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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59EF3E it is the complementary color #A610C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59EF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59EF3E shade: #5EEF39, #6FFF4C, #80FF5F, #91FF72 and #A2FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59EF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59EF3E shade: #59EF3E, #48DD2B, #37CB18, #26B905 and #15A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59EF3E shade: #59EF3E, #89EF3E, #B9EF3E, #E8EF3E and #EFC63E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59EF3E shade: #59EF3E, #3EEF52, #3EEF82, #3EEFB2 and #3EEFE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59EF3E shade matches the following richer shades: #59EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59EF3E shade: #59EF3E, #64DE4E, #70CD5F, #7CBD70 and #88AC81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59EF3E shade: #BAEF3E, #8BEF3E, #5BEF3E, #3EEF4F and #3EEF7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59EF3E shade: #2DCA10, #38EC17, #59EF3E, #7AF264 and #9AF68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59EF3E shade: #59EF3E, #3EE9EF and #EF3EA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59EF3E shade: #59EF3E, #3E5BEF and #EF3E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59EF3E shade: #59EF3E, #3EE9EF, #D23EEF and #EF443E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59EF3E shade: #59EF3E, #3EB4EF, #D23EEF and #EF793E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

Complementary color

CMYK 14 / 92 / 0 / 24

HEX #A610C1

RGB 166 16 193

HSL 290.85, 0.85%, 0.41%

LAB 41.73, 73.79, -56.27

 

CMYK 61 / 0 / 76 / 6

HEX #5EEF39

RGB 94 239 57

HSL 107.8, 0.85%, 0.58%

LAB 84.18, -69.3, 70.84

 

CMYK 56 / 0 / 70 / 0

HEX #6FFF4C

RGB 111 255 76

HSL 108.27, 1%, 0.65%

LAB 89.59, -69.46, 70.1

 

CMYK 50 / 0 / 63 / 0

HEX #80FF5F

RGB 128 255 95

HSL 107.63, 1%, 0.69%

LAB 90.29, -63.53, 63.78

 

CMYK 43 / 0 / 55 / 0

HEX #91FF72

RGB 145 255 114

HSL 106.81, 1%, 0.72%

LAB 91.12, -56.84, 56.82

 

CMYK 36 / 0 / 48 / 0

HEX #A2FF85

RGB 162 255 133

HSL 105.74, 1%, 0.76%

LAB 92.08, -49.49, 49.47

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 67 / 0 / 81 / 13

HEX #48DD2B

RGB 72 221 43

HSL 110.22, 0.72%, 0.52%

LAB 78.03, -68.84, 68.86

 

CMYK 73 / 0 / 88 / 20

HEX #37CB18

RGB 55 203 24

HSL 109.61, 0.79%, 0.45%

LAB 71.95, -67.1, 67.67

 

CMYK 79 / 0 / 97 / 27

HEX #26B905

RGB 38 185 5

HSL 109, 0.95%, 0.37%

LAB 65.84, -64.71, 65.15

 

CMYK 87 / 0 / 100 / 35

HEX #15A700

RGB 21 167 0

HSL 112.46, 1%, 0.33%

LAB 59.7, -61.45, 60.76

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 43 / 0 / 74 / 6

HEX #89EF3E

RGB 137 239 62

HSL 94.58, 0.85%, 0.59%

LAB 85.71, -57.39, 71.26

 

CMYK 23 / 0 / 74 / 6

HEX #B9EF3E

RGB 185 239 62

HSL 78.31, 0.85%, 0.59%

LAB 88.16, -40.69, 74.48

 

CMYK 3 / 0 / 74 / 6

HEX #E8EF3E

RGB 232 239 62

HSL 62.37, 0.85%, 0.59%

LAB 91.34, -22.13, 78.6

 

CMYK 0 / 17 / 74 / 6

HEX #EFC63E

RGB 239 198 62

HSL 46.1, 0.85%, 0.59%

LAB 81.34, 1.24, 69.4

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 74 / 0 / 66 / 6

HEX #3EEF52

RGB 62 239 82

HSL 126.78, 0.85%, 0.59%

LAB 83.63, -73.22, 61.21

 

CMYK 74 / 0 / 46 / 6

HEX #3EEF82

RGB 62 239 130

HSL 143.05, 0.85%, 0.59%

LAB 84.16, -67.02, 40.27

 

CMYK 74 / 0 / 26 / 6

HEX #3EEFB2

RGB 62 239 178

HSL 159.32, 0.85%, 0.59%

LAB 84.98, -57.82, 17.08

 

CMYK 74 / 0 / 5 / 6

HEX #3EEFE2

RGB 62 239 226

HSL 175.59, 0.85%, 0.59%

LAB 86.13, -46.01, -6.37

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 55 / 0 / 65 / 13

HEX #64DE4E

RGB 100 222 78

HSL 110.83, 0.69%, 0.59%

LAB 79.33, -60.36, 58.4

 

CMYK 45 / 0 / 54 / 20

HEX #70CD5F

RGB 112 205 95

HSL 110.73, 0.52%, 0.59%

LAB 74.78, -48.7, 45.82

 

CMYK 34 / 0 / 41 / 26

HEX #7CBD70

RGB 124 189 112

HSL 110.65, 0.37%, 0.59%

LAB 70.77, -35.72, 32.5

 

CMYK 21 / 0 / 25 / 33

HEX #88AC81

RGB 136 172 129

HSL 110.23, 0.21%, 0.59%

LAB 66.77, -20.66, 18.21

 

CMYK 22 / 0 / 74 / 6

HEX #BAEF3E

RGB 186 239 62

HSL 77.97, 0.85%, 0.59%

LAB 88.22, -40.32, 74.55

 

CMYK 42 / 0 / 74 / 6

HEX #8BEF3E

RGB 139 239 62

HSL 93.9, 0.85%, 0.59%

LAB 85.79, -56.76, 71.37

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3E

RGB 91 239 62

HSL 110.17, 0.85%, 0.59%

LAB 84.12, -69.64, 69.18

 

CMYK 74 / 0 / 67 / 6

HEX #3EEF4F

RGB 62 239 79

HSL 125.76, 0.85%, 0.59%

LAB 83.61, -73.51, 62.36

 

CMYK 74 / 0 / 47 / 6

HEX #3EEF7F

RGB 62 239 127

HSL 142.03, 0.85%, 0.59%

LAB 84.12, -67.5, 41.68

 

CMYK 78 / 0 / 92 / 21

HEX #2DCA10

RGB 45 202 16

HSL 110.65, 0.85%, 0.43%

LAB 71.44, -68.55, 68.48

 

CMYK 76 / 0 / 90 / 7

HEX #38EC17

RGB 56 236 23

HSL 110.7, 0.85%, 0.51%

LAB 82.32, -76.76, 76.69

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 50 / 0 / 59 / 5

HEX #7AF264

RGB 122 242 100

HSL 110.7, 0.85%, 0.67%

LAB 86.29, -59.82, 57.12

 

CMYK 37 / 0 / 44 / 4

HEX #9AF68A

RGB 154 246 138

HSL 111.11, 0.86%, 0.75%

LAB 89.21, -47.55, 43.41

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 74 / 3 / 0 / 6

HEX #3EE9EF

RGB 62 233 239

HSL 182.03, 0.85%, 0.59%

LAB 84.76, -39.74, -15.25

 

CMYK 0 / 74 / 32 / 6

HEX #EF3EA2

RGB 239 62 162

HSL 326.1, 0.85%, 0.59%

LAB 56.49, 73.86, -14.05

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 74 / 62 / 0 / 6

HEX #3E5BEF

RGB 62 91 239

HSL 230.17, 0.85%, 0.59%

LAB 45.27, 39.63, -77.34

 

CMYK 0 / 74 / 62 / 6

HEX #EF3E5B

RGB 239 62 91

HSL 350.17, 0.85%, 0.59%

LAB 54.61, 67.86, 25.36

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 74 / 3 / 0 / 6

HEX #3EE9EF

RGB 62 233 239

HSL 182.03, 0.85%, 0.59%

LAB 84.76, -39.74, -15.25

 

CMYK 12 / 74 / 0 / 6

HEX #D23EEF

RGB 210 62 239

HSL 290.17, 0.85%, 0.59%

LAB 55.46, 78.42, -60.12

 

CMYK 0 / 72 / 74 / 6

HEX #EF443E

RGB 239 68 62

HSL 2.03, 0.85%, 0.59%

LAB 54.9, 64.46, 42.37

 

CMYK 63 / 0 / 74 / 6

HEX #59EF3E

RGB 89 239 62

HSL 110.85, 0.85%, 0.59%

LAB 84.07, -70.07, 69.11

 

CMYK 74 / 25 / 0 / 6

HEX #3EB4EF

RGB 62 180 239

HSL 200, 0.85%, 0.59%

LAB 69.4, -13.55, -38.76

 

CMYK 12 / 74 / 0 / 6

HEX #D23EEF

RGB 210 62 239

HSL 290.17, 0.85%, 0.59%

LAB 55.46, 78.42, -60.12

 

CMYK 0 / 49 / 74 / 6

HEX #EF793E

RGB 239 121 62

HSL 20, 0.85%, 0.59%

LAB 63.65, 41.42, 51.77

 

Description

Color code: HEX #59EF3E | qconv.com Color code: HEX #59EF3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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