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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E666 it is the complementary color #A61999. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E666. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E666 shade: #5EE661, #6FF874, #80FF87, #91FF9A and #A2FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E666. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E666 shade: #59E666, #48D453, #37C240, #26B02D and #159E1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E666 shade: #5BE668, #74E65B, #99E65B, #BFE65B and #E5E65B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E666 shade: #5BE668, #5BE68D, #5BE6B3, #5BE6D9 and #5BCFE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E666 shade matches the following richer shades: #5BE668 and #4CF65B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E666 shade: #5BE668, #6AD774, #79C881, #89B98D and #98A99A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E666 shade: #9AE65B, #74E65B, #5BE666, #5BE68C and #5BE6B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E666 shade: #1FD02F, #37E147, #5BE668, #7FEC89 and #A3F1AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E666 shade: #59E666, #5BBFE6 and #E65B87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E666 shade: #59E666, #665BE6 and #E6665B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E666 shade: #59E666, #5BBFE6, #E65BDB and #E6825B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E666 shade: #59E666, #5B95E6, #E65BDB and #E6AC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 56 / 10

HEX #59E666

RGB 89 230 102

HSL 125.53, 0.74%, 0.63%

LAB 81.66, -63.21, 50.57

 

Complementary color

CMYK 0 / 85 / 8 / 35

HEX #A61999

RGB 166 25 153

HSL 305.53, 0.74%, 0.37%

LAB 39.75, 65.86, -35.63

 

CMYK 59 / 0 / 58 / 10

HEX #5EE661

RGB 94 230 97

HSL 121.32, 0.73%, 0.64%

LAB 81.75, -62.71, 52.96

 

CMYK 55 / 0 / 53 / 3

HEX #6FF874

RGB 111 248 116

HSL 122.19, 0.91%, 0.7%

LAB 87.86, -63.02, 51.74

 

CMYK 50 / 0 / 47 / 0

HEX #80FF87

RGB 128 255 135

HSL 123.31, 1%, 0.75%

LAB 90.72, -58.97, 46.51

 

CMYK 43 / 0 / 40 / 0

HEX #91FF9A

RGB 145 255 154

HSL 124.91, 1%, 0.78%

LAB 91.63, -51.67, 38.62

 

CMYK 36 / 0 / 32 / 0

HEX #A2FFAD

RGB 162 255 173

HSL 127.1, 1%, 0.82%

LAB 92.67, -43.82, 30.7

 

CMYK 61 / 0 / 56 / 10

HEX #59E666

RGB 89 230 102

HSL 125.53, 0.74%, 0.63%

LAB 81.66, -63.21, 50.57

 

CMYK 66 / 0 / 61 / 17

HEX #48D453

RGB 72 212 83

HSL 124.71, 0.62%, 0.56%

LAB 75.51, -62.62, 51.8

 

CMYK 72 / 0 / 67 / 24

HEX #37C240

RGB 55 194 64

HSL 123.88, 0.56%, 0.49%

LAB 69.3, -61.66, 52.87

 

CMYK 78 / 0 / 74 / 31

HEX #26B02D

RGB 38 176 45

HSL 123.04, 0.64%, 0.42%

LAB 63.05, -60.16, 53.57

 

CMYK 87 / 0 / 84 / 38

HEX #159E1A

RGB 21 158 26

HSL 122.19, 0.77%, 0.35%

LAB 56.77, -57.89, 53.5

 

CMYK 60 / 0 / 55 / 10

HEX #5BE668

RGB 91 230 104

HSL 125.61, 0.74%, 0.63%

LAB 81.74, -62.53, 49.76

 

CMYK 50 / 0 / 60 / 10

HEX #74E65B

RGB 116 230 91

HSL 109.21, 0.74%, 0.63%

LAB 82.41, -57.84, 56.53

 

CMYK 33 / 0 / 60 / 10

HEX #99E65B

RGB 153 230 91

HSL 93.24, 0.74%, 0.63%

LAB 84.03, -46.37, 58.79

 

CMYK 17 / 0 / 60 / 10

HEX #BFE65B

RGB 191 230 91

HSL 76.83, 0.74%, 0.63%

LAB 86.22, -32.52, 61.83

 

CMYK 0 / 0 / 60 / 10

HEX #E5E65B

RGB 229 230 91

HSL 60.43, 0.74%, 0.63%

LAB 88.93, -17.48, 65.56

 

CMYK 60 / 0 / 55 / 10

HEX #5BE668

RGB 91 230 104

HSL 125.61, 0.74%, 0.63%

LAB 81.74, -62.53, 49.76

 

CMYK 60 / 0 / 39 / 10

HEX #5BE68D

RGB 91 230 141

HSL 141.58, 0.74%, 0.63%

LAB 82.24, -56.99, 32.44

 

CMYK 60 / 0 / 22 / 10

HEX #5BE6B3

RGB 91 230 179

HSL 157.99, 0.74%, 0.63%

LAB 82.95, -49.5, 13.8

 

CMYK 60 / 0 / 6 / 10

HEX #5BE6D9

RGB 91 230 217

HSL 174.39, 0.74%, 0.63%

LAB 83.88, -40.41, -4.89

 

CMYK 60 / 10 / 0 / 10

HEX #5BCFE6

RGB 91 207 230

HSL 189.93, 0.74%, 0.63%

LAB 77.62, -26, -21.18

 

CMYK 60 / 0 / 55 / 10

HEX #5BE668

RGB 91 230 104

HSL 125.61, 0.74%, 0.63%

LAB 81.74, -62.53, 49.76

 

CMYK 69 / 0 / 63 / 4

HEX #4CF65B

RGB 76 246 91

HSL 125.29, 0.9%, 0.63%

LAB 86.11, -72.35, 60.37

 

CMYK 60 / 0 / 55 / 10

HEX #5BE668

RGB 91 230 104

HSL 125.61, 0.74%, 0.63%

LAB 81.74, -62.53, 49.76

 

CMYK 51 / 0 / 46 / 16

HEX #6AD774

RGB 106 215 116

HSL 125.5, 0.58%, 0.63%

LAB 77.83, -51.62, 39.34

 

CMYK 40 / 0 / 36 / 22

HEX #79C881

RGB 121 200 129

HSL 126.08, 0.42%, 0.63%

LAB 74.16, -38.99, 28.09

 

CMYK 26 / 0 / 24 / 27

HEX #89B98D

RGB 137 185 141

HSL 125, 0.26%, 0.63%

LAB 70.83, -24.72, 17.31

 

CMYK 10 / 0 / 9 / 34

HEX #98A99A

RGB 152 169 154

HSL 127.06, 0.09%, 0.63%

LAB 67.56, -8.88, 5.72

 

CMYK 33 / 0 / 60 / 10

HEX #9AE65B

RGB 154 230 91

HSL 92.81, 0.74%, 0.63%

LAB 84.08, -46.02, 58.86

 

CMYK 50 / 0 / 60 / 10

HEX #74E65B

RGB 116 230 91

HSL 109.21, 0.74%, 0.63%

LAB 82.41, -57.84, 56.53

 

CMYK 60 / 0 / 56 / 10

HEX #5BE666

RGB 91 230 102

HSL 124.75, 0.74%, 0.63%

LAB 81.72, -62.78, 50.65

 

CMYK 60 / 0 / 39 / 10

HEX #5BE68C

RGB 91 230 140

HSL 141.15, 0.74%, 0.63%

LAB 82.22, -57.16, 32.92

 

CMYK 60 / 0 / 23 / 10

HEX #5BE6B1

RGB 91 230 177

HSL 157.12, 0.74%, 0.63%

LAB 82.91, -49.94, 14.78

 

CMYK 85 / 0 / 77 / 18

HEX #1FD02F

RGB 31 208 47

HSL 125.42, 0.74%, 0.47%

LAB 73.29, -70.46, 62.98

 

CMYK 76 / 0 / 68 / 12

HEX #37E147

RGB 55 225 71

HSL 125.65, 0.74%, 0.55%

LAB 79.11, -70.89, 60.6

 

CMYK 60 / 0 / 55 / 10

HEX #5BE668

RGB 91 230 104

HSL 125.61, 0.74%, 0.63%

LAB 81.74, -62.53, 49.76

 

CMYK 46 / 0 / 42 / 7

HEX #7FEC89

RGB 127 236 137

HSL 125.5, 0.74%, 0.71%

LAB 85.15, -51.39, 38.47

 

CMYK 32 / 0 / 29 / 5

HEX #A3F1AA

RGB 163 241 170

HSL 125.38, 0.74%, 0.79%

LAB 88.73, -37.79, 26.89

 

CMYK 61 / 0 / 56 / 10

HEX #59E666

RGB 89 230 102

HSL 125.53, 0.74%, 0.63%

LAB 81.66, -63.21, 50.57

 

CMYK 60 / 17 / 0 / 10

HEX #5BBFE6

RGB 91 191 230

HSL 196.83, 0.74%, 0.63%

LAB 73.02, -17.89, -28.2

 

CMYK 0 / 60 / 41 / 10

HEX #E65B87

RGB 230 91 135

HSL 341.01, 0.74%, 0.63%

LAB 58.09, 57.67, 3.97

 

CMYK 61 / 0 / 56 / 10

HEX #59E666

RGB 89 230 102

HSL 125.53, 0.74%, 0.63%

LAB 81.66, -63.21, 50.57

 

CMYK 56 / 60 / 0 / 10

HEX #665BE6

RGB 102 91 230

HSL 244.75, 0.74%, 0.63%

LAB 47, 42.28, -69.34

 

CMYK 0 / 56 / 60 / 10

HEX #E6665B

RGB 230 102 91

HSL 4.75, 0.74%, 0.63%

LAB 59.05, 48.92, 30.77

 

CMYK 61 / 0 / 56 / 10

HEX #59E666

RGB 89 230 102

HSL 125.53, 0.74%, 0.63%

LAB 81.66, -63.21, 50.57

 

CMYK 60 / 17 / 0 / 10

HEX #5BBFE6

RGB 91 191 230

HSL 196.83, 0.74%, 0.63%

LAB 73.02, -17.89, -28.2

 

CMYK 0 / 60 / 5 / 10

HEX #E65BDB

RGB 230 91 219

HSL 304.75, 0.74%, 0.63%

LAB 61.15, 68.81, -39.68

 

CMYK 0 / 43 / 60 / 10

HEX #E6825B

RGB 230 130 91

HSL 16.83, 0.74%, 0.63%

LAB 64.6, 34.95, 37.7

 

CMYK 61 / 0 / 56 / 10

HEX #59E666

RGB 89 230 102

HSL 125.53, 0.74%, 0.63%

LAB 81.66, -63.21, 50.57

 

CMYK 60 / 35 / 0 / 10

HEX #5B95E6

RGB 91 149 230

HSL 214.96, 0.74%, 0.63%

LAB 61.16, 5.34, -46.68

 

CMYK 0 / 60 / 5 / 10

HEX #E65BDB

RGB 230 91 219

HSL 304.75, 0.74%, 0.63%

LAB 61.15, 68.81, -39.68

 

CMYK 0 / 25 / 60 / 10

HEX #E6AC5B

RGB 230 172 91

HSL 34.96, 0.74%, 0.63%

LAB 74.24, 12.69, 49.2

 

Description

Color code: HEX #59E666 | qconv.com Color code: HEX #59E666 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 230 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 230 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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