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Color name
HEX #59DC15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59DC15 it is the complementary color #A623EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59DC15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59DC15 shade: #5EDC10, #6FEE23, #80FF36, #91FF49 and #A2FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59DC15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59DC15 shade: #59DC15, #48CA02, #37B800, #26A600 and #159400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59DC15 shade: #58DB14, #8EDB14, #C4DB14, #DBBD14 and #DB8814

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59DC15 shade: #58DB14, #23DB14, #14DB3C, #14DB71 and #14DBA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59DC15 shade matches the following richer shades: #58DB14 and #52EF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59DC15 shade: #58DB14, #5EC828, #65B53B, #6BA14F and #718E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59DC15 shade: #C4DB14, #8FDB14, #5ADB14, #25DB14 and #14DB39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59DC15 shade: #3A900D, #49B611, #58DB14, #6EEC2D and #88EF53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59DC15 shade: #59DC15, #14DBBD and #DB14AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59DC15 shade: #59DC15, #145ADB and #DB145A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59DC15 shade: #59DC15, #14DBBD, #9614DB and #DB1432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59DC15 shade: #59DC15, #14BDDB, #9614DB and #DB3214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 90 / 14

HEX #59DC15

RGB 89 220 21

HSL 99.5, 0.83%, 0.47%

LAB 78.09, -65.7, 73.72

 

Complementary color

CMYK 29 / 85 / 0 / 8

HEX #A623EA

RGB 166 35 234

HSL 279.5, 0.83%, 0.53%

LAB 45.97, 77.7, -72.97

 

CMYK 57 / 0 / 93 / 14

HEX #5EDC10

RGB 94 220 16

HSL 97.06, 0.86%, 0.46%

LAB 78.23, -64.59, 74.58

 

CMYK 53 / 0 / 85 / 7

HEX #6FEE23

RGB 111 238 35

HSL 97.54, 0.86%, 0.54%

LAB 84.3, -65.84, 76.79

 

CMYK 50 / 0 / 79 / 0

HEX #80FF36

RGB 128 255 54

HSL 97.91, 1%, 0.61%

LAB 90.03, -66.4, 77.62

 

CMYK 43 / 0 / 71 / 0

HEX #91FF49

RGB 145 255 73

HSL 96.26, 1%, 0.64%

LAB 90.79, -60.37, 72.75

 

CMYK 36 / 0 / 64 / 0

HEX #A2FF5C

RGB 162 255 92

HSL 94.23, 1%, 0.68%

LAB 91.67, -53.62, 66.9

 

CMYK 60 / 0 / 90 / 14

HEX #59DC15

RGB 89 220 21

HSL 99.5, 0.83%, 0.47%

LAB 78.09, -65.7, 73.72

 

CMYK 64 / 0 / 99 / 21

HEX #48CA02

RGB 72 202 2

HSL 99, 0.98%, 0.4%

LAB 71.98, -64.04, 70.72

 

CMYK 70 / 0 / 100 / 28

HEX #37B800

RGB 55 184 0

HSL 102.07, 1%, 0.36%

LAB 65.82, -61.79, 65.87

 

CMYK 77 / 0 / 100 / 35

HEX #26A600

RGB 38 166 0

HSL 106.27, 1%, 0.33%

LAB 59.6, -59.1, 60.78

 

CMYK 86 / 0 / 100 / 42

HEX #159400

RGB 21 148 0

HSL 111.49, 1%, 0.29%

LAB 53.32, -55.87, 55.66

 

CMYK 60 / 0 / 91 / 14

HEX #58DB14

RGB 88 219 20

HSL 99.5, 0.83%, 0.47%

LAB 77.75, -65.63, 73.57

 

CMYK 35 / 0 / 91 / 14

HEX #8EDB14

RGB 142 219 20

HSL 83.22, 0.83%, 0.47%

LAB 79.88, -49.46, 76.19

 

CMYK 11 / 0 / 91 / 14

HEX #C4DB14

RGB 196 219 20

HSL 66.93, 0.83%, 0.47%

LAB 83.15, -28.59, 80.2

 

CMYK 0 / 14 / 91 / 14

HEX #DBBD14

RGB 219 189 20

HSL 50.95, 0.83%, 0.47%

LAB 76.98, -3.91, 76.21

 

CMYK 0 / 38 / 91 / 14

HEX #DB8814

RGB 219 136 20

HSL 34.97, 0.83%, 0.47%

LAB 63.93, 24.27, 66.35

 

CMYK 60 / 0 / 91 / 14

HEX #58DB14

RGB 88 219 20

HSL 99.5, 0.83%, 0.47%

LAB 77.75, -65.63, 73.57

 

CMYK 84 / 0 / 91 / 14

HEX #23DB14

RGB 35 219 20

HSL 115.48, 0.83%, 0.47%

LAB 76.72, -74.46, 72.29

 

CMYK 91 / 0 / 73 / 14

HEX #14DB3C

RGB 20 219 60

HSL 132.06, 0.83%, 0.47%

LAB 76.76, -73.46, 62.08

 

CMYK 91 / 0 / 48 / 14

HEX #14DB71

RGB 20 219 113

HSL 148.04, 0.83%, 0.47%

LAB 77.28, -67.03, 39.76

 

CMYK 91 / 0 / 24 / 14

HEX #14DBA7

RGB 20 219 167

HSL 164.32, 0.83%, 0.47%

LAB 78.23, -56.18, 13.28

 

CMYK 60 / 0 / 91 / 14

HEX #58DB14

RGB 88 219 20

HSL 99.5, 0.83%, 0.47%

LAB 77.75, -65.63, 73.57

 

CMYK 66 / 0 / 100 / 6

HEX #52EF01

RGB 82 239 1

HSL 99.58, 0.99%, 0.47%

LAB 83.72, -73.67, 80.27

 

CMYK 60 / 0 / 91 / 14

HEX #58DB14

RGB 88 219 20

HSL 99.5, 0.83%, 0.47%

LAB 77.75, -65.63, 73.57

 

CMYK 53 / 0 / 80 / 22

HEX #5EC828

RGB 94 200 40

HSL 99.75, 0.67%, 0.47%

LAB 72.12, -56.71, 64.44

 

CMYK 44 / 0 / 67 / 29

HEX #65B53B

RGB 101 181 59

HSL 99.34, 0.51%, 0.47%

LAB 66.62, -45.99, 52.46

 

CMYK 34 / 0 / 51 / 37

HEX #6BA14F

RGB 107 161 79

HSL 99.51, 0.34%, 0.47%

LAB 60.94, -33.16, 36.86

 

CMYK 20 / 0 / 31 / 44

HEX #718E62

RGB 113 142 98

HSL 99.55, 0.18%, 0.47%

LAB 55.83, -18.85, 20.19

 

CMYK 11 / 0 / 91 / 14

HEX #C4DB14

RGB 196 219 20

HSL 66.93, 0.83%, 0.47%

LAB 83.15, -28.59, 80.2

 

CMYK 35 / 0 / 91 / 14

HEX #8FDB14

RGB 143 219 20

HSL 82.91, 0.83%, 0.47%

LAB 79.93, -49.11, 76.26

 

CMYK 59 / 0 / 91 / 14

HEX #5ADB14

RGB 90 219 20

HSL 98.89, 0.83%, 0.47%

LAB 77.81, -65.15, 73.64

 

CMYK 83 / 0 / 91 / 14

HEX #25DB14

RGB 37 219 20

HSL 114.87, 0.83%, 0.47%

LAB 76.74, -74.27, 72.32

 

CMYK 91 / 0 / 74 / 14

HEX #14DB39

RGB 20 219 57

HSL 131.16, 0.83%, 0.47%

LAB 76.74, -73.7, 63.1

 

CMYK 60 / 0 / 91 / 44

HEX #3A900D

RGB 58 144 13

HSL 99.39, 0.83%, 0.31%

LAB 52.81, -47.24, 53.35

 

CMYK 60 / 0 / 91 / 29

HEX #49B611

RGB 73 182 17

HSL 99.64, 0.83%, 0.39%

LAB 65.68, -56.79, 63.73

 

CMYK 60 / 0 / 91 / 14

HEX #58DB14

RGB 88 219 20

HSL 99.5, 0.83%, 0.47%

LAB 77.75, -65.63, 73.57

 

CMYK 53 / 0 / 81 / 7

HEX #6EEC2D

RGB 110 236 45

HSL 99.58, 0.83%, 0.55%

LAB 83.7, -65, 73.94

 

CMYK 43 / 0 / 65 / 6

HEX #88EF53

RGB 136 239 83

HSL 99.62, 0.83%, 0.63%

LAB 85.8, -56.21, 63.79

 

CMYK 60 / 0 / 90 / 14

HEX #59DC15

RGB 89 220 21

HSL 99.5, 0.83%, 0.47%

LAB 78.09, -65.7, 73.72

 

CMYK 91 / 0 / 14 / 14

HEX #14DBBD

RGB 20 219 189

HSL 170.95, 0.83%, 0.47%

LAB 78.74, -50.66, 2.33

 

CMYK 0 / 91 / 22 / 14

HEX #DB14AA

RGB 219 20 170

HSL 314.77, 0.83%, 0.47%

LAB 50.05, 79.45, -28.95

 

CMYK 60 / 0 / 90 / 14

HEX #59DC15

RGB 89 220 21

HSL 99.5, 0.83%, 0.47%

LAB 78.09, -65.7, 73.72

 

CMYK 91 / 59 / 0 / 14

HEX #145ADB

RGB 20 90 219

HSL 218.89, 0.83%, 0.47%

LAB 42.12, 29.72, -71.22

 

CMYK 0 / 91 / 59 / 14

HEX #DB145A

RGB 219 20 90

HSL 338.89, 0.83%, 0.47%

LAB 47.36, 72.19, 15.63

 

CMYK 60 / 0 / 90 / 14

HEX #59DC15

RGB 89 220 21

HSL 99.5, 0.83%, 0.47%

LAB 78.09, -65.7, 73.72

 

CMYK 91 / 0 / 14 / 14

HEX #14DBBD

RGB 20 219 189

HSL 170.95, 0.83%, 0.47%

LAB 78.74, -50.66, 2.33

 

CMYK 32 / 91 / 0 / 14

HEX #9614DB

RGB 150 20 219

HSL 279.2, 0.83%, 0.47%

LAB 41.37, 75.66, -72.04

 

CMYK 0 / 91 / 77 / 14

HEX #DB1432

RGB 219 20 50

HSL 350.95, 0.83%, 0.47%

LAB 46.7, 70.33, 39.04

 

CMYK 60 / 0 / 90 / 14

HEX #59DC15

RGB 89 220 21

HSL 99.5, 0.83%, 0.47%

LAB 78.09, -65.7, 73.72

 

CMYK 91 / 14 / 0 / 14

HEX #14BDDB

RGB 20 189 219

HSL 189.05, 0.83%, 0.47%

LAB 70.63, -28.25, -26

 

CMYK 32 / 91 / 0 / 14

HEX #9614DB

RGB 150 20 219

HSL 279.2, 0.83%, 0.47%

LAB 41.37, 75.66, -72.04

 

CMYK 0 / 77 / 91 / 14

HEX #DB3214

RGB 219 50 20

HSL 9.05, 0.83%, 0.47%

LAB 48.75, 63.15, 55.47

 

Description

Color code: HEX #59DC15 | qconv.com Color code: HEX #59DC15 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 220 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 220 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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