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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59ECCD it is the complementary color #A61332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59ECCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59ECCD shade: #5EECC8, #6FFEDB, #80FFEE, #91FFFF and #A2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59ECCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59ECCD shade: #59ECCD, #48DABA, #37C8A7, #26B694 and #15A481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59ECCD shade: #5BECCD, #5BECA6, #5BEC7F, #5EEC5B and #85EC5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59ECCD shade: #5BECCD, #5BE3EC, #5BBCEC, #5B95EC and #5B6EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59ECCD shade matches the following richer shades: #5BECCD and #4CFBD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59ECCD shade: #5BECCD, #6ADDC5, #78CEBC, #87BFB3 and #96B0AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59ECCD shade: #5BEC7F, #5BECA6, #5BECCC, #5BE4EC and #5BBEEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59ECCD shade: #1ADAB2, #36E7C2, #5BECCD, #80F0D8 and #A5F4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59ECCD shade: #59ECCD, #5B5DEC and #EC925B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59ECCD shade: #59ECCD, #CC5BEC and #ECCC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59ECCD shade: #59ECCD, #5B5DEC, #EC5B7A and #ECE95B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59ECCD shade: #59ECCD, #845BEC, #EC5B7A and #C3EC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 13 / 7

HEX #59ECCD

RGB 89 236 205

HSL 167.35, 0.79%, 0.64%

LAB 85.26, -46.39, 3.45

 

Complementary color

CMYK 0 / 89 / 70 / 35

HEX #A61332

RGB 166 19 50

HSL 347.35, 0.79%, 0.36%

LAB 35.6, 56.69, 23.35

 

CMYK 60 / 0 / 15 / 7

HEX #5EECC8

RGB 94 236 200

HSL 164.79, 0.79%, 0.65%

LAB 85.27, -46.71, 6.11

 

CMYK 56 / 0 / 14 / 0

HEX #6FFEDB

RGB 111 254 219

HSL 165.31, 0.99%, 0.72%

LAB 91.4, -46.84, 5.12

 

CMYK 50 / 0 / 7 / 0

HEX #80FFEE

RGB 128 255 238

HSL 171.97, 1%, 0.75%

LAB 92.7, -39.39, -2.76

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 62 / 0 / 13 / 7

HEX #59ECCD

RGB 89 236 205

HSL 167.35, 0.79%, 0.64%

LAB 85.26, -46.39, 3.45

 

CMYK 67 / 0 / 15 / 15

HEX #48DABA

RGB 72 218 186

HSL 166.85, 0.66%, 0.57%

LAB 79.08, -46.04, 4.5

 

CMYK 73 / 0 / 17 / 22

HEX #37C8A7

RGB 55 200 167

HSL 166.34, 0.57%, 0.5%

LAB 72.83, -45.5, 5.65

 

CMYK 79 / 0 / 19 / 29

HEX #26B694

RGB 38 182 148

HSL 165.83, 0.65%, 0.43%

LAB 66.52, -44.71, 6.92

 

CMYK 87 / 0 / 21 / 36

HEX #15A481

RGB 21 164 129

HSL 165.31, 0.77%, 0.36%

LAB 60.15, -43.55, 8.34

 

CMYK 61 / 0 / 13 / 7

HEX #5BECCD

RGB 91 236 205

HSL 167.17, 0.79%, 0.64%

LAB 85.31, -46.05, 3.53

 

CMYK 61 / 0 / 30 / 7

HEX #5BECA6

RGB 91 236 166

HSL 151.03, 0.79%, 0.64%

LAB 84.47, -54.67, 22.67

 

CMYK 61 / 0 / 46 / 7

HEX #5BEC7F

RGB 91 236 127

HSL 134.9, 0.79%, 0.64%

LAB 83.83, -61.52, 41.45

 

CMYK 60 / 0 / 61 / 7

HEX #5EEC5B

RGB 94 236 91

HSL 118.76, 0.79%, 0.64%

LAB 83.51, -65.49, 57.58

 

CMYK 44 / 0 / 61 / 7

HEX #85EC5B

RGB 133 236 91

HSL 102.62, 0.79%, 0.64%

LAB 84.86, -55.25, 59.46

 

CMYK 61 / 0 / 13 / 7

HEX #5BECCD

RGB 91 236 205

HSL 167.17, 0.79%, 0.64%

LAB 85.31, -46.05, 3.53

 

CMYK 61 / 4 / 0 / 7

HEX #5BE3EC

RGB 91 227 236

HSL 183.72, 0.79%, 0.64%

LAB 83.56, -33.95, -15.41

 

CMYK 61 / 20 / 0 / 7

HEX #5BBCEC

RGB 91 188 236

HSL 199.86, 0.79%, 0.64%

LAB 72.39, -14.49, -32.42

 

CMYK 61 / 37 / 0 / 7

HEX #5B95EC

RGB 91 149 236

HSL 216, 0.79%, 0.64%

LAB 61.46, 7.32, -49.52

 

CMYK 61 / 53 / 0 / 7

HEX #5B6EEC

RGB 91 110 236

HSL 232.14, 0.79%, 0.64%

LAB 51.19, 30.88, -65.96

 

CMYK 61 / 0 / 13 / 7

HEX #5BECCD

RGB 91 236 205

HSL 167.17, 0.79%, 0.64%

LAB 85.31, -46.05, 3.53

 

CMYK 70 / 0 / 15 / 2

HEX #4CFBD6

RGB 76 251 214

HSL 167.31, 0.96%, 0.64%

LAB 89.57, -52.47, 4.96

 

CMYK 61 / 0 / 13 / 7

HEX #5BECCD

RGB 91 236 205

HSL 167.17, 0.79%, 0.64%

LAB 85.31, -46.05, 3.53

 

CMYK 52 / 0 / 11 / 13

HEX #6ADDC5

RGB 106 221 197

HSL 167.48, 0.63%, 0.64%

LAB 81.19, -38.44, 1.82

 

CMYK 42 / 0 / 9 / 19

HEX #78CEBC

RGB 120 206 188

HSL 167.44, 0.47%, 0.64%

LAB 77.14, -30.26, 0.81

 

CMYK 29 / 0 / 6 / 25

HEX #87BFB3

RGB 135 191 179

HSL 167.14, 0.3%, 0.64%

LAB 73.33, -20.75, 0.21

 

CMYK 15 / 0 / 3 / 31

HEX #96B0AB

RGB 150 176 171

HSL 168.46, 0.14%, 0.64%

LAB 69.81, -9.93, -0.45

 

CMYK 61 / 0 / 46 / 7

HEX #5BEC7F

RGB 91 236 127

HSL 134.9, 0.79%, 0.64%

LAB 83.83, -61.52, 41.45

 

CMYK 61 / 0 / 30 / 7

HEX #5BECA6

RGB 91 236 166

HSL 151.03, 0.79%, 0.64%

LAB 84.47, -54.67, 22.67

 

CMYK 61 / 0 / 14 / 7

HEX #5BECCC

RGB 91 236 204

HSL 166.76, 0.79%, 0.64%

LAB 85.29, -46.29, 4.02

 

CMYK 61 / 3 / 0 / 7

HEX #5BE4EC

RGB 91 228 236

HSL 183.31, 0.79%, 0.64%

LAB 83.84, -34.42, -14.98

 

CMYK 61 / 19 / 0 / 7

HEX #5BBEEC

RGB 91 190 236

HSL 199.03, 0.79%, 0.64%

LAB 72.96, -15.54, -31.54

 

CMYK 88 / 0 / 18 / 15

HEX #1ADAB2

RGB 26 218 178

HSL 167.5, 0.79%, 0.48%

LAB 78.21, -52.79, 7.43

 

CMYK 77 / 0 / 16 / 9

HEX #36E7C2

RGB 54 231 194

HSL 167.46, 0.79%, 0.56%

LAB 82.82, -51.79, 5.62

 

CMYK 61 / 0 / 13 / 7

HEX #5BECCD

RGB 91 236 205

HSL 167.17, 0.79%, 0.64%

LAB 85.31, -46.05, 3.53

 

CMYK 47 / 0 / 10 / 6

HEX #80F0D8

RGB 128 240 216

HSL 167.14, 0.79%, 0.72%

LAB 87.9, -37.73, 1.68

 

CMYK 32 / 0 / 7 / 4

HEX #A5F4E4

RGB 165 244 228

HSL 167.85, 0.78%, 0.8%

LAB 90.92, -27.52, 0

 

CMYK 62 / 0 / 13 / 7

HEX #59ECCD

RGB 89 236 205

HSL 167.35, 0.79%, 0.64%

LAB 85.26, -46.39, 3.45

 

CMYK 61 / 61 / 0 / 7

HEX #5B5DEC

RGB 91 93 236

HSL 239.17, 0.79%, 0.64%

LAB 47.12, 41.18, -72.57

 

CMYK 0 / 38 / 61 / 7

HEX #EC925B

RGB 236 146 91

HSL 22.76, 0.79%, 0.64%

LAB 68.86, 28.95, 43.04

 

CMYK 62 / 0 / 13 / 7

HEX #59ECCD

RGB 89 236 205

HSL 167.35, 0.79%, 0.64%

LAB 85.26, -46.39, 3.45

 

CMYK 14 / 61 / 0 / 7

HEX #CC5BEC

RGB 204 91 236

HSL 286.76, 0.79%, 0.64%

LAB 58.39, 65.5, -53.8

 

CMYK 0 / 14 / 61 / 7

HEX #ECCC5B

RGB 236 204 91

HSL 46.76, 0.79%, 0.64%

LAB 82.79, -1.56, 59.04

 

CMYK 62 / 0 / 13 / 7

HEX #59ECCD

RGB 89 236 205

HSL 167.35, 0.79%, 0.64%

LAB 85.26, -46.39, 3.45

 

CMYK 61 / 61 / 0 / 7

HEX #5B5DEC

RGB 91 93 236

HSL 239.17, 0.79%, 0.64%

LAB 47.12, 41.18, -72.57

 

CMYK 0 / 61 / 48 / 7

HEX #EC5B7A

RGB 236 91 122

HSL 347.17, 0.79%, 0.64%

LAB 58.71, 58.33, 12.6

 

CMYK 0 / 1 / 61 / 7

HEX #ECE95B

RGB 236 233 91

HSL 58.76, 0.79%, 0.64%

LAB 90.26, -16.11, 67.15

 

CMYK 62 / 0 / 13 / 7

HEX #59ECCD

RGB 89 236 205

HSL 167.35, 0.79%, 0.64%

LAB 85.26, -46.39, 3.45

 

CMYK 44 / 61 / 0 / 7

HEX #845BEC

RGB 132 91 236

HSL 256.97, 0.79%, 0.64%

LAB 50.03, 49.65, -67.69

 

CMYK 0 / 61 / 48 / 7

HEX #EC5B7A

RGB 236 91 122

HSL 347.17, 0.79%, 0.64%

LAB 58.71, 58.33, 12.6

 

CMYK 17 / 0 / 61 / 7

HEX #C3EC5B

RGB 195 236 91

HSL 76.97, 0.79%, 0.64%

LAB 88.14, -33.75, 64

 

Description

Color code: HEX #59ECCD | qconv.com Color code: HEX #59ECCD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 236 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 236 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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