0 / 8 / 4

HEX #5AF6E3

RGB 90 246 227

HSL 172.69, 0.9%, 0.66%

LAB 88.75, -45.1, -2.97

 

CMYK 63 / 9 / 0 / 4

HEX #5ADFF6

RGB 90 223 246

HSL 188.85, 0.9%, 0.66%

LAB 82.7, -29.38, -22

 

CMYK 63 / 0 / 59 / 4

HEX #5AF665

RGB 90 246 101

HSL 124.23, 0.9%, 0.66%

LAB 86.52, -68.69, 56.7

 

CMYK 63 / 0 / 59 / 4

HEX #5AF665

RGB 90 246 101

HSL 124.23, 0.9%, 0.66%

LAB 86.52, -68.69, 56.7

 

CMYK 55 / 0 / 51 / 9

HEX #68E871

RGB 104 232 113

HSL 124.22, 0.74%, 0.66%

LAB 82.83, -59.13, 46.99

 

CMYK 46 / 0 / 43 / 15

HEX #76DA7D

RGB 118 218 125

HSL 124.2, 0.57%, 0.66%

LAB 79.31, -48.26, 36.85

 

CMYK 35 / 0 / 33 / 20

HEX #84CC89

RGB 132 204 137

HSL 124.17, 0.41%, 0.66%

LAB 76.01, -36.08, 26.47

 

CMYK 23 / 0 / 22 / 25

HEX #92BE95

RGB 146 190 149

HSL 124.09, 0.25%, 0.66%

LAB 72.96, -22.73, 16.04

 

CMYK 34 / 0 / 63 / 4

HEX #A3F65A

RGB 163 246 90

HSL 91.92, 0.9%, 0.66%

LAB 89.13, -49.77, 64.95

 

CMYK 51 / 0 / 63 / 4

HEX #79F65A

RGB 121 246 90

HSL 108.08, 0.9%, 0.66%

LAB 87.35, -62.56, 62.5

 

CMYK 63 / 0 / 59 / 4

HEX #5AF665

RGB 90 246 101

HSL 124.23, 0.9%, 0.66%

LAB 86.52, -68.69, 56.7

 

CMYK 63 / 0 / 42 / 4

HEX #5AF68E

RGB 90 246 142

HSL 140, 0.9%, 0.66%

LAB 87.02, -63.03, 38.18

 

CMYK 63 / 0 / 25 / 4

HEX #5AF6B8

RGB 90 246 184

HSL 156.15, 0.9%, 0.66%

LAB 87.75, -55.13, 17.93

 

CMYK 95 / 0 / 88 / 5

HEX #0DF11D

RGB 13 241 29

HSL 124.21, 0.9%, 0.5%

LAB 83.49, -81.56, 76.55

 

CMYK 79 / 0 / 73 / 4

HEX #33F441

RGB 51 244 65

HSL 124.35, 0.9%, 0.58%

LAB 84.89, -77.61, 68.69

 

CMYK 63 / 0 / 59 / 4

HEX #5AF665

RGB 90 246 101

HSL 124.23, 0.9%, 0.66%

LAB 86.52, -68.69, 56.7

 

CMYK 48 / 0 / 44 / 3

HEX #81F88A

RGB 129 248 138

HSL 124.54, 0.89%, 0.74%

LAB 88.75, -55.54, 42.6

 

CMYK 32 / 0 / 30 / 2

HEX #A9FAAE

RGB 169 250 174

HSL 123.7, 0.89%, 0.82%

LAB 91.62, -39.34, 28.83

 

CMYK 64 / 0 / 59 / 4

HEX #59F664

RGB 89 246 100

HSL 124.2, 0.9%, 0.66%

LAB 86.48, -69, 57.08

 

CMYK 63 / 17 / 0 / 4

HEX #5ACDF6

RGB 90 205 246

HSL 195.77, 0.9%, 0.66%

LAB 77.57, -20.44, -29.83

 

CMYK 0 / 63 / 42 / 4

HEX #F65A8E

RGB 246 90 142

HSL 340, 0.9%, 0.66%

LAB 60.66, 63.69, 3.92

 

CMYK 64 / 0 / 59 / 4

HEX #59F664

RGB 89 246 100

HSL 124.2, 0.9%, 0.66%

LAB 86.48, -69, 57.08

 

CMYK 59 / 63 / 0 / 4

HEX #655AF6

RGB 101 90 246

HSL 244.23, 0.9%, 0.66%

LAB 47.92, 47.62, -76.84

 

CMYK 0 / 59 / 63 / 4

HEX #F6655A

RGB 246 101 90

HSL 4.23, 0.9%, 0.66%

LAB 61.34, 54.9, 34.74

 

CMYK 64 / 0 / 59 / 4

HEX #59F664

RGB 89 246 100

HSL 124.2, 0.9%, 0.66%

LAB 86.48, -69, 57.08

 

CMYK 63 / 17 / 0 / 4

HEX #5ACDF6

RGB 90 205 246

HSL 195.77, 0.9%, 0.66%

LAB 77.57, -20.44, -29.83

 

CMYK 0 / 63 / 4 / 4

HEX #F65AEC

RGB 246 90 236

HSL 303.85, 0.9%, 0.66%

LAB 64.13, 75.77, -44.34

 

CMYK 0 / 46 / 63 / 4

HEX #F6845A

RGB 246 132 90

HSL 16.15, 0.9%, 0.66%

LAB 67.15, 40.04, 41.83

 

CMYK 64 / 0 / 59 / 4

HEX #59F664

RGB 89 246 100

HSL 124.2, 0.9%, 0.66%

LAB 86.48, -69, 57.08

 

CMYK 63 / 36 / 0 / 4

HEX #5A9EF6

RGB 90 158 246

HSL 213.85, 0.9%, 0.66%

LAB 64.39, 5.2, -50.39

 

CMYK 0 / 63 / 4 / 4

HEX #F65AEC

RGB 246 90 236

HSL 303.85, 0.9%, 0.66%

LAB 64.13, 75.77, -44.34

 

CMYK 0 / 27 / 63 / 4

HEX #F6B35A

RGB 246 179 90

HSL 34.23, 0.9%, 0.66%

LAB 77.62, 15.56, 54

 

Description

Color code: HEX #59F664 | qconv.com Color code: HEX #59F664 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 246 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 246 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 59 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 59% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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