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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #599CD8 it is the complementary color #A66327. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #599CD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #599CD8: #5E9CD3, #6FAEE6, #80C0F9, #91D2FF and #A2E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #599CD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #599CD8: #599CD8, #488AC5, #3778B2, #26669F and #15548C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

Complementary color

CMYK 0 / 40 / 77 / 35

HEX #A66327

RGB 166 99 39

HSL 28.35, 0.62%, 0.4%

LAB 48.48, 22.17, 43.86

 

CMYK 55 / 26 / 0 / 17

HEX #5E9CD3

RGB 94 156 211

HSL 208.21, 0.57%, 0.6%

LAB 62.39, -4.16, -34.19

 

CMYK 52 / 24 / 0 / 10

HEX #6FAEE6

RGB 111 174 230

HSL 208.24, 0.7%, 0.67%

LAB 69.01, -4.76, -34.32

 

CMYK 49 / 23 / 0 / 2

HEX #80C0F9

RGB 128 192 249

HSL 208.26, 0.91%, 0.74%

LAB 75.53, -5.26, -34.46

 

CMYK 43 / 18 / 0 / 0

HEX #91D2FF

RGB 145 210 255

HSL 204.55, 1%, 0.78%

LAB 81.47, -9.19, -28.45

 

CMYK 36 / 11 / 0 / 0

HEX #A2E4FF

RGB 162 228 255

HSL 197.42, 1%, 0.82%

LAB 87.19, -14.21, -19.68

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 63 / 30 / 0 / 23

HEX #488AC5

RGB 72 138 197

HSL 208.32, 0.52%, 0.53%

LAB 55.67, -2.68, -36.88

 

CMYK 69 / 33 / 0 / 30

HEX #3778B2

RGB 55 120 178

HSL 208.29, 0.53%, 0.46%

LAB 48.83, -1.51, -36.78

 

CMYK 76 / 36 / 0 / 38

HEX #26669F

RGB 38 102 159

HSL 208.26, 0.61%, 0.39%

LAB 41.87, 0.04, -36.67

 

CMYK 85 / 40 / 0 / 45

HEX #15548C

RGB 21 84 140

HSL 208.24, 0.74%, 0.32%

LAB 34.79, 2.13, -36.51

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 59 / 37 / 0 / 15

HEX #5988D8

RGB 89 136 216

HSL 217.8, 0.62%, 0.6%

LAB 56.77, 8.04, -45.82

 

CMYK 59 / 47 / 0 / 15

HEX #5973D8

RGB 89 115 216

HSL 227.72, 0.62%, 0.6%

LAB 51.09, 20.8, -54.87

 

CMYK 59 / 57 / 0 / 15

HEX #595DD8

RGB 89 93 216

HSL 238.11, 0.62%, 0.6%

LAB 45.51, 34.37, -63.86

 

CMYK 51 / 59 / 0 / 15

HEX #6A59D8

RGB 106 89 216

HSL 248.03, 0.62%, 0.6%

LAB 45.86, 39.93, -63.23

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 58 / 25 / 0 / 95

HEX #05090C

RGB 5 9 12

HSL 205.71, 0.41%, 0.03%

LAB 2.3, -0.61, -1.55

 

CMYK 59 / 27 / 0 / 75

HEX #1A2E3F

RGB 26 46 63

HSL 207.57, 0.42%, 0.17%

LAB 18.06, -2.21, -13.22

 

CMYK 59 / 28 / 0 / 55

HEX #2F5272

RGB 47 82 114

HSL 208.66, 0.42%, 0.32%

LAB 33.68, -2.3, -22.16

 

CMYK 59 / 28 / 0 / 35

HEX #4477A5

RGB 68 119 165

HSL 208.45, 0.42%, 0.46%

LAB 48.43, -2.98, -29.81

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 19 / 59 / 0 / 15

HEX #AE59D8

RGB 174 89 216

HSL 280.16, 0.62%, 0.6%

LAB 53.06, 55.24, -51.28

 

CMYK 4 / 0 / 59 / 15

HEX #CFD859

RGB 207 216 89

HSL 64.25, 0.62%, 0.6%

LAB 83.49, -19.68, 60.01

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 0 / 59 / 27 / 15

HEX #D8599D

RGB 216 89 157

HSL 327.87, 0.62%, 0.6%

LAB 56.27, 56.78, -11.84

 

CMYK 27 / 0 / 59 / 15

HEX #9DD859

RGB 157 216 89

HSL 87.87, 0.62%, 0.6%

LAB 80.18, -39.05, 55.39

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 19 / 59 / 0 / 15

HEX #AE59D8

RGB 174 89 216

HSL 280.16, 0.62%, 0.6%

LAB 53.06, 55.24, -51.28

 

CMYK 0 / 31 / 59 / 15

HEX #D89459

RGB 216 148 89

HSL 27.87, 0.62%, 0.6%

LAB 66.9, 19.58, 41.15

 

CMYK 39 / 0 / 59 / 15

HEX #83D859

RGB 131 216 89

HSL 100.16, 0.62%, 0.6%

LAB 78.84, -47.99, 53.52

 

CMYK 59 / 28 / 0 / 15

HEX #599CD8

RGB 89 156 216

HSL 208.35, 0.62%, 0.6%

LAB 62.39, -3.6, -36.99

 

CMYK 2 / 59 / 0 / 15

HEX #D459D8

RGB 212 89 216

HSL 298.11, 0.62%, 0.6%

LAB 58.13, 64.66, -42.92

 

CMYK 0 / 31 / 59 / 15

HEX #D89459

RGB 216 148 89

HSL 27.87, 0.62%, 0.6%

LAB 66.9, 19.58, 41.15

 

CMYK 57 / 0 / 59 / 15

HEX #5DD859

RGB 93 216 89

HSL 118.11, 0.62%, 0.6%

LAB 77.38, -58.78, 51.45

 

Description

Color code: HEX #599CD8 | qconv.com Color code: HEX #599CD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 156 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 156 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 28 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 28% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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