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Color name
HEX #59C922

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C922 it is the complementary color #A636DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C922 shade: #5EC91D, #6FDB30, #80ED43, #91FF56 and #A2FF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C922 shade: #59C922, #48B70F, #37A500, #269300 and #158100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C922 shade: #59C922, #86C922, #B3C922, #C9B222 and #C98522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C922 shade: #59C922, #2CC922, #22C945, #22C972 and #22C99F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C922 shade matches the following richer shades: #59C922 and #52DC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C922 shade: #59C922, #5FB635, #66A348, #6C905B and #737D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C922 shade: #B2C922, #86C922, #5AC922, #2DC922 and #22C943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C922 shade: #3A8216, #49A51C, #59C922, #6EDD37 and #87E35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C922 shade: #59C922, #22C9B2 and #C9229C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C922 shade: #59C922, #225AC9 and #C9225A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C922 shade: #59C922, #22C9B2, #9122C9 and #C92238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C922 shade: #59C922, #22ADC9, #9122C9 and #C93E22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

Complementary color

CMYK 25 / 76 / 0 / 13

HEX #A636DD

RGB 166 54 221

HSL 280.24, 0.71%, 0.54%

LAB 46.93, 69.55, -64.03

 

CMYK 53 / 0 / 86 / 21

HEX #5EC91D

RGB 94 201 29

HSL 97.33, 0.75%, 0.45%

LAB 72.39, -57.57, 67.44

 

CMYK 49 / 0 / 78 / 14

HEX #6FDB30

RGB 111 219 48

HSL 97.89, 0.7%, 0.52%

LAB 78.61, -58.45, 68.42

 

CMYK 46 / 0 / 72 / 7

HEX #80ED43

RGB 128 237 67

HSL 98.47, 0.83%, 0.6%

LAB 84.77, -59.05, 68.55

 

CMYK 43 / 0 / 66 / 0

HEX #91FF56

RGB 145 255 86

HSL 99.05, 1%, 0.67%

LAB 90.88, -59.44, 68.15

 

CMYK 36 / 0 / 59 / 0

HEX #A2FF69

RGB 162 255 105

HSL 97.2, 1%, 0.71%

LAB 91.78, -52.5, 61.68

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 61 / 0 / 92 / 28

HEX #48B70F

RGB 72 183 15

HSL 99.64, 0.85%, 0.39%

LAB 65.97, -57.44, 64.28

 

CMYK 67 / 0 / 100 / 35

HEX #37A500

RGB 55 165 0

HSL 100, 1%, 0.32%

LAB 59.64, -55.64, 60.96

 

CMYK 74 / 0 / 100 / 42

HEX #269300

RGB 38 147 0

HSL 104.49, 1%, 0.29%

LAB 53.25, -53.14, 55.72

 

CMYK 84 / 0 / 100 / 49

HEX #158100

RGB 21 129 0

HSL 110.23, 1%, 0.25%

LAB 46.79, -50.08, 50.44

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 33 / 0 / 83 / 21

HEX #86C922

RGB 134 201 34

HSL 84.07, 0.71%, 0.46%

LAB 74.16, -44.43, 68.52

 

CMYK 11 / 0 / 83 / 21

HEX #B3C922

RGB 179 201 34

HSL 67.9, 0.71%, 0.46%

LAB 76.96, -26.75, 72.04

 

CMYK 0 / 11 / 83 / 21

HEX #C9B222

RGB 201 178 34

HSL 51.74, 0.71%, 0.46%

LAB 72.48, -5.75, 68.94

 

CMYK 0 / 34 / 83 / 21

HEX #C98522

RGB 201 133 34

HSL 35.57, 0.71%, 0.46%

LAB 61.05, 18.46, 59.17

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 78 / 0 / 83 / 21

HEX #2CC922

RGB 44 201 34

HSL 116.41, 0.71%, 0.46%

LAB 71.16, -67.71, 64.7

 

CMYK 83 / 0 / 66 / 21

HEX #22C945

RGB 34 201 69

HSL 132.57, 0.71%, 0.46%

LAB 71.24, -66.2, 52.83

 

CMYK 83 / 0 / 43 / 21

HEX #22C972

RGB 34 201 114

HSL 148.74, 0.71%, 0.46%

LAB 71.78, -59.78, 32.25

 

CMYK 83 / 0 / 21 / 21

HEX #22C99F

RGB 34 201 159

HSL 164.91, 0.71%, 0.46%

LAB 72.64, -50.15, 9.65

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 63 / 0 / 93 / 14

HEX #52DC0F

RGB 82 220 15

HSL 100.39, 0.87%, 0.46%

LAB 77.88, -67.45, 74.27

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 48 / 0 / 71 / 29

HEX #5FB635

RGB 95 182 53

HSL 100.47, 0.55%, 0.46%

LAB 66.63, -48.76, 54.77

 

CMYK 37 / 0 / 56 / 36

HEX #66A348

RGB 102 163 72

HSL 100.22, 0.39%, 0.46%

LAB 61.21, -36.67, 40.59

 

CMYK 25 / 0 / 37 / 44

HEX #6C905B

RGB 108 144 91

HSL 100.75, 0.23%, 0.46%

LAB 55.98, -22.87, 24.23

 

CMYK 8 / 0 / 12 / 51

HEX #737D6E

RGB 115 125 110

HSL 100, 0.06%, 0.46%

LAB 51.2, -6.72, 6.92

 

CMYK 11 / 0 / 83 / 21

HEX #B2C922

RGB 178 201 34

HSL 68.26, 0.71%, 0.46%

LAB 76.89, -27.16, 71.95

 

CMYK 33 / 0 / 83 / 21

HEX #86C922

RGB 134 201 34

HSL 84.07, 0.71%, 0.46%

LAB 74.16, -44.43, 68.52

 

CMYK 55 / 0 / 83 / 21

HEX #5AC922

RGB 90 201 34

HSL 99.88, 0.71%, 0.46%

LAB 72.27, -58.45, 66.11

 

CMYK 78 / 0 / 83 / 21

HEX #2DC922

RGB 45 201 34

HSL 116.05, 0.71%, 0.46%

LAB 71.18, -67.58, 64.72

 

CMYK 83 / 0 / 67 / 21

HEX #22C943

RGB 34 201 67

HSL 131.86, 0.71%, 0.46%

LAB 71.23, -66.4, 53.64

 

CMYK 55 / 0 / 83 / 49

HEX #3A8216

RGB 58 130 22

HSL 100, 0.71%, 0.3%

LAB 48.16, -41.53, 47

 

CMYK 56 / 0 / 83 / 35

HEX #49A51C

RGB 73 165 28

HSL 100.29, 0.71%, 0.38%

LAB 60.26, -50.27, 56.59

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 50 / 0 / 75 / 13

HEX #6EDD37

RGB 110 221 55

HSL 100.12, 0.71%, 0.54%

LAB 79.22, -59.08, 66.83

 

CMYK 41 / 0 / 60 / 11

HEX #87E35A

RGB 135 227 90

HSL 100.29, 0.71%, 0.62%

LAB 82.29, -51.13, 57.03

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 83 / 0 / 11 / 21

HEX #22C9B2

RGB 34 201 178

HSL 171.74, 0.71%, 0.46%

LAB 73.11, -45.24, 0.05

 

CMYK 0 / 83 / 22 / 21

HEX #C9229C

RGB 201 34 156

HSL 316.17, 0.71%, 0.46%

LAB 46.92, 71.69, -25.74

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 83 / 55 / 0 / 21

HEX #225AC9

RGB 34 90 201

HSL 219.88, 0.71%, 0.46%

LAB 41.01, 23.63, -62.68

 

CMYK 0 / 83 / 55 / 21

HEX #C9225A

RGB 201 34 90

HSL 339.88, 0.71%, 0.46%

LAB 44.66, 65.2, 11.34

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 83 / 0 / 11 / 21

HEX #22C9B2

RGB 34 201 178

HSL 171.74, 0.71%, 0.46%

LAB 73.11, -45.24, 0.05

 

CMYK 28 / 83 / 0 / 21

HEX #9122C9

RGB 145 34 201

HSL 279.88, 0.71%, 0.46%

LAB 40.21, 68.33, -63.56

 

CMYK 0 / 83 / 72 / 21

HEX #C92238

RGB 201 34 56

HSL 352.1, 0.71%, 0.46%

LAB 44.01, 63.27, 31.49

 

CMYK 56 / 0 / 83 / 21

HEX #59C922

RGB 89 201 34

HSL 100.24, 0.71%, 0.46%

LAB 72.24, -58.72, 66.07

 

CMYK 83 / 14 / 0 / 21

HEX #22ADC9

RGB 34 173 201

HSL 190.06, 0.71%, 0.46%

LAB 65.31, -25.31, -24.25

 

CMYK 28 / 83 / 0 / 21

HEX #9122C9

RGB 145 34 201

HSL 279.88, 0.71%, 0.46%

LAB 40.21, 68.33, -63.56

 

CMYK 0 / 69 / 83 / 21

HEX #C93E22

RGB 201 62 34

HSL 10.06, 0.71%, 0.46%

LAB 46.95, 53.67, 46.67

 

Description

Color code: HEX #59C922 | qconv.com Color code: HEX #59C922 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 201 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 201 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 83 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 83% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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