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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59B89F it is the complementary color #A64760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59B89F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59B89F shade: #5EB89A, #6FCAAD, #80DCC0, #91EED3 and #A2FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59B89F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59B89F shade: #59B89F, #48A68C, #379479, #268266 and #157053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59B89F shade: #5BB9A0, #5BB987, #5BB96D, #62B95B and #7BB95B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59B89F shade: #5BB9A0, #5BB8B9, #5B9FB9, #5B85B9 and #5B6CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59B89F shade matches the following richer shades: #5BB9A0, #48CCA9, #35DFB2 and #22F2BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59B89F shade: #5BB9A0, #6EA697, #81938E, #948085 and #A76D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59B89F shade: #5BB96E, #5BB987, #5BB9A0, #5BB9B9 and #5BA0B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59B89F shade: #3A8773, #46A48B, #5BB9A0, #78C5B1 and #95D1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59B89F shade: #59B89F, #5B61B9 and #B97A5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59B89F shade: #59B89F, #A05BB9 and #B9A05B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59B89F shade: #59B89F, #5B61B9, #B95B74 and #B9B25B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59B89F shade: #59B89F, #715BB9, #B95B74 and #A3B95B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 14 / 28

HEX #59B89F

RGB 89 184 159

HSL 164.21, 0.4%, 0.54%

LAB 68.68, -34.25, 4.14

 

Complementary color

CMYK 0 / 57 / 42 / 35

HEX #A64760

RGB 166 71 96

HSL 344.21, 0.4%, 0.46%

LAB 43.45, 41.61, 5.02

 

CMYK 49 / 0 / 16 / 28

HEX #5EB89A

RGB 94 184 154

HSL 160, 0.39%, 0.55%

LAB 68.75, -34.23, 7

 

CMYK 45 / 0 / 14 / 21

HEX #6FCAAD

RGB 111 202 173

HSL 160.88, 0.46%, 0.61%

LAB 75.23, -34.08, 6.06

 

CMYK 42 / 0 / 13 / 14

HEX #80DCC0

RGB 128 220 192

HSL 161.74, 0.57%, 0.68%

LAB 81.61, -33.92, 5.19

 

CMYK 39 / 0 / 11 / 7

HEX #91EED3

RGB 145 238 211

HSL 162.58, 0.73%, 0.75%

LAB 87.91, -33.73, 4.38

 

CMYK 36 / 0 / 10 / 0

HEX #A2FFE6

RGB 162 255 230

HSL 163.87, 1%, 0.82%

LAB 93.85, -33.09, 3.21

 

CMYK 52 / 0 / 14 / 28

HEX #59B89F

RGB 89 184 159

HSL 164.21, 0.4%, 0.54%

LAB 68.68, -34.25, 4.14

 

CMYK 57 / 0 / 16 / 35

HEX #48A68C

RGB 72 166 140

HSL 163.4, 0.39%, 0.47%

LAB 62.12, -34.25, 5.13

 

CMYK 63 / 0 / 18 / 42

HEX #379479

RGB 55 148 121

HSL 162.58, 0.46%, 0.4%

LAB 55.45, -34.14, 6.23

 

CMYK 71 / 0 / 22 / 49

HEX #268266

RGB 38 130 102

HSL 161.74, 0.55%, 0.33%

LAB 48.68, -33.81, 7.48

 

CMYK 81 / 0 / 26 / 56

HEX #157053

RGB 21 112 83

HSL 160.88, 0.68%, 0.26%

LAB 41.8, -33.13, 8.92

 

CMYK 51 / 0 / 14 / 27

HEX #5BB9A0

RGB 91 185 160

HSL 164.04, 0.4%, 0.54%

LAB 69.08, -34.01, 4.18

 

CMYK 51 / 0 / 27 / 27

HEX #5BB987

RGB 91 185 135

HSL 148.09, 0.4%, 0.54%

LAB 68.51, -39.55, 17.01

 

CMYK 51 / 0 / 41 / 27

HEX #5BB96D

RGB 91 185 109

HSL 131.49, 0.4%, 0.54%

LAB 68.04, -44.36, 30.23

 

CMYK 47 / 0 / 51 / 27

HEX #62B95B

RGB 98 185 91

HSL 115.53, 0.4%, 0.54%

LAB 68.06, -45.09, 39.47

 

CMYK 34 / 0 / 51 / 27

HEX #7BB95B

RGB 123 185 91

HSL 99.57, 0.4%, 0.54%

LAB 69.23, -37.05, 41.17

 

CMYK 51 / 0 / 14 / 27

HEX #5BB9A0

RGB 91 185 160

HSL 164.04, 0.4%, 0.54%

LAB 69.08, -34.01, 4.18

 

CMYK 51 / 1 / 0 / 27

HEX #5BB8B9

RGB 91 184 185

HSL 180.64, 0.4%, 0.54%

LAB 69.48, -27.2, -8.99

 

CMYK 51 / 14 / 0 / 27

HEX #5B9FB9

RGB 91 159 185

HSL 196.6, 0.4%, 0.54%

LAB 62.1, -14.3, -20.1

 

CMYK 51 / 28 / 0 / 27

HEX #5B85B9

RGB 91 133 185

HSL 213.19, 0.4%, 0.54%

LAB 54.56, 0.34, -31.73

 

CMYK 51 / 42 / 0 / 27

HEX #5B6CB9

RGB 91 108 185

HSL 229.15, 0.4%, 0.54%

LAB 47.56, 15.45, -42.73

 

CMYK 51 / 0 / 14 / 27

HEX #5BB9A0

RGB 91 185 160

HSL 164.04, 0.4%, 0.54%

LAB 69.08, -34.01, 4.18

 

CMYK 65 / 0 / 17 / 20

HEX #48CCA9

RGB 72 204 169

HSL 164.09, 0.56%, 0.54%

LAB 74.46, -44.18, 6.96

 

CMYK 76 / 0 / 20 / 13

HEX #35DFB2

RGB 53 223 178

HSL 164.12, 0.73%, 0.54%

LAB 80.04, -52.55, 10.08

 

CMYK 86 / 0 / 23 / 5

HEX #22F2BB

RGB 34 242 187

HSL 164.13, 0.89%, 0.54%

LAB 85.72, -59.5, 13.4

 

CMYK 51 / 0 / 14 / 27

HEX #5BB9A0

RGB 91 185 160

HSL 164.04, 0.4%, 0.54%

LAB 69.08, -34.01, 4.18

 

CMYK 34 / 0 / 9 / 35

HEX #6EA697

RGB 110 166 151

HSL 163.93, 0.24%, 0.54%

LAB 64.02, -21.78, 1.93

 

CMYK 12 / 0 / 3 / 42

HEX #81938E

RGB 129 147 142

HSL 163.33, 0.08%, 0.54%

LAB 59.42, -7.46, 0.46

 

CMYK 0 / 14 / 10 / 42

HEX #948085

RGB 148 128 133

HSL 345, 0.09%, 0.54%

LAB 55.51, 8.52, 0.11

 

CMYK 0 / 35 / 26 / 35

HEX #A76D7C

RGB 167 109 124

HSL 344.48, 0.25%, 0.54%

LAB 52.52, 25.21, 1.26

 

CMYK 51 / 0 / 41 / 27

HEX #5BB96E

RGB 91 185 110

HSL 132.13, 0.4%, 0.54%

LAB 68.06, -44.2, 29.73

 

CMYK 51 / 0 / 27 / 27

HEX #5BB987

RGB 91 185 135

HSL 148.09, 0.4%, 0.54%

LAB 68.51, -39.55, 17.01

 

CMYK 51 / 0 / 14 / 27

HEX #5BB9A0

RGB 91 185 160

HSL 164.04, 0.4%, 0.54%

LAB 69.08, -34.01, 4.18

 

CMYK 51 / 0 / 0 / 27

HEX #5BB9B9

RGB 91 185 185

HSL 180, 0.4%, 0.54%

LAB 69.77, -27.69, -8.55

 

CMYK 51 / 14 / 0 / 27

HEX #5BA0B9

RGB 91 160 185

HSL 195.96, 0.4%, 0.54%

LAB 62.4, -14.84, -19.65

 

CMYK 57 / 0 / 15 / 47

HEX #3A8773

RGB 58 135 115

HSL 164.42, 0.4%, 0.38%

LAB 51.23, -28.87, 3.63

 

CMYK 57 / 0 / 15 / 36

HEX #46A48B

RGB 70 164 139

HSL 164.04, 0.4%, 0.46%

LAB 61.41, -34, 4.66

 

CMYK 51 / 0 / 14 / 27

HEX #5BB9A0

RGB 91 185 160

HSL 164.04, 0.4%, 0.54%

LAB 69.08, -34.01, 4.18

 

CMYK 39 / 0 / 10 / 23

HEX #78C5B1

RGB 120 197 177

HSL 164.42, 0.4%, 0.62%

LAB 74.25, -28.44, 2.55

 

CMYK 29 / 0 / 8 / 18

HEX #95D1C1

RGB 149 209 193

HSL 164, 0.39%, 0.7%

LAB 79.52, -22.56, 1.76

 

CMYK 52 / 0 / 14 / 28

HEX #59B89F

RGB 89 184 159

HSL 164.21, 0.4%, 0.54%

LAB 68.68, -34.25, 4.14

 

CMYK 51 / 48 / 0 / 27

HEX #5B61B9

RGB 91 97 185

HSL 236.17, 0.4%, 0.54%

LAB 44.63, 22.29, -47.41

 

CMYK 0 / 34 / 51 / 27

HEX #B97A5B

RGB 185 122 91

HSL 19.79, 0.4%, 0.54%

LAB 57.06, 21.11, 26.99

 

CMYK 52 / 0 / 14 / 28

HEX #59B89F

RGB 89 184 159

HSL 164.21, 0.4%, 0.54%

LAB 68.68, -34.25, 4.14

 

CMYK 14 / 51 / 0 / 27

HEX #A05BB9

RGB 160 91 185

HSL 284.04, 0.4%, 0.54%

LAB 50.05, 43.98, -38.38

 

CMYK 0 / 14 / 51 / 27

HEX #B9A05B

RGB 185 160 91

HSL 44.04, 0.4%, 0.54%

LAB 66.68, 0.17, 39.1

 

CMYK 52 / 0 / 14 / 28

HEX #59B89F

RGB 89 184 159

HSL 164.21, 0.4%, 0.54%

LAB 68.68, -34.25, 4.14

 

CMYK 51 / 48 / 0 / 27

HEX #5B61B9

RGB 91 97 185

HSL 236.17, 0.4%, 0.54%

LAB 44.63, 22.29, -47.41

 

CMYK 0 / 51 / 37 / 27

HEX #B95B74

RGB 185 91 116

HSL 344.04, 0.4%, 0.54%

LAB 50.75, 40.55, 3.76

 

CMYK 0 / 4 / 51 / 27

HEX #B9B25B

RGB 185 178 91

HSL 55.53, 0.4%, 0.54%

LAB 71.49, -9.38, 44.9

 

CMYK 52 / 0 / 14 / 28

HEX #59B89F

RGB 89 184 159

HSL 164.21, 0.4%, 0.54%

LAB 68.68, -34.25, 4.14

 

CMYK 39 / 51 / 0 / 27

HEX #715BB9

RGB 113 91 185

HSL 254.04, 0.4%, 0.54%

LAB 44.94, 31.27, -46.81

 

CMYK 0 / 51 / 37 / 27

HEX #B95B74

RGB 185 91 116

HSL 344.04, 0.4%, 0.54%

LAB 50.75, 40.55, 3.76

 

CMYK 12 / 0 / 51 / 27

HEX #A3B95B

RGB 163 185 91

HSL 74.04, 0.4%, 0.54%

LAB 71.72, -21.97, 44.75

 

Description

Color code: HEX #59B89F | qconv.com Color code: HEX #59B89F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 184 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 184 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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