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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596C7E it is the complementary color #A69381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596C7E shade: #5E6C79, #6F7E8C, #80909F, #91A2B2 and #A2B4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596C7E shade: #596C7E, #485A6B, #374858, #263645 and #152432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596C7E shade: #586B7D, #58617D, #59587D, #63587D and #6D587D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596C7E shade: #586B7D, #58617D and #58587D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596C7E shade matches the following richer shades: #586B7D, #476C8E, #366C9F, #246CB1 and #136DC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596C7E shade: #586B7D, #6A6B6B, #7B6A5A, #8C6A49 and #9E6937

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596C7E shade: #587D7B, #58757D, #586B7D, #58617D and #59587D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596C7E shade: #36424D, #475665, #586B7D, #6A8095 and #8294A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596C7E shade: #596C7E, #71587D and #7A7D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596C7E shade: #596C7E, #7D586B and #6B7D58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596C7E shade: #596C7E, #71587D, #7D6A58 and #647D58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596C7E shade: #596C7E, #7C587D, #7D6A58 and #597D58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 14 / 0 / 51

HEX #596C7E

RGB 89 108 126

HSL 209.19, 0.17%, 0.42%

LAB 44.74, -2.56, -12.3

 

Complementary color

CMYK 0 / 11 / 22 / 35

HEX #A69381

RGB 166 147 129

HSL 29.19, 0.17%, 0.58%

LAB 62.13, 4.11, 12.12

 

CMYK 22 / 11 / 0 / 53

HEX #5E6C79

RGB 94 108 121

HSL 208.89, 0.13%, 0.42%

LAB 44.92, -2.17, -8.99

 

CMYK 21 / 10 / 0 / 45

HEX #6F7E8C

RGB 111 126 140

HSL 208.97, 0.12%, 0.49%

LAB 52.06, -2.28, -9.42

 

CMYK 19 / 9 / 0 / 38

HEX #80909F

RGB 128 144 159

HSL 209.03, 0.14%, 0.56%

LAB 59.01, -2.39, -9.85

 

CMYK 19 / 9 / 0 / 30

HEX #91A2B2

RGB 145 162 178

HSL 209.09, 0.18%, 0.63%

LAB 65.81, -2.5, -10.29

 

CMYK 18 / 9 / 0 / 23

HEX #A2B4C5

RGB 162 180 197

HSL 209.14, 0.23%, 0.7%

LAB 72.47, -2.61, -10.72

 

CMYK 29 / 14 / 0 / 51

HEX #596C7E

RGB 89 108 126

HSL 209.19, 0.17%, 0.42%

LAB 44.74, -2.56, -12.3

 

CMYK 33 / 16 / 0 / 58

HEX #485A6B

RGB 72 90 107

HSL 209.14, 0.2%, 0.35%

LAB 37.39, -2.39, -11.96

 

CMYK 38 / 18 / 0 / 65

HEX #374858

RGB 55 72 88

HSL 209.09, 0.23%, 0.28%

LAB 29.79, -2.19, -11.65

 

CMYK 45 / 22 / 0 / 73

HEX #263645

RGB 38 54 69

HSL 209.03, 0.29%, 0.21%

LAB 21.87, -1.91, -11.37

 

CMYK 58 / 28 / 0 / 80

HEX #152432

RGB 21 36 50

HSL 208.97, 0.41%, 0.14%

LAB 13.54, -1.47, -11.15

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 30 / 22 / 0 / 51

HEX #58617D

RGB 88 97 125

HSL 225.41, 0.17%, 0.42%

LAB 41.38, 3.5, -16.81

 

CMYK 29 / 30 / 0 / 51

HEX #59587D

RGB 89 88 125

HSL 241.62, 0.17%, 0.42%

LAB 38.87, 9.43, -20.67

 

CMYK 21 / 30 / 0 / 51

HEX #63587D

RGB 99 88 125

HSL 257.84, 0.17%, 0.42%

LAB 39.77, 12.77, -19.21

 

CMYK 13 / 30 / 0 / 51

HEX #6D587D

RGB 109 88 125

HSL 274.05, 0.17%, 0.42%

LAB 40.75, 16.24, -17.61

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 30 / 22 / 0 / 51

HEX #58617D

RGB 88 97 125

HSL 225.41, 0.17%, 0.42%

LAB 41.38, 3.5, -16.81

 

CMYK 30 / 30 / 0 / 51

HEX #58587D

RGB 88 88 125

HSL 240, 0.17%, 0.42%

LAB 38.79, 9.1, -20.81

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 50 / 24 / 0 / 44

HEX #476C8E

RGB 71 108 142

HSL 208.73, 0.33%, 0.42%

LAB 44.26, -3.16, -22.71

 

CMYK 66 / 32 / 0 / 38

HEX #366C9F

RGB 54 108 159

HSL 209.14, 0.49%, 0.42%

LAB 44.25, -1.15, -32.88

 

CMYK 80 / 39 / 0 / 31

HEX #246CB1

RGB 36 108 177

HSL 209.36, 0.66%, 0.42%

LAB 44.62, 2.91, -42.9

 

CMYK 90 / 44 / 0 / 24

HEX #136DC2

RGB 19 109 194

HSL 209.14, 0.82%, 0.42%

LAB 45.59, 7.53, -51.24

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 0 / 14 / 27 / 52

HEX #7B6A5A

RGB 123 106 90

HSL 29.09, 0.15%, 0.42%

LAB 45.98, 4.03, 11.47

 

CMYK 0 / 24 / 48 / 45

HEX #8C6A49

RGB 140 106 73

HSL 29.55, 0.31%, 0.42%

LAB 47.45, 9.17, 23.73

 

CMYK 0 / 34 / 65 / 38

HEX #9E6937

RGB 158 105 55

HSL 29.13, 0.48%, 0.42%

LAB 49.07, 16.15, 36.18

 

CMYK 30 / 0 / 2 / 51

HEX #587D7B

RGB 88 125 123

HSL 176.76, 0.17%, 0.42%

LAB 49.7, -13.41, -3.11

 

CMYK 30 / 6 / 0 / 51

HEX #58757D

RGB 88 117 125

HSL 192.97, 0.17%, 0.42%

LAB 47.34, -8.4, -7.8

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 30 / 22 / 0 / 51

HEX #58617D

RGB 88 97 125

HSL 225.41, 0.17%, 0.42%

LAB 41.38, 3.5, -16.81

 

CMYK 29 / 30 / 0 / 51

HEX #59587D

RGB 89 88 125

HSL 241.62, 0.17%, 0.42%

LAB 38.87, 9.43, -20.67

 

CMYK 30 / 14 / 0 / 70

HEX #36424D

RGB 54 66 77

HSL 208.7, 0.18%, 0.26%

LAB 27.34, -1.89, -8.24

 

CMYK 30 / 15 / 0 / 60

HEX #475665

RGB 71 86 101

HSL 210, 0.17%, 0.34%

LAB 35.86, -1.92, -10.56

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 29 / 14 / 0 / 42

HEX #6A8095

RGB 106 128 149

HSL 209.3, 0.17%, 0.5%

LAB 52.59, -2.84, -13.9

 

CMYK 22 / 11 / 0 / 35

HEX #8294A6

RGB 130 148 166

HSL 210, 0.17%, 0.58%

LAB 60.5, -2.35, -11.59

 

CMYK 29 / 14 / 0 / 51

HEX #596C7E

RGB 89 108 126

HSL 209.19, 0.17%, 0.42%

LAB 44.74, -2.56, -12.3

 

CMYK 10 / 30 / 0 / 51

HEX #71587D

RGB 113 88 125

HSL 280.54, 0.17%, 0.42%

LAB 41.17, 17.65, -16.94

 

CMYK 2 / 0 / 30 / 51

HEX #7A7D58

RGB 122 125 88

HSL 64.86, 0.17%, 0.42%

LAB 51.28, -7.61, 19.85

 

CMYK 29 / 14 / 0 / 51

HEX #596C7E

RGB 89 108 126

HSL 209.19, 0.17%, 0.42%

LAB 44.74, -2.56, -12.3

 

CMYK 0 / 30 / 14 / 51

HEX #7D586B

RGB 125 88 107

HSL 329.19, 0.17%, 0.42%

LAB 41.85, 18.45, -4.77

 

CMYK 14 / 0 / 30 / 51

HEX #6B7D58

RGB 107 125 88

HSL 89.19, 0.17%, 0.42%

LAB 50.09, -13.74, 18.06

 

CMYK 29 / 14 / 0 / 51

HEX #596C7E

RGB 89 108 126

HSL 209.19, 0.17%, 0.42%

LAB 44.74, -2.56, -12.3

 

CMYK 10 / 30 / 0 / 51

HEX #71587D

RGB 113 88 125

HSL 280.54, 0.17%, 0.42%

LAB 41.17, 17.65, -16.94

 

CMYK 0 / 15 / 30 / 51

HEX #7D6A58

RGB 125 106 88

HSL 29.19, 0.17%, 0.42%

LAB 46.14, 4.58, 12.9

 

CMYK 20 / 0 / 30 / 51

HEX #647D58

RGB 100 125 88

HSL 100.54, 0.17%, 0.42%

LAB 49.59, -16.49, 17.29

 

CMYK 29 / 14 / 0 / 51

HEX #596C7E

RGB 89 108 126

HSL 209.19, 0.17%, 0.42%

LAB 44.74, -2.56, -12.3

 

CMYK 1 / 30 / 0 / 51

HEX #7C587D

RGB 124 88 125

HSL 298.38, 0.17%, 0.42%

LAB 42.38, 21.57, -14.99

 

CMYK 0 / 15 / 30 / 51

HEX #7D6A58

RGB 125 106 88

HSL 29.19, 0.17%, 0.42%

LAB 46.14, 4.58, 12.9

 

CMYK 29 / 0 / 30 / 51

HEX #597D58

RGB 89 125 88

HSL 118.38, 0.17%, 0.42%

LAB 48.88, -20.62, 16.2

 

Description

Color code: HEX #596C7E | qconv.com Color code: HEX #596C7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 108 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 108 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 14 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 14% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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