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Color name
HEX #59940F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59940F it is the complementary color #A66BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59940F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59940F shade: #5E940A, #6FA61D, #80B830, #91CA43 and #A2DC56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59940F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59940F shade: #59940F, #488200, #377000, #265E00 and #154C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59940F shade: #59950F, #7D950F, #95880F, #95640F and #95400F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59940F shade: #59950F, #35950F, #11950F, #0F9531 and #0F9555

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59940F shade matches the following richer shades: #59950F and #5BA201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59940F shade: #59950F, #58871C, #567A29, #556D36 and #536043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59940F shade: #95870F, #7E950F, #5B950F, #37950F and #13950F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59940F shade: #2C4907, #436F0B, #59950F, #70BA12 and #86E016

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59940F shade: #59940F, #0F9563 and #950F90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59940F shade: #59940F, #0F5B95 and #950F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59940F shade: #59940F, #0F9563, #490F95 and #950F40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59940F shade: #59940F, #0F958C, #490F95 and #950F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 90 / 42

HEX #59940F

RGB 89 148 15

HSL 86.62, 0.82%, 0.32%

LAB 55.42, -38.87, 55.68

 

Complementary color

CMYK 31 / 55 / 0 / 6

HEX #A66BF0

RGB 166 107 240

HSL 266.62, 0.82%, 0.68%

LAB 56.99, 49.51, -58.53

 

CMYK 36 / 0 / 93 / 42

HEX #5E940A

RGB 94 148 10

HSL 83.48, 0.87%, 0.31%

LAB 55.67, -37.15, 56.89

 

CMYK 33 / 0 / 83 / 35

HEX #6FA61D

RGB 111 166 29

HSL 84.09, 0.7%, 0.38%

LAB 62.29, -38.02, 58.79

 

CMYK 30 / 0 / 74 / 28

HEX #80B830

RGB 128 184 48

HSL 84.71, 0.59%, 0.45%

LAB 68.81, -38.61, 59.3

 

CMYK 28 / 0 / 67 / 21

HEX #91CA43

RGB 145 202 67

HSL 85.33, 0.56%, 0.53%

LAB 75.24, -39.01, 59.03

 

CMYK 26 / 0 / 61 / 14

HEX #A2DC56

RGB 162 220 86

HSL 85.97, 0.66%, 0.6%

LAB 81.59, -39.27, 58.34

 

CMYK 40 / 0 / 90 / 42

HEX #59940F

RGB 89 148 15

HSL 86.62, 0.82%, 0.32%

LAB 55.42, -38.87, 55.68

 

CMYK 45 / 0 / 100 / 49

HEX #488200

RGB 72 130 0

HSL 86.77, 1%, 0.25%

LAB 48.69, -37.74, 52.6

 

CMYK 51 / 0 / 100 / 56

HEX #377000

RGB 55 112 0

HSL 90.54, 1%, 0.22%

LAB 41.85, -36.13, 46.92

 

CMYK 60 / 0 / 100 / 63

HEX #265E00

RGB 38 94 0

HSL 95.74, 1%, 0.18%

LAB 34.84, -34.29, 41.11

 

CMYK 72 / 0 / 100 / 70

HEX #154C00

RGB 21 76 0

HSL 103.42, 1%, 0.15%

LAB 27.65, -32.02, 35.14

 

CMYK 40 / 0 / 90 / 42

HEX #59950F

RGB 89 149 15

HSL 86.87, 0.82%, 0.32%

LAB 55.74, -39.3, 55.95

 

CMYK 16 / 0 / 90 / 42

HEX #7D950F

RGB 125 149 15

HSL 70.75, 0.82%, 0.32%

LAB 57.93, -24.83, 58.67

 

CMYK 0 / 9 / 90 / 42

HEX #95880F

RGB 149 136 15

HSL 54.18, 0.82%, 0.32%

LAB 56.12, -7.23, 58.03

 

CMYK 0 / 33 / 90 / 42

HEX #95640F

RGB 149 100 15

HSL 38.06, 0.82%, 0.32%

LAB 46.36, 13.12, 50.28

 

CMYK 0 / 57 / 90 / 42

HEX #95400F

RGB 149 64 15

HSL 21.94, 0.82%, 0.32%

LAB 38, 33.24, 43.67

 

CMYK 40 / 0 / 90 / 42

HEX #59950F

RGB 89 149 15

HSL 86.87, 0.82%, 0.32%

LAB 55.74, -39.3, 55.95

 

CMYK 64 / 0 / 90 / 42

HEX #35950F

RGB 53 149 15

HSL 102.99, 0.82%, 0.32%

LAB 54.33, -50.23, 54.19

 

CMYK 89 / 0 / 90 / 42

HEX #11950F

RGB 17 149 15

HSL 119.1, 0.82%, 0.32%

LAB 53.65, -56.08, 53.34

 

CMYK 90 / 0 / 67 / 42

HEX #0F9531

RGB 15 149 49

HSL 135.22, 0.82%, 0.32%

LAB 53.83, -53.72, 42.19

 

CMYK 90 / 0 / 43 / 42

HEX #0F9555

RGB 15 149 85

HSL 151.34, 0.82%, 0.32%

LAB 54.29, -48.15, 24.71

 

CMYK 40 / 0 / 90 / 42

HEX #59950F

RGB 89 149 15

HSL 86.87, 0.82%, 0.32%

LAB 55.74, -39.3, 55.95

 

CMYK 44 / 0 / 99 / 36

HEX #5BA201

RGB 91 162 1

HSL 86.46, 0.99%, 0.32%

LAB 59.95, -44.33, 61.61

 

CMYK 40 / 0 / 90 / 42

HEX #59950F

RGB 89 149 15

HSL 86.87, 0.82%, 0.32%

LAB 55.74, -39.3, 55.95

 

CMYK 35 / 0 / 79 / 47

HEX #58871C

RGB 88 135 28

HSL 86.36, 0.66%, 0.32%

LAB 51.25, -32.94, 48.48

 

CMYK 30 / 0 / 66 / 52

HEX #567A29

RGB 86 122 41

HSL 86.67, 0.5%, 0.32%

LAB 47.05, -26.66, 39.01

 

CMYK 22 / 0 / 50 / 57

HEX #556D36

RGB 85 109 54

HSL 86.18, 0.34%, 0.32%

LAB 42.97, -19.06, 27.71

 

CMYK 14 / 0 / 30 / 62

HEX #536043

RGB 83 96 67

HSL 86.9, 0.18%, 0.32%

LAB 38.92, -10.82, 14.96

 

CMYK 0 / 9 / 90 / 42

HEX #95870F

RGB 149 135 15

HSL 53.73, 0.82%, 0.32%

LAB 55.84, -6.69, 57.81

 

CMYK 15 / 0 / 90 / 42

HEX #7E950F

RGB 126 149 15

HSL 70.3, 0.82%, 0.32%

LAB 58, -24.4, 58.76

 

CMYK 39 / 0 / 90 / 42

HEX #5B950F

RGB 91 149 15

HSL 85.97, 0.82%, 0.32%

LAB 55.84, -38.57, 56.08

 

CMYK 63 / 0 / 90 / 42

HEX #37950F

RGB 55 149 15

HSL 102.09, 0.82%, 0.32%

LAB 54.39, -49.74, 54.27

 

CMYK 87 / 0 / 90 / 42

HEX #13950F

RGB 19 149 15

HSL 118.21, 0.82%, 0.32%

LAB 53.67, -55.9, 53.37

 

CMYK 40 / 0 / 90 / 71

HEX #2C4907

RGB 44 73 7

HSL 86.36, 0.83%, 0.16%

LAB 27.62, -22.3, 32.7

 

CMYK 40 / 0 / 90 / 56

HEX #436F0B

RGB 67 111 11

HSL 86.4, 0.82%, 0.24%

LAB 42.13, -30.91, 44.77

 

CMYK 40 / 0 / 90 / 42

HEX #59950F

RGB 89 149 15

HSL 86.87, 0.82%, 0.32%

LAB 55.74, -39.3, 55.95

 

CMYK 40 / 0 / 90 / 27

HEX #70BA12

RGB 112 186 18

HSL 86.43, 0.82%, 0.4%

LAB 68.47, -46.51, 66.51

 

CMYK 40 / 0 / 90 / 12

HEX #86E016

RGB 134 224 22

HSL 86.73, 0.82%, 0.48%

LAB 80.98, -54.16, 76.65

 

CMYK 40 / 0 / 90 / 42

HEX #59940F

RGB 89 148 15

HSL 86.62, 0.82%, 0.32%

LAB 55.42, -38.87, 55.68

 

CMYK 90 / 0 / 34 / 42

HEX #0F9563

RGB 15 149 99

HSL 157.61, 0.82%, 0.32%

LAB 54.55, -45.19, 17.32

 

CMYK 0 / 90 / 3 / 42

HEX #950F90

RGB 149 15 144

HSL 302.24, 0.82%, 0.32%

LAB 35.49, 63.05, -37.1

 

CMYK 40 / 0 / 90 / 42

HEX #59940F

RGB 89 148 15

HSL 86.62, 0.82%, 0.32%

LAB 55.42, -38.87, 55.68

 

CMYK 90 / 39 / 0 / 42

HEX #0F5B95

RGB 15 91 149

HSL 205.97, 0.82%, 0.32%

LAB 37.4, 0.76, -37.82

 

CMYK 0 / 90 / 39 / 42

HEX #950F5B

RGB 149 15 91

HSL 325.97, 0.82%, 0.32%

LAB 32.89, 56.15, -7.66

 

CMYK 40 / 0 / 90 / 42

HEX #59940F

RGB 89 148 15

HSL 86.62, 0.82%, 0.32%

LAB 55.42, -38.87, 55.68

 

CMYK 90 / 0 / 34 / 42

HEX #0F9563

RGB 15 149 99

HSL 157.61, 0.82%, 0.32%

LAB 54.55, -45.19, 17.32

 

CMYK 51 / 90 / 0 / 42

HEX #490F95

RGB 73 15 149

HSL 265.97, 0.82%, 0.32%

LAB 23.43, 52.25, -60.33

 

CMYK 0 / 90 / 57 / 42

HEX #950F40

RGB 149 15 64

HSL 338.06, 0.82%, 0.32%

LAB 32.04, 53.76, 8.84

 

CMYK 40 / 0 / 90 / 42

HEX #59940F

RGB 89 148 15

HSL 86.62, 0.82%, 0.32%

LAB 55.42, -38.87, 55.68

 

CMYK 90 / 0 / 6 / 42

HEX #0F958C

RGB 15 149 140

HSL 175.97, 0.82%, 0.32%

LAB 55.57, -34.29, -4.56

 

CMYK 51 / 90 / 0 / 42

HEX #490F95

RGB 73 15 149

HSL 265.97, 0.82%, 0.32%

LAB 23.43, 52.25, -60.33

 

CMYK 0 / 90 / 84 / 42

HEX #950F18

RGB 149 15 24

HSL 355.97, 0.82%, 0.32%

LAB 31.34, 51.77, 33.62

 

Description

Color code: HEX #59940F | qconv.com Color code: HEX #59940F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 148 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 148 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 90 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 90% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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