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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596378 it is the complementary color #A69C87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596378 shade: #5E6373, #6F7586, #808799, #9199AC and #A2ABBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596378 shade: #596378, #485165, #373F52, #262D3F and #151B2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596378 shade: #596378, #595B78, #605978, #685978 and #715978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596378 shade: #596378, #595B78 and #595978

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596378 shade matches the following richer shades: #596378, #485D89, #37579A, #2651AB and #154BBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596378 shade: #596378, #6A6967, #7B6F56, #8C7545 and #9D7B35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596378 shade: #597478, #596C78, #596378, #595B78 and #5F5978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596378 shade: #363C49, #474F61, #596378, #6A7790 and #818CA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596378 shade: #596378, #745978 and #707859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596378 shade: #596378, #785963 and #637859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596378 shade: #596378, #745978, #786E59 and #5D7859

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596378 shade: #596378, #785973, #786E59 and #59785E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

Complementary color

CMYK 0 / 6 / 19 / 35

HEX #A69C87

RGB 166 156 135

HSL 40.65, 0.15%, 0.59%

LAB 64.67, 0.07, 12.32

 

CMYK 18 / 14 / 0 / 55

HEX #5E6373

RGB 94 99 115

HSL 225.71, 0.1%, 0.41%

LAB 42.06, 1.75, -9.65

 

CMYK 17 / 13 / 0 / 47

HEX #6F7586

RGB 111 117 134

HSL 224.35, 0.09%, 0.48%

LAB 49.28, 1.54, -10.06

 

CMYK 16 / 12 / 0 / 40

HEX #808799

RGB 128 135 153

HSL 223.2, 0.11%, 0.55%

LAB 56.3, 1.34, -10.47

 

CMYK 16 / 11 / 0 / 33

HEX #9199AC

RGB 145 153 172

HSL 222.22, 0.14%, 0.62%

LAB 63.16, 1.16, -10.88

 

CMYK 15 / 10 / 0 / 25

HEX #A2ABBF

RGB 162 171 191

HSL 221.38, 0.18%, 0.69%

LAB 69.87, 0.98, -11.29

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 29 / 20 / 0 / 60

HEX #485165

RGB 72 81 101

HSL 221.38, 0.17%, 0.34%

LAB 34.4, 1.55, -12.77

 

CMYK 33 / 23 / 0 / 68

HEX #373F52

RGB 55 63 82

HSL 222.22, 0.2%, 0.27%

LAB 26.67, 1.87, -12.53

 

CMYK 40 / 29 / 0 / 75

HEX #262D3F

RGB 38 45 63

HSL 223.2, 0.25%, 0.2%

LAB 18.57, 2.3, -12.37

 

CMYK 52 / 39 / 0 / 83

HEX #151B2C

RGB 21 27 44

HSL 224.35, 0.35%, 0.13%

LAB 9.99, 2.94, -12.32

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 26 / 24 / 0 / 53

HEX #595B78

RGB 89 91 120

HSL 236.13, 0.15%, 0.41%

LAB 39.52, 6.21, -16.61

 

CMYK 20 / 26 / 0 / 53

HEX #605978

RGB 96 89 120

HSL 253.55, 0.15%, 0.41%

LAB 39.56, 9.85, -16.49

 

CMYK 13 / 26 / 0 / 53

HEX #685978

RGB 104 89 120

HSL 269.03, 0.15%, 0.41%

LAB 40.32, 12.68, -15.27

 

CMYK 6 / 26 / 0 / 53

HEX #715978

RGB 113 89 120

HSL 286.45, 0.15%, 0.41%

LAB 41.23, 15.92, -13.79

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 26 / 24 / 0 / 53

HEX #595B78

RGB 89 91 120

HSL 236.13, 0.15%, 0.41%

LAB 39.52, 6.21, -16.61

 

CMYK 26 / 26 / 0 / 53

HEX #595978

RGB 89 89 120

HSL 240, 0.15%, 0.41%

LAB 38.94, 7.45, -17.5

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 47 / 32 / 0 / 46

HEX #485D89

RGB 72 93 137

HSL 220.62, 0.31%, 0.41%

LAB 39.6, 4.75, -26.94

 

CMYK 64 / 44 / 0 / 40

HEX #37579A

RGB 55 87 154

HSL 220.61, 0.47%, 0.41%

LAB 37.77, 10.52, -40.15

 

CMYK 78 / 53 / 0 / 33

HEX #2651AB

RGB 38 81 171

HSL 220.6, 0.64%, 0.41%

LAB 36.44, 18.32, -52.5

 

CMYK 89 / 60 / 0 / 26

HEX #154BBC

RGB 21 75 188

HSL 220.6, 0.8%, 0.41%

LAB 35.64, 27.56, -63.87

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 0 / 1 / 3 / 58

HEX #6A6967

RGB 106 105 103

HSL 40, 0.01%, 0.41%

LAB 44.44, -0.01, 1.25

 

CMYK 0 / 10 / 30 / 52

HEX #7B6F56

RGB 123 111 86

HSL 40.54, 0.18%, 0.41%

LAB 47.3, 0.5, 15.65

 

CMYK 0 / 16 / 51 / 45

HEX #8C7545

RGB 140 117 69

HSL 40.56, 0.34%, 0.41%

LAB 50.37, 2.39, 29.68

 

CMYK 0 / 22 / 66 / 38

HEX #9D7B35

RGB 157 123 53

HSL 40.38, 0.5%, 0.41%

LAB 53.59, 5.31, 42.24

 

CMYK 26 / 3 / 0 / 53

HEX #597478

RGB 89 116 120

HSL 187.74, 0.15%, 0.41%

LAB 46.94, -8.76, -5.42

 

CMYK 26 / 10 / 0 / 53

HEX #596C78

RGB 89 108 120

HSL 203.23, 0.15%, 0.41%

LAB 44.53, -4.12, -9.02

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 26 / 24 / 0 / 53

HEX #595B78

RGB 89 91 120

HSL 236.13, 0.15%, 0.41%

LAB 39.52, 6.21, -16.61

 

CMYK 21 / 26 / 0 / 53

HEX #5F5978

RGB 95 89 120

HSL 251.61, 0.15%, 0.41%

LAB 39.47, 9.51, -16.64

 

CMYK 26 / 18 / 0 / 71

HEX #363C49

RGB 54 60 73

HSL 221.05, 0.15%, 0.25%

LAB 25.25, 0.9, -8.78

 

CMYK 27 / 19 / 0 / 62

HEX #474F61

RGB 71 79 97

HSL 221.54, 0.15%, 0.33%

LAB 33.55, 1.37, -11.55

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 26 / 17 / 0 / 44

HEX #6A7790

RGB 106 119 144

HSL 219.47, 0.15%, 0.49%

LAB 49.82, 1.13, -15.17

 

CMYK 20 / 14 / 0 / 36

HEX #818CA2

RGB 129 140 162

HSL 220, 0.15%, 0.57%

LAB 58.07, 0.9, -12.98

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 3 / 26 / 0 / 53

HEX #745978

RGB 116 89 120

HSL 292.26, 0.15%, 0.41%

LAB 41.55, 17.01, -13.27

 

CMYK 7 / 0 / 26 / 53

HEX #707859

RGB 112 120 89

HSL 75.48, 0.15%, 0.41%

LAB 49.01, -8.79, 16.07

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 0 / 26 / 18 / 53

HEX #785963

RGB 120 89 99

HSL 340.65, 0.15%, 0.41%

LAB 41.28, 14.44, -0.76

 

CMYK 18 / 0 / 26 / 53

HEX #637859

RGB 99 120 89

HSL 100.65, 0.15%, 0.41%

LAB 48.02, -13.99, 14.55

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 3 / 26 / 0 / 53

HEX #745978

RGB 116 89 120

HSL 292.26, 0.15%, 0.41%

LAB 41.55, 17.01, -13.27

 

CMYK 0 / 8 / 26 / 53

HEX #786E59

RGB 120 110 89

HSL 40.65, 0.15%, 0.41%

LAB 46.8, 0.27, 13.14

 

CMYK 23 / 0 / 26 / 53

HEX #5D7859

RGB 93 120 89

HSL 112.26, 0.15%, 0.41%

LAB 47.6, -16.3, 13.91

 

CMYK 26 / 18 / 0 / 53

HEX #596378

RGB 89 99 120

HSL 220.65, 0.15%, 0.41%

LAB 41.85, 1.28, -13.05

 

CMYK 0 / 26 / 4 / 53

HEX #785973

RGB 120 89 115

HSL 309.68, 0.15%, 0.41%

LAB 41.81, 17.46, -9.79

 

CMYK 0 / 8 / 26 / 53

HEX #786E59

RGB 120 110 89

HSL 40.65, 0.15%, 0.41%

LAB 46.8, 0.27, 13.14

 

CMYK 26 / 0 / 22 / 53

HEX #59785E

RGB 89 120 94

HSL 129.68, 0.15%, 0.41%

LAB 47.45, -16.82, 10.74

 

Description

Color code: HEX #596378 | qconv.com Color code: HEX #596378 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 99 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 99 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 18 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 18% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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