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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5983FA it is the complementary color #A67C05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5983FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5983FA shade: #5E83F5, #6F95FF, #80A7FF, #91B9FF and #A2CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5983FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5983FA shade: #5983FA, #4871E7, #375FD4, #264DC1 and #153BAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5983FA shade: #5781FA, #5857FA, #8457FA, #B057FA and #DC57FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5983FA shade: #5781FA and #5757FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5983FA shade matches the following richer shades: #5781FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5983FA shade: #5781FA, #6588EC, #738FDE, #8195D0 and #8F9CC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5983FA shade: #57D9FA, #57AEFA, #5782FA, #5757FA and #8257FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5983FA shade: #0846F6, #2F63F9, #5781FA, #7F9FFB and #A7BDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5983FA shade: #5983FA, #EF57FA and #C3FA57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5983FA shade: #5983FA, #FA5782 and #82FA57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5983FA shade: #5983FA, #EF57FA, #FACE57 and #62FA57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5983FA shade: #5983FA, #FA57D4, #FACE57 and #57FA7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 48 / 0 / 2

HEX #5983FA

RGB 89 131 250

HSL 224.35, 0.94%, 0.66%

LAB 57.33, 22.44, -63.85

 

Complementary color

CMYK 0 / 25 / 97 / 35

HEX #A67C05

RGB 166 124 5

HSL 44.35, 0.94%, 0.34%

LAB 54.59, 7.14, 59.46

 

CMYK 62 / 47 / 0 / 4

HEX #5E83F5

RGB 94 131 245

HSL 225.3, 0.88%, 0.66%

LAB 57.27, 21.59, -61.16

 

CMYK 56 / 42 / 0 / 0

HEX #6F95FF

RGB 111 149 255

HSL 224.17, 1%, 0.72%

LAB 63.42, 17.25, -56.78

 

CMYK 50 / 35 / 0 / 0

HEX #80A7FF

RGB 128 167 255

HSL 221.57, 1%, 0.75%

LAB 69.07, 10.39, -47.77

 

CMYK 43 / 27 / 0 / 0

HEX #91B9FF

RGB 145 185 255

HSL 218.18, 1%, 0.78%

LAB 74.79, 4.28, -38.77

 

CMYK 36 / 20 / 0 / 0

HEX #A2CBFF

RGB 162 203 255

HSL 213.55, 1%, 0.82%

LAB 80.52, -1.15, -29.83

 

CMYK 64 / 48 / 0 / 2

HEX #5983FA

RGB 89 131 250

HSL 224.35, 0.94%, 0.66%

LAB 57.33, 22.44, -63.85

 

CMYK 69 / 51 / 0 / 9

HEX #4871E7

RGB 72 113 231

HSL 224.53, 0.77%, 0.59%

LAB 50.64, 24.35, -64.1

 

CMYK 74 / 55 / 0 / 17

HEX #375FD4

RGB 55 95 212

HSL 224.71, 0.65%, 0.52%

LAB 43.87, 26.66, -64.32

 

CMYK 80 / 60 / 0 / 24

HEX #264DC1

RGB 38 77 193

HSL 224.9, 0.67%, 0.45%

LAB 37.06, 29.43, -64.46

 

CMYK 88 / 66 / 0 / 32

HEX #153BAE

RGB 21 59 174

HSL 225.1, 0.78%, 0.38%

LAB 30.26, 32.74, -64.39

 

CMYK 65 / 48 / 0 / 2

HEX #5781FA

RGB 87 129 250

HSL 224.54, 0.94%, 0.66%

LAB 56.71, 23.33, -64.85

 

CMYK 65 / 65 / 0 / 2

HEX #5857FA

RGB 88 87 250

HSL 240.37, 0.94%, 0.66%

LAB 46.7, 48.75, -81.1

 

CMYK 47 / 65 / 0 / 2

HEX #8457FA

RGB 132 87 250

HSL 256.56, 0.94%, 0.66%

LAB 50.24, 55.57, -75.17

 

CMYK 30 / 65 / 0 / 2

HEX #B057FA

RGB 176 87 250

HSL 272.76, 0.94%, 0.66%

LAB 55.02, 64.05, -67.2

 

CMYK 12 / 65 / 0 / 2

HEX #DC57FA

RGB 220 87 250

HSL 288.96, 0.94%, 0.66%

LAB 60.72, 73.4, -57.74

 

CMYK 65 / 48 / 0 / 2

HEX #5781FA

RGB 87 129 250

HSL 224.54, 0.94%, 0.66%

LAB 56.71, 23.33, -64.85

 

CMYK 65 / 65 / 0 / 2

HEX #5757FA

RGB 87 87 250

HSL 240, 0.94%, 0.66%

LAB 46.64, 48.62, -81.21

 

CMYK 65 / 48 / 0 / 2

HEX #5781FA

RGB 87 129 250

HSL 224.54, 0.94%, 0.66%

LAB 56.71, 23.33, -64.85

 

CMYK 65 / 48 / 0 / 2

HEX #5781FA

RGB 87 129 250

HSL 224.54, 0.94%, 0.66%

LAB 56.71, 23.33, -64.85

 

CMYK 57 / 42 / 0 / 7

HEX #6588EC

RGB 101 136 236

HSL 224.44, 0.78%, 0.66%

LAB 58.44, 16.93, -54.28

 

CMYK 48 / 36 / 0 / 13

HEX #738FDE

RGB 115 143 222

HSL 224.3, 0.62%, 0.66%

LAB 60.39, 11.44, -43.36

 

CMYK 38 / 28 / 0 / 18

HEX #8195D0

RGB 129 149 208

HSL 224.81, 0.46%, 0.66%

LAB 62.27, 7.5, -32.56

 

CMYK 26 / 20 / 0 / 24

HEX #8F9CC2

RGB 143 156 194

HSL 224.71, 0.29%, 0.66%

LAB 64.57, 3.96, -21.1

 

CMYK 65 / 13 / 0 / 2

HEX #57D9FA

RGB 87 217 250

HSL 192.15, 0.94%, 0.66%

LAB 81.05, -25.74, -26.64

 

CMYK 65 / 30 / 0 / 2

HEX #57AEFA

RGB 87 174 250

HSL 207.98, 0.94%, 0.66%

LAB 68.9, -3.09, -45.47

 

CMYK 65 / 48 / 0 / 2

HEX #5782FA

RGB 87 130 250

HSL 224.17, 0.94%, 0.66%

LAB 56.97, 22.72, -64.43

 

CMYK 65 / 65 / 0 / 2

HEX #5757FA

RGB 87 87 250

HSL 240, 0.94%, 0.66%

LAB 46.64, 48.62, -81.21

 

CMYK 48 / 65 / 0 / 2

HEX #8257FA

RGB 130 87 250

HSL 255.83, 0.94%, 0.66%

LAB 50.05, 55.22, -75.49

 

CMYK 97 / 72 / 0 / 4

HEX #0846F6

RGB 8 70 246

HSL 224.37, 0.94%, 0.5%

LAB 39.72, 51.78, -90.45

 

CMYK 81 / 60 / 0 / 2

HEX #2F63F9

RGB 47 99 249

HSL 224.55, 0.94%, 0.58%

LAB 47.45, 36.86, -79.39

 

CMYK 65 / 48 / 0 / 2

HEX #5781FA

RGB 87 129 250

HSL 224.54, 0.94%, 0.66%

LAB 56.71, 23.33, -64.85

 

CMYK 49 / 37 / 0 / 2

HEX #7F9FFB

RGB 127 159 251

HSL 224.52, 0.94%, 0.74%

LAB 66.73, 13.57, -49.3

 

CMYK 34 / 25 / 0 / 1

HEX #A7BDFC

RGB 167 189 252

HSL 224.47, 0.93%, 0.82%

LAB 77.06, 7.02, -33.52

 

CMYK 64 / 48 / 0 / 2

HEX #5983FA

RGB 89 131 250

HSL 224.35, 0.94%, 0.66%

LAB 57.33, 22.44, -63.85

 

CMYK 4 / 65 / 0 / 2

HEX #EF57FA

RGB 239 87 250

HSL 295.95, 0.94%, 0.66%

LAB 63.4, 77.57, -53.32

 

CMYK 22 / 0 / 65 / 2

HEX #C3FA57

RGB 195 250 87

HSL 80.25, 0.94%, 0.66%

LAB 91.98, -40.34, 69.7

 

CMYK 64 / 48 / 0 / 2

HEX #5983FA

RGB 89 131 250

HSL 224.35, 0.94%, 0.66%

LAB 57.33, 22.44, -63.85

 

CMYK 0 / 65 / 48 / 2

HEX #FA5782

RGB 250 87 130

HSL 344.17, 0.94%, 0.66%

LAB 60.56, 64.99, 10.86

 

CMYK 48 / 0 / 65 / 2

HEX #82FA57

RGB 130 250 87

HSL 104.17, 0.94%, 0.66%

LAB 88.83, -61.83, 65.4

 

CMYK 64 / 48 / 0 / 2

HEX #5983FA

RGB 89 131 250

HSL 224.35, 0.94%, 0.66%

LAB 57.33, 22.44, -63.85

 

CMYK 4 / 65 / 0 / 2

HEX #EF57FA

RGB 239 87 250

HSL 295.95, 0.94%, 0.66%

LAB 63.4, 77.57, -53.32

 

CMYK 0 / 18 / 65 / 2

HEX #FACE57

RGB 250 206 87

HSL 43.8, 0.94%, 0.66%

LAB 84.56, 2.99, 63.09

 

CMYK 61 / 0 / 65 / 2

HEX #62FA57

RGB 98 250 87

HSL 115.95, 0.94%, 0.66%

LAB 87.8, -69.81, 63.99

 

CMYK 64 / 48 / 0 / 2

HEX #5983FA

RGB 89 131 250

HSL 224.35, 0.94%, 0.66%

LAB 57.33, 22.44, -63.85

 

CMYK 0 / 65 / 15 / 2

HEX #FA57D4

RGB 250 87 212

HSL 313.99, 0.94%, 0.66%

LAB 63.26, 74.32, -32.24

 

CMYK 0 / 18 / 65 / 2

HEX #FACE57

RGB 250 206 87

HSL 43.8, 0.94%, 0.66%

LAB 84.56, 2.99, 63.09

 

CMYK 65 / 0 / 50 / 2

HEX #57FA7D

RGB 87 250 125

HSL 133.99, 0.94%, 0.66%

LAB 87.91, -67.6, 47.48

 

Description

Color code: HEX #5983FA | qconv.com Color code: HEX #5983FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 131 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 131 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 48 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 48% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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