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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E782 it is the complementary color #A6187D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E782 shade: #5EE77D, #6FF990, #80FFA3, #91FFB6 and #A2FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E782 shade: #59E782, #48D56F, #37C35C, #26B149 and #159F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E782 shade: #5AE783, #5AE75D, #7DE75A, #A4E75A and #CAE75A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E782 shade: #5AE783, #5AE7A9, #5AE7CF, #5ADAE7 and #5AB3E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E782 shade matches the following richer shades: #5AE783 and #4BF77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E782 shade: #5AE783, #69D889, #78C990, #88BA96 and #97AA9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E782 shade: #7DE75A, #5AE75C, #5AE782, #5AE7A8 and #5AE7CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E782 shade: #1ED152, #36E268, #5AE783, #7EED9E and #A2F2B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E782 shade: #59E782, #5AA3E7 and #E75A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E782 shade: #59E782, #825AE7 and #E7825A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E782 shade: #59E782, #5AA3E7, #E75ABF and #E79E5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E782 shade: #59E782, #5A79E7, #E75ABF and #E7C95A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 44 / 9

HEX #59E782

RGB 89 231 130

HSL 137.32, 0.75%, 0.63%

LAB 82.32, -59.61, 38.03

 

Complementary color

CMYK 0 / 86 / 25 / 35

HEX #A6187D

RGB 166 24 125

HSL 317.32, 0.75%, 0.37%

LAB 38.27, 62.24, -20.75

 

CMYK 59 / 0 / 46 / 9

HEX #5EE77D

RGB 94 231 125

HSL 133.58, 0.74%, 0.64%

LAB 82.39, -59.34, 40.61

 

CMYK 55 / 0 / 42 / 2

HEX #6FF990

RGB 111 249 144

HSL 134.35, 0.92%, 0.71%

LAB 88.52, -59.47, 39.26

 

CMYK 50 / 0 / 36 / 0

HEX #80FFA3

RGB 128 255 163

HSL 136.54, 1%, 0.75%

LAB 91.12, -54.71, 33.38

 

CMYK 43 / 0 / 29 / 0

HEX #91FFB6

RGB 145 255 182

HSL 140.18, 1%, 0.78%

LAB 92.09, -47.06, 25.25

 

CMYK 36 / 0 / 21 / 0

HEX #A2FFC9

RGB 162 255 201

HSL 145.16, 1%, 0.82%

LAB 93.2, -38.91, 17.2

 

CMYK 61 / 0 / 44 / 9

HEX #59E782

RGB 89 231 130

HSL 137.32, 0.75%, 0.63%

LAB 82.32, -59.61, 38.03

 

CMYK 66 / 0 / 48 / 16

HEX #48D56F

RGB 72 213 111

HSL 136.6, 0.63%, 0.56%

LAB 76.14, -59.25, 39.46

 

CMYK 72 / 0 / 53 / 24

HEX #37C35C

RGB 55 195 92

HSL 135.86, 0.56%, 0.49%

LAB 69.91, -58.6, 40.95

 

CMYK 79 / 0 / 59 / 31

HEX #26B149

RGB 38 177 73

HSL 135.11, 0.65%, 0.42%

LAB 63.62, -57.54, 42.44

 

CMYK 87 / 0 / 66 / 38

HEX #159F36

RGB 21 159 54

HSL 134.35, 0.77%, 0.35%

LAB 57.29, -55.85, 43.82

 

CMYK 61 / 0 / 43 / 9

HEX #5AE783

RGB 90 231 131

HSL 137.45, 0.75%, 0.63%

LAB 82.36, -59.25, 37.6

 

CMYK 61 / 0 / 60 / 9

HEX #5AE75D

RGB 90 231 93

HSL 121.28, 0.75%, 0.63%

LAB 81.9, -64.4, 54.87

 

CMYK 46 / 0 / 61 / 9

HEX #7DE75A

RGB 125 231 90

HSL 105.11, 0.75%, 0.63%

LAB 83.05, -55.76, 57.77

 

CMYK 29 / 0 / 61 / 9

HEX #A4E75A

RGB 164 231 90

HSL 88.51, 0.75%, 0.63%

LAB 84.89, -43.05, 60.33

 

CMYK 13 / 0 / 61 / 9

HEX #CAE75A

RGB 202 231 90

HSL 72.34, 0.75%, 0.63%

LAB 87.22, -28.8, 63.55

 

CMYK 61 / 0 / 43 / 9

HEX #5AE783

RGB 90 231 131

HSL 137.45, 0.75%, 0.63%

LAB 82.36, -59.25, 37.6

 

CMYK 61 / 0 / 27 / 9

HEX #5AE7A9

RGB 90 231 169

HSL 153.62, 0.75%, 0.63%

LAB 83.01, -52.24, 19.1

 

CMYK 61 / 0 / 10 / 9

HEX #5AE7CF

RGB 90 231 207

HSL 169.79, 0.75%, 0.63%

LAB 83.88, -43.56, 0.39

 

CMYK 61 / 6 / 0 / 9

HEX #5ADAE7

RGB 90 218 231

HSL 185.53, 0.75%, 0.63%

LAB 80.79, -31.24, -16.93

 

CMYK 61 / 23 / 0 / 9

HEX #5AB3E7

RGB 90 179 231

HSL 202.13, 0.75%, 0.63%

LAB 69.6, -11.4, -34.02

 

CMYK 61 / 0 / 43 / 9

HEX #5AE783

RGB 90 231 131

HSL 137.45, 0.75%, 0.63%

LAB 82.36, -59.25, 37.6

 

CMYK 70 / 0 / 50 / 3

HEX #4BF77C

RGB 75 247 124

HSL 137.09, 0.91%, 0.63%

LAB 86.74, -68.76, 46.44

 

CMYK 61 / 0 / 43 / 9

HEX #5AE783

RGB 90 231 131

HSL 137.45, 0.75%, 0.63%

LAB 82.36, -59.25, 37.6

 

CMYK 51 / 0 / 37 / 15

HEX #69D889

RGB 105 216 137

HSL 137.3, 0.59%, 0.63%

LAB 78.42, -48.93, 29.49

 

CMYK 40 / 0 / 28 / 21

HEX #78C990

RGB 120 201 144

HSL 137.78, 0.43%, 0.63%

LAB 74.69, -37.12, 20.89

 

CMYK 27 / 0 / 19 / 27

HEX #88BA96

RGB 136 186 150

HSL 136.8, 0.27%, 0.63%

LAB 71.25, -23.89, 13.02

 

CMYK 11 / 0 / 8 / 33

HEX #97AA9D

RGB 151 170 157

HSL 138.95, 0.1%, 0.63%

LAB 67.85, -9.19, 4.45

 

CMYK 46 / 0 / 61 / 9

HEX #7DE75A

RGB 125 231 90

HSL 105.11, 0.75%, 0.63%

LAB 83.05, -55.76, 57.77

 

CMYK 61 / 0 / 60 / 9

HEX #5AE75C

RGB 90 231 92

HSL 120.85, 0.75%, 0.63%

LAB 81.89, -64.51, 55.29

 

CMYK 61 / 0 / 44 / 9

HEX #5AE782

RGB 90 231 130

HSL 137.02, 0.75%, 0.63%

LAB 82.34, -59.41, 38.07

 

CMYK 61 / 0 / 27 / 9

HEX #5AE7A8

RGB 90 231 168

HSL 153.19, 0.75%, 0.63%

LAB 82.99, -52.44, 19.59

 

CMYK 61 / 0 / 11 / 9

HEX #5AE7CD

RGB 90 231 205

HSL 168.94, 0.75%, 0.63%

LAB 83.83, -44.05, 1.37

 

CMYK 86 / 0 / 61 / 18

HEX #1ED152

RGB 30 209 82

HSL 137.43, 0.75%, 0.47%

LAB 73.86, -67.57, 50.18

 

CMYK 76 / 0 / 54 / 11

HEX #36E268

RGB 54 226 104

HSL 137.44, 0.75%, 0.55%

LAB 79.71, -67.59, 47.14

 

CMYK 61 / 0 / 43 / 9

HEX #5AE783

RGB 90 231 131

HSL 137.45, 0.75%, 0.63%

LAB 82.36, -59.25, 37.6

 

CMYK 47 / 0 / 33 / 7

HEX #7EED9E

RGB 126 237 158

HSL 137.3, 0.76%, 0.71%

LAB 85.74, -48.67, 28.69

 

CMYK 33 / 0 / 24 / 5

HEX #A2F2B9

RGB 162 242 185

HSL 137.25, 0.75%, 0.79%

LAB 89.25, -35.96, 19.9

 

CMYK 61 / 0 / 44 / 9

HEX #59E782

RGB 89 231 130

HSL 137.32, 0.75%, 0.63%

LAB 82.32, -59.61, 38.03

 

CMYK 61 / 29 / 0 / 9

HEX #5AA3E7

RGB 90 163 231

HSL 208.94, 0.75%, 0.63%

LAB 65.07, -2.57, -41.08

 

CMYK 0 / 61 / 54 / 9

HEX #E75A6A

RGB 231 90 106

HSL 353.19, 0.75%, 0.63%

LAB 57.41, 55.81, 20.02

 

CMYK 61 / 0 / 44 / 9

HEX #59E782

RGB 89 231 130

HSL 137.32, 0.75%, 0.63%

LAB 82.32, -59.61, 38.03

 

CMYK 44 / 61 / 0 / 9

HEX #825AE7

RGB 130 90 231

HSL 257.02, 0.75%, 0.63%

LAB 49.29, 48.43, -66.09

 

CMYK 0 / 44 / 61 / 9

HEX #E7825A

RGB 231 130 90

HSL 17.02, 0.75%, 0.63%

LAB 64.72, 35.27, 38.41

 

CMYK 61 / 0 / 44 / 9

HEX #59E782

RGB 89 231 130

HSL 137.32, 0.75%, 0.63%

LAB 82.32, -59.61, 38.03

 

CMYK 61 / 29 / 0 / 9

HEX #5AA3E7

RGB 90 163 231

HSL 208.94, 0.75%, 0.63%

LAB 65.07, -2.57, -41.08

 

CMYK 0 / 61 / 17 / 9

HEX #E75ABF

RGB 231 90 191

HSL 317.02, 0.75%, 0.63%

LAB 59.95, 65.26, -25.67

 

CMYK 0 / 32 / 61 / 9

HEX #E79E5A

RGB 231 158 90

HSL 28.94, 0.75%, 0.63%

LAB 71, 20.48, 45.93

 

CMYK 61 / 0 / 44 / 9

HEX #59E782

RGB 89 231 130

HSL 137.32, 0.75%, 0.63%

LAB 82.32, -59.61, 38.03

 

CMYK 61 / 48 / 0 / 9

HEX #5A79E7

RGB 90 121 231

HSL 226.81, 0.75%, 0.63%

LAB 53.62, 22.3, -59.25

 

CMYK 0 / 61 / 17 / 9

HEX #E75ABF

RGB 231 90 191

HSL 317.02, 0.75%, 0.63%

LAB 59.95, 65.26, -25.67

 

CMYK 0 / 13 / 61 / 9

HEX #E7C95A

RGB 231 201 90

HSL 47.23, 0.75%, 0.63%

LAB 81.57, -2.16, 58

 

Description

Color code: HEX #59E782 | qconv.com Color code: HEX #59E782 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 231 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 231 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 44% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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