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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59D655 it is the complementary color #A629AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59D655. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59D655 shade: #5ED650, #6FE863, #80FA76, #91FF89 and #A2FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59D655. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59D655 shade: #59D655, #48C442, #37B22F, #26A01C and #158E09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59D655 shade: #5BD657, #7DD657, #9FD657, #C2D657 and #D6C857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59D655 shade: #5BD657, #57D675, #57D698, #57D6BA and #57D0D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59D655 shade matches the following richer shades: #5BD657, #4BE746 and #3BF835

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59D655 shade: #5BD657, #6AC568, #7AB479, #8AA389 and #9A939A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59D655 shade: #9FD657, #7DD657, #5BD657, #57D674 and #57D696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59D655 shade: #2FB02B, #3ACE35, #5BD657, #7BDE78 and #9BE699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59D655 shade: #59D655, #57C1D6 and #D6578E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59D655 shade: #59D655, #575BD6 and #D6575B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59D655 shade: #59D655, #57C1D6, #D257D6 and #D66C57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59D655 shade: #59D655, #579BD6, #D257D6 and #D69257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 60 / 16

HEX #59D655

RGB 89 214 85

HSL 118.14, 0.61%, 0.59%

LAB 76.6, -59.45, 52.3

 

Complementary color

CMYK 2 / 76 / 0 / 33

HEX #A629AA

RGB 166 41 170

HSL 298.14, 0.61%, 0.41%

LAB 42.15, 64.4, -42.04

 

CMYK 56 / 0 / 63 / 16

HEX #5ED650

RGB 94 214 80

HSL 113.73, 0.62%, 0.58%

LAB 76.71, -58.76, 54.62

 

CMYK 52 / 0 / 57 / 9

HEX #6FE863

RGB 111 232 99

HSL 114.59, 0.74%, 0.65%

LAB 82.91, -59.08, 53.56

 

CMYK 49 / 0 / 53 / 2

HEX #80FA76

RGB 128 250 118

HSL 115.45, 0.93%, 0.72%

LAB 89.05, -59.22, 52.39

 

CMYK 43 / 0 / 46 / 0

HEX #91FF89

RGB 145 255 137

HSL 115.93, 1%, 0.77%

LAB 91.39, -54.08, 46.55

 

CMYK 36 / 0 / 39 / 0

HEX #A2FF9C

RGB 162 255 156

HSL 116.36, 1%, 0.81%

LAB 92.4, -46.43, 38.79

 

CMYK 58 / 0 / 60 / 16

HEX #59D655

RGB 89 214 85

HSL 118.14, 0.61%, 0.59%

LAB 76.6, -59.45, 52.3

 

CMYK 63 / 0 / 66 / 23

HEX #48C442

RGB 72 196 66

HSL 117.23, 0.52%, 0.51%

LAB 70.35, -58.85, 53.3

 

CMYK 69 / 0 / 74 / 30

HEX #37B22F

RGB 55 178 47

HSL 116.34, 0.58%, 0.44%

LAB 64.05, -57.85, 53.96

 

CMYK 76 / 0 / 83 / 37

HEX #26A01C

RGB 38 160 28

HSL 115.45, 0.7%, 0.37%

LAB 57.69, -56.25, 53.89

 

CMYK 85 / 0 / 94 / 44

HEX #158E09

RGB 21 142 9

HSL 114.59, 0.88%, 0.3%

LAB 51.3, -53.78, 52.45

 

CMYK 57 / 0 / 59 / 16

HEX #5BD657

RGB 91 214 87

HSL 118.11, 0.61%, 0.59%

LAB 76.68, -58.75, 51.52

 

CMYK 42 / 0 / 59 / 16

HEX #7DD657

RGB 125 214 87

HSL 102.05, 0.61%, 0.59%

LAB 77.96, -49.28, 53.32

 

CMYK 26 / 0 / 59 / 16

HEX #9FD657

RGB 159 214 87

HSL 85.98, 0.61%, 0.59%

LAB 79.7, -37.6, 55.76

 

CMYK 9 / 0 / 59 / 16

HEX #C2D657

RGB 194 214 87

HSL 69.45, 0.61%, 0.59%

LAB 81.97, -24.09, 58.92

 

CMYK 0 / 7 / 59 / 16

HEX #D6C857

RGB 214 200 87

HSL 53.39, 0.61%, 0.59%

LAB 79.78, -8.93, 56.94

 

CMYK 57 / 0 / 59 / 16

HEX #5BD657

RGB 91 214 87

HSL 118.11, 0.61%, 0.59%

LAB 76.68, -58.75, 51.52

 

CMYK 59 / 0 / 45 / 16

HEX #57D675

RGB 87 214 117

HSL 134.17, 0.61%, 0.59%

LAB 76.92, -55.66, 37.57

 

CMYK 59 / 0 / 29 / 16

HEX #57D698

RGB 87 214 152

HSL 150.71, 0.61%, 0.59%

LAB 77.51, -49.37, 20.36

 

CMYK 59 / 0 / 13 / 16

HEX #57D6BA

RGB 87 214 186

HSL 166.77, 0.61%, 0.59%

LAB 78.27, -41.76, 3.37

 

CMYK 59 / 3 / 0 / 16

HEX #57D0D6

RGB 87 208 214

HSL 182.83, 0.61%, 0.59%

LAB 77.28, -31.71, -13.11

 

CMYK 57 / 0 / 59 / 16

HEX #5BD657

RGB 91 214 87

HSL 118.11, 0.61%, 0.59%

LAB 76.68, -58.75, 51.52

 

CMYK 68 / 0 / 70 / 9

HEX #4BE746

RGB 75 231 70

HSL 118.14, 0.77%, 0.59%

LAB 81.34, -69.64, 63.44

 

CMYK 76 / 0 / 79 / 3

HEX #3BF835

RGB 59 248 53

HSL 118.15, 0.93%, 0.59%

LAB 86.17, -78.57, 73.65

 

CMYK 57 / 0 / 59 / 16

HEX #5BD657

RGB 91 214 87

HSL 118.11, 0.61%, 0.59%

LAB 76.68, -58.75, 51.52

 

CMYK 46 / 0 / 47 / 23

HEX #6AC568

RGB 106 197 104

HSL 118.71, 0.44%, 0.59%

LAB 72.23, -45.98, 38.25

 

CMYK 32 / 0 / 33 / 29

HEX #7AB479

RGB 122 180 121

HSL 118.98, 0.28%, 0.59%

LAB 68.14, -30.77, 24.27

 

CMYK 15 / 0 / 16 / 36

HEX #8AA389

RGB 138 163 137

HSL 117.69, 0.12%, 0.59%

LAB 64.49, -13.86, 10.63

 

CMYK 0 / 5 / 0 / 40

HEX #9A939A

RGB 154 147 154

HSL 300, 0.03%, 0.59%

LAB 61.72, 3.91, -2.77

 

CMYK 26 / 0 / 59 / 16

HEX #9FD657

RGB 159 214 87

HSL 85.98, 0.61%, 0.59%

LAB 79.7, -37.6, 55.76

 

CMYK 42 / 0 / 59 / 16

HEX #7DD657

RGB 125 214 87

HSL 102.05, 0.61%, 0.59%

LAB 77.96, -49.28, 53.32

 

CMYK 57 / 0 / 59 / 16

HEX #5BD657

RGB 91 214 87

HSL 118.11, 0.61%, 0.59%

LAB 76.68, -58.75, 51.52

 

CMYK 59 / 0 / 46 / 16

HEX #57D674

RGB 87 214 116

HSL 133.7, 0.61%, 0.59%

LAB 76.91, -55.82, 38.05

 

CMYK 59 / 0 / 30 / 16

HEX #57D696

RGB 87 214 150

HSL 149.76, 0.61%, 0.59%

LAB 77.47, -49.77, 21.36

 

CMYK 73 / 0 / 76 / 31

HEX #2FB02B

RGB 47 176 43

HSL 118.2, 0.61%, 0.43%

LAB 63.2, -58.94, 54.48

 

CMYK 72 / 0 / 74 / 19

HEX #3ACE35

RGB 58 206 53

HSL 118.04, 0.61%, 0.51%

LAB 73.09, -65.97, 60.96

 

CMYK 57 / 0 / 59 / 16

HEX #5BD657

RGB 91 214 87

HSL 118.11, 0.61%, 0.59%

LAB 76.68, -58.75, 51.52

 

CMYK 45 / 0 / 46 / 13

HEX #7BDE78

RGB 123 222 120

HSL 118.24, 0.61%, 0.67%

LAB 80.63, -49.22, 41.05

 

CMYK 33 / 0 / 33 / 10

HEX #9BE699

RGB 155 230 153

HSL 118.44, 0.61%, 0.75%

LAB 84.93, -38.06, 30.36

 

CMYK 58 / 0 / 60 / 16

HEX #59D655

RGB 89 214 85

HSL 118.14, 0.61%, 0.59%

LAB 76.6, -59.45, 52.3

 

CMYK 59 / 10 / 0 / 16

HEX #57C1D6

RGB 87 193 214

HSL 189.92, 0.61%, 0.59%

LAB 72.91, -24.36, -19.7

 

CMYK 0 / 59 / 34 / 16

HEX #D6578E

RGB 214 87 142

HSL 334.02, 0.61%, 0.59%

LAB 55.14, 55.2, -4.75

 

CMYK 58 / 0 / 60 / 16

HEX #59D655

RGB 89 214 85

HSL 118.14, 0.61%, 0.59%

LAB 76.6, -59.45, 52.3

 

CMYK 59 / 57 / 0 / 16

HEX #575BD6

RGB 87 91 214

HSL 238.11, 0.61%, 0.59%

LAB 44.75, 34.59, -63.96

 

CMYK 0 / 59 / 57 / 16

HEX #D6575B

RGB 214 87 91

HSL 358.11, 0.61%, 0.59%

LAB 53.89, 50.29, 23.61

 

CMYK 58 / 0 / 60 / 16

HEX #59D655

RGB 89 214 85

HSL 118.14, 0.61%, 0.59%

LAB 76.6, -59.45, 52.3

 

CMYK 59 / 10 / 0 / 16

HEX #57C1D6

RGB 87 193 214

HSL 189.92, 0.61%, 0.59%

LAB 72.91, -24.36, -19.7

 

CMYK 2 / 59 / 0 / 16

HEX #D257D6

RGB 210 87 214

HSL 298.11, 0.61%, 0.59%

LAB 57.44, 64.67, -42.9

 

CMYK 0 / 50 / 59 / 16

HEX #D66C57

RGB 214 108 87

HSL 9.92, 0.61%, 0.59%

LAB 57.76, 39.82, 30.9

 

CMYK 58 / 0 / 60 / 16

HEX #59D655

RGB 89 214 85

HSL 118.14, 0.61%, 0.59%

LAB 76.6, -59.45, 52.3

 

CMYK 59 / 28 / 0 / 16

HEX #579BD6

RGB 87 155 214

HSL 207.87, 0.61%, 0.59%

LAB 61.93, -4.06, -36.59

 

CMYK 2 / 59 / 0 / 16

HEX #D257D6

RGB 210 87 214

HSL 298.11, 0.61%, 0.59%

LAB 57.44, 64.67, -42.9

 

CMYK 0 / 32 / 59 / 16

HEX #D69257

RGB 214 146 87

HSL 27.87, 0.61%, 0.59%

LAB 66.17, 19.68, 41.25

 

Description

Color code: HEX #59D655 | qconv.com Color code: HEX #59D655 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 214 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 214 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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