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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59D236 it is the complementary color #A62DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59D236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59D236 shade: #5ED231, #6FE444, #80F657, #91FF6A and #A2FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59D236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59D236 shade: #59D236, #48C023, #37AE10, #269C00 and #158A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59D236 shade: #5AD237, #84D237, #ADD237, #D2CD37 and #D2A337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59D236 shade: #5AD237, #37D23E, #37D268, #37D292 and #37D2BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59D236 shade matches the following richer shades: #5AD237, #4FE624 and #44F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59D236 shade: #5AD237, #65BE4B, #70AA5F, #7B9673 and #868287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59D236 shade: #AED237, #85D237, #5BD237, #37D23D and #37D266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59D236 shade: #3C9522, #49B729, #5AD237, #76D959 and #92E17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59D236 shade: #59D236, #37D2CD and #D23799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59D236 shade: #59D236, #375BD2 and #D2375B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59D236 shade: #59D236, #37D2CD, #AE37D2 and #D2373D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59D236 shade: #59D236, #37A9D2, #AE37D2 and #D26137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 74 / 18

HEX #59D236

RGB 89 210 54

HSL 106.54, 0.63%, 0.52%

LAB 75.13, -60.77, 62.91

 

Complementary color

CMYK 17 / 78 / 0 / 21

HEX #A62DC9

RGB 166 45 201

HSL 286.54, 0.63%, 0.48%

LAB 44.52, 68.66, -56.43

 

CMYK 55 / 0 / 77 / 18

HEX #5ED231

RGB 94 210 49

HSL 103.23, 0.64%, 0.51%

LAB 75.26, -59.82, 64.72

 

CMYK 51 / 0 / 70 / 11

HEX #6FE444

RGB 111 228 68

HSL 103.88, 0.75%, 0.58%

LAB 81.45, -60.48, 64.61

 

CMYK 48 / 0 / 65 / 4

HEX #80F657

RGB 128 246 87

HSL 104.53, 0.9%, 0.65%

LAB 87.58, -60.9, 64.02

 

CMYK 43 / 0 / 58 / 0

HEX #91FF6A

RGB 145 255 106

HSL 104.3, 1%, 0.71%

LAB 91.04, -57.67, 60.22

 

CMYK 36 / 0 / 51 / 0

HEX #A2FF7D

RGB 162 255 125

HSL 102.92, 1%, 0.75%

LAB 91.99, -50.44, 53.07

 

CMYK 58 / 0 / 74 / 18

HEX #59D236

RGB 89 210 54

HSL 106.54, 0.63%, 0.52%

LAB 75.13, -60.77, 62.91

 

CMYK 63 / 0 / 82 / 25

HEX #48C023

RGB 72 192 35

HSL 105.86, 0.69%, 0.45%

LAB 68.89, -59.74, 62.58

 

CMYK 68 / 0 / 91 / 32

HEX #37AE10

RGB 55 174 16

HSL 105.19, 0.83%, 0.37%

LAB 62.61, -58.2, 61.11

 

CMYK 76 / 0 / 100 / 39

HEX #269C00

RGB 38 156 0

HSL 105.38, 1%, 0.31%

LAB 56.28, -56, 58.13

 

CMYK 85 / 0 / 100 / 46

HEX #158A00

RGB 21 138 0

HSL 110.87, 1%, 0.27%

LAB 49.9, -52.85, 52.92

 

CMYK 57 / 0 / 74 / 18

HEX #5AD237

RGB 90 210 55

HSL 106.45, 0.63%, 0.52%

LAB 75.17, -60.45, 62.61

 

CMYK 37 / 0 / 74 / 18

HEX #84D237

RGB 132 210 55

HSL 90.19, 0.63%, 0.52%

LAB 76.85, -47.88, 64.83

 

CMYK 18 / 0 / 74 / 18

HEX #ADD237

RGB 173 210 55

HSL 74.32, 0.63%, 0.52%

LAB 79.19, -32.59, 67.91

 

CMYK 0 / 2 / 74 / 18

HEX #D2CD37

RGB 210 205 55

HSL 58.06, 0.63%, 0.52%

LAB 80.54, -14.92, 70.15

 

CMYK 0 / 22 / 74 / 18

HEX #D2A337

RGB 210 163 55

HSL 41.81, 0.63%, 0.52%

LAB 69.59, 6.9, 59.68

 

CMYK 57 / 0 / 74 / 18

HEX #5AD237

RGB 90 210 55

HSL 106.45, 0.63%, 0.52%

LAB 75.17, -60.45, 62.61

 

CMYK 74 / 0 / 70 / 18

HEX #37D23E

RGB 55 210 62

HSL 122.71, 0.63%, 0.52%

LAB 74.35, -67, 59.01

 

CMYK 74 / 0 / 50 / 18

HEX #37D268

RGB 55 210 104

HSL 138.97, 0.63%, 0.52%

LAB 74.76, -62.05, 41.1

 

CMYK 74 / 0 / 30 / 18

HEX #37D292

RGB 55 210 146

HSL 155.23, 0.63%, 0.52%

LAB 75.44, -54.42, 20.55

 

CMYK 74 / 0 / 11 / 18

HEX #37D2BB

RGB 55 210 187

HSL 171.1, 0.63%, 0.52%

LAB 76.37, -44.64, -0.01

 

CMYK 57 / 0 / 74 / 18

HEX #5AD237

RGB 90 210 55

HSL 106.45, 0.63%, 0.52%

LAB 75.17, -60.45, 62.61

 

CMYK 66 / 0 / 84 / 10

HEX #4FE624

RGB 79 230 36

HSL 106.7, 0.8%, 0.52%

LAB 80.95, -70.64, 73.28

 

CMYK 73 / 0 / 94 / 2

HEX #44F910

RGB 68 249 16

HSL 106.61, 0.95%, 0.52%

LAB 86.51, -78.92, 81.13

 

CMYK 57 / 0 / 74 / 18

HEX #5AD237

RGB 90 210 55

HSL 106.45, 0.63%, 0.52%

LAB 75.17, -60.45, 62.61

 

CMYK 47 / 0 / 61 / 25

HEX #65BE4B

RGB 101 190 75

HSL 106.43, 0.47%, 0.52%

LAB 69.54, -48.14, 48.81

 

CMYK 34 / 0 / 44 / 33

HEX #70AA5F

RGB 112 170 95

HSL 106.4, 0.31%, 0.52%

LAB 64.18, -33.46, 32.74

 

CMYK 18 / 0 / 23 / 41

HEX #7B9673

RGB 123 150 115

HSL 106.29, 0.14%, 0.52%

LAB 59.22, -16.42, 15.4

 

CMYK 1 / 4 / 0 / 47

HEX #868287

RGB 134 130 135

HSL 288, 0.02%, 0.52%

LAB 54.85, 2.48, -2.17

 

CMYK 17 / 0 / 74 / 18

HEX #AED237

RGB 174 210 55

HSL 73.94, 0.63%, 0.52%

LAB 79.25, -32.19, 67.99

 

CMYK 37 / 0 / 74 / 18

HEX #85D237

RGB 133 210 55

HSL 89.81, 0.63%, 0.52%

LAB 76.89, -47.54, 64.9

 

CMYK 57 / 0 / 74 / 18

HEX #5BD237

RGB 91 210 55

HSL 106.06, 0.63%, 0.52%

LAB 75.2, -60.2, 62.66

 

CMYK 74 / 0 / 71 / 18

HEX #37D23D

RGB 55 210 61

HSL 122.32, 0.63%, 0.52%

LAB 74.34, -67.09, 59.37

 

CMYK 74 / 0 / 51 / 18

HEX #37D266

RGB 55 210 102

HSL 138.19, 0.63%, 0.52%

LAB 74.74, -62.35, 42.03

 

CMYK 60 / 0 / 77 / 42

HEX #3C9522

RGB 60 149 34

HSL 106.43, 0.63%, 0.36%

LAB 54.63, -47.48, 49.26

 

CMYK 60 / 0 / 78 / 28

HEX #49B729

RGB 73 183 41

HSL 106.48, 0.63%, 0.44%

LAB 66.09, -56.05, 58.19

 

CMYK 57 / 0 / 74 / 18

HEX #5AD237

RGB 90 210 55

HSL 106.45, 0.63%, 0.52%

LAB 75.17, -60.45, 62.61

 

CMYK 46 / 0 / 59 / 15

HEX #76D959

RGB 118 217 89

HSL 106.41, 0.63%, 0.6%

LAB 78.58, -52.42, 53.06

 

CMYK 35 / 0 / 45 / 12

HEX #92E17B

RGB 146 225 123

HSL 106.47, 0.63%, 0.68%

LAB 82.59, -43.05, 42.26

 

CMYK 58 / 0 / 74 / 18

HEX #59D236

RGB 89 210 54

HSL 106.54, 0.63%, 0.52%

LAB 75.13, -60.77, 62.91

 

CMYK 74 / 0 / 2 / 18

HEX #37D2CD

RGB 55 210 205

HSL 178.06, 0.63%, 0.52%

LAB 76.87, -39.74, -8.96

 

CMYK 0 / 74 / 27 / 18

HEX #D23799

RGB 210 55 153

HSL 322.06, 0.63%, 0.52%

LAB 50.37, 67.77, -18.5

 

CMYK 58 / 0 / 74 / 18

HEX #59D236

RGB 89 210 54

HSL 106.54, 0.63%, 0.52%

LAB 75.13, -60.77, 62.91

 

CMYK 74 / 57 / 0 / 18

HEX #375BD2

RGB 55 91 210

HSL 226.06, 0.63%, 0.52%

LAB 42.68, 28.49, -65.11

 

CMYK 0 / 74 / 57 / 18

HEX #D2375B

RGB 210 55 91

HSL 346.06, 0.63%, 0.52%

LAB 48.5, 61.79, 16.27

 

CMYK 58 / 0 / 74 / 18

HEX #59D236

RGB 89 210 54

HSL 106.54, 0.63%, 0.52%

LAB 75.13, -60.77, 62.91

 

CMYK 74 / 0 / 2 / 18

HEX #37D2CD

RGB 55 210 205

HSL 178.06, 0.63%, 0.52%

LAB 76.87, -39.74, -8.96

 

CMYK 17 / 74 / 0 / 18

HEX #AE37D2

RGB 174 55 210

HSL 286.06, 0.63%, 0.52%

LAB 47.47, 68.55, -56.8

 

CMYK 0 / 74 / 71 / 18

HEX #D2373D

RGB 210 55 61

HSL 357.68, 0.63%, 0.52%

LAB 47.97, 60.05, 33.62

 

CMYK 58 / 0 / 74 / 18

HEX #59D236

RGB 89 210 54

HSL 106.54, 0.63%, 0.52%

LAB 75.13, -60.77, 62.91

 

CMYK 74 / 20 / 0 / 18

HEX #37A9D2

RGB 55 169 210

HSL 195.87, 0.63%, 0.52%

LAB 64.84, -18.15, -29.94

 

CMYK 17 / 74 / 0 / 18

HEX #AE37D2

RGB 174 55 210

HSL 286.06, 0.63%, 0.52%

LAB 47.47, 68.55, -56.8

 

CMYK 0 / 54 / 74 / 18

HEX #D26137

RGB 210 97 55

HSL 16.26, 0.63%, 0.52%

LAB 54.58, 41.94, 44.34

 

Description

Color code: HEX #59D236 | qconv.com Color code: HEX #59D236 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 210 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 210 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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