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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C5EE it is the complementary color #A63A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C5EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C5EE shade: #5EC5E9, #6FD7FC, #80E9FF, #91FBFF and #A2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C5EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C5EE shade: #59C5EE, #48B3DB, #37A1C8, #268FB5 and #157DA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C5EE shade: #59C5EE, #599DEE, #5974EE, #6559EE and #8D59EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C5EE shade: #59C5EE, #599DEE, #5974EE and #5959EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C5EE shade matches the following richer shades: #59C5EE and #4ACBFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C5EE shade: #59C5EE, #68BEDF, #77B7D0, #85B1C1 and #94AAB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C5EE shade: #59EEC6, #59EEEE, #59C6EE, #599EEE and #5977EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C5EE shade: #17A6DD, #34B8EA, #59C5EE, #7ED2F1 and #A4DFF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C5EE shade: #59C5EE, #9E59EE and #EEDA59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C5EE shade: #59C5EE, #EE59C6 and #C6EE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C5EE shade: #59C5EE, #9E59EE, #EE8059 and #A8EE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C5EE shade: #59C5EE, #CB59EE, #EE8059 and #7CEE59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

Complementary color

CMYK 0 / 65 / 90 / 35

HEX #A63A11

RGB 166 58 17

HSL 16.51, 0.81%, 0.36%

LAB 39.87, 42.75, 45.64

 

CMYK 60 / 15 / 0 / 9

HEX #5EC5E9

RGB 94 197 233

HSL 195.54, 0.76%, 0.64%

LAB 74.95, -19.55, -26.86

 

CMYK 56 / 15 / 0 / 1

HEX #6FD7FC

RGB 111 215 252

HSL 195.74, 0.96%, 0.71%

LAB 81.3, -20.03, -27.26

 

CMYK 50 / 9 / 0 / 0

HEX #80E9FF

RGB 128 233 255

HSL 190.39, 1%, 0.75%

LAB 87.04, -24.74, -20.05

 

CMYK 43 / 2 / 0 / 0

HEX #91FBFF

RGB 145 251 255

HSL 182.18, 1%, 0.78%

LAB 92.68, -29.68, -11.52

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 67 / 18 / 0 / 14

HEX #48B3DB

RGB 72 179 219

HSL 196.33, 0.67%, 0.57%

LAB 68.56, -18.17, -29.12

 

CMYK 73 / 20 / 0 / 22

HEX #37A1C8

RGB 55 161 200

HSL 196.14, 0.57%, 0.5%

LAB 62.06, -17.19, -28.67

 

CMYK 79 / 21 / 0 / 29

HEX #268FB5

RGB 38 143 181

HSL 195.94, 0.65%, 0.43%

LAB 55.48, -15.92, -28.17

 

CMYK 87 / 23 / 0 / 36

HEX #157DA2

RGB 21 125 162

HSL 195.74, 0.77%, 0.36%

LAB 48.8, -14.24, -27.58

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 63 / 34 / 0 / 7

HEX #599DEE

RGB 89 157 238

HSL 212.62, 0.81%, 0.64%

LAB 63.68, 2.96, -47.12

 

CMYK 63 / 51 / 0 / 7

HEX #5974EE

RGB 89 116 238

HSL 229.13, 0.81%, 0.64%

LAB 52.72, 27.54, -64.62

 

CMYK 58 / 63 / 0 / 7

HEX #6559EE

RGB 101 89 238

HSL 244.83, 0.81%, 0.64%

LAB 47.09, 45.73, -73.72

 

CMYK 41 / 63 / 0 / 7

HEX #8D59EE

RGB 141 89 238

HSL 260.94, 0.81%, 0.64%

LAB 50.66, 53.05, -67.74

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 63 / 34 / 0 / 7

HEX #599DEE

RGB 89 157 238

HSL 212.62, 0.81%, 0.64%

LAB 63.68, 2.96, -47.12

 

CMYK 63 / 51 / 0 / 7

HEX #5974EE

RGB 89 116 238

HSL 229.13, 0.81%, 0.64%

LAB 52.72, 27.54, -64.62

 

CMYK 63 / 63 / 0 / 7

HEX #5959EE

RGB 89 89 238

HSL 240, 0.81%, 0.64%

LAB 46.23, 43.89, -75.14

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 71 / 19 / 0 / 1

HEX #4ACBFC

RGB 74 203 252

HSL 196.52, 0.97%, 0.64%

LAB 76.8, -19.91, -34.27

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 53 / 15 / 0 / 13

HEX #68BEDF

RGB 104 190 223

HSL 196.64, 0.65%, 0.64%

LAB 72.96, -16.9, -24.46

 

CMYK 43 / 12 / 0 / 18

HEX #77B7D0

RGB 119 183 208

HSL 196.85, 0.49%, 0.64%

LAB 71.11, -13.94, -19.04

 

CMYK 31 / 8 / 0 / 24

HEX #85B1C1

RGB 133 177 193

HSL 196, 0.33%, 0.64%

LAB 69.67, -10.81, -12.9

 

CMYK 17 / 4 / 0 / 30

HEX #94AAB2

RGB 148 170 178

HSL 196, 0.16%, 0.64%

LAB 68.21, -5.89, -6.68

 

CMYK 63 / 0 / 17 / 7

HEX #59EEC6

RGB 89 238 198

HSL 163.89, 0.81%, 0.64%

LAB 85.68, -48.91, 7.72

 

CMYK 63 / 0 / 0 / 7

HEX #59EEEE

RGB 89 238 238

HSL 180, 0.81%, 0.64%

LAB 86.72, -38.81, -11.73

 

CMYK 63 / 17 / 0 / 7

HEX #59C6EE

RGB 89 198 238

HSL 196.11, 0.81%, 0.64%

LAB 75.25, -19.44, -29.09

 

CMYK 63 / 34 / 0 / 7

HEX #599EEE

RGB 89 158 238

HSL 212.21, 0.81%, 0.64%

LAB 63.96, 2.39, -46.68

 

CMYK 63 / 50 / 0 / 7

HEX #5977EE

RGB 89 119 238

HSL 227.92, 0.81%, 0.64%

LAB 53.48, 25.7, -63.38

 

CMYK 90 / 25 / 0 / 13

HEX #17A6DD

RGB 23 166 221

HSL 196.67, 0.81%, 0.48%

LAB 63.9, -15.53, -37.52

 

CMYK 78 / 21 / 0 / 8

HEX #34B8EA

RGB 52 184 234

HSL 196.48, 0.81%, 0.56%

LAB 70.14, -18.44, -34.9

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 48 / 13 / 0 / 5

HEX #7ED2F1

RGB 126 210 241

HSL 196.17, 0.8%, 0.72%

LAB 80.11, -17.41, -23.16

 

CMYK 33 / 9 / 0 / 4

HEX #A4DFF5

RGB 164 223 245

HSL 196.3, 0.8%, 0.8%

LAB 85.64, -13.55, -16.75

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 34 / 63 / 0 / 7

HEX #9E59EE

RGB 158 89 238

HSL 267.79, 0.81%, 0.64%

LAB 52.49, 56.56, -64.69

 

CMYK 0 / 8 / 63 / 7

HEX #EEDA59

RGB 238 218 89

HSL 51.95, 0.81%, 0.64%

LAB 86.52, -7.97, 64.03

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 0 / 63 / 17 / 7

HEX #EE59C6

RGB 238 89 198

HSL 316.11, 0.81%, 0.64%

LAB 61.13, 68.52, -27.75

 

CMYK 17 / 0 / 63 / 7

HEX #C6EE59

RGB 198 238 89

HSL 76.11, 0.81%, 0.64%

LAB 88.86, -33.67, 65.66

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 34 / 63 / 0 / 7

HEX #9E59EE

RGB 158 89 238

HSL 267.79, 0.81%, 0.64%

LAB 52.49, 56.56, -64.69

 

CMYK 0 / 46 / 63 / 7

HEX #EE8059

RGB 238 128 89

HSL 15.7, 0.81%, 0.64%

LAB 65.23, 38.94, 39.79

 

CMYK 29 / 0 / 63 / 7

HEX #A8EE59

RGB 168 238 89

HSL 88.19, 0.81%, 0.64%

LAB 87.09, -44.74, 63.22

 

CMYK 63 / 17 / 0 / 7

HEX #59C5EE

RGB 89 197 238

HSL 196.51, 0.81%, 0.64%

LAB 74.97, -18.92, -29.53

 

CMYK 15 / 63 / 0 / 7

HEX #CB59EE

RGB 203 89 238

HSL 285.91, 0.81%, 0.64%

LAB 58.05, 66.53, -55.47

 

CMYK 0 / 46 / 63 / 7

HEX #EE8059

RGB 238 128 89

HSL 15.7, 0.81%, 0.64%

LAB 65.23, 38.94, 39.79

 

CMYK 48 / 0 / 63 / 7

HEX #7CEE59

RGB 124 238 89

HSL 105.91, 0.81%, 0.64%

LAB 85.08, -58.83, 60.44

 

Description

Color code: HEX #59C5EE | qconv.com Color code: HEX #59C5EE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 197 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 197 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 17 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 17% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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