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Color name
HEX #59F537

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59F537 it is the complementary color #A60AC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59F537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59F537 shade: #5EF532, #6FFF45, #80FF58, #91FF6B and #A2FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59F537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59F537 shade: #59F537, #48E324, #37D111, #26BF00 and #15AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59F537 shade: #5AF538, #8DF538, #C0F538, #F2F538 and #F5C438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59F537 shade: #5AF538, #38F549, #38F57C, #38F5AF and #38F5E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59F537 shade matches the following richer shades: #5AF538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59F537 shade: #5AF538, #65E449, #70D35A, #7BC26B and #85B17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59F537 shade: #BFF538, #8DF538, #5BF538, #38F548 and #38F57A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59F537 shade: #2ECF0B, #39F211, #5AF538, #7BF760 and #9BF987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59F537 shade: #59F537, #38F1F5 and #F538A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59F537 shade: #59F537, #385BF5 and #F5385B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59F537 shade: #59F537, #38F1F5, #D238F5 and #F53B38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59F537 shade: #59F537, #38B9F5, #D238F5 and #F57438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 78 / 4

HEX #59F537

RGB 89 245 55

HSL 109.26, 0.9%, 0.59%

LAB 85.86, -72.45, 73

 

Complementary color

CMYK 17 / 95 / 0 / 22

HEX #A60AC8

RGB 166 10 200

HSL 289.26, 0.9%, 0.41%

LAB 41.99, 75.69, -59.94

 

CMYK 62 / 0 / 80 / 4

HEX #5EF532

RGB 94 245 50

HSL 106.46, 0.91%, 0.58%

LAB 85.96, -71.66, 74.54

 

CMYK 56 / 0 / 73 / 0

HEX #6FFF45

RGB 111 255 69

HSL 106.45, 1%, 0.64%

LAB 89.55, -69.95, 72.45

 

CMYK 50 / 0 / 65 / 0

HEX #80FF58

RGB 128 255 88

HSL 105.63, 1%, 0.67%

LAB 90.24, -64.15, 66.5

 

CMYK 43 / 0 / 58 / 0

HEX #91FF6B

RGB 145 255 107

HSL 104.59, 1%, 0.71%

LAB 91.05, -57.57, 59.8

 

CMYK 36 / 0 / 51 / 0

HEX #A2FF7E

RGB 162 255 126

HSL 103.26, 1%, 0.75%

LAB 92, -50.32, 52.62

 

CMYK 64 / 0 / 78 / 4

HEX #59F537

RGB 89 245 55

HSL 109.26, 0.9%, 0.59%

LAB 85.86, -72.45, 73

 

CMYK 68 / 0 / 84 / 11

HEX #48E324

RGB 72 227 36

HSL 108.69, 0.77%, 0.52%

LAB 79.87, -71.05, 72.25

 

CMYK 74 / 0 / 92 / 18

HEX #37D111

RGB 55 209 17

HSL 108.13, 0.85%, 0.44%

LAB 73.84, -69.13, 70.41

 

CMYK 80 / 0 / 100 / 25

HEX #26BF00

RGB 38 191 0

HSL 108.06, 1%, 0.37%

LAB 67.78, -66.57, 67.31

 

CMYK 88 / 0 / 100 / 32

HEX #15AD00

RGB 21 173 0

HSL 112.72, 1%, 0.34%

LAB 61.69, -63.18, 62.36

 

CMYK 63 / 0 / 77 / 4

HEX #5AF538

RGB 90 245 56

HSL 109.21, 0.9%, 0.59%

LAB 85.89, -72.18, 72.74

 

CMYK 42 / 0 / 77 / 4

HEX #8DF538

RGB 141 245 56

HSL 93.02, 0.9%, 0.59%

LAB 87.61, -58.77, 74.98

 

CMYK 22 / 0 / 77 / 4

HEX #C0F538

RGB 192 245 56

HSL 76.83, 0.9%, 0.59%

LAB 90.23, -40.96, 78.36

 

CMYK 1 / 0 / 77 / 4

HEX #F2F538

RGB 242 245 56

HSL 60.95, 0.9%, 0.59%

LAB 93.65, -21.14, 82.74

 

CMYK 0 / 20 / 77 / 4

HEX #F5C438

RGB 245 196 56

HSL 44.44, 0.9%, 0.59%

LAB 81.39, 4.58, 71.75

 

CMYK 63 / 0 / 77 / 4

HEX #5AF538

RGB 90 245 56

HSL 109.21, 0.9%, 0.59%

LAB 85.89, -72.18, 72.74

 

CMYK 77 / 0 / 70 / 4

HEX #38F549

RGB 56 245 73

HSL 125.4, 0.9%, 0.59%

LAB 85.32, -76.67, 66.37

 

CMYK 77 / 0 / 49 / 4

HEX #38F57C

RGB 56 245 124

HSL 141.59, 0.9%, 0.59%

LAB 85.81, -70.73, 45.22

 

CMYK 77 / 0 / 29 / 4

HEX #38F5AF

RGB 56 245 175

HSL 157.78, 0.9%, 0.59%

LAB 86.62, -61.44, 20.9

 

CMYK 77 / 0 / 8 / 4

HEX #38F5E2

RGB 56 245 226

HSL 173.97, 0.9%, 0.59%

LAB 87.79, -49.18, -3.93

 

CMYK 63 / 0 / 77 / 4

HEX #5AF538

RGB 90 245 56

HSL 109.21, 0.9%, 0.59%

LAB 85.89, -72.18, 72.74

 

CMYK 63 / 0 / 77 / 4

HEX #5AF538

RGB 90 245 56

HSL 109.21, 0.9%, 0.59%

LAB 85.89, -72.18, 72.74

 

CMYK 56 / 0 / 68 / 11

HEX #65E449

RGB 101 228 73

HSL 109.16, 0.74%, 0.59%

LAB 81.15, -62.71, 62.32

 

CMYK 47 / 0 / 57 / 17

HEX #70D35A

RGB 112 211 90

HSL 109.09, 0.58%, 0.59%

LAB 76.54, -51.69, 50.2

 

CMYK 37 / 0 / 45 / 24

HEX #7BC26B

RGB 123 194 107

HSL 108.97, 0.42%, 0.59%

LAB 72.13, -39.02, 36.79

 

CMYK 25 / 0 / 30 / 31

HEX #85B17C

RGB 133 177 124

HSL 109.81, 0.25%, 0.59%

LAB 67.94, -25.06, 22.49

 

CMYK 22 / 0 / 77 / 4

HEX #BFF538

RGB 191 245 56

HSL 77.14, 0.9%, 0.59%

LAB 90.17, -41.34, 78.29

 

CMYK 42 / 0 / 77 / 4

HEX #8DF538

RGB 141 245 56

HSL 93.02, 0.9%, 0.59%

LAB 87.61, -58.77, 74.98

 

CMYK 63 / 0 / 77 / 4

HEX #5BF538

RGB 91 245 56

HSL 108.89, 0.9%, 0.59%

LAB 85.91, -71.98, 72.78

 

CMYK 77 / 0 / 71 / 4

HEX #38F548

RGB 56 245 72

HSL 125.08, 0.9%, 0.59%

LAB 85.31, -76.75, 66.72

 

CMYK 77 / 0 / 50 / 4

HEX #38F57A

RGB 56 245 122

HSL 140.95, 0.9%, 0.59%

LAB 85.78, -71.03, 46.13

 

CMYK 78 / 0 / 95 / 19

HEX #2ECF0B

RGB 46 207 11

HSL 109.29, 0.9%, 0.43%

LAB 73.04, -69.99, 70.43

 

CMYK 76 / 0 / 93 / 5

HEX #39F211

RGB 57 242 17

HSL 109.33, 0.9%, 0.51%

LAB 84.18, -78.48, 79.03

 

CMYK 63 / 0 / 77 / 4

HEX #5AF538

RGB 90 245 56

HSL 109.21, 0.9%, 0.59%

LAB 85.89, -72.18, 72.74

 

CMYK 50 / 0 / 61 / 3

HEX #7BF760

RGB 123 247 96

HSL 109.27, 0.9%, 0.67%

LAB 87.76, -61.82, 60.51

 

CMYK 38 / 0 / 46 / 2

HEX #9BF987

RGB 155 249 135

HSL 109.47, 0.9%, 0.75%

LAB 90.08, -48.9, 45.95

 

CMYK 64 / 0 / 78 / 4

HEX #59F537

RGB 89 245 55

HSL 109.26, 0.9%, 0.59%

LAB 85.86, -72.45, 73

 

CMYK 77 / 2 / 0 / 4

HEX #38F1F5

RGB 56 241 245

HSL 181.27, 0.9%, 0.59%

LAB 87.17, -42.22, -14.8

 

CMYK 0 / 77 / 32 / 4

HEX #F538A6

RGB 245 56 166

HSL 325.08, 0.9%, 0.59%

LAB 57.07, 77.48, -15.42

 

CMYK 64 / 0 / 78 / 4

HEX #59F537

RGB 89 245 55

HSL 109.26, 0.9%, 0.59%

LAB 85.86, -72.45, 73

 

CMYK 77 / 63 / 0 / 4

HEX #385BF5

RGB 56 91 245

HSL 228.89, 0.9%, 0.59%

LAB 45.52, 41.15, -80.31

 

CMYK 0 / 77 / 63 / 4

HEX #F5385B

RGB 245 56 91

HSL 348.89, 0.9%, 0.59%

LAB 55.07, 71.34, 26.17

 

CMYK 64 / 0 / 78 / 4

HEX #59F537

RGB 89 245 55

HSL 109.26, 0.9%, 0.59%

LAB 85.86, -72.45, 73

 

CMYK 77 / 2 / 0 / 4

HEX #38F1F5

RGB 56 241 245

HSL 181.27, 0.9%, 0.59%

LAB 87.17, -42.22, -14.8

 

CMYK 14 / 77 / 0 / 4

HEX #D238F5

RGB 210 56 245

HSL 288.89, 0.9%, 0.59%

LAB 55.2, 81.28, -63.9

 

CMYK 0 / 76 / 77 / 4

HEX #F53B38

RGB 245 59 56

HSL 0.95, 0.9%, 0.59%

LAB 54.89, 68.92, 45.94

 

CMYK 64 / 0 / 78 / 4

HEX #59F537

RGB 89 245 55

HSL 109.26, 0.9%, 0.59%

LAB 85.86, -72.45, 73

 

CMYK 77 / 24 / 0 / 4

HEX #38B9F5

RGB 56 185 245

HSL 199.05, 0.9%, 0.59%

LAB 70.96, -14.88, -39.59

 

CMYK 14 / 77 / 0 / 4

HEX #D238F5

RGB 210 56 245

HSL 288.89, 0.9%, 0.59%

LAB 55.2, 81.28, -63.9

 

CMYK 0 / 53 / 77 / 4

HEX #F57438

RGB 245 116 56

HSL 19.05, 0.9%, 0.59%

LAB 63.5, 45.92, 54.71

 

Description

Color code: HEX #59F537 | qconv.com Color code: HEX #59F537 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 245 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 245 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 78% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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