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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5966EE3F it is the complementary color #A699113F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5966EE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5966EE3F shade: #5E66E93F, #6F78FC3F, #808AFF3F, #919CFF3F and #A2AEFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5966EE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5966EE3F shade: #5966EE3F, #4854DB3F, #3742C83F, #2630B53F and #151EA23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5966EE3F shade: #5966EE, #7459EE, #9C59EE, #C459EE and #EC59EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5966EE3F shade: #5966EE and #5959EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5966EE3F shade matches the following richer shades: #5966EE and #4A5AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5966EE3F shade: #5966EE, #6872DF, #777ED0, #858BC1 and #9497B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5966EE3F shade: #59B7EE, #598FEE, #5968EE, #7259EE and #9959EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5966EE3F shade: #1728DD, #3443EA, #5966EE, #7E88F1 and #A4ABF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5966EE3F shade: #5966EE, #EE59DF and #A3EE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5966EE3F shade: #5966EE, #EE5968 and #68EE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5966EE3F shade: #5966EE, #EE59DF, #EEDF59 and #59EE68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5966EE3F shade: #5966EE, #EE59B2, #EEDF59 and #59EE94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 14 / 0 / 2

HEX #5966EE3F

RGBA 89 102 238 0.25

HSLA 234.77, 0.81%, 0.64%, 0.25

LABA 49.25, 36.1, -70.23, 0.25

 

Complementary color

CMYK 0 / 2 / 22 / 9

HEX #A699113F

RGBA 166 153 17 0.25

HSLA 54.77, 0.81%, 0.36%, 0.25

LABA 62.45, -8.57, 63.32, 0.25

 

CMYK 15 / 14 / 0 / 2

HEX #5E66E93F

RGBA 94 102 233 0.25

HSLA 236.55, 0.76%, 0.64%, 0.25

LABA 49.21, 35.28, -67.47, 0.25

 

CMYK 14 / 13 / 0 / 0

HEX #6F78FC3F

RGBA 111 120 252 0.25

HSLA 236.17, 0.96%, 0.71%, 0.25

LABA 55.93, 33.56, -67.14, 0.25

 

CMYK 12 / 11 / 0 / 0

HEX #808AFF3F

RGBA 128 138 255 0.25

HSLA 235.28, 1%, 0.75%, 0.25

LABA 61.64, 27.23, -59.56, 0.25

 

CMYK 11 / 10 / 0 / 0

HEX #919CFF3F

RGBA 145 156 255 0.25

HSLA 234, 1%, 0.78%, 0.25

LABA 67.29, 20.67, -50.52, 0.25

 

CMYK 9 / 8 / 0 / 0

HEX #A2AEFF3F

RGBA 162 174 255 0.25

HSLA 232.26, 1%, 0.82%, 0.25

LABA 73.01, 14.76, -41.46, 0.25

 

CMYK 16 / 14 / 0 / 2

HEX #5966EE3F

RGBA 89 102 238 0.25

HSLA 234.77, 0.81%, 0.64%, 0.25

LABA 49.25, 36.1, -70.23, 0.25

 

CMYK 17 / 15 / 0 / 4

HEX #4854DB3F

RGBA 72 84 219 0.25

HSLA 235.1, 0.67%, 0.57%, 0.25

LABA 42.51, 38.24, -70.5, 0.25

 

CMYK 18 / 17 / 0 / 5

HEX #3742C83F

RGBA 55 66 200 0.25

HSLA 235.45, 0.57%, 0.5%, 0.25

LABA 35.75, 40.68, -70.66, 0.25

 

CMYK 20 / 18 / 0 / 7

HEX #2630B53F

RGBA 38 48 181 0.25

HSLA 235.8, 0.65%, 0.43%, 0.25

LABA 29.06, 43.35, -70.52, 0.25

 

CMYK 22 / 20 / 0 / 9

HEX #151EA23F

RGBA 21 30 162 0.25

HSLA 236.17, 0.77%, 0.36%, 0.25

LABA 22.64, 45.93, -69.74, 0.25

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 51 / 63 / 0 / 7

HEX #7459EE

RGB 116 89 238

HSL 250.87, 0.81%, 0.64%

LAB 48.3, 48.29, -71.69

 

CMYK 34 / 63 / 0 / 7

HEX #9C59EE

RGB 156 89 238

HSL 266.98, 0.81%, 0.64%

LAB 52.27, 56.14, -65.06

 

CMYK 18 / 63 / 0 / 7

HEX #C459EE

RGB 196 89 238

HSL 283.09, 0.81%, 0.64%

LAB 57.13, 64.94, -57

 

CMYK 1 / 63 / 0 / 7

HEX #EC59EE

RGB 236 89 238

HSL 299.19, 0.81%, 0.64%

LAB 62.63, 74.14, -47.91

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 63 / 63 / 0 / 7

HEX #5959EE

RGB 89 89 238

HSL 240, 0.81%, 0.64%

LAB 46.23, 43.89, -75.14

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 71 / 64 / 0 / 1

HEX #4A5AFC

RGB 74 90 252

HSL 234.61, 0.97%, 0.64%

LAB 46.71, 45.97, -82.24

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 53 / 49 / 0 / 13

HEX #6872DF

RGB 104 114 223

HSL 234.96, 0.65%, 0.64%

LAB 52.18, 26.67, -57.02

 

CMYK 43 / 39 / 0 / 18

HEX #777ED0

RGB 119 126 208

HSL 235.28, 0.49%, 0.64%

LAB 55.48, 18.35, -43.24

 

CMYK 31 / 28 / 0 / 24

HEX #858BC1

RGB 133 139 193

HSL 234, 0.33%, 0.64%

LAB 59.25, 10.42, -28.78

 

CMYK 17 / 15 / 0 / 30

HEX #9497B2

RGB 148 151 178

HSL 234, 0.16%, 0.64%

LAB 63.05, 4.62, -14.41

 

CMYK 63 / 23 / 0 / 7

HEX #59B7EE

RGB 89 183 238

HSL 202.15, 0.81%, 0.64%

LAB 70.98, -11.55, -35.69

 

CMYK 63 / 40 / 0 / 7

HEX #598FEE

RGB 89 143 238

HSL 218.26, 0.81%, 0.64%

LAB 59.84, 11.17, -53.21

 

CMYK 63 / 56 / 0 / 7

HEX #5968EE

RGB 89 104 238

HSL 233.96, 0.81%, 0.64%

LAB 49.73, 34.88, -69.44

 

CMYK 52 / 63 / 0 / 7

HEX #7259EE

RGB 114 89 238

HSL 250.07, 0.81%, 0.64%

LAB 48.13, 47.93, -71.97

 

CMYK 36 / 63 / 0 / 7

HEX #9959EE

RGB 153 89 238

HSL 265.77, 0.81%, 0.64%

LAB 51.94, 55.51, -65.62

 

CMYK 90 / 82 / 0 / 13

HEX #1728DD

RGB 23 40 221

HSL 234.85, 0.81%, 0.48%

LAB 31.62, 59.8, -89.67

 

CMYK 78 / 71 / 0 / 8

HEX #3443EA

RGB 52 67 234

HSL 235.05, 0.81%, 0.56%

LAB 39.04, 51.32, -84.77

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 48 / 44 / 0 / 5

HEX #7E88F1

RGB 126 136 241

HSL 234.78, 0.8%, 0.72%

LAB 60.24, 23.8, -54.09

 

CMYK 33 / 30 / 0 / 4

HEX #A4ABF5

RGB 164 171 245

HSL 234.81, 0.8%, 0.8%

LAB 71.97, 14.4, -37.66

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 0 / 63 / 6 / 7

HEX #EE59DF

RGB 238 89 223

HSL 306.04, 0.81%, 0.64%

LAB 62.21, 72.22, -40.18

 

CMYK 32 / 0 / 63 / 7

HEX #A3EE59

RGB 163 238 89

HSL 90.2, 0.81%, 0.64%

LAB 86.83, -46.49, 62.86

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 0 / 63 / 56 / 7

HEX #EE5968

RGB 238 89 104

HSL 353.96, 0.81%, 0.64%

LAB 58.34, 58.37, 22.64

 

CMYK 56 / 0 / 63 / 7

HEX #68EE59

RGB 104 238 89

HSL 113.96, 0.81%, 0.64%

LAB 84.39, -64.08, 59.48

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 0 / 63 / 6 / 7

HEX #EE59DF

RGB 238 89 223

HSL 306.04, 0.81%, 0.64%

LAB 62.21, 72.22, -40.18

 

CMYK 0 / 6 / 63 / 7

HEX #EEDF59

RGB 238 223 89

HSL 53.96, 0.81%, 0.64%

LAB 87.81, -10.47, 65.41

 

CMYK 63 / 0 / 56 / 7

HEX #59EE68

RGB 89 238 104

HSL 126.04, 0.81%, 0.64%

LAB 84.11, -65.78, 52.56

 

CMYK 63 / 57 / 0 / 7

HEX #5966EE

RGB 89 102 238

HSL 234.77, 0.81%, 0.64%

LAB 49.25, 36.1, -70.23

 

CMYK 0 / 63 / 25 / 7

HEX #EE59B2

RGB 238 89 178

HSL 324.16, 0.81%, 0.64%

LAB 60.37, 65.84, -17.48

 

CMYK 0 / 6 / 63 / 7

HEX #EEDF59

RGB 238 223 89

HSL 53.96, 0.81%, 0.64%

LAB 87.81, -10.47, 65.41

 

CMYK 63 / 0 / 38 / 7

HEX #59EE94

RGB 89 238 148

HSL 143.76, 0.81%, 0.64%

LAB 84.7, -59.21, 32.15

 

Description

Color code: HEX #5966EE3F | qconv.com Color code: HEX #5966EE3F | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 102 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 102 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 14 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 14% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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