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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59EFB0 it is the complementary color #A6104F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59EFB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59EFB0 shade: #5EEFAB, #6FFFBE, #80FFD1, #91FFE4 and #A2FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59EFB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59EFB0 shade: #59EFB0, #48DD9D, #37CB8A, #26B977 and #15A764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59EFB0 shade: #58EEAF, #58EE87, #58EE5E, #7AEE58 and #A3EE58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59EFB0 shade: #58EEAF, #58EED8, #58DDEE, #58B4EE and #588BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59EFB0 shade matches the following richer shades: #58EEAF and #49FDB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59EFB0 shade: #58EEAF, #67E0AD, #76D1AA, #84C2A8 and #93B3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59EFB0 shade: #58EE5D, #58EE85, #58EEAD, #58EED5 and #58DFEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59EFB0 shade: #16DE8A, #32EB9D, #58EEAF, #7DF2C1 and #A3F6D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59EFB0 shade: #59EFB0, #587BEE and #EE7158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59EFB0 shade: #59EFB0, #AD58EE and #EEAD58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59EFB0 shade: #59EFB0, #587BEE, #EE5899 and #EECB58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59EFB0 shade: #59EFB0, #6258EE, #EE5899 and #E4EE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 26 / 6

HEX #59EFB0

RGB 89 239 176

HSL 154.8, 0.82%, 0.64%

LAB 85.5, -54.19, 18.92

 

Complementary color

CMYK 0 / 90 / 52 / 35

HEX #A6104F

RGB 166 16 79

HSL 334.8, 0.82%, 0.36%

LAB 36.07, 59.06, 5.21

 

CMYK 61 / 0 / 28 / 6

HEX #5EEFAB

RGB 94 239 171

HSL 151.86, 0.82%, 0.65%

LAB 85.53, -54.29, 21.57

 

CMYK 56 / 0 / 25 / 0

HEX #6FFFBE

RGB 111 255 190

HSL 152.92, 1%, 0.72%

LAB 91.06, -53.56, 19.56

 

CMYK 50 / 0 / 18 / 0

HEX #80FFD1

RGB 128 255 209

HSL 158.27, 1%, 0.75%

LAB 92, -45.94, 11.22

 

CMYK 43 / 0 / 11 / 0

HEX #91FFE4

RGB 145 255 228

HSL 165.27, 1%, 0.78%

LAB 93.08, -37.83, 3.04

 

CMYK 36 / 0 / 3 / 0

HEX #A2FFF7

RGB 162 255 247

HSL 174.84, 1%, 0.82%

LAB 94.28, -29.35, -4.94

 

CMYK 63 / 0 / 26 / 6

HEX #59EFB0

RGB 89 239 176

HSL 154.8, 0.82%, 0.64%

LAB 85.5, -54.19, 18.92

 

CMYK 67 / 0 / 29 / 13

HEX #48DD9D

RGB 72 221 157

HSL 154.23, 0.69%, 0.57%

LAB 79.34, -53.9, 20.21

 

CMYK 73 / 0 / 32 / 20

HEX #37CB8A

RGB 55 203 138

HSL 153.65, 0.59%, 0.51%

LAB 73.13, -53.39, 21.6

 

CMYK 79 / 0 / 36 / 27

HEX #26B977

RGB 38 185 119

HSL 153.06, 0.66%, 0.44%

LAB 66.86, -52.59, 23.14

 

CMYK 87 / 0 / 40 / 35

HEX #15A764

RGB 21 167 100

HSL 152.47, 0.78%, 0.37%

LAB 60.53, -51.36, 24.82

 

CMYK 63 / 0 / 26 / 7

HEX #58EEAF

RGB 88 238 175

HSL 154.8, 0.82%, 0.64%

LAB 85.16, -54.18, 18.96

 

CMYK 63 / 0 / 43 / 7

HEX #58EE87

RGB 88 238 135

HSL 138.8, 0.82%, 0.64%

LAB 84.47, -61.6, 38.33

 

CMYK 63 / 0 / 61 / 7

HEX #58EE5E

RGB 88 238 94

HSL 122.4, 0.82%, 0.64%

LAB 83.98, -67.13, 56.8

 

CMYK 49 / 0 / 63 / 7

HEX #7AEE58

RGB 122 238 88

HSL 106.4, 0.82%, 0.64%

LAB 84.99, -59.49, 60.73

 

CMYK 32 / 0 / 63 / 7

HEX #A3EE58

RGB 163 238 88

HSL 90, 0.82%, 0.64%

LAB 86.82, -46.57, 63.26

 

CMYK 63 / 0 / 26 / 7

HEX #58EEAF

RGB 88 238 175

HSL 154.8, 0.82%, 0.64%

LAB 85.16, -54.18, 18.96

 

CMYK 63 / 0 / 9 / 7

HEX #58EED8

RGB 88 238 216

HSL 171.2, 0.82%, 0.64%

LAB 86.1, -44.7, -1.11

 

CMYK 63 / 7 / 0 / 7

HEX #58DDEE

RGB 88 221 238

HSL 186.8, 0.82%, 0.64%

LAB 81.82, -31.02, -19.1

 

CMYK 63 / 24 / 0 / 7

HEX #58B4EE

RGB 88 180 238

HSL 203.2, 0.82%, 0.64%

LAB 70.1, -10.1, -37.07

 

CMYK 63 / 42 / 0 / 7

HEX #588BEE

RGB 88 139 238

HSL 219.6, 0.82%, 0.64%

LAB 58.71, 13.39, -55.01

 

CMYK 63 / 0 / 26 / 7

HEX #58EEAF

RGB 88 238 175

HSL 154.8, 0.82%, 0.64%

LAB 85.16, -54.18, 18.96

 

CMYK 71 / 0 / 30 / 1

HEX #49FDB2

RGB 73 253 178

HSL 155, 0.98%, 0.64%

LAB 89.34, -61.74, 23.16

 

CMYK 63 / 0 / 26 / 7

HEX #58EEAF

RGB 88 238 175

HSL 154.8, 0.82%, 0.64%

LAB 85.16, -54.18, 18.96

 

CMYK 54 / 0 / 23 / 12

HEX #67E0AD

RGB 103 224 173

HSL 154.71, 0.66%, 0.64%

LAB 81.41, -45.82, 14.82

 

CMYK 44 / 0 / 19 / 18

HEX #76D1AA

RGB 118 209 170

HSL 154.29, 0.5%, 0.64%

LAB 77.49, -36.18, 10.95

 

CMYK 32 / 0 / 13 / 24

HEX #84C2A8

RGB 132 194 168

HSL 154.84, 0.34%, 0.64%

LAB 73.75, -25.51, 6.77

 

CMYK 18 / 0 / 7 / 30

HEX #93B3A6

RGB 147 179 166

HSL 155.63, 0.17%, 0.64%

LAB 70.31, -13.54, 3.02

 

CMYK 63 / 0 / 61 / 7

HEX #58EE5D

RGB 88 238 93

HSL 122, 0.82%, 0.64%

LAB 83.97, -67.24, 57.21

 

CMYK 63 / 0 / 44 / 7

HEX #58EE85

RGB 88 238 133

HSL 138, 0.82%, 0.64%

LAB 84.44, -61.92, 39.28

 

CMYK 63 / 0 / 27 / 7

HEX #58EEAD

RGB 88 238 173

HSL 154, 0.82%, 0.64%

LAB 85.12, -54.59, 19.94

 

CMYK 63 / 0 / 11 / 7

HEX #58EED5

RGB 88 238 213

HSL 170, 0.82%, 0.64%

LAB 86.02, -45.45, 0.35

 

CMYK 63 / 6 / 0 / 7

HEX #58DFEE

RGB 88 223 238

HSL 186, 0.82%, 0.64%

LAB 82.39, -31.98, -18.23

 

CMYK 90 / 0 / 38 / 13

HEX #16DE8A

RGB 22 222 138

HSL 154.8, 0.82%, 0.48%

LAB 78.61, -63.47, 28.93

 

CMYK 79 / 0 / 33 / 8

HEX #32EB9D

RGB 50 235 157

HSL 154.7, 0.82%, 0.56%

LAB 83.19, -62.12, 25.42

 

CMYK 63 / 0 / 26 / 7

HEX #58EEAF

RGB 88 238 175

HSL 154.8, 0.82%, 0.64%

LAB 85.16, -54.18, 18.96

 

CMYK 48 / 0 / 20 / 5

HEX #7DF2C1

RGB 125 242 193

HSL 154.87, 0.82%, 0.72%

LAB 87.83, -44.36, 13.55

 

CMYK 34 / 0 / 14 / 4

HEX #A3F6D3

RGB 163 246 211

HSL 154.7, 0.82%, 0.8%

LAB 90.96, -32.56, 8.89

 

CMYK 63 / 0 / 26 / 6

HEX #59EFB0

RGB 89 239 176

HSL 154.8, 0.82%, 0.64%

LAB 85.5, -54.19, 18.92

 

CMYK 63 / 48 / 0 / 7

HEX #587BEE

RGB 88 123 238

HSL 226, 0.82%, 0.64%

LAB 54.46, 23.09, -61.81

 

CMYK 0 / 53 / 63 / 7

HEX #EE7158

RGB 238 113 88

HSL 10, 0.82%, 0.64%

LAB 62.25, 46.35, 36.69

 

CMYK 63 / 0 / 26 / 6

HEX #59EFB0

RGB 89 239 176

HSL 154.8, 0.82%, 0.64%

LAB 85.5, -54.19, 18.92

 

CMYK 27 / 63 / 0 / 7

HEX #AD58EE

RGB 173 88 238

HSL 274, 0.82%, 0.64%

LAB 54.07, 60.28, -62.07

 

CMYK 0 / 27 / 63 / 7

HEX #EEAD58

RGB 238 173 88

HSL 34, 0.82%, 0.64%

LAB 75.31, 15.28, 52.09

 

CMYK 63 / 0 / 26 / 6

HEX #59EFB0

RGB 89 239 176

HSL 154.8, 0.82%, 0.64%

LAB 85.5, -54.19, 18.92

 

CMYK 63 / 48 / 0 / 7

HEX #587BEE

RGB 88 123 238

HSL 226, 0.82%, 0.64%

LAB 54.46, 23.09, -61.81

 

CMYK 0 / 63 / 36 / 7

HEX #EE5899

RGB 238 88 153

HSL 334, 0.82%, 0.64%

LAB 59.39, 63.27, -4.48

 

CMYK 0 / 15 / 63 / 7

HEX #EECB58

RGB 238 203 88

HSL 46, 0.82%, 0.64%

LAB 82.7, -0.4, 60.31

 

CMYK 63 / 0 / 26 / 6

HEX #59EFB0

RGB 89 239 176

HSL 154.8, 0.82%, 0.64%

LAB 85.5, -54.19, 18.92

 

CMYK 59 / 63 / 0 / 7

HEX #6258EE

RGB 98 88 238

HSL 244, 0.82%, 0.64%

LAB 46.64, 45.84, -74.45

 

CMYK 0 / 63 / 36 / 7

HEX #EE5899

RGB 238 88 153

HSL 334, 0.82%, 0.64%

LAB 59.39, 63.27, -4.48

 

CMYK 4 / 0 / 63 / 7

HEX #E4EE58

RGB 228 238 88

HSL 64, 0.82%, 0.64%

LAB 90.94, -21.94, 68.89

 

Description

Color code: HEX #59EFB0 | qconv.com Color code: HEX #59EFB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 239 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 239 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 26 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 26% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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