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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596404 it is the complementary color #A69BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596404 shade: #5E6400, #6F7612, #808825, #919A38 and #A2AC4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596404 shade: #596404, #485200, #374000, #262E00 and #151C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596404 shade: #576204, #625304, #623A04, #622104 and #620704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596404 shade: #576204, #3E6204, #256204, #0B6204 and #046216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596404 shade matches the following richer shades: #576204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596404 shade: #576204, #515A0C, #4A5115, #44491D and #3E4125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596404 shade: #623904, #625204, #596204, #406204 and #266204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596404 shade: #111301, #343A02, #576204, #7A8A06 and #9EB107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596404 shade: #596404, #046220 and #460462

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596404 shade: #596404, #045962 and #620459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596404 shade: #596404, #046220, #0D0462 and #620446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596404 shade: #596404, #04623C, #0D0462 and #62042A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 96 / 61

HEX #596404

RGB 89 100 4

HSL 66.88, 0.92%, 0.2%

LAB 39.99, -16.02, 45.34

 

Complementary color

CMYK 34 / 38 / 0 / 2

HEX #A69BFB

RGB 166 155 251

HSL 246.88, 0.92%, 0.8%

LAB 68.4, 25.51, -46.49

 

CMYK 6 / 0 / 100 / 61

HEX #5E6400

RGB 94 100 0

HSL 63.6, 1%, 0.2%

LAB 40.4, -13.76, 46.91

 

CMYK 6 / 0 / 85 / 54

HEX #6F7612

RGB 111 118 18

HSL 64.2, 0.74%, 0.27%

LAB 47.47, -15.02, 48.75

 

CMYK 6 / 0 / 73 / 47

HEX #808825

RGB 128 136 37

HSL 64.85, 0.57%, 0.34%

LAB 54.38, -16, 49.2

 

CMYK 6 / 0 / 64 / 40

HEX #919A38

RGB 145 154 56

HSL 65.51, 0.47%, 0.41%

LAB 61.15, -16.74, 48.7

 

CMYK 6 / 0 / 56 / 33

HEX #A2AC4B

RGB 162 172 75

HSL 66.19, 0.39%, 0.48%

LAB 67.79, -17.3, 47.79

 

CMYK 11 / 0 / 96 / 61

HEX #596404

RGB 89 100 4

HSL 66.88, 0.92%, 0.2%

LAB 39.99, -16.02, 45.34

 

CMYK 12 / 0 / 100 / 68

HEX #485200

RGB 72 82 0

HSL 67.32, 1%, 0.16%

LAB 32.73, -14.44, 40.38

 

CMYK 14 / 0 / 100 / 75

HEX #374000

RGB 55 64 0

HSL 68.44, 1%, 0.13%

LAB 25.2, -12.68, 33.64

 

CMYK 17 / 0 / 100 / 82

HEX #262E00

RGB 38 46 0

HSL 70.43, 1%, 0.09%

LAB 17.3, -10.85, 24.64

 

CMYK 25 / 0 / 100 / 89

HEX #151C00

RGB 21 28 0

HSL 75, 1%, 0.05%

LAB 8.91, -8.71, 13.17

 

CMYK 11 / 0 / 96 / 62

HEX #576204

RGB 87 98 4

HSL 67.02, 0.92%, 0.2%

LAB 39.19, -15.89, 44.63

 

CMYK 0 / 15 / 96 / 62

HEX #625304

RGB 98 83 4

HSL 50.43, 0.92%, 0.2%

LAB 35.58, -1.83, 42.28

 

CMYK 0 / 41 / 96 / 62

HEX #623A04

RGB 98 58 4

HSL 34.47, 0.92%, 0.2%

LAB 28.46, 13.57, 36.84

 

CMYK 0 / 66 / 96 / 62

HEX #622104

RGB 98 33 4

HSL 18.51, 0.92%, 0.2%

LAB 22.63, 28.08, 31.4

 

CMYK 0 / 93 / 96 / 62

HEX #620704

RGB 98 7 4

HSL 1.91, 0.92%, 0.2%

LAB 19.04, 37.96, 27.45

 

CMYK 11 / 0 / 96 / 62

HEX #576204

RGB 87 98 4

HSL 67.02, 0.92%, 0.2%

LAB 39.19, -15.89, 44.63

 

CMYK 37 / 0 / 96 / 62

HEX #3E6204

RGB 62 98 4

HSL 82.98, 0.92%, 0.2%

LAB 37.42, -27.11, 42.47

 

CMYK 62 / 0 / 96 / 62

HEX #256204

RGB 37 98 4

HSL 98.94, 0.92%, 0.2%

LAB 36.25, -35.97, 41.02

 

CMYK 89 / 0 / 96 / 62

HEX #0B6204

RGB 11 98 4

HSL 115.53, 0.92%, 0.2%

LAB 35.63, -41.28, 40.25

 

CMYK 96 / 0 / 78 / 62

HEX #046216

RGB 4 98 22

HSL 131.49, 0.92%, 0.2%

LAB 35.63, -40.84, 34.38

 

CMYK 11 / 0 / 96 / 62

HEX #576204

RGB 87 98 4

HSL 67.02, 0.92%, 0.2%

LAB 39.19, -15.89, 44.63

 

CMYK 11 / 0 / 96 / 62

HEX #576204

RGB 87 98 4

HSL 67.02, 0.92%, 0.2%

LAB 39.19, -15.89, 44.63

 

CMYK 10 / 0 / 87 / 65

HEX #515A0C

RGB 81 90 12

HSL 66.92, 0.76%, 0.2%

LAB 36.15, -14.07, 39.67

 

CMYK 9 / 0 / 74 / 68

HEX #4A5115

RGB 74 81 21

HSL 67, 0.59%, 0.2%

LAB 32.69, -11.87, 32.76

 

CMYK 7 / 0 / 60 / 71

HEX #44491D

RGB 68 73 29

HSL 66.82, 0.43%, 0.2%

LAB 29.62, -9.44, 25.25

 

CMYK 5 / 0 / 43 / 75

HEX #3E4125

RGB 62 65 37

HSL 66.43, 0.27%, 0.2%

LAB 26.56, -6.52, 16.67

 

CMYK 0 / 42 / 96 / 62

HEX #623904

RGB 98 57 4

HSL 33.83, 0.92%, 0.2%

LAB 28.2, 14.19, 36.62

 

CMYK 0 / 16 / 96 / 62

HEX #625204

RGB 98 82 4

HSL 49.79, 0.92%, 0.2%

LAB 35.28, -1.23, 42.05

 

CMYK 9 / 0 / 96 / 62

HEX #596204

RGB 89 98 4

HSL 65.74, 0.92%, 0.2%

LAB 39.36, -14.93, 44.84

 

CMYK 35 / 0 / 96 / 62

HEX #406204

RGB 64 98 4

HSL 81.7, 0.92%, 0.2%

LAB 37.54, -26.28, 42.62

 

CMYK 61 / 0 / 96 / 62

HEX #266204

RGB 38 98 4

HSL 98.3, 0.92%, 0.2%

LAB 36.28, -35.68, 41.07

 

CMYK 11 / 0 / 95 / 93

HEX #111301

RGB 17 19 1

HSL 66.67, 0.9%, 0.04%

LAB 5.3, -3.63, 7.47

 

CMYK 10 / 0 / 97 / 77

HEX #343A02

RGB 52 58 2

HSL 66.43, 0.93%, 0.12%

LAB 22.86, -10.56, 30.43

 

CMYK 11 / 0 / 96 / 62

HEX #576204

RGB 87 98 4

HSL 67.02, 0.92%, 0.2%

LAB 39.19, -15.89, 44.63

 

CMYK 12 / 0 / 96 / 46

HEX #7A8A06

RGB 122 138 6

HSL 67.27, 0.92%, 0.28%

LAB 54.37, -20.81, 57.27

 

CMYK 11 / 0 / 96 / 31

HEX #9EB107

RGB 158 177 7

HSL 66.71, 0.92%, 0.36%

LAB 68.55, -24.55, 69.24

 

CMYK 11 / 0 / 96 / 61

HEX #596404

RGB 89 100 4

HSL 66.88, 0.92%, 0.2%

LAB 39.99, -16.02, 45.34

 

CMYK 96 / 0 / 67 / 62

HEX #046220

RGB 4 98 32

HSL 137.87, 0.92%, 0.2%

LAB 35.72, -39.71, 29.93

 

CMYK 29 / 96 / 0 / 62

HEX #460462

RGB 70 4 98

HSL 282.13, 0.92%, 0.2%

LAB 16.85, 42.89, -38.56

 

CMYK 11 / 0 / 96 / 61

HEX #596404

RGB 89 100 4

HSL 66.88, 0.92%, 0.2%

LAB 39.99, -16.02, 45.34

 

CMYK 96 / 9 / 0 / 62

HEX #045962

RGB 4 89 98

HSL 185.74, 0.92%, 0.2%

LAB 34.09, -18.76, -11.62

 

CMYK 0 / 96 / 9 / 62

HEX #620459

RGB 98 4 89

HSL 305.74, 0.92%, 0.2%

LAB 21.6, 46.36, -24.64

 

CMYK 11 / 0 / 96 / 61

HEX #596404

RGB 89 100 4

HSL 66.88, 0.92%, 0.2%

LAB 39.99, -16.02, 45.34

 

CMYK 96 / 0 / 67 / 62

HEX #046220

RGB 4 98 32

HSL 137.87, 0.92%, 0.2%

LAB 35.72, -39.71, 29.93

 

CMYK 87 / 96 / 0 / 62

HEX #0D0462

RGB 13 4 98

HSL 245.74, 0.92%, 0.2%

LAB 9.44, 37.34, -51.04

 

CMYK 0 / 96 / 29 / 62

HEX #620446

RGB 98 4 70

HSL 317.87, 0.92%, 0.2%

LAB 20.54, 43.62, -13.41

 

CMYK 11 / 0 / 96 / 61

HEX #596404

RGB 89 100 4

HSL 66.88, 0.92%, 0.2%

LAB 39.99, -16.02, 45.34

 

CMYK 96 / 0 / 39 / 62

HEX #04623C

RGB 4 98 60

HSL 155.74, 0.92%, 0.2%

LAB 36.15, -34.58, 14.87

 

CMYK 87 / 96 / 0 / 62

HEX #0D0462

RGB 13 4 98

HSL 245.74, 0.92%, 0.2%

LAB 9.44, 37.34, -51.04

 

CMYK 0 / 96 / 57 / 62

HEX #62042A

RGB 98 4 42

HSL 335.74, 0.92%, 0.2%

LAB 19.44, 40.64, 4.63

 

Description

Color code: HEX #596404 | qconv.com Color code: HEX #596404 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 100 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 100 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 96 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 96% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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