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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59DF2D it is the complementary color #A620D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59DF2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59DF2D shade: #5EDF28, #6FF13B, #80FF4E, #91FF61 and #A2FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59DF2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59DF2D shade: #59DF2D, #48CD1A, #37BB07, #26A900 and #159700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59DF2D shade: #5AE02E, #8AE02E, #BAE02E, #E0D62E and #E0A62E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59DF2D shade: #5AE02E, #2EE032, #2EE062, #2EE092 and #2EE0C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59DF2D shade matches the following richer shades: #5AE02E and #50F31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59DF2D shade: #5AE02E, #64CC42, #6EB955, #78A669 and #82927C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59DF2D shade: #B9E02E, #8AE02E, #5BE02E, #2EE031 and #2EE061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59DF2D shade: #3BA318, #48C71E, #5AE02E, #77E552 and #93EB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59DF2D shade: #59DF2D, #2EE0D7 and #E02EA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59DF2D shade: #59DF2D, #2E5BE0 and #E02E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59DF2D shade: #59DF2D, #2EE0D7, #B32EE0 and #E02E37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59DF2D shade: #59DF2D, #2EB3E0, #B32EE0 and #E05B2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 80 / 13

HEX #59DF2D

RGB 89 223 45

HSL 105.17, 0.74%, 0.53%

LAB 79.09, -65.78, 69.46

 

Complementary color

CMYK 21 / 85 / 0 / 18

HEX #A620D2

RGB 166 32 210

HSL 285.17, 0.74%, 0.47%

LAB 43.93, 73.86, -62.58

 

CMYK 58 / 0 / 82 / 13

HEX #5EDF28

RGB 94 223 40

HSL 102.3, 0.74%, 0.52%

LAB 79.22, -64.83, 70.94

 

CMYK 54 / 0 / 76 / 5

HEX #6FF13B

RGB 111 241 59

HSL 102.86, 0.87%, 0.59%

LAB 85.3, -65.75, 71.49

 

CMYK 50 / 0 / 69 / 0

HEX #80FF4E

RGB 128 255 78

HSL 103.05, 1%, 0.65%

LAB 90.16, -64.94, 70.16

 

CMYK 43 / 0 / 62 / 0

HEX #91FF61

RGB 145 255 97

HSL 101.77, 1%, 0.69%

LAB 90.96, -58.52, 63.89

 

CMYK 36 / 0 / 55 / 0

HEX #A2FF74

RGB 162 255 116

HSL 100.14, 1%, 0.73%

LAB 91.89, -51.41, 57.02

 

CMYK 60 / 0 / 80 / 13

HEX #59DF2D

RGB 89 223 45

HSL 105.17, 0.74%, 0.53%

LAB 79.09, -65.78, 69.46

 

CMYK 65 / 0 / 87 / 20

HEX #48CD1A

RGB 72 205 26

HSL 104.58, 0.77%, 0.45%

LAB 72.97, -64.45, 68.31

 

CMYK 71 / 0 / 96 / 27

HEX #37BB07

RGB 55 187 7

HSL 104, 0.93%, 0.38%

LAB 66.8, -62.59, 65.82

 

CMYK 78 / 0 / 100 / 34

HEX #26A900

RGB 38 169 0

HSL 106.51, 1%, 0.33%

LAB 60.59, -60.02, 61.57

 

CMYK 86 / 0 / 100 / 41

HEX #159700

RGB 21 151 0

HSL 111.66, 1%, 0.3%

LAB 54.34, -56.77, 56.47

 

CMYK 60 / 0 / 79 / 12

HEX #5AE02E

RGB 90 224 46

HSL 105.17, 0.74%, 0.53%

LAB 79.43, -65.83, 69.51

 

CMYK 38 / 0 / 79 / 12

HEX #8AE02E

RGB 138 224 46

HSL 88.99, 0.74%, 0.53%

LAB 81.24, -52.01, 71.84

 

CMYK 17 / 0 / 79 / 12

HEX #BAE02E

RGB 186 224 46

HSL 72.81, 0.74%, 0.53%

LAB 83.94, -34.27, 75.29

 

CMYK 0 / 4 / 79 / 12

HEX #E0D62E

RGB 224 214 46

HSL 56.63, 0.74%, 0.53%

LAB 84.04, -13.83, 76.45

 

CMYK 0 / 26 / 79 / 12

HEX #E0A62E

RGB 224 166 46

HSL 40.45, 0.74%, 0.53%

LAB 71.77, 11, 65.58

 

CMYK 60 / 0 / 79 / 12

HEX #5AE02E

RGB 90 224 46

HSL 105.17, 0.74%, 0.53%

LAB 79.43, -65.83, 69.51

 

CMYK 79 / 0 / 78 / 12

HEX #2EE032

RGB 46 224 50

HSL 121.35, 0.74%, 0.53%

LAB 78.53, -73.37, 67.18

 

CMYK 79 / 0 / 56 / 12

HEX #2EE062

RGB 46 224 98

HSL 137.53, 0.74%, 0.53%

LAB 78.91, -68.72, 48.92

 

CMYK 79 / 0 / 35 / 12

HEX #2EE092

RGB 46 224 146

HSL 153.71, 0.74%, 0.53%

LAB 79.6, -60.73, 26.19

 

CMYK 79 / 0 / 13 / 12

HEX #2EE0C2

RGB 46 224 194

HSL 169.89, 0.74%, 0.53%

LAB 80.62, -49.68, 2.42

 

CMYK 60 / 0 / 79 / 12

HEX #5AE02E

RGB 90 224 46

HSL 105.17, 0.74%, 0.53%

LAB 79.43, -65.83, 69.51

 

CMYK 67 / 0 / 89 / 5

HEX #50F31B

RGB 80 243 27

HSL 105.28, 0.9%, 0.53%

LAB 84.94, -74.81, 78.46

 

CMYK 60 / 0 / 79 / 12

HEX #5AE02E

RGB 90 224 46

HSL 105.17, 0.74%, 0.53%

LAB 79.43, -65.83, 69.51

 

CMYK 51 / 0 / 68 / 20

HEX #64CC42

RGB 100 204 66

HSL 105.22, 0.58%, 0.53%

LAB 73.73, -54.75, 57.19

 

CMYK 41 / 0 / 54 / 27

HEX #6EB955

RGB 110 185 85

HSL 105, 0.42%, 0.53%

LAB 68.51, -42.13, 43.06

 

CMYK 28 / 0 / 37 / 35

HEX #78A669

RGB 120 166 105

HSL 105.25, 0.26%, 0.53%

LAB 63.58, -27.28, 26.76

 

CMYK 11 / 0 / 15 / 43

HEX #82927C

RGB 130 146 124

HSL 103.64, 0.09%, 0.53%

LAB 58.75, -10.07, 9.74

 

CMYK 17 / 0 / 79 / 12

HEX #B9E02E

RGB 185 224 46

HSL 73.15, 0.74%, 0.53%

LAB 83.87, -34.66, 75.2

 

CMYK 38 / 0 / 79 / 12

HEX #8AE02E

RGB 138 224 46

HSL 88.99, 0.74%, 0.53%

LAB 81.24, -52.01, 71.84

 

CMYK 59 / 0 / 79 / 12

HEX #5BE02E

RGB 91 224 46

HSL 104.83, 0.74%, 0.53%

LAB 79.46, -65.59, 69.55

 

CMYK 79 / 0 / 78 / 12

HEX #2EE031

RGB 46 224 49

HSL 121.01, 0.74%, 0.53%

LAB 78.53, -73.43, 67.47

 

CMYK 79 / 0 / 57 / 12

HEX #2EE061

RGB 46 224 97

HSL 137.19, 0.74%, 0.53%

LAB 78.9, -68.85, 49.37

 

CMYK 64 / 0 / 85 / 36

HEX #3BA318

RGB 59 163 24

HSL 104.89, 0.74%, 0.37%

LAB 59.15, -53.33, 56.46

 

CMYK 64 / 0 / 85 / 22

HEX #48C71E

RGB 72 199 30

HSL 105.09, 0.74%, 0.45%

LAB 71.09, -62.33, 65.81

 

CMYK 60 / 0 / 79 / 12

HEX #5AE02E

RGB 90 224 46

HSL 105.17, 0.74%, 0.53%

LAB 79.43, -65.83, 69.51

 

CMYK 48 / 0 / 64 / 10

HEX #77E552

RGB 119 229 82

HSL 104.9, 0.74%, 0.61%

LAB 82.15, -57.47, 60.03

 

CMYK 37 / 0 / 50 / 8

HEX #93EB76

RGB 147 235 118

HSL 105.13, 0.75%, 0.69%

LAB 85.47, -47.63, 48.24

 

CMYK 60 / 0 / 80 / 13

HEX #59DF2D

RGB 89 223 45

HSL 105.17, 0.74%, 0.53%

LAB 79.09, -65.78, 69.46

 

CMYK 79 / 0 / 4 / 12

HEX #2EE0D7

RGB 46 224 215

HSL 176.97, 0.74%, 0.53%

LAB 81.18, -44.04, -7.91

 

CMYK 0 / 79 / 28 / 12

HEX #E02EA2

RGB 224 46 162

HSL 320.9, 0.74%, 0.53%

LAB 52.3, 74.73, -20.68

 

CMYK 60 / 0 / 80 / 13

HEX #59DF2D

RGB 89 223 45

HSL 105.17, 0.74%, 0.53%

LAB 79.09, -65.78, 69.46

 

CMYK 79 / 59 / 0 / 12

HEX #2E5BE0

RGB 46 91 224

HSL 224.83, 0.74%, 0.53%

LAB 43.43, 32.69, -71.91

 

CMYK 0 / 79 / 59 / 12

HEX #E02E5B

RGB 224 46 91

HSL 344.83, 0.74%, 0.53%

LAB 50.16, 68.37, 18.97

 

CMYK 60 / 0 / 80 / 13

HEX #59DF2D

RGB 89 223 45

HSL 105.17, 0.74%, 0.53%

LAB 79.09, -65.78, 69.46

 

CMYK 79 / 0 / 4 / 12

HEX #2EE0D7

RGB 46 224 215

HSL 176.97, 0.74%, 0.53%

LAB 81.18, -44.04, -7.91

 

CMYK 20 / 79 / 0 / 12

HEX #B32EE0

RGB 179 46 224

HSL 284.83, 0.74%, 0.53%

LAB 48.16, 74.95, -63.66

 

CMYK 0 / 79 / 75 / 12

HEX #E02E37

RGB 224 46 55

HSL 356.97, 0.74%, 0.53%

LAB 49.59, 66.59, 39.62

 

CMYK 60 / 0 / 80 / 13

HEX #59DF2D

RGB 89 223 45

HSL 105.17, 0.74%, 0.53%

LAB 79.09, -65.78, 69.46

 

CMYK 79 / 20 / 0 / 12

HEX #2EB3E0

RGB 46 179 224

HSL 195.17, 0.74%, 0.53%

LAB 68.17, -19.74, -32.51

 

CMYK 20 / 79 / 0 / 12

HEX #B32EE0

RGB 179 46 224

HSL 284.83, 0.74%, 0.53%

LAB 48.16, 74.95, -63.66

 

CMYK 0 / 59 / 79 / 12

HEX #E05B2E

RGB 224 91 46

HSL 15.17, 0.74%, 0.53%

LAB 55.61, 49.63, 50.52

 

Description

Color code: HEX #59DF2D | qconv.com Color code: HEX #59DF2D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 223 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 223 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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