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Color name
HEX #59E18A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E18A it is the complementary color #A61E75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E18A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E18A shade: #5EE185, #6FF398, #80FFAB, #91FFBE and #A2FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E18A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E18A shade: #59E18A, #48CF77, #37BD64, #26AB51 and #15993E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E18A shade: #5BE18B, #5BE167, #73E15B, #97E15B and #BBE15B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E18A shade: #5BE18B, #5BE1AF, #5BE1D4, #5BCAE1 and #5BA6E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E18A shade matches the following richer shades: #5BE18B and #4CF187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E18A shade: #5BE18B, #6BD190, #7BC294, #8AB299 and #9AA29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E18A shade: #74E15B, #5BE166, #5BE18A, #5BE1AE and #5BE1D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E18A shade: #24C55E, #38DB73, #5BE18B, #7EE7A4 and #A1EEBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E18A shade: #59E18A, #5B97E1 and #E15B62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E18A shade: #59E18A, #8A5BE1 and #E18A5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E18A shade: #59E18A, #5B97E1, #E15BB2 and #E1A55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E18A shade: #59E18A, #5B6FE1, #E15BB2 and #E1CD5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 39 / 12

HEX #59E18A

RGB 89 225 138

HSL 141.62, 0.69%, 0.62%

LAB 80.63, -55.99, 31.83

 

Complementary color

CMYK 0 / 82 / 30 / 35

HEX #A61E75

RGB 166 30 117

HSL 321.62, 0.69%, 0.38%

LAB 38.41, 59.87, -15.54

 

CMYK 58 / 0 / 41 / 12

HEX #5EE185

RGB 94 225 133

HSL 137.86, 0.69%, 0.63%

LAB 80.7, -55.79, 34.46

 

CMYK 54 / 0 / 37 / 5

HEX #6FF398

RGB 111 243 152

HSL 138.64, 0.85%, 0.69%

LAB 86.87, -55.83, 33.14

 

CMYK 50 / 0 / 33 / 0

HEX #80FFAB

RGB 128 255 171

HSL 140.31, 1%, 0.75%

LAB 91.26, -53.34, 29.56

 

CMYK 43 / 0 / 25 / 0

HEX #91FFBE

RGB 145 255 190

HSL 144.55, 1%, 0.78%

LAB 92.25, -45.59, 21.39

 

CMYK 36 / 0 / 18 / 0

HEX #A2FFD1

RGB 162 255 209

HSL 150.32, 1%, 0.82%

LAB 93.37, -37.38, 13.34

 

CMYK 60 / 0 / 39 / 12

HEX #59E18A

RGB 89 225 138

HSL 141.62, 0.69%, 0.62%

LAB 80.63, -55.99, 31.83

 

CMYK 65 / 0 / 43 / 19

HEX #48CF77

RGB 72 207 119

HSL 140.89, 0.58%, 0.55%

LAB 74.4, -55.74, 33.24

 

CMYK 71 / 0 / 47 / 26

HEX #37BD64

RGB 55 189 100

HSL 140.15, 0.55%, 0.48%

LAB 68.11, -55.23, 34.75

 

CMYK 78 / 0 / 53 / 33

HEX #26AB51

RGB 38 171 81

HSL 139.4, 0.64%, 0.41%

LAB 61.77, -54.34, 36.33

 

CMYK 86 / 0 / 59 / 40

HEX #15993E

RGB 21 153 62

HSL 138.64, 0.76%, 0.34%

LAB 55.37, -52.88, 37.94

 

CMYK 60 / 0 / 38 / 12

HEX #5BE18B

RGB 91 225 139

HSL 141.49, 0.69%, 0.62%

LAB 80.7, -55.4, 31.42

 

CMYK 60 / 0 / 54 / 12

HEX #5BE167

RGB 91 225 103

HSL 125.37, 0.69%, 0.62%

LAB 80.21, -60.85, 48.4

 

CMYK 49 / 0 / 60 / 12

HEX #73E15B

RGB 115 225 91

HSL 109.25, 0.69%, 0.62%

LAB 80.88, -56.2, 54.78

 

CMYK 33 / 0 / 60 / 12

HEX #97E15B

RGB 151 225 91

HSL 93.13, 0.69%, 0.62%

LAB 82.48, -44.92, 57.02

 

CMYK 17 / 0 / 60 / 12

HEX #BBE15B

RGB 187 225 91

HSL 77.01, 0.69%, 0.62%

LAB 84.57, -31.74, 59.94

 

CMYK 60 / 0 / 38 / 12

HEX #5BE18B

RGB 91 225 139

HSL 141.49, 0.69%, 0.62%

LAB 80.7, -55.4, 31.42

 

CMYK 60 / 0 / 22 / 12

HEX #5BE1AF

RGB 91 225 175

HSL 157.61, 0.69%, 0.62%

LAB 81.38, -48.29, 13.68

 

CMYK 60 / 0 / 6 / 12

HEX #5BE1D4

RGB 91 225 212

HSL 174.18, 0.69%, 0.62%

LAB 82.29, -39.44, -4.59

 

CMYK 60 / 10 / 0 / 12

HEX #5BCAE1

RGB 91 202 225

HSL 190.3, 0.69%, 0.62%

LAB 76.01, -24.96, -20.94

 

CMYK 60 / 26 / 0 / 12

HEX #5BA6E1

RGB 91 166 225

HSL 206.42, 0.69%, 0.62%

LAB 65.7, -5.97, -36.8

 

CMYK 60 / 0 / 38 / 12

HEX #5BE18B

RGB 91 225 139

HSL 141.49, 0.69%, 0.62%

LAB 80.7, -55.4, 31.42

 

CMYK 68 / 0 / 44 / 5

HEX #4CF187

RGB 76 241 135

HSL 141.45, 0.85%, 0.62%

LAB 85.1, -64.82, 39.08

 

CMYK 60 / 0 / 38 / 12

HEX #5BE18B

RGB 91 225 139

HSL 141.49, 0.69%, 0.62%

LAB 80.7, -55.4, 31.42

 

CMYK 49 / 0 / 31 / 18

HEX #6BD190

RGB 107 209 144

HSL 141.76, 0.53%, 0.62%

LAB 76.52, -44.22, 23.31

 

CMYK 37 / 0 / 24 / 24

HEX #7BC294

RGB 123 194 148

HSL 141.13, 0.37%, 0.62%

LAB 72.85, -32.23, 16.23

 

CMYK 22 / 0 / 14 / 30

HEX #8AB299

RGB 138 178 153

HSL 142.5, 0.21%, 0.62%

LAB 69.14, -18.61, 8.41

 

CMYK 5 / 0 / 3 / 36

HEX #9AA29D

RGB 154 162 157

HSL 142.5, 0.04%, 0.62%

LAB 65.86, -3.81, 1.6

 

CMYK 48 / 0 / 60 / 12

HEX #74E15B

RGB 116 225 91

HSL 108.81, 0.69%, 0.62%

LAB 80.92, -55.92, 54.83

 

CMYK 60 / 0 / 55 / 12

HEX #5BE166

RGB 91 225 102

HSL 124.93, 0.69%, 0.62%

LAB 80.2, -60.98, 48.85

 

CMYK 60 / 0 / 39 / 12

HEX #5BE18A

RGB 91 225 138

HSL 141.04, 0.69%, 0.62%

LAB 80.69, -55.58, 31.91

 

CMYK 60 / 0 / 23 / 12

HEX #5BE1AE

RGB 91 225 174

HSL 157.16, 0.69%, 0.62%

LAB 81.36, -48.51, 14.18

 

CMYK 60 / 0 / 7 / 12

HEX #5BE1D1

RGB 91 225 209

HSL 172.84, 0.69%, 0.62%

LAB 82.21, -40.21, -3.11

 

CMYK 82 / 0 / 52 / 23

HEX #24C55E

RGB 36 197 94

HSL 141.61, 0.69%, 0.46%

LAB 70.26, -61.52, 40.33

 

CMYK 74 / 0 / 47 / 14

HEX #38DB73

RGB 56 219 115

HSL 141.72, 0.69%, 0.54%

LAB 77.72, -63.33, 39.42

 

CMYK 60 / 0 / 38 / 12

HEX #5BE18B

RGB 91 225 139

HSL 141.49, 0.69%, 0.62%

LAB 80.7, -55.4, 31.42

 

CMYK 45 / 0 / 29 / 9

HEX #7EE7A4

RGB 126 231 164

HSL 141.71, 0.69%, 0.7%

LAB 84.1, -45.05, 23.38

 

CMYK 32 / 0 / 21 / 7

HEX #A1EEBD

RGB 161 238 189

HSL 141.82, 0.69%, 0.78%

LAB 88.16, -33.69, 16.31

 

CMYK 60 / 0 / 39 / 12

HEX #59E18A

RGB 89 225 138

HSL 141.62, 0.69%, 0.62%

LAB 80.63, -55.99, 31.83

 

CMYK 60 / 33 / 0 / 12

HEX #5B97E1

RGB 91 151 225

HSL 213.13, 0.69%, 0.62%

LAB 61.48, 2.55, -43.41

 

CMYK 0 / 60 / 56 / 12

HEX #E15B62

RGB 225 91 98

HSL 356.87, 0.69%, 0.62%

LAB 56.46, 52.75, 23.24

 

CMYK 60 / 0 / 39 / 12

HEX #59E18A

RGB 89 225 138

HSL 141.62, 0.69%, 0.62%

LAB 80.63, -55.99, 31.83

 

CMYK 39 / 60 / 0 / 12

HEX #8A5BE1

RGB 138 91 225

HSL 261.04, 0.69%, 0.62%

LAB 49.88, 47.97, -61.7

 

CMYK 0 / 39 / 60 / 12

HEX #E18A5B

RGB 225 138 91

HSL 21.04, 0.69%, 0.62%

LAB 65.7, 28.76, 38.91

 

CMYK 60 / 0 / 39 / 12

HEX #59E18A

RGB 89 225 138

HSL 141.62, 0.69%, 0.62%

LAB 80.63, -55.99, 31.83

 

CMYK 60 / 33 / 0 / 12

HEX #5B97E1

RGB 91 151 225

HSL 213.13, 0.69%, 0.62%

LAB 61.48, 2.55, -43.41

 

CMYK 0 / 60 / 21 / 12

HEX #E15BB2

RGB 225 91 178

HSL 321.04, 0.69%, 0.62%

LAB 58.7, 61.35, -20.2

 

CMYK 0 / 27 / 60 / 12

HEX #E1A55B

RGB 225 165 91

HSL 33.13, 0.69%, 0.62%

LAB 72.01, 14.33, 46.46

 

CMYK 60 / 0 / 39 / 12

HEX #59E18A

RGB 89 225 138

HSL 141.62, 0.69%, 0.62%

LAB 80.63, -55.99, 31.83

 

CMYK 60 / 51 / 0 / 12

HEX #5B6FE1

RGB 91 111 225

HSL 231.04, 0.69%, 0.62%

LAB 50.72, 26.62, -60.54

 

CMYK 0 / 60 / 21 / 12

HEX #E15BB2

RGB 225 91 178

HSL 321.04, 0.69%, 0.62%

LAB 58.7, 61.35, -20.2

 

CMYK 0 / 9 / 60 / 12

HEX #E1CD5B

RGB 225 205 91

HSL 51.04, 0.69%, 0.62%

LAB 82.07, -6.63, 57.97

 

Description

Color code: HEX #59E18A | qconv.com Color code: HEX #59E18A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 225 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 225 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 39% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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