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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59622C it is the complementary color #A69DD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59622C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59622C shade: #5E6227, #6F743A, #80864D, #919860 and #A2AA73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59622C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59622C shade: #59622C, #485019, #373E06, #262C00 and #151A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59622C shade: #59622C, #625C2C, #624E2C, #623F2C and #62312C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59622C shade: #59622C, #4A622C, #3C622C, #2D622C and #2C6239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59622C shade matches the following richer shades: #59622C, #616E20, #687915 and #708509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59622C shade: #59622C, #515637, #4A4B43, #423F4E and #3A345A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59622C shade: #624E2C, #625D2C, #59622C, #4B622C and #3C622C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59622C shade: #252912, #3F461F, #59622C, #737F39 and #8D9B45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59622C shade: #59622C, #2C6240 and #552C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59622C shade: #59622C, #2C5962 and #622C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59622C shade: #59622C, #2C6240, #352C62 and #622C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59622C shade: #59622C, #2C6250, #352C62 and #622C3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

Complementary color

CMYK 21 / 26 / 0 / 17

HEX #A69DD3

RGB 166 157 211

HSL 250, 0.38%, 0.72%

LAB 67.22, 14.55, -26.35

 

CMYK 4 / 0 / 60 / 62

HEX #5E6227

RGB 94 98 39

HSL 64.07, 0.43%, 0.27%

LAB 40.02, -10.64, 32.39

 

CMYK 4 / 0 / 50 / 55

HEX #6F743A

RGB 111 116 58

HSL 65.17, 0.33%, 0.34%

LAB 47.2, -11.14, 31.17

 

CMYK 4 / 0 / 43 / 47

HEX #80864D

RGB 128 134 77

HSL 66.32, 0.27%, 0.41%

LAB 54.21, -11.49, 29.89

 

CMYK 5 / 0 / 37 / 40

HEX #919860

RGB 145 152 96

HSL 67.5, 0.23%, 0.49%

LAB 61.06, -11.74, 28.65

 

CMYK 5 / 0 / 32 / 33

HEX #A2AA73

RGB 162 170 115

HSL 68.73, 0.24%, 0.56%

LAB 67.78, -11.93, 27.47

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 10 / 0 / 69 / 69

HEX #485019

RGB 72 80 25

HSL 68.73, 0.52%, 0.21%

LAB 32.22, -11.96, 30.33

 

CMYK 11 / 0 / 90 / 76

HEX #373E06

RGB 55 62 6

HSL 67.5, 0.82%, 0.13%

LAB 24.55, -11.14, 30.58

 

CMYK 14 / 0 / 100 / 83

HEX #262C00

RGB 38 44 0

HSL 68.18, 1%, 0.09%

LAB 16.57, -9.63, 23.74

 

CMYK 19 / 0 / 100 / 90

HEX #151A00

RGB 21 26 0

HSL 71.54, 1%, 0.05%

LAB 8.11, -7.17, 12.02

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 0 / 6 / 55 / 62

HEX #625C2C

RGB 98 92 44

HSL 53.33, 0.38%, 0.28%

LAB 38.61, -4.82, 28.19

 

CMYK 0 / 20 / 55 / 62

HEX #624E2C

RGB 98 78 44

HSL 37.78, 0.38%, 0.28%

LAB 34.45, 3.61, 23.17

 

CMYK 0 / 36 / 55 / 62

HEX #623F2C

RGB 98 63 44

HSL 21.11, 0.38%, 0.28%

LAB 30.24, 12.93, 17.86

 

CMYK 0 / 50 / 55 / 62

HEX #62312C

RGB 98 49 44

HSL 5.56, 0.38%, 0.28%

LAB 26.66, 21.51, 13.18

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 24 / 0 / 55 / 62

HEX #4A622C

RGB 74 98 44

HSL 86.67, 0.38%, 0.28%

LAB 38.5, -19.09, 27.59

 

CMYK 39 / 0 / 55 / 62

HEX #3C622C

RGB 60 98 44

HSL 102.22, 0.38%, 0.28%

LAB 37.62, -24.73, 26.32

 

CMYK 54 / 0 / 55 / 62

HEX #2D622C

RGB 45 98 44

HSL 118.89, 0.38%, 0.28%

LAB 36.88, -29.92, 25.25

 

CMYK 55 / 0 / 42 / 62

HEX #2C6239

RGB 44 98 57

HSL 134.44, 0.38%, 0.28%

LAB 37.05, -28, 18.02

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 12 / 0 / 71 / 57

HEX #616E20

RGB 97 110 32

HSL 70, 0.55%, 0.28%

LAB 43.94, -16.44, 39.98

 

CMYK 14 / 0 / 83 / 53

HEX #687915

RGB 104 121 21

HSL 70.2, 0.7%, 0.28%

LAB 47.84, -19.69, 47.98

 

CMYK 16 / 0 / 93 / 48

HEX #708509

RGB 112 133 9

HSL 70.16, 0.87%, 0.28%

LAB 52.11, -22.65, 54.64

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 6 / 0 / 36 / 66

HEX #515637

RGB 81 86 55

HSL 69.68, 0.22%, 0.28%

LAB 35.36, -7.78, 17.42

 

CMYK 1 / 0 / 11 / 71

HEX #4A4B43

RGB 74 75 67

HSL 67.5, 0.06%, 0.28%

LAB 31.56, -2.09, 4.63

 

CMYK 15 / 19 / 0 / 69

HEX #423F4E

RGB 66 63 78

HSL 252, 0.11%, 0.28%

LAB 27.47, 4.83, -8.6

 

CMYK 36 / 42 / 0 / 65

HEX #3A345A

RGB 58 52 90

HSL 249.47, 0.27%, 0.28%

LAB 23.98, 12.73, -21.93

 

CMYK 0 / 20 / 55 / 62

HEX #624E2C

RGB 98 78 44

HSL 37.78, 0.38%, 0.28%

LAB 34.45, 3.61, 23.17

 

CMYK 0 / 5 / 55 / 62

HEX #625D2C

RGB 98 93 44

HSL 54.44, 0.38%, 0.28%

LAB 38.91, -5.41, 28.55

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 23 / 0 / 55 / 62

HEX #4B622C

RGB 75 98 44

HSL 85.56, 0.38%, 0.28%

LAB 38.57, -18.66, 27.69

 

CMYK 39 / 0 / 55 / 62

HEX #3C622C

RGB 60 98 44

HSL 102.22, 0.38%, 0.28%

LAB 37.62, -24.73, 26.32

 

CMYK 10 / 0 / 56 / 84

HEX #252912

RGB 37 41 18

HSL 70.43, 0.39%, 0.12%

LAB 15.61, -6.38, 14.39

 

CMYK 10 / 0 / 56 / 73

HEX #3F461F

RGB 63 70 31

HSL 70.77, 0.39%, 0.2%

LAB 28.21, -9.85, 22.35

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 9 / 0 / 55 / 50

HEX #737F39

RGB 115 127 57

HSL 70.29, 0.38%, 0.36%

LAB 50.83, -15.47, 36.06

 

CMYK 9 / 0 / 55 / 39

HEX #8D9B45

RGB 141 155 69

HSL 69.77, 0.38%, 0.44%

LAB 61.25, -17.92, 42.72

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 55 / 0 / 35 / 62

HEX #2C6240

RGB 44 98 64

HSL 142.22, 0.38%, 0.28%

LAB 37.19, -26.58, 14.04

 

CMYK 13 / 55 / 0 / 62

HEX #552C62

RGB 85 44 98

HSL 285.56, 0.38%, 0.28%

LAB 25.61, 28.75, -24.38

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 55 / 9 / 0 / 62

HEX #2C5962

RGB 44 89 98

HSL 190, 0.38%, 0.28%

LAB 35.13, -12.65, -9.95

 

CMYK 0 / 55 / 9 / 62

HEX #622C59

RGB 98 44 89

HSL 310, 0.38%, 0.28%

LAB 27.07, 31.08, -16.07

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 55 / 0 / 35 / 62

HEX #2C6240

RGB 44 98 64

HSL 142.22, 0.38%, 0.28%

LAB 37.19, -26.58, 14.04

 

CMYK 46 / 55 / 0 / 62

HEX #352C62

RGB 53 44 98

HSL 250, 0.38%, 0.28%

LAB 21.73, 19.25, -30.79

 

CMYK 0 / 55 / 20 / 62

HEX #622C4E

RGB 98 44 78

HSL 322.22, 0.38%, 0.28%

LAB 26.59, 29.1, -9.56

 

CMYK 9 / 0 / 55 / 62

HEX #59622C

RGB 89 98 44

HSL 70, 0.38%, 0.28%

LAB 39.65, -12.46, 29.23

 

CMYK 55 / 0 / 18 / 62

HEX #2C6250

RGB 44 98 80

HSL 160, 0.38%, 0.28%

LAB 37.57, -22.79, 4.83

 

CMYK 46 / 55 / 0 / 62

HEX #352C62

RGB 53 44 98

HSL 250, 0.38%, 0.28%

LAB 21.73, 19.25, -30.79

 

CMYK 0 / 55 / 37 / 62

HEX #622C3E

RGB 98 44 62

HSL 340, 0.38%, 0.28%

LAB 26, 26.62, 0.25

 

Description

Color code: HEX #59622C | qconv.com Color code: HEX #59622C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 98 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 98 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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