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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59622A it is the complementary color #A69DD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59622A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59622A shade: #5E6225, #6F7438, #80864B, #91985E and #A2AA71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59622A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59622A shade: #59622A, #485017, #373E04, #262C00 and #151A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59622A shade: #586029, #605A29, #604C29, #603D29 and #602E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59622A shade: #586029, #496029, #3A6029, #2B6029 and #296036

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59622A shade matches the following richer shades: #586029, #5F6C1E, #677713 and #6E8208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59622A shade: #586029, #505534, #484A40, #413F4B and #393456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59622A shade: #604B29, #605A29, #586029, #496029 and #3B6029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59622A shade: #232711, #3D441D, #586029, #727D36 and #8C9A42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59622A shade: #59622A, #29603D and #532960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59622A shade: #59622A, #295860 and #602958

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59622A shade: #59622A, #29603D, #322960 and #60294D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59622A shade: #59622A, #29604D, #322960 and #60293D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 57 / 62

HEX #59622A

RGB 89 98 42

HSL 69.64, 0.4%, 0.27%

LAB 39.62, -12.67, 30.26

 

Complementary color

CMYK 22 / 26 / 0 / 16

HEX #A69DD5

RGB 166 157 213

HSL 249.64, 0.4%, 0.73%

LAB 67.3, 15.01, -27.34

 

CMYK 4 / 0 / 62 / 62

HEX #5E6225

RGB 94 98 37

HSL 63.93, 0.45%, 0.26%

LAB 40, -10.82, 33.38

 

CMYK 4 / 0 / 52 / 55

HEX #6F7438

RGB 111 116 56

HSL 65, 0.35%, 0.34%

LAB 47.18, -11.35, 32.2

 

CMYK 4 / 0 / 44 / 47

HEX #80864B

RGB 128 134 75

HSL 66.1, 0.28%, 0.41%

LAB 54.18, -11.72, 30.93

 

CMYK 5 / 0 / 38 / 40

HEX #91985E

RGB 145 152 94

HSL 67.24, 0.24%, 0.48%

LAB 61.03, -11.99, 29.68

 

CMYK 5 / 0 / 34 / 33

HEX #A2AA71

RGB 162 170 113

HSL 68.42, 0.25%, 0.55%

LAB 67.74, -12.2, 28.49

 

CMYK 9 / 0 / 57 / 62

HEX #59622A

RGB 89 98 42

HSL 69.64, 0.4%, 0.27%

LAB 39.62, -12.67, 30.26

 

CMYK 10 / 0 / 71 / 69

HEX #485017

RGB 72 80 23

HSL 68.42, 0.55%, 0.2%

LAB 32.21, -12.12, 31.28

 

CMYK 11 / 0 / 94 / 76

HEX #373E04

RGB 55 62 4

HSL 67.24, 0.88%, 0.13%

LAB 24.53, -11.26, 31.38

 

CMYK 14 / 0 / 100 / 83

HEX #262C00

RGB 38 44 0

HSL 68.18, 1%, 0.09%

LAB 16.57, -9.63, 23.74

 

CMYK 19 / 0 / 100 / 90

HEX #151A00

RGB 21 26 0

HSL 71.54, 1%, 0.05%

LAB 8.11, -7.17, 12.02

 

CMYK 8 / 0 / 57 / 62

HEX #586029

RGB 88 96 41

HSL 68.73, 0.4%, 0.27%

LAB 38.9, -12.1, 29.93

 

CMYK 0 / 6 / 57 / 62

HEX #605A29

RGB 96 90 41

HSL 53.45, 0.4%, 0.27%

LAB 37.77, -4.88, 28.8

 

CMYK 0 / 21 / 57 / 62

HEX #604C29

RGB 96 76 41

HSL 38.18, 0.4%, 0.27%

LAB 33.6, 3.58, 23.82

 

CMYK 0 / 36 / 57 / 62

HEX #603D29

RGB 96 61 41

HSL 21.82, 0.4%, 0.27%

LAB 29.37, 12.94, 18.57

 

CMYK 0 / 52 / 57 / 62

HEX #602E29

RGB 96 46 41

HSL 5.45, 0.4%, 0.27%

LAB 25.57, 22.12, 13.64

 

CMYK 8 / 0 / 57 / 62

HEX #586029

RGB 88 96 41

HSL 68.73, 0.4%, 0.27%

LAB 38.9, -12.1, 29.93

 

CMYK 24 / 0 / 57 / 62

HEX #496029

RGB 73 96 41

HSL 85.09, 0.4%, 0.27%

LAB 37.74, -18.8, 28.28

 

CMYK 40 / 0 / 57 / 62

HEX #3A6029

RGB 58 96 41

HSL 101.45, 0.4%, 0.27%

LAB 36.79, -24.9, 26.92

 

CMYK 55 / 0 / 57 / 62

HEX #2B6029

RGB 43 96 41

HSL 117.82, 0.4%, 0.27%

LAB 36.06, -30.08, 25.87

 

CMYK 57 / 0 / 44 / 62

HEX #296036

RGB 41 96 54

HSL 134.18, 0.4%, 0.27%

LAB 36.18, -28.49, 18.62

 

CMYK 8 / 0 / 57 / 62

HEX #586029

RGB 88 96 41

HSL 68.73, 0.4%, 0.27%

LAB 38.9, -12.1, 29.93

 

CMYK 12 / 0 / 72 / 58

HEX #5F6C1E

RGB 95 108 30

HSL 70, 0.57%, 0.27%

LAB 43.14, -16.41, 39.97

 

CMYK 13 / 0 / 84 / 53

HEX #677713

RGB 103 119 19

HSL 69.6, 0.72%, 0.27%

LAB 47.14, -19.18, 47.92

 

CMYK 15 / 0 / 94 / 49

HEX #6E8208

RGB 110 130 8

HSL 69.84, 0.88%, 0.27%

LAB 51.03, -22.04, 53.9

 

CMYK 8 / 0 / 57 / 62

HEX #586029

RGB 88 96 41

HSL 68.73, 0.4%, 0.27%

LAB 38.9, -12.1, 29.93

 

CMYK 6 / 0 / 39 / 67

HEX #505534

RGB 80 85 52

HSL 69.09, 0.24%, 0.27%

LAB 34.9, -8.08, 18.61

 

CMYK 3 / 0 / 14 / 71

HEX #484A40

RGB 72 74 64

HSL 72, 0.07%, 0.27%

LAB 30.99, -2.92, 5.7

 

CMYK 13 / 16 / 0 / 71

HEX #413F4B

RGB 65 63 75

HSL 250, 0.09%, 0.27%

LAB 27.26, 3.68, -6.97

 

CMYK 34 / 40 / 0 / 66

HEX #393456

RGB 57 52 86

HSL 248.82, 0.25%, 0.27%

LAB 23.66, 11.18, -19.8

 

CMYK 0 / 22 / 57 / 62

HEX #604B29

RGB 96 75 41

HSL 37.09, 0.4%, 0.27%

LAB 33.31, 4.2, 23.47

 

CMYK 0 / 6 / 57 / 62

HEX #605A29

RGB 96 90 41

HSL 53.45, 0.4%, 0.27%

LAB 37.77, -4.88, 28.8

 

CMYK 8 / 0 / 57 / 62

HEX #586029

RGB 88 96 41

HSL 68.73, 0.4%, 0.27%

LAB 38.9, -12.1, 29.93

 

CMYK 24 / 0 / 57 / 62

HEX #496029

RGB 73 96 41

HSL 85.09, 0.4%, 0.27%

LAB 37.74, -18.8, 28.28

 

CMYK 39 / 0 / 57 / 62

HEX #3B6029

RGB 59 96 41

HSL 100.36, 0.4%, 0.27%

LAB 36.85, -24.51, 27.01

 

CMYK 10 / 0 / 56 / 85

HEX #232711

RGB 35 39 17

HSL 70.91, 0.39%, 0.11%

LAB 14.67, -6.24, 13.75

 

CMYK 10 / 0 / 57 / 73

HEX #3D441D

RGB 61 68 29

HSL 70.77, 0.4%, 0.19%

LAB 27.34, -9.85, 22.42

 

CMYK 8 / 0 / 57 / 62

HEX #586029

RGB 88 96 41

HSL 68.73, 0.4%, 0.27%

LAB 38.9, -12.1, 29.93

 

CMYK 9 / 0 / 57 / 51

HEX #727D36

RGB 114 125 54

HSL 69.3, 0.4%, 0.35%

LAB 50.11, -15.12, 36.73

 

CMYK 9 / 0 / 57 / 40

HEX #8C9A42

RGB 140 154 66

HSL 69.55, 0.4%, 0.43%

LAB 60.85, -18.09, 43.69

 

CMYK 9 / 0 / 57 / 62

HEX #59622A

RGB 89 98 42

HSL 69.64, 0.4%, 0.27%

LAB 39.62, -12.67, 30.26

 

CMYK 57 / 0 / 36 / 62

HEX #29603D

RGB 41 96 61

HSL 141.82, 0.4%, 0.27%

LAB 36.32, -27.09, 14.64

 

CMYK 14 / 57 / 0 / 62

HEX #532960

RGB 83 41 96

HSL 285.82, 0.4%, 0.27%

LAB 24.54, 29.42, -24.77

 

CMYK 9 / 0 / 57 / 62

HEX #59622A

RGB 89 98 42

HSL 69.64, 0.4%, 0.27%

LAB 39.62, -12.67, 30.26

 

CMYK 57 / 8 / 0 / 62

HEX #295860

RGB 41 88 96

HSL 188.73, 0.4%, 0.27%

LAB 34.59, -13.43, -9.52

 

CMYK 0 / 57 / 8 / 62

HEX #602958

RGB 96 41 88

HSL 308.73, 0.4%, 0.27%

LAB 26.09, 31.87, -16.96

 

CMYK 9 / 0 / 57 / 62

HEX #59622A

RGB 89 98 42

HSL 69.64, 0.4%, 0.27%

LAB 39.62, -12.67, 30.26

 

CMYK 57 / 0 / 36 / 62

HEX #29603D

RGB 41 96 61

HSL 141.82, 0.4%, 0.27%

LAB 36.32, -27.09, 14.64

 

CMYK 48 / 57 / 0 / 62

HEX #322960

RGB 50 41 96

HSL 249.82, 0.4%, 0.27%

LAB 20.47, 19.83, -31.5

 

CMYK 0 / 57 / 20 / 62

HEX #60294D

RGB 96 41 77

HSL 320.73, 0.4%, 0.27%

LAB 25.59, 29.88, -10.44

 

CMYK 9 / 0 / 57 / 62

HEX #59622A

RGB 89 98 42

HSL 69.64, 0.4%, 0.27%

LAB 39.62, -12.67, 30.26

 

CMYK 57 / 0 / 20 / 62

HEX #29604D

RGB 41 96 77

HSL 159.27, 0.4%, 0.27%

LAB 36.69, -23.32, 5.4

 

CMYK 48 / 57 / 0 / 62

HEX #322960

RGB 50 41 96

HSL 249.82, 0.4%, 0.27%

LAB 20.47, 19.83, -31.5

 

CMYK 0 / 57 / 36 / 62

HEX #60293D

RGB 96 41 61

HSL 338.18, 0.4%, 0.27%

LAB 24.98, 27.39, -0.6

 

Description

Color code: HEX #59622A | qconv.com Color code: HEX #59622A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 98 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 98 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 57 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 57% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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