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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #598512 it is the complementary color #A67AED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #598512. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #598512 shade: #5E850D, #6F9720, #80A933, #91BB46 and #A2CD59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #598512. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #598512 shade: #598512, #487300, #376100, #264F00 and #153D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #598512 shade: #5A8712, #7A8712, #877412, #875512 and #873612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #598512 shade: #5A8712, #3B8712, #1B8712, #128729 and #128748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #598512 shade matches the following richer shades: #5A8712 and #5D9306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #598512 shade: #5A8712, #577A1F, #546E2B, #516237 and #4F5544

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #598512 shade: #877312, #7B8712, #5C8712, #3D8712 and #1E8712

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #598512 shade: #2A3E08, #42620D, #5A8712, #72AB17 and #8BCF1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #598512 shade: #598512, #128754 and #831287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #598512 shade: #598512, #125C87 and #87125C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #598512 shade: #598512, #128754, #3D1287 and #871245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #598512 shade: #598512, #128777, #3D1287 and #871222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 86 / 48

HEX #598512

RGB 89 133 18

HSL 82.96, 0.76%, 0.3%

LAB 50.62, -32.1, 50.89

 

Complementary color

CMYK 30 / 49 / 0 / 7

HEX #A67AED

RGB 166 122 237

HSL 262.96, 0.76%, 0.7%

LAB 60.02, 40.6, -52.04

 

CMYK 29 / 0 / 90 / 48

HEX #5E850D

RGB 94 133 13

HSL 79.5, 0.82%, 0.29%

LAB 50.9, -30.25, 52.4

 

CMYK 26 / 0 / 79 / 41

HEX #6F9720

RGB 111 151 32

HSL 80.17, 0.65%, 0.36%

LAB 57.67, -31.04, 53.68

 

CMYK 24 / 0 / 70 / 34

HEX #80A933

RGB 128 169 51

HSL 80.85, 0.54%, 0.43%

LAB 64.33, -31.58, 53.72

 

CMYK 22 / 0 / 63 / 27

HEX #91BB46

RGB 145 187 70

HSL 81.54, 0.46%, 0.5%

LAB 70.87, -31.94, 53.12

 

CMYK 21 / 0 / 57 / 20

HEX #A2CD59

RGB 162 205 89

HSL 82.24, 0.54%, 0.58%

LAB 77.32, -32.18, 52.22

 

CMYK 33 / 0 / 86 / 48

HEX #598512

RGB 89 133 18

HSL 82.96, 0.76%, 0.3%

LAB 50.62, -32.1, 50.89

 

CMYK 37 / 0 / 100 / 55

HEX #487300

RGB 72 115 0

HSL 82.43, 1%, 0.23%

LAB 43.71, -31.15, 48.74

 

CMYK 43 / 0 / 100 / 62

HEX #376100

RGB 55 97 0

HSL 85.98, 1%, 0.19%

LAB 36.67, -29.62, 42.88

 

CMYK 52 / 0 / 100 / 69

HEX #264F00

RGB 38 79 0

HSL 91.14, 1%, 0.15%

LAB 29.42, -27.94, 36.86

 

CMYK 66 / 0 / 100 / 76

HEX #153D00

RGB 21 61 0

HSL 99.34, 1%, 0.12%

LAB 21.93, -25.97, 29.65

 

CMYK 33 / 0 / 87 / 47

HEX #5A8712

RGB 90 135 18

HSL 83.08, 0.76%, 0.3%

LAB 51.32, -32.62, 51.52

 

CMYK 10 / 0 / 87 / 47

HEX #7A8712

RGB 122 135 18

HSL 66.67, 0.76%, 0.3%

LAB 53.5, -18.98, 54.25

 

CMYK 0 / 14 / 87 / 47

HEX #877412

RGB 135 116 18

HSL 50.26, 0.76%, 0.3%

LAB 49.11, -2.6, 51.03

 

CMYK 0 / 37 / 87 / 47

HEX #875512

RGB 135 85 18

HSL 34.36, 0.76%, 0.3%

LAB 40.72, 15.41, 43.95

 

CMYK 0 / 60 / 87 / 47

HEX #873612

RGB 135 54 18

HSL 18.46, 0.76%, 0.3%

LAB 33.63, 32.79, 37.82

 

CMYK 33 / 0 / 87 / 47

HEX #5A8712

RGB 90 135 18

HSL 83.08, 0.76%, 0.3%

LAB 51.32, -32.62, 51.52

 

CMYK 56 / 0 / 87 / 47

HEX #3B8712

RGB 59 135 18

HSL 98.97, 0.76%, 0.3%

LAB 49.86, -43.38, 49.67

 

CMYK 80 / 0 / 87 / 47

HEX #1B8712

RGB 27 135 18

HSL 115.38, 0.76%, 0.3%

LAB 49.01, -50.45, 48.6

 

CMYK 87 / 0 / 70 / 47

HEX #128729

RGB 18 135 41

HSL 131.79, 0.76%, 0.3%

LAB 49.03, -49.78, 40.46

 

CMYK 87 / 0 / 47 / 47

HEX #128748

RGB 18 135 72

HSL 147.69, 0.76%, 0.3%

LAB 49.4, -45.22, 25.45

 

CMYK 33 / 0 / 87 / 47

HEX #5A8712

RGB 90 135 18

HSL 83.08, 0.76%, 0.3%

LAB 51.32, -32.62, 51.52

 

CMYK 37 / 0 / 96 / 42

HEX #5D9306

RGB 93 147 6

HSL 82.98, 0.92%, 0.3%

LAB 55.29, -37.18, 57.19

 

CMYK 33 / 0 / 87 / 47

HEX #5A8712

RGB 90 135 18

HSL 83.08, 0.76%, 0.3%

LAB 51.32, -32.62, 51.52

 

CMYK 29 / 0 / 75 / 52

HEX #577A1F

RGB 87 122 31

HSL 83.08, 0.59%, 0.3%

LAB 47.03, -27.02, 43.28

 

CMYK 24 / 0 / 61 / 57

HEX #546E2B

RGB 84 110 43

HSL 83.28, 0.44%, 0.3%

LAB 43.08, -21.25, 33.62

 

CMYK 17 / 0 / 44 / 62

HEX #516237

RGB 81 98 55

HSL 83.72, 0.28%, 0.3%

LAB 39.17, -14.66, 22.35

 

CMYK 7 / 0 / 20 / 67

HEX #4F5544

RGB 79 85 68

HSL 81.18, 0.11%, 0.3%

LAB 35.16, -5.89, 9.13

 

CMYK 0 / 15 / 87 / 47

HEX #877312

RGB 135 115 18

HSL 49.74, 0.76%, 0.3%

LAB 48.83, -2.04, 50.8

 

CMYK 9 / 0 / 87 / 47

HEX #7B8712

RGB 123 135 18

HSL 66.15, 0.76%, 0.3%

LAB 53.58, -18.53, 54.35

 

CMYK 32 / 0 / 87 / 47

HEX #5C8712

RGB 92 135 18

HSL 82.05, 0.76%, 0.3%

LAB 51.44, -31.83, 51.67

 

CMYK 55 / 0 / 87 / 47

HEX #3D8712

RGB 61 135 18

HSL 97.95, 0.76%, 0.3%

LAB 49.93, -42.79, 49.77

 

CMYK 78 / 0 / 87 / 47

HEX #1E8712

RGB 30 135 18

HSL 113.85, 0.76%, 0.3%

LAB 49.07, -49.98, 48.66

 

CMYK 32 / 0 / 87 / 76

HEX #2A3E08

RGB 42 62 8

HSL 82.22, 0.77%, 0.14%

LAB 23.52, -17.39, 28.4

 

CMYK 33 / 0 / 87 / 62

HEX #42620D

RGB 66 98 13

HSL 82.59, 0.77%, 0.22%

LAB 37.7, -25.07, 40.32

 

CMYK 33 / 0 / 87 / 47

HEX #5A8712

RGB 90 135 18

HSL 83.08, 0.76%, 0.3%

LAB 51.32, -32.62, 51.52

 

CMYK 33 / 0 / 87 / 33

HEX #72AB17

RGB 114 171 23

HSL 83.11, 0.76%, 0.38%

LAB 63.97, -39.31, 61.8

 

CMYK 33 / 0 / 86 / 19

HEX #8BCF1C

RGB 139 207 28

HSL 82.79, 0.76%, 0.46%

LAB 76.19, -45.35, 71.7

 

CMYK 33 / 0 / 86 / 48

HEX #598512

RGB 89 133 18

HSL 82.96, 0.76%, 0.3%

LAB 50.62, -32.1, 50.89

 

CMYK 87 / 0 / 38 / 47

HEX #128754

RGB 18 135 84

HSL 153.85, 0.76%, 0.3%

LAB 49.61, -42.8, 19.07

 

CMYK 3 / 87 / 0 / 47

HEX #831287

RGB 131 18 135

HSL 297.95, 0.76%, 0.3%

LAB 31.82, 57.61, -37.58

 

CMYK 33 / 0 / 86 / 48

HEX #598512

RGB 89 133 18

HSL 82.96, 0.76%, 0.3%

LAB 50.62, -32.1, 50.89

 

CMYK 87 / 32 / 0 / 47

HEX #125C87

RGB 18 92 135

HSL 202.05, 0.76%, 0.3%

LAB 36.99, -5.25, -29.98

 

CMYK 0 / 87 / 32 / 47

HEX #87125C

RGB 135 18 92

HSL 322.05, 0.76%, 0.3%

LAB 30.29, 52.26, -12.51

 

CMYK 33 / 0 / 86 / 48

HEX #598512

RGB 89 133 18

HSL 82.96, 0.76%, 0.3%

LAB 50.62, -32.1, 50.89

 

CMYK 87 / 0 / 38 / 47

HEX #128754

RGB 18 135 84

HSL 153.85, 0.76%, 0.3%

LAB 49.61, -42.8, 19.07

 

CMYK 55 / 87 / 0 / 47

HEX #3D1287

RGB 61 18 135

HSL 262.05, 0.76%, 0.3%

LAB 20.73, 46.31, -56.12

 

CMYK 0 / 87 / 49 / 47

HEX #871245

RGB 135 18 69

HSL 333.85, 0.76%, 0.3%

LAB 29.45, 49.84, 1.43

 

CMYK 33 / 0 / 86 / 48

HEX #598512

RGB 89 133 18

HSL 82.96, 0.76%, 0.3%

LAB 50.62, -32.1, 50.89

 

CMYK 87 / 0 / 12 / 47

HEX #128777

RGB 18 135 119

HSL 171.79, 0.76%, 0.3%

LAB 50.44, -33.86, 0.04

 

CMYK 55 / 87 / 0 / 47

HEX #3D1287

RGB 61 18 135

HSL 262.05, 0.76%, 0.3%

LAB 20.73, 46.31, -56.12

 

CMYK 0 / 87 / 75 / 47

HEX #871222

RGB 135 18 34

HSL 351.79, 0.76%, 0.3%

LAB 28.64, 47.47, 23.67

 

Description

Color code: HEX #598512 | qconv.com Color code: HEX #598512 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 133 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 133 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 86 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 86% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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