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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59A103 it is the complementary color #A65EFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59A103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59A103 shade: #5EA100, #6FB311, #80C524, #91D737 and #A2E94A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59A103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59A103 shade: #59A103, #488F00, #377D00, #266B00 and #155900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59A103 shade: #59A003, #83A003, #A09303, #A06903 and #A03E03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59A103 shade: #59A003, #2EA003, #04A003, #03A02D and #03A057

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59A103 shade matches the following richer shades: #59A003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59A103 shade: #59A003, #579310, #56861E, #55782B and #546B38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59A103 shade: #A09303, #83A003, #59A003, #30A003 and #06A003

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59A103 shade: #2C4F02, #427802, #59A003, #6FC804 and #85F105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59A103 shade: #59A103, #03A069 and #A00398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59A103 shade: #59A103, #0359A0 and #A00359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59A103 shade: #59A103, #03A069, #4A03A0 and #A0033A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59A103 shade: #59A103, #03A098, #4A03A0 and #A0030B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 98 / 37

HEX #59A103

RGB 89 161 3

HSL 87.34, 0.96%, 0.32%

LAB 59.54, -44.57, 60.96

 

Complementary color

CMYK 34 / 63 / 0 / 1

HEX #A65EFC

RGB 166 94 252

HSL 267.34, 0.96%, 0.68%

LAB 55.22, 59.09, -68.05

 

CMYK 42 / 0 / 100 / 37

HEX #5EA100

RGB 94 161 0

HSL 84.97, 1%, 0.32%

LAB 59.77, -42.9, 61.67

 

CMYK 38 / 0 / 91 / 30

HEX #6FB311

RGB 111 179 17

HSL 85.19, 0.83%, 0.38%

LAB 66.26, -44, 64.83

 

CMYK 35 / 0 / 82 / 23

HEX #80C524

RGB 128 197 36

HSL 85.71, 0.69%, 0.46%

LAB 72.66, -44.83, 66.56

 

CMYK 33 / 0 / 74 / 16

HEX #91D737

RGB 145 215 55

HSL 86.25, 0.67%, 0.53%

LAB 78.98, -45.42, 67.14

 

CMYK 30 / 0 / 68 / 9

HEX #A2E94A

RGB 162 233 74

HSL 86.79, 0.78%, 0.6%

LAB 85.23, -45.83, 67.01

 

CMYK 45 / 0 / 98 / 37

HEX #59A103

RGB 89 161 3

HSL 87.34, 0.96%, 0.32%

LAB 59.54, -44.57, 60.96

 

CMYK 50 / 0 / 100 / 44

HEX #488F00

RGB 72 143 0

HSL 89.79, 1%, 0.28%

LAB 52.97, -43.07, 55.95

 

CMYK 56 / 0 / 100 / 51

HEX #377D00

RGB 55 125 0

HSL 93.6, 1%, 0.25%

LAB 46.28, -41.34, 50.4

 

CMYK 64 / 0 / 100 / 58

HEX #266B00

RGB 38 107 0

HSL 98.69, 1%, 0.21%

LAB 39.46, -39.33, 44.76

 

CMYK 76 / 0 / 100 / 65

HEX #155900

RGB 21 89 0

HSL 105.84, 1%, 0.17%

LAB 32.49, -36.82, 39.03

 

CMYK 44 / 0 / 98 / 37

HEX #59A003

RGB 89 160 3

HSL 87.13, 0.96%, 0.32%

LAB 59.23, -44.16, 60.71

 

CMYK 18 / 0 / 98 / 37

HEX #83A003

RGB 131 160 3

HSL 71.08, 0.96%, 0.32%

LAB 61.63, -27.87, 63.62

 

CMYK 0 / 8 / 98 / 37

HEX #A09303

RGB 160 147 3

HSL 55.03, 0.96%, 0.32%

LAB 60.2, -8.32, 63.58

 

CMYK 0 / 34 / 98 / 37

HEX #A06903

RGB 160 105 3

HSL 38.98, 0.96%, 0.32%

LAB 48.99, 15.11, 55.59

 

CMYK 0 / 61 / 98 / 37

HEX #A03E03

RGB 160 62 3

HSL 22.55, 0.96%, 0.32%

LAB 39.45, 38.4, 49.44

 

CMYK 44 / 0 / 98 / 37

HEX #59A003

RGB 89 160 3

HSL 87.13, 0.96%, 0.32%

LAB 59.23, -44.16, 60.71

 

CMYK 71 / 0 / 98 / 37

HEX #2EA003

RGB 46 160 3

HSL 103.57, 0.96%, 0.32%

LAB 57.78, -55.77, 58.94

 

CMYK 98 / 0 / 98 / 37

HEX #04A003

RGB 4 160 3

HSL 119.62, 0.96%, 0.32%

LAB 57.24, -60.51, 58.29

 

CMYK 98 / 0 / 72 / 37

HEX #03A02D

RGB 3 160 45

HSL 136.05, 0.96%, 0.32%

LAB 57.42, -58.29, 47.67

 

CMYK 98 / 0 / 46 / 37

HEX #03A057

RGB 3 160 87

HSL 152.1, 0.96%, 0.32%

LAB 57.89, -52.4, 28.29

 

CMYK 44 / 0 / 98 / 37

HEX #59A003

RGB 89 160 3

HSL 87.13, 0.96%, 0.32%

LAB 59.23, -44.16, 60.71

 

CMYK 44 / 0 / 98 / 37

HEX #59A003

RGB 89 160 3

HSL 87.13, 0.96%, 0.32%

LAB 59.23, -44.16, 60.71

 

CMYK 41 / 0 / 89 / 42

HEX #579310

RGB 87 147 16

HSL 87.48, 0.8%, 0.32%

LAB 55, -39.13, 55.09

 

CMYK 36 / 0 / 78 / 47

HEX #56861E

RGB 86 134 30

HSL 87.69, 0.63%, 0.32%

LAB 50.83, -33.13, 47.35

 

CMYK 29 / 0 / 64 / 53

HEX #55782B

RGB 85 120 43

HSL 87.27, 0.47%, 0.32%

LAB 46.36, -25.89, 37.31

 

CMYK 21 / 0 / 48 / 58

HEX #546B38

RGB 84 107 56

HSL 87.06, 0.31%, 0.32%

LAB 42.29, -18.16, 25.75

 

CMYK 0 / 8 / 98 / 37

HEX #A09303

RGB 160 147 3

HSL 55.03, 0.96%, 0.32%

LAB 60.2, -8.32, 63.58

 

CMYK 18 / 0 / 98 / 37

HEX #83A003

RGB 131 160 3

HSL 71.08, 0.96%, 0.32%

LAB 61.63, -27.87, 63.62

 

CMYK 44 / 0 / 98 / 37

HEX #59A003

RGB 89 160 3

HSL 87.13, 0.96%, 0.32%

LAB 59.23, -44.16, 60.71

 

CMYK 70 / 0 / 98 / 37

HEX #30A003

RGB 48 160 3

HSL 102.8, 0.96%, 0.32%

LAB 57.82, -55.37, 59

 

CMYK 96 / 0 / 98 / 37

HEX #06A003

RGB 6 160 3

HSL 118.85, 0.96%, 0.32%

LAB 57.26, -60.4, 58.3

 

CMYK 44 / 0 / 97 / 69

HEX #2C4F02

RGB 44 79 2

HSL 87.27, 0.95%, 0.16%

LAB 29.74, -25.52, 36.45

 

CMYK 45 / 0 / 98 / 53

HEX #427802

RGB 66 120 2

HSL 87.46, 0.97%, 0.24%

LAB 45.08, -35.58, 49.21

 

CMYK 44 / 0 / 98 / 37

HEX #59A003

RGB 89 160 3

HSL 87.13, 0.96%, 0.32%

LAB 59.23, -44.16, 60.71

 

CMYK 45 / 0 / 98 / 22

HEX #6FC804

RGB 111 200 4

HSL 87.24, 0.96%, 0.4%

LAB 72.69, -52.67, 71.64

 

CMYK 45 / 0 / 98 / 5

HEX #85F105

RGB 133 241 5

HSL 87.46, 0.96%, 0.48%

LAB 85.96, -61.22, 82.41

 

CMYK 45 / 0 / 98 / 37

HEX #59A103

RGB 89 161 3

HSL 87.34, 0.96%, 0.32%

LAB 59.54, -44.57, 60.96

 

CMYK 98 / 0 / 34 / 37

HEX #03A069

RGB 3 160 105

HSL 158.98, 0.96%, 0.32%

LAB 58.21, -48.72, 18.96

 

CMYK 0 / 98 / 5 / 37

HEX #A00398

RGB 160 3 152

HSL 303.06, 0.96%, 0.32%

LAB 37.49, 67.8, -38.68

 

CMYK 45 / 0 / 98 / 37

HEX #59A103

RGB 89 161 3

HSL 87.34, 0.96%, 0.32%

LAB 59.54, -44.57, 60.96

 

CMYK 98 / 44 / 0 / 37

HEX #0359A0

RGB 3 89 160

HSL 207.13, 0.96%, 0.32%

LAB 37.3, 5.94, -44.59

 

CMYK 0 / 98 / 44 / 37

HEX #A00359

RGB 160 3 89

HSL 327.13, 0.96%, 0.32%

LAB 34.52, 60.23, -3.69

 

CMYK 45 / 0 / 98 / 37

HEX #59A103

RGB 89 161 3

HSL 87.34, 0.96%, 0.32%

LAB 59.54, -44.57, 60.96

 

CMYK 98 / 0 / 34 / 37

HEX #03A069

RGB 3 160 105

HSL 158.98, 0.96%, 0.32%

LAB 58.21, -48.72, 18.96

 

CMYK 54 / 98 / 0 / 37

HEX #4A03A0

RGB 74 3 160

HSL 267.13, 0.96%, 0.32%

LAB 23.87, 57.75, -66.36

 

CMYK 0 / 98 / 64 / 37

HEX #A0033A

RGB 160 3 58

HSL 338.98, 0.96%, 0.32%

LAB 33.66, 57.92, 15.4

 

CMYK 45 / 0 / 98 / 37

HEX #59A103

RGB 89 161 3

HSL 87.34, 0.96%, 0.32%

LAB 59.54, -44.57, 60.96

 

CMYK 98 / 0 / 5 / 37

HEX #03A098

RGB 3 160 152

HSL 176.94, 0.96%, 0.32%

LAB 59.37, -36.27, -5.79

 

CMYK 54 / 98 / 0 / 37

HEX #4A03A0

RGB 74 3 160

HSL 267.13, 0.96%, 0.32%

LAB 23.87, 57.75, -66.36

 

CMYK 0 / 98 / 93 / 37

HEX #A0030B

RGB 160 3 11

HSL 356.94, 0.96%, 0.32%

LAB 33.06, 56.27, 42.59

 

Description

Color code: HEX #59A103 | qconv.com Color code: HEX #59A103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 161 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 161 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 98 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 98% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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