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Color name
HEX #5960AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5960AD it is the complementary color #A69F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5960AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5960AD shade: #5E60A8, #6F72BB, #8084CE, #9196E1 and #A2A8F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5960AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5960AD shade: #5960AD, #484E9A, #373C87, #262A74 and #151861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5960AD shade: #585FAD, #6758AD, #7E58AD, #9558AD and #AC58AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5960AD shade: #585FAD and #5858AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5960AD shade matches the following richer shades: #585FAD, #434EC1, #2F3DD5, #1B2CE9 and #071BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5960AD shade: #585FAD, #6C6F98, #808084, #949170 and #A8A25C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5960AD shade: #588CAD, #5875AD, #585FAD, #6758AD and #7E58AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5960AD shade: #3B4077, #484E93, #585FAD, #7379BA and #8F94C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5960AD shade: #5960AD, #AD58A3 and #81AD58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5960AD shade: #5960AD, #AD585F and #5FAD58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5960AD shade: #5960AD, #AD58A3, #ADA558 and #58AD61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5960AD shade: #5960AD, #AD5889, #ADA558 and #58AD7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 45 / 0 / 32

HEX #5960AD

RGB 89 96 173

HSL 235, 0.34%, 0.51%

LAB 43.52, 18.65, -42.17

 

Complementary color

CMYK 0 / 4 / 51 / 35

HEX #A69F52

RGB 166 159 82

HSL 55, 0.34%, 0.49%

LAB 64.57, -8.21, 40.72

 

CMYK 44 / 43 / 0 / 34

HEX #5E60A8

RGB 94 96 168

HSL 238.38, 0.3%, 0.51%

LAB 43.61, 18.35, -39.05

 

CMYK 41 / 39 / 0 / 27

HEX #6F72BB

RGB 111 114 187

HSL 237.63, 0.36%, 0.58%

LAB 50.69, 17.4, -38.85

 

CMYK 38 / 36 / 0 / 19

HEX #8084CE

RGB 128 132 206

HSL 236.92, 0.44%, 0.65%

LAB 57.61, 16.59, -38.72

 

CMYK 36 / 33 / 0 / 12

HEX #9196E1

RGB 145 150 225

HSL 236.25, 0.57%, 0.73%

LAB 64.38, 15.89, -38.63

 

CMYK 34 / 31 / 0 / 4

HEX #A2A8F4

RGB 162 168 244

HSL 235.61, 0.79%, 0.8%

LAB 71.02, 15.28, -38.6

 

CMYK 49 / 45 / 0 / 32

HEX #5960AD

RGB 89 96 173

HSL 235, 0.34%, 0.51%

LAB 43.52, 18.65, -42.17

 

CMYK 53 / 49 / 0 / 40

HEX #484E9A

RGB 72 78 154

HSL 235.61, 0.36%, 0.44%

LAB 36.29, 19.96, -42.47

 

CMYK 59 / 56 / 0 / 47

HEX #373C87

RGB 55 60 135

HSL 236.25, 0.42%, 0.37%

LAB 28.88, 21.6, -42.82

 

CMYK 67 / 64 / 0 / 55

HEX #262A74

RGB 38 42 116

HSL 236.92, 0.51%, 0.3%

LAB 21.32, 23.71, -43.17

 

CMYK 78 / 75 / 0 / 62

HEX #151861

RGB 21 24 97

HSL 237.63, 0.64%, 0.23%

LAB 13.68, 26.35, -43.32

 

CMYK 49 / 45 / 0 / 32

HEX #585FAD

RGB 88 95 173

HSL 235.06, 0.34%, 0.51%

LAB 43.18, 19.03, -42.71

 

CMYK 40 / 49 / 0 / 32

HEX #6758AD

RGB 103 88 173

HSL 250.59, 0.34%, 0.51%

LAB 42.58, 27.12, -43.59

 

CMYK 27 / 49 / 0 / 32

HEX #7E58AD

RGB 126 88 173

HSL 266.82, 0.34%, 0.51%

LAB 44.85, 33.31, -39.85

 

CMYK 14 / 49 / 0 / 32

HEX #9558AD

RGB 149 88 173

HSL 283.06, 0.34%, 0.51%

LAB 47.48, 39.89, -35.52

 

CMYK 1 / 49 / 0 / 32

HEX #AC58AD

RGB 172 88 173

HSL 299.29, 0.34%, 0.51%

LAB 50.41, 46.61, -30.71

 

CMYK 49 / 45 / 0 / 32

HEX #585FAD

RGB 88 95 173

HSL 235.06, 0.34%, 0.51%

LAB 43.18, 19.03, -42.71

 

CMYK 49 / 49 / 0 / 32

HEX #5858AD

RGB 88 88 173

HSL 240, 0.34%, 0.51%

LAB 41.33, 23.43, -45.66

 

CMYK 49 / 45 / 0 / 32

HEX #585FAD

RGB 88 95 173

HSL 235.06, 0.34%, 0.51%

LAB 43.18, 19.03, -42.71

 

CMYK 65 / 60 / 0 / 24

HEX #434EC1

RGB 67 78 193

HSL 234.76, 0.5%, 0.51%

LAB 38.71, 32.35, -61.7

 

CMYK 78 / 71 / 0 / 16

HEX #2F3DD5

RGB 47 61 213

HSL 234.94, 0.66%, 0.51%

LAB 35.49, 47.36, -78.63

 

CMYK 88 / 81 / 0 / 9

HEX #1B2CE9

RGB 27 44 233

HSL 235.05, 0.82%, 0.51%

LAB 33.81, 61.72, -92.9

 

CMYK 97 / 89 / 0 / 1

HEX #071BFD

RGB 7 27 253

HSL 235.12, 0.98%, 0.51%

LAB 33.82, 73.51, -104.21

 

CMYK 49 / 45 / 0 / 32

HEX #585FAD

RGB 88 95 173

HSL 235.06, 0.34%, 0.51%

LAB 43.18, 19.03, -42.71

 

CMYK 29 / 27 / 0 / 40

HEX #6C6F98

RGB 108 111 152

HSL 235.91, 0.18%, 0.51%

LAB 48.04, 8.62, -22.6

 

CMYK 3 / 3 / 0 / 48

HEX #808084

RGB 128 128 132

HSL 240, 0.02%, 0.51%

LAB 53.7, 0.81, -2.17

 

CMYK 0 / 2 / 24 / 42

HEX #949170

RGB 148 145 112

HSL 55, 0.14%, 0.51%

LAB 59.63, -4.52, 17.96

 

CMYK 0 / 4 / 45 / 34

HEX #A8A25C

RGB 168 162 92

HSL 55.26, 0.3%, 0.51%

LAB 65.7, -7.98, 37.03

 

CMYK 49 / 19 / 0 / 32

HEX #588CAD

RGB 88 140 173

HSL 203.29, 0.34%, 0.51%

LAB 55.94, -8.06, -22.75

 

CMYK 49 / 32 / 0 / 32

HEX #5875AD

RGB 88 117 173

HSL 219.53, 0.34%, 0.51%

LAB 49.27, 5.41, -33.09

 

CMYK 49 / 45 / 0 / 32

HEX #585FAD

RGB 88 95 173

HSL 235.06, 0.34%, 0.51%

LAB 43.18, 19.03, -42.71

 

CMYK 40 / 49 / 0 / 32

HEX #6758AD

RGB 103 88 173

HSL 250.59, 0.34%, 0.51%

LAB 42.58, 27.12, -43.59

 

CMYK 27 / 49 / 0 / 32

HEX #7E58AD

RGB 126 88 173

HSL 266.82, 0.34%, 0.51%

LAB 44.85, 33.31, -39.85

 

CMYK 50 / 46 / 0 / 53

HEX #3B4077

RGB 59 64 119

HSL 235, 0.34%, 0.35%

LAB 29.23, 14.29, -32.25

 

CMYK 51 / 47 / 0 / 42

HEX #484E93

RGB 72 78 147

HSL 235.2, 0.34%, 0.43%

LAB 35.86, 17.64, -38.93

 

CMYK 49 / 45 / 0 / 32

HEX #585FAD

RGB 88 95 173

HSL 235.06, 0.34%, 0.51%

LAB 43.18, 19.03, -42.71

 

CMYK 38 / 35 / 0 / 27

HEX #7379BA

RGB 115 121 186

HSL 234.93, 0.34%, 0.59%

LAB 52.8, 13.98, -34.93

 

CMYK 29 / 26 / 0 / 22

HEX #8F94C8

RGB 143 148 200

HSL 234.74, 0.34%, 0.67%

LAB 62.67, 9.99, -27.38

 

CMYK 49 / 45 / 0 / 32

HEX #5960AD

RGB 89 96 173

HSL 235, 0.34%, 0.51%

LAB 43.52, 18.65, -42.17

 

CMYK 0 / 49 / 6 / 32

HEX #AD58A3

RGB 173 88 163

HSL 307.06, 0.34%, 0.51%

LAB 50.11, 45.09, -25.31

 

CMYK 25 / 0 / 49 / 32

HEX #81AD58

RGB 129 173 88

HSL 91.06, 0.34%, 0.51%

LAB 65.95, -29.67, 38.74

 

CMYK 49 / 45 / 0 / 32

HEX #5960AD

RGB 89 96 173

HSL 235, 0.34%, 0.51%

LAB 43.52, 18.65, -42.17

 

CMYK 0 / 49 / 45 / 32

HEX #AD585F

RGB 173 88 95

HSL 355.06, 0.34%, 0.51%

LAB 47.87, 35.33, 12.02

 

CMYK 45 / 0 / 49 / 32

HEX #5FAD58

RGB 95 173 88

HSL 115.06, 0.34%, 0.51%

LAB 64.18, -41.31, 36.16

 

CMYK 49 / 45 / 0 / 32

HEX #5960AD

RGB 89 96 173

HSL 235, 0.34%, 0.51%

LAB 43.52, 18.65, -42.17

 

CMYK 0 / 49 / 6 / 32

HEX #AD58A3

RGB 173 88 163

HSL 307.06, 0.34%, 0.51%

LAB 50.11, 45.09, -25.31

 

CMYK 0 / 5 / 49 / 32

HEX #ADA558

RGB 173 165 88

HSL 54.35, 0.34%, 0.51%

LAB 66.9, -7.87, 40.64

 

CMYK 49 / 0 / 44 / 32

HEX #58AD61

RGB 88 173 97

HSL 126.35, 0.34%, 0.51%

LAB 64.02, -42.04, 31.27

 

CMYK 49 / 45 / 0 / 32

HEX #5960AD

RGB 89 96 173

HSL 235, 0.34%, 0.51%

LAB 43.52, 18.65, -42.17

 

CMYK 0 / 49 / 21 / 32

HEX #AD5889

RGB 173 88 137

HSL 325.41, 0.34%, 0.51%

LAB 49.09, 40.8, -11.45

 

CMYK 0 / 5 / 49 / 32

HEX #ADA558

RGB 173 165 88

HSL 54.35, 0.34%, 0.51%

LAB 66.9, -7.87, 40.64

 

CMYK 49 / 0 / 29 / 32

HEX #58AD7B

RGB 88 173 123

HSL 144.71, 0.34%, 0.51%

LAB 64.48, -37.38, 17.95

 

Description

Color code: HEX #5960AD | qconv.com Color code: HEX #5960AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 96 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 96 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 45 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 45% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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