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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #598125 it is the complementary color #A67EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #598125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #598125 shade: #5E8120, #6F9333, #80A546, #91B759 and #A2C96C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #598125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #598125 shade: #598125, #486F12, #375D00, #264B00 and #153900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #598125 shade: #5A8226, #738226, #827926, #826026 and #824726

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #598125 shade: #5A8226, #418226, #288226, #26823C and #268255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #598125 shade matches the following richer shades: #5A8226, #5C9018 and #5E9E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #598125 shade: #5A8226, #587533, #576741, #555A4F and #534C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #598125 shade: #827926, #738226, #5A8226, #428226 and #298226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #598125 shade: #2E4213, #44621D, #5A8226, #70A22F and #86C238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #598125 shade: #598125, #268260 and #82267F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #598125 shade: #598125, #265A82 and #82265A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #598125 shade: #598125, #268260, #4E2682 and #822648

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #598125 shade: #598125, #26827C, #4E2682 and #82262C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 71 / 49

HEX #598125

RGB 89 129 37

HSL 86.09, 0.55%, 0.33%

LAB 49.45, -29.16, 43.34

 

Complementary color

CMYK 24 / 42 / 0 / 15

HEX #A67EDA

RGB 166 126 218

HSL 266.09, 0.55%, 0.67%

LAB 59.97, 33.77, -41.52

 

CMYK 27 / 0 / 75 / 49

HEX #5E8120

RGB 94 129 32

HSL 81.65, 0.6%, 0.32%

LAB 49.72, -27.47, 45.7

 

CMYK 24 / 0 / 65 / 42

HEX #6F9333

RGB 111 147 51

HSL 82.5, 0.48%, 0.39%

LAB 56.57, -27.89, 45.27

 

CMYK 22 / 0 / 58 / 35

HEX #80A546

RGB 128 165 70

HSL 83.37, 0.4%, 0.46%

LAB 63.29, -28.13, 44.36

 

CMYK 21 / 0 / 51 / 28

HEX #91B759

RGB 145 183 89

HSL 84.26, 0.39%, 0.53%

LAB 69.9, -28.27, 43.26

 

CMYK 19 / 0 / 46 / 21

HEX #A2C96C

RGB 162 201 108

HSL 85.16, 0.46%, 0.61%

LAB 76.4, -28.34, 42.1

 

CMYK 31 / 0 / 71 / 49

HEX #598125

RGB 89 129 37

HSL 86.09, 0.55%, 0.33%

LAB 49.45, -29.16, 43.34

 

CMYK 35 / 0 / 84 / 56

HEX #486F12

RGB 72 111 18

HSL 85.16, 0.72%, 0.25%

LAB 42.45, -28.62, 43.21

 

CMYK 41 / 0 / 100 / 64

HEX #375D00

RGB 55 93 0

HSL 84.52, 1%, 0.18%

LAB 35.28, -27.77, 41.81

 

CMYK 49 / 0 / 100 / 71

HEX #264B00

RGB 38 75 0

HSL 89.6, 1%, 0.15%

LAB 27.96, -26.13, 35.68

 

CMYK 63 / 0 / 100 / 78

HEX #153900

RGB 21 57 0

HSL 97.89, 1%, 0.11%

LAB 20.38, -24.24, 27.96

 

CMYK 31 / 0 / 71 / 49

HEX #5A8226

RGB 90 130 38

HSL 86.09, 0.55%, 0.33%

LAB 49.83, -29.16, 43.34

 

CMYK 12 / 0 / 71 / 49

HEX #738226

RGB 115 130 38

HSL 69.78, 0.55%, 0.33%

LAB 51.55, -18.58, 45.65

 

CMYK 0 / 7 / 71 / 49

HEX #827926

RGB 130 121 38

HSL 54.13, 0.55%, 0.33%

LAB 50.17, -6.89, 44.67

 

CMYK 0 / 26 / 71 / 49

HEX #826026

RGB 130 96 38

HSL 37.83, 0.55%, 0.33%

LAB 43.14, 7.49, 37.38

 

CMYK 0 / 45 / 71 / 49

HEX #824726

RGB 130 71 38

HSL 21.52, 0.55%, 0.33%

LAB 36.73, 22.22, 30.34

 

CMYK 31 / 0 / 71 / 49

HEX #5A8226

RGB 90 130 38

HSL 86.09, 0.55%, 0.33%

LAB 49.83, -29.16, 43.34

 

CMYK 50 / 0 / 71 / 49

HEX #418226

RGB 65 130 38

HSL 102.39, 0.55%, 0.33%

LAB 48.55, -38.21, 41.61

 

CMYK 69 / 0 / 71 / 49

HEX #288226

RGB 40 130 38

HSL 118.7, 0.55%, 0.33%

LAB 47.7, -44.92, 40.45

 

CMYK 71 / 0 / 54 / 49

HEX #26823C

RGB 38 130 60

HSL 134.35, 0.55%, 0.33%

LAB 47.88, -42.53, 30.05

 

CMYK 71 / 0 / 35 / 49

HEX #268255

RGB 38 130 85

HSL 150.65, 0.55%, 0.33%

LAB 48.3, -37.85, 16.79

 

CMYK 31 / 0 / 71 / 49

HEX #5A8226

RGB 90 130 38

HSL 86.09, 0.55%, 0.33%

LAB 49.83, -29.16, 43.34

 

CMYK 36 / 0 / 83 / 44

HEX #5C9018

RGB 92 144 24

HSL 86, 0.71%, 0.33%

LAB 54.33, -35.67, 52.63

 

CMYK 41 / 0 / 93 / 38

HEX #5E9E0B

RGB 94 158 11

HSL 86.12, 0.87%, 0.33%

LAB 58.84, -41.42, 59.33

 

CMYK 31 / 0 / 71 / 49

HEX #5A8226

RGB 90 130 38

HSL 86.09, 0.55%, 0.33%

LAB 49.83, -29.16, 43.34

 

CMYK 25 / 0 / 56 / 54

HEX #587533

RGB 88 117 51

HSL 86.36, 0.39%, 0.33%

LAB 45.68, -22.34, 32.62

 

CMYK 16 / 0 / 37 / 60

HEX #576741

RGB 87 103 65

HSL 85.26, 0.23%, 0.33%

LAB 41.39, -13.42, 19.5

 

CMYK 6 / 0 / 12 / 65

HEX #555A4F

RGB 85 90 79

HSL 87.27, 0.07%, 0.33%

LAB 37.5, -4.27, 5.68

 

CMYK 10 / 17 / 0 / 64

HEX #534C5C

RGB 83 76 92

HSL 266.25, 0.1%, 0.33%

LAB 33.52, 6.43, -8.33

 

CMYK 0 / 7 / 71 / 49

HEX #827926

RGB 130 121 38

HSL 54.13, 0.55%, 0.33%

LAB 50.17, -6.89, 44.67

 

CMYK 12 / 0 / 71 / 49

HEX #738226

RGB 115 130 38

HSL 69.78, 0.55%, 0.33%

LAB 51.55, -18.58, 45.65

 

CMYK 31 / 0 / 71 / 49

HEX #5A8226

RGB 90 130 38

HSL 86.09, 0.55%, 0.33%

LAB 49.83, -29.16, 43.34

 

CMYK 49 / 0 / 71 / 49

HEX #428226

RGB 66 130 38

HSL 101.74, 0.55%, 0.33%

LAB 48.59, -37.89, 41.66

 

CMYK 68 / 0 / 71 / 49

HEX #298226

RGB 41 130 38

HSL 118.04, 0.55%, 0.33%

LAB 47.72, -44.7, 40.48

 

CMYK 30 / 0 / 71 / 74

HEX #2E4213

RGB 46 66 19

HSL 85.53, 0.55%, 0.17%

LAB 25.33, -16.84, 25.31

 

CMYK 31 / 0 / 70 / 62

HEX #44621D

RGB 68 98 29

HSL 86.09, 0.54%, 0.25%

LAB 37.94, -23.17, 34.42

 

CMYK 31 / 0 / 71 / 49

HEX #5A8226

RGB 90 130 38

HSL 86.09, 0.55%, 0.33%

LAB 49.83, -29.16, 43.34

 

CMYK 31 / 0 / 71 / 36

HEX #70A22F

RGB 112 162 47

HSL 86.09, 0.55%, 0.41%

LAB 61.21, -34.84, 51.8

 

CMYK 31 / 0 / 71 / 24

HEX #86C238

RGB 134 194 56

HSL 86.09, 0.55%, 0.49%

LAB 72.19, -40.3, 59.9

 

CMYK 31 / 0 / 71 / 49

HEX #598125

RGB 89 129 37

HSL 86.09, 0.55%, 0.33%

LAB 49.45, -29.16, 43.34

 

CMYK 71 / 0 / 26 / 49

HEX #268260

RGB 38 130 96

HSL 157.83, 0.55%, 0.33%

LAB 48.54, -35.31, 10.77

 

CMYK 0 / 71 / 2 / 49

HEX #82267F

RGB 130 38 127

HSL 301.96, 0.55%, 0.33%

LAB 33.27, 49.96, -30.29

 

CMYK 31 / 0 / 71 / 49

HEX #598125

RGB 89 129 37

HSL 86.09, 0.55%, 0.33%

LAB 49.45, -29.16, 43.34

 

CMYK 71 / 31 / 0 / 49

HEX #265A82

RGB 38 90 130

HSL 206.09, 0.55%, 0.33%

LAB 36.62, -3.36, -27.47

 

CMYK 0 / 71 / 31 / 49

HEX #82265A

RGB 130 38 90

HSL 326.09, 0.55%, 0.33%

LAB 31.51, 44.26, -9.45

 

CMYK 31 / 0 / 71 / 49

HEX #598125

RGB 89 129 37

HSL 86.09, 0.55%, 0.33%

LAB 49.45, -29.16, 43.34

 

CMYK 71 / 0 / 26 / 49

HEX #268260

RGB 38 130 96

HSL 157.83, 0.55%, 0.33%

LAB 48.54, -35.31, 10.77

 

CMYK 40 / 71 / 0 / 49

HEX #4E2682

RGB 78 38 130

HSL 266.09, 0.55%, 0.33%

LAB 25.62, 38.5, -44.88

 

CMYK 0 / 71 / 45 / 49

HEX #822648

RGB 130 38 72

HSL 337.83, 0.55%, 0.33%

LAB 30.88, 42.11, 1.39

 

CMYK 31 / 0 / 71 / 49

HEX #598125

RGB 89 129 37

HSL 86.09, 0.55%, 0.33%

LAB 49.45, -29.16, 43.34

 

CMYK 71 / 0 / 5 / 49

HEX #26827C

RGB 38 130 124

HSL 176.09, 0.55%, 0.33%

LAB 49.29, -27.71, -4.53

 

CMYK 40 / 71 / 0 / 49

HEX #4E2682

RGB 78 38 130

HSL 266.09, 0.55%, 0.33%

LAB 25.62, 38.5, -44.88

 

CMYK 0 / 71 / 66 / 49

HEX #82262C

RGB 130 38 44

HSL 356.09, 0.55%, 0.33%

LAB 30.19, 39.69, 18.86

 

Description

Color code: HEX #598125 | qconv.com Color code: HEX #598125 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 129 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 129 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 71 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 71% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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