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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59B2AF4C it is the complementary color #A64D504C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59B2AF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59B2AF4C shade: #5EB2AA4C, #6FC4BD4C, #80D6D04C, #91E8E34C and #A2FAF64C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59B2AF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59B2AF4C shade: #59B2AF4C, #48A09C4C, #378E894C, #267C764C and #156A634C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59B2AF4C shade: #57B2AF, #57B296, #57B27E, #57B266 and #61B257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59B2AF4C shade: #57B2AF, #579DB2, #5784B2, #576CB2 and #5757B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59B2AF4C shade matches the following richer shades: #57B2AF, #44C6C1, #30D9D4 and #1CEDE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59B2AF4C shade: #57B2AF, #6B9E9C, #7F8A8A, #937677 and #A76365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59B2AF4C shade: #57B27D, #57B295, #57B2AD, #579EB2 and #5786B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59B2AF4C shade: #3A7D7B, #479997, #57B2AF, #74BFBC and #90CCCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59B2AF4C shade: #59B2AF, #6557B2 and #B28957

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59B2AF4C shade: #59B2AF, #AD57B2 and #B2AD57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59B2AF4C shade: #59B2AF, #6557B2, #B2575C and #A4B257

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59B2AF4C shade: #59B2AF, #8057B2, #B2575C and #89B257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 1 / 9

HEX #59B2AF4C

RGBA 89 178 175 0.3

HSLA 177.98, 0.37%, 0.52%, 0.3

LABA 67.32, -27.33, -6.68, 0.3

 

Complementary color

CMYK 0 / 16 / 16 / 10

HEX #A64D504C

RGBA 166 77 80 0.3

HSLA 357.98, 0.37%, 0.48%, 0.3

LABA 44.22, 36.95, 15.93, 0.3

 

CMYK 14 / 0 / 1 / 9

HEX #5EB2AA4C

RGBA 94 178 170 0.3

HSLA 174.29, 0.35%, 0.53%, 0.3

LABA 67.37, -27.48, -3.82, 0.3

 

CMYK 13 / 0 / 1 / 7

HEX #6FC4BD4C

RGBA 111 196 189 0.3

HSLA 175.06, 0.42%, 0.6%, 0.3

LABA 73.89, -27.44, -4.54, 0.3

 

CMYK 12 / 0 / 1 / 5

HEX #80D6D04C

RGBA 128 214 208 0.3

HSLA 175.81, 0.51%, 0.67%, 0.3

LABA 80.31, -27.37, -5.22, 0.3

 

CMYK 11 / 0 / 1 / 3

HEX #91E8E34C

RGBA 145 232 227 0.3

HSLA 176.55, 0.65%, 0.74%, 0.3

LABA 86.64, -27.29, -5.86, 0.3

 

CMYK 11 / 0 / 0 / 1

HEX #A2FAF64C

RGBA 162 250 246 0.3

HSLA 177.27, 0.9%, 0.81%, 0.3

LABA 92.89, -27.2, -6.47, 0.3

 

CMYK 15 / 0 / 1 / 9

HEX #59B2AF4C

RGBA 89 178 175 0.3

HSLA 177.98, 0.37%, 0.52%, 0.3

LABA 67.32, -27.33, -6.68, 0.3

 

CMYK 17 / 0 / 1 / 11

HEX #48A09C4C

RGBA 72 160 156 0.3

HSLA 177.27, 0.38%, 0.45%, 0.3

LABA 60.71, -27.21, -5.93, 0.3

 

CMYK 18 / 0 / 1 / 13

HEX #378E894C

RGBA 55 142 137 0.3

HSLA 176.55, 0.44%, 0.39%, 0.3

LABA 53.99, -26.96, -5.1, 0.3

 

CMYK 21 / 0 / 1 / 15

HEX #267C764C

RGBA 38 124 118 0.3

HSLA 175.81, 0.53%, 0.32%, 0.3

LABA 47.15, -26.51, -4.16, 0.3

 

CMYK 24 / 0 / 2 / 18

HEX #156A634C

RGBA 21 106 99 0.3

HSLA 175.06, 0.67%, 0.25%, 0.3

LABA 40.19, -25.72, -3.07, 0.3

 

CMYK 51 / 0 / 2 / 30

HEX #57B2AF

RGB 87 178 175

HSL 178.02, 0.37%, 0.52%

LAB 67.25, -27.77, -6.8

 

CMYK 51 / 0 / 16 / 30

HEX #57B296

RGB 87 178 150

HSL 161.54, 0.37%, 0.52%

LAB 66.57, -34.04, 6.04

 

CMYK 51 / 0 / 29 / 30

HEX #57B27E

RGB 87 178 126

HSL 145.71, 0.37%, 0.52%

LAB 66.04, -39.28, 18.45

 

CMYK 51 / 0 / 43 / 30

HEX #57B266

RGB 87 178 102

HSL 129.89, 0.37%, 0.52%

LAB 65.61, -43.63, 30.7

 

CMYK 46 / 0 / 51 / 30

HEX #61B257

RGB 97 178 87

HSL 113.41, 0.37%, 0.52%

LAB 65.8, -42.97, 38.68

 

CMYK 51 / 0 / 2 / 30

HEX #57B2AF

RGB 87 178 175

HSL 178.02, 0.37%, 0.52%

LAB 67.25, -27.77, -6.8

 

CMYK 51 / 12 / 0 / 30

HEX #579DB2

RGB 87 157 178

HSL 193.85, 0.37%, 0.52%

LAB 61.09, -16.17, -17.71

 

CMYK 51 / 26 / 0 / 30

HEX #5784B2

RGB 87 132 178

HSL 210.33, 0.37%, 0.52%

LAB 53.75, -2.19, -28.99

 

CMYK 51 / 39 / 0 / 30

HEX #576CB2

RGB 87 108 178

HSL 226.15, 0.37%, 0.52%

LAB 46.93, 12.27, -39.69

 

CMYK 51 / 51 / 0 / 30

HEX #5757B2

RGB 87 87 178

HSL 240, 0.37%, 0.52%

LAB 41.31, 25.42, -48.65

 

CMYK 51 / 0 / 2 / 30

HEX #57B2AF

RGB 87 178 175

HSL 178.02, 0.37%, 0.52%

LAB 67.25, -27.77, -6.8

 

CMYK 66 / 0 / 3 / 22

HEX #44C6C1

RGB 68 198 193

HSL 177.69, 0.53%, 0.52%

LAB 73.2, -35.9, -7.9

 

CMYK 78 / 0 / 2 / 15

HEX #30D9D4

RGB 48 217 212

HSL 178.22, 0.69%, 0.52%

LAB 79.05, -41.61, -9.48

 

CMYK 88 / 0 / 3 / 7

HEX #1CEDE6

RGB 28 237 230

HSL 177.99, 0.85%, 0.52%

LAB 85.27, -46.66, -9.8

 

CMYK 51 / 0 / 2 / 30

HEX #57B2AF

RGB 87 178 175

HSL 178.02, 0.37%, 0.52%

LAB 67.25, -27.77, -6.8

 

CMYK 32 / 0 / 1 / 38

HEX #6B9E9C

RGB 107 158 156

HSL 177.65, 0.21%, 0.52%

LAB 61.64, -17.34, -4.39

 

CMYK 8 / 0 / 0 / 46

HEX #7F8A8A

RGB 127 138 138

HSL 180, 0.04%, 0.52%

LAB 56.61, -3.99, -1.38

 

CMYK 0 / 20 / 19 / 42

HEX #937677

RGB 147 118 119

HSL 357.93, 0.12%, 0.52%

LAB 52.39, 11.47, 3.74

 

CMYK 0 / 41 / 40 / 35

HEX #A76365

RGB 167 99 101

HSL 358.24, 0.28%, 0.52%

LAB 49.59, 27.71, 10.72

 

CMYK 51 / 0 / 30 / 30

HEX #57B27D

RGB 87 178 125

HSL 145.05, 0.37%, 0.52%

LAB 66.02, -39.47, 18.97

 

CMYK 51 / 0 / 16 / 30

HEX #57B295

RGB 87 178 149

HSL 160.88, 0.37%, 0.52%

LAB 66.55, -34.28, 6.56

 

CMYK 51 / 0 / 3 / 30

HEX #57B2AD

RGB 87 178 173

HSL 176.7, 0.37%, 0.52%

LAB 67.19, -28.3, -5.78

 

CMYK 51 / 11 / 0 / 30

HEX #579EB2

RGB 87 158 178

HSL 193.19, 0.37%, 0.52%

LAB 61.39, -16.7, -17.26

 

CMYK 51 / 25 / 0 / 30

HEX #5786B2

RGB 87 134 178

HSL 209.01, 0.37%, 0.52%

LAB 54.33, -3.35, -28.09

 

CMYK 54 / 0 / 2 / 51

HEX #3A7D7B

RGB 58 125 123

HSL 178.21, 0.37%, 0.36%

LAB 48.26, -21.66, -5.41

 

CMYK 54 / 0 / 1 / 40

HEX #479997

RGB 71 153 151

HSL 178.54, 0.37%, 0.44%

LAB 58.37, -25.3, -6.56

 

CMYK 51 / 0 / 2 / 30

HEX #57B2AF

RGB 87 178 175

HSL 178.02, 0.37%, 0.52%

LAB 67.25, -27.77, -6.8

 

CMYK 39 / 0 / 2 / 25

HEX #74BFBC

RGB 116 191 188

HSL 177.6, 0.37%, 0.6%

LAB 72.63, -23.96, -5.84

 

CMYK 29 / 0 / 1 / 20

HEX #90CCCA

RGB 144 204 202

HSL 178, 0.37%, 0.68%

LAB 78.1, -19.53, -5.19

 

CMYK 50 / 0 / 2 / 30

HEX #59B2AF

RGB 89 178 175

HSL 177.98, 0.37%, 0.52%

LAB 67.32, -27.33, -6.68

 

CMYK 43 / 51 / 0 / 30

HEX #6557B2

RGB 101 87 178

HSL 249.23, 0.37%, 0.52%

LAB 42.46, 28.7, -46.74

 

CMYK 0 / 23 / 51 / 30

HEX #B28957

RGB 178 137 87

HSL 32.97, 0.37%, 0.52%

LAB 59.93, 9.43, 32.68

 

CMYK 50 / 0 / 2 / 30

HEX #59B2AF

RGB 89 178 175

HSL 177.98, 0.37%, 0.52%

LAB 67.32, -27.33, -6.68

 

CMYK 3 / 51 / 0 / 30

HEX #AD57B2

RGB 173 87 178

HSL 296.7, 0.37%, 0.52%

LAB 50.59, 48.34, -33.35

 

CMYK 0 / 3 / 51 / 30

HEX #B2AD57

RGB 178 173 87

HSL 56.7, 0.37%, 0.52%

LAB 69.5, -10.06, 44.35

 

CMYK 50 / 0 / 2 / 30

HEX #59B2AF

RGB 89 178 175

HSL 177.98, 0.37%, 0.52%

LAB 67.32, -27.33, -6.68

 

CMYK 43 / 51 / 0 / 30

HEX #6557B2

RGB 101 87 178

HSL 249.23, 0.37%, 0.52%

LAB 42.46, 28.7, -46.74

 

CMYK 0 / 51 / 48 / 30

HEX #B2575C

RGB 178 87 92

HSL 356.7, 0.37%, 0.52%

LAB 48.33, 37.43, 14.58

 

CMYK 8 / 0 / 51 / 30

HEX #A4B257

RGB 164 178 87

HSL 69.23, 0.37%, 0.52%

LAB 69.77, -18.45, 44.39

 

CMYK 50 / 0 / 2 / 30

HEX #59B2AF

RGB 89 178 175

HSL 177.98, 0.37%, 0.52%

LAB 67.32, -27.33, -6.68

 

CMYK 28 / 51 / 0 / 30

HEX #8057B2

RGB 128 87 178

HSL 267.03, 0.37%, 0.52%

LAB 45.11, 35.7, -42.36

 

CMYK 0 / 51 / 48 / 30

HEX #B2575C

RGB 178 87 92

HSL 356.7, 0.37%, 0.52%

LAB 48.33, 37.43, 14.58

 

CMYK 23 / 0 / 51 / 30

HEX #89B257

RGB 137 178 87

HSL 87.03, 0.37%, 0.52%

LAB 67.91, -29.15, 41.72

 

Description

Color code: HEX #59B2AF4C | qconv.com Color code: HEX #59B2AF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 178 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 178 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 1 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 1% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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