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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #597DEC it is the complementary color #A68213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #597DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #597DEC shade: #5E7DE7, #6F8FFA, #80A1FF, #91B3FF and #A2C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #597DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #597DEC shade: #597DEC, #486BD9, #3759C6, #2647B3 and #1535A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #597DEC shade: #5B7EEC, #5E5BEC, #855BEC, #AD5BEC and #D45BEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #597DEC shade: #5B7EEC and #5B5BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #597DEC shade matches the following richer shades: #5B7EEC and #4C77FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #597DEC shade: #5B7EEC, #6A86DD, #788DCE, #8795BF and #969DB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #597DEC shade: #5BCCEC, #5BA6EC, #5B7FEC, #5D5BEC and #845BEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #597DEC shade: #1A49DA, #3661E7, #5B7EEC, #809BF0 and #A5B8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #597DEC shade: #597DEC, #E45BEC and #B9EC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #597DEC shade: #597DEC, #EC5B7F and #7FEC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #597DEC shade: #597DEC, #E45BEC, #ECC75B and #62EC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #597DEC shade: #597DEC, #EC5BC7, #ECC75B and #5BEC7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 47 / 0 / 7

HEX #597DEC

RGB 89 125 236

HSL 225.31, 0.79%, 0.64%

LAB 54.91, 21.36, -59.97

 

Complementary color

CMYK 0 / 22 / 89 / 35

HEX #A68213

RGB 166 130 19

HSL 45.31, 0.79%, 0.36%

LAB 56.21, 4.03, 57.92

 

CMYK 59 / 46 / 0 / 9

HEX #5E7DE7

RGB 94 125 231

HSL 226.42, 0.74%, 0.64%

LAB 54.88, 20.59, -57.21

 

CMYK 56 / 43 / 0 / 2

HEX #6F8FFA

RGB 111 143 250

HSL 226.19, 0.93%, 0.71%

LAB 61.59, 19.21, -56.96

 

CMYK 50 / 37 / 0 / 0

HEX #80A1FF

RGB 128 161 255

HSL 224.41, 1%, 0.75%

LAB 67.5, 13.83, -50.25

 

CMYK 43 / 30 / 0 / 0

HEX #91B3FF

RGB 145 179 255

HSL 221.45, 1%, 0.78%

LAB 73.21, 7.62, -41.23

 

CMYK 36 / 23 / 0 / 0

HEX #A2C5FF

RGB 162 197 255

HSL 217.42, 1%, 0.82%

LAB 78.95, 2.08, -32.25

 

CMYK 62 / 47 / 0 / 7

HEX #597DEC

RGB 89 125 236

HSL 225.31, 0.79%, 0.64%

LAB 54.91, 21.36, -59.97

 

CMYK 67 / 51 / 0 / 15

HEX #486BD9

RGB 72 107 217

HSL 225.52, 0.66%, 0.57%

LAB 48.14, 23.18, -60.23

 

CMYK 72 / 55 / 0 / 22

HEX #3759C6

RGB 55 89 198

HSL 225.73, 0.57%, 0.5%

LAB 41.27, 25.38, -60.48

 

CMYK 79 / 60 / 0 / 30

HEX #2647B3

RGB 38 71 179

HSL 225.96, 0.65%, 0.43%

LAB 34.34, 28.06, -60.66

 

CMYK 87 / 67 / 0 / 37

HEX #1535A0

RGB 21 53 160

HSL 226.19, 0.77%, 0.35%

LAB 27.42, 31.31, -60.63

 

CMYK 61 / 47 / 0 / 7

HEX #5B7EEC

RGB 91 126 236

HSL 225.52, 0.79%, 0.64%

LAB 55.28, 21.1, -59.37

 

CMYK 60 / 61 / 0 / 7

HEX #5E5BEC

RGB 94 91 236

HSL 241.24, 0.79%, 0.64%

LAB 46.87, 42.83, -72.97

 

CMYK 44 / 61 / 0 / 7

HEX #855BEC

RGB 133 91 236

HSL 257.38, 0.79%, 0.64%

LAB 50.13, 49.85, -67.53

 

CMYK 27 / 61 / 0 / 7

HEX #AD5BEC

RGB 173 91 236

HSL 273.93, 0.79%, 0.64%

LAB 54.47, 58.39, -60.3

 

CMYK 10 / 61 / 0 / 7

HEX #D45BEC

RGB 212 91 236

HSL 290.07, 0.79%, 0.64%

LAB 59.47, 67.37, -52.03

 

CMYK 61 / 47 / 0 / 7

HEX #5B7EEC

RGB 91 126 236

HSL 225.52, 0.79%, 0.64%

LAB 55.28, 21.1, -59.37

 

CMYK 61 / 61 / 0 / 7

HEX #5B5BEC

RGB 91 91 236

HSL 240, 0.79%, 0.64%

LAB 46.66, 42.37, -73.31

 

CMYK 61 / 47 / 0 / 7

HEX #5B7EEC

RGB 91 126 236

HSL 225.52, 0.79%, 0.64%

LAB 55.28, 21.1, -59.37

 

CMYK 70 / 53 / 0 / 2

HEX #4C77FB

RGB 76 119 251

HSL 225.26, 0.96%, 0.64%

LAB 53.7, 28.2, -70.28

 

CMYK 61 / 47 / 0 / 7

HEX #5B7EEC

RGB 91 126 236

HSL 225.52, 0.79%, 0.64%

LAB 55.28, 21.1, -59.37

 

CMYK 52 / 39 / 0 / 13

HEX #6A86DD

RGB 106 134 221

HSL 225.39, 0.63%, 0.64%

LAB 57.4, 14.4, -47.57

 

CMYK 42 / 32 / 0 / 19

HEX #788DCE

RGB 120 141 206

HSL 225.35, 0.47%, 0.64%

LAB 59.43, 9.17, -35.89

 

CMYK 29 / 22 / 0 / 25

HEX #8795BF

RGB 135 149 191

HSL 225, 0.3%, 0.64%

LAB 62, 4.75, -23.4

 

CMYK 15 / 11 / 0 / 31

HEX #969DB0

RGB 150 157 176

HSL 223.85, 0.14%, 0.64%

LAB 64.75, 1.47, -10.71

 

CMYK 61 / 14 / 0 / 7

HEX #5BCCEC

RGB 91 204 236

HSL 193.24, 0.79%, 0.64%

LAB 76.96, -22.75, -25.4

 

CMYK 61 / 30 / 0 / 7

HEX #5BA6EC

RGB 91 166 236

HSL 208.97, 0.79%, 0.64%

LAB 66.18, -2.47, -42.09

 

CMYK 61 / 46 / 0 / 7

HEX #5B7FEC

RGB 91 127 236

HSL 225.1, 0.79%, 0.64%

LAB 55.54, 20.49, -58.95

 

CMYK 61 / 61 / 0 / 7

HEX #5D5BEC

RGB 93 91 236

HSL 240.83, 0.79%, 0.64%

LAB 46.8, 42.68, -73.09

 

CMYK 44 / 61 / 0 / 7

HEX #845BEC

RGB 132 91 236

HSL 256.97, 0.79%, 0.64%

LAB 50.03, 49.65, -67.69

 

CMYK 88 / 67 / 0 / 15

HEX #1A49DA

RGB 26 73 218

HSL 225.31, 0.79%, 0.48%

LAB 37.93, 40.52, -77.52

 

CMYK 77 / 58 / 0 / 9

HEX #3661E7

RGB 54 97 231

HSL 225.42, 0.79%, 0.56%

LAB 45.78, 32.21, -72.02

 

CMYK 61 / 47 / 0 / 7

HEX #5B7EEC

RGB 91 126 236

HSL 225.52, 0.79%, 0.64%

LAB 55.28, 21.1, -59.37

 

CMYK 47 / 35 / 0 / 6

HEX #809BF0

RGB 128 155 240

HSL 225.54, 0.79%, 0.72%

LAB 65.22, 12.86, -45.66

 

CMYK 32 / 25 / 0 / 4

HEX #A5B8F4

RGB 165 184 244

HSL 225.57, 0.78%, 0.8%

LAB 75.33, 7.2, -31.9

 

CMYK 62 / 47 / 0 / 7

HEX #597DEC

RGB 89 125 236

HSL 225.31, 0.79%, 0.64%

LAB 54.91, 21.36, -59.97

 

CMYK 3 / 61 / 0 / 7

HEX #E45BEC

RGB 228 91 236

HSL 296.69, 0.79%, 0.64%

LAB 61.68, 71.14, -48.38

 

CMYK 22 / 0 / 61 / 7

HEX #B9EC5B

RGB 185 236 91

HSL 81.1, 0.79%, 0.64%

LAB 87.51, -37.53, 63.14

 

CMYK 62 / 47 / 0 / 7

HEX #597DEC

RGB 89 125 236

HSL 225.31, 0.79%, 0.64%

LAB 54.91, 21.36, -59.97

 

CMYK 0 / 61 / 46 / 7

HEX #EC5B7F

RGB 236 91 127

HSL 345.1, 0.79%, 0.64%

LAB 58.83, 58.78, 9.84

 

CMYK 46 / 0 / 61 / 7

HEX #7FEC5B

RGB 127 236 91

HSL 105.1, 0.79%, 0.64%

LAB 84.62, -57.02, 59.12

 

CMYK 62 / 47 / 0 / 7

HEX #597DEC

RGB 89 125 236

HSL 225.31, 0.79%, 0.64%

LAB 54.91, 21.36, -59.97

 

CMYK 3 / 61 / 0 / 7

HEX #E45BEC

RGB 228 91 236

HSL 296.69, 0.79%, 0.64%

LAB 61.68, 71.14, -48.38

 

CMYK 0 / 16 / 61 / 7

HEX #ECC75B

RGB 236 199 91

HSL 44.69, 0.79%, 0.64%

LAB 81.53, 1.02, 57.64

 

CMYK 58 / 0 / 61 / 7

HEX #62EC5B

RGB 98 236 91

HSL 117.1, 0.79%, 0.64%

LAB 83.62, -64.59, 57.74

 

CMYK 62 / 47 / 0 / 7

HEX #597DEC

RGB 89 125 236

HSL 225.31, 0.79%, 0.64%

LAB 54.91, 21.36, -59.97

 

CMYK 0 / 61 / 16 / 7

HEX #EC5BC7

RGB 236 91 199

HSL 315.31, 0.79%, 0.64%

LAB 61.17, 67.32, -28.29

 

CMYK 0 / 16 / 61 / 7

HEX #ECC75B

RGB 236 199 91

HSL 44.69, 0.79%, 0.64%

LAB 81.53, 1.02, 57.64

 

CMYK 61 / 0 / 46 / 7

HEX #5BEC7F

RGB 91 236 127

HSL 134.9, 0.79%, 0.64%

LAB 83.83, -61.52, 41.45

 

Description

Color code: HEX #597DEC | qconv.com Color code: HEX #597DEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 125 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 125 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 47 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 47% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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