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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596011 it is the complementary color #A69FEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596011 shade: #5E600C, #6F721F, #808432, #919645 and #A2A858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596011 shade: #596011, #484E00, #373C00, #262A00 and #151800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596011 shade: #585F11, #5F5111, #5F3C11, #5F2711 and #5F1211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596011 shade: #585F11, #435F11, #2E5F11, #195F11 and #115F1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596011 shade matches the following richer shades: #585F11 and #606808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596011 shade: #585F11, #51561A, #494D23, #42442C and #3B3B35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596011 shade: #5F3C11, #5F5111, #595F11, #445F11 and #2F5F11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596011 shade: #171904, #383C0B, #585F11, #798217 and #99A61D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596011 shade: #596011, #115F27 and #46115F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596011 shade: #596011, #11595F and #5F1159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596011 shade: #596011, #115F27, #17115F and #5F1149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596011 shade: #596011, #115F3F, #17115F and #5F1132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 82 / 62

HEX #596011

RGB 89 96 17

HSL 65.32, 0.7%, 0.22%

LAB 38.78, -13.36, 40.64

 

Complementary color

CMYK 30 / 33 / 0 / 7

HEX #A69FEE

RGB 166 159 238

HSL 245.32, 0.7%, 0.78%

LAB 68.81, 19.94, -38.75

 

CMYK 2 / 0 / 88 / 62

HEX #5E600C

RGB 94 96 12

HSL 61.43, 0.78%, 0.21%

LAB 39.19, -11.15, 42.75

 

CMYK 3 / 0 / 73 / 55

HEX #6F721F

RGB 111 114 31

HSL 62.17, 0.57%, 0.28%

LAB 46.33, -12.24, 43.18

 

CMYK 3 / 0 / 62 / 48

HEX #808432

RGB 128 132 50

HSL 62.93, 0.45%, 0.36%

LAB 53.3, -13.02, 42.54

 

CMYK 3 / 0 / 54 / 41

HEX #919645

RGB 145 150 69

HSL 63.7, 0.37%, 0.43%

LAB 60.12, -13.6, 41.5

 

CMYK 4 / 0 / 48 / 34

HEX #A2A858

RGB 162 168 88

HSL 64.5, 0.31%, 0.5%

LAB 66.82, -14.05, 40.33

 

CMYK 7 / 0 / 82 / 62

HEX #596011

RGB 89 96 17

HSL 65.32, 0.7%, 0.22%

LAB 38.78, -13.36, 40.64

 

CMYK 8 / 0 / 100 / 69

HEX #484E00

RGB 72 78 0

HSL 64.62, 1%, 0.15%

LAB 31.41, -12.17, 39.4

 

CMYK 8 / 0 / 100 / 76

HEX #373C00

RGB 55 60 0

HSL 65, 1%, 0.12%

LAB 23.82, -10.32, 32.3

 

CMYK 10 / 0 / 100 / 84

HEX #262A00

RGB 38 42 0

HSL 65.71, 1%, 0.08%

LAB 15.84, -8.37, 22.83

 

CMYK 13 / 0 / 100 / 91

HEX #151800

RGB 21 24 0

HSL 67.5, 1%, 0.05%

LAB 7.34, -5.59, 10.89

 

CMYK 7 / 0 / 82 / 63

HEX #585F11

RGB 88 95 17

HSL 65.38, 0.7%, 0.22%

LAB 38.37, -13.28, 40.24

 

CMYK 0 / 15 / 82 / 63

HEX #5F5111

RGB 95 81 17

HSL 49.23, 0.7%, 0.22%

LAB 34.72, -1.68, 37.12

 

CMYK 0 / 37 / 82 / 63

HEX #5F3C11

RGB 95 60 17

HSL 33.08, 0.7%, 0.22%

LAB 28.66, 11.32, 31.37

 

CMYK 0 / 59 / 82 / 63

HEX #5F2711

RGB 95 39 17

HSL 16.92, 0.7%, 0.22%

LAB 23.42, 24.02, 26.14

 

CMYK 0 / 81 / 82 / 63

HEX #5F1211

RGB 95 18 17

HSL 0.77, 0.7%, 0.22%

LAB 19.66, 34.08, 22.09

 

CMYK 7 / 0 / 82 / 63

HEX #585F11

RGB 88 95 17

HSL 65.38, 0.7%, 0.22%

LAB 38.37, -13.28, 40.24

 

CMYK 29 / 0 / 82 / 63

HEX #435F11

RGB 67 95 17

HSL 81.54, 0.7%, 0.22%

LAB 36.78, -22.93, 38.18

 

CMYK 52 / 0 / 82 / 63

HEX #2E5F11

RGB 46 95 17

HSL 97.69, 0.7%, 0.22%

LAB 35.61, -31.18, 36.66

 

CMYK 74 / 0 / 82 / 63

HEX #195F11

RGB 25 95 17

HSL 113.85, 0.7%, 0.22%

LAB 34.87, -37.11, 35.68

 

CMYK 82 / 0 / 68 / 63

HEX #115F1E

RGB 17 95 30

HSL 130, 0.7%, 0.22%

LAB 34.8, -37.3, 29.92

 

CMYK 7 / 0 / 82 / 63

HEX #585F11

RGB 88 95 17

HSL 65.38, 0.7%, 0.22%

LAB 38.37, -13.28, 40.24

 

CMYK 8 / 0 / 92 / 59

HEX #606808

RGB 96 104 8

HSL 65, 0.86%, 0.22%

LAB 41.85, -14.76, 46.05

 

CMYK 7 / 0 / 82 / 63

HEX #585F11

RGB 88 95 17

HSL 65.38, 0.7%, 0.22%

LAB 38.37, -13.28, 40.24

 

CMYK 6 / 0 / 70 / 66

HEX #51561A

RGB 81 86 26

HSL 65, 0.54%, 0.22%

LAB 34.96, -11.01, 32.98

 

CMYK 5 / 0 / 55 / 70

HEX #494D23

RGB 73 77 35

HSL 65.71, 0.38%, 0.22%

LAB 31.45, -8.77, 24.14

 

CMYK 3 / 0 / 35 / 73

HEX #42442C

RGB 66 68 44

HSL 65, 0.21%, 0.22%

LAB 28.05, -5.44, 14.3

 

CMYK 0 / 0 / 10 / 77

HEX #3B3B35

RGB 59 59 53

HSL 60, 0.05%, 0.22%

LAB 24.69, -1.3, 3.72

 

CMYK 0 / 37 / 82 / 63

HEX #5F3C11

RGB 95 60 17

HSL 33.08, 0.7%, 0.22%

LAB 28.66, 11.32, 31.37

 

CMYK 0 / 15 / 82 / 63

HEX #5F5111

RGB 95 81 17

HSL 49.23, 0.7%, 0.22%

LAB 34.72, -1.68, 37.12

 

CMYK 6 / 0 / 82 / 63

HEX #595F11

RGB 89 95 17

HSL 64.62, 0.7%, 0.22%

LAB 38.46, -12.8, 40.35

 

CMYK 28 / 0 / 82 / 63

HEX #445F11

RGB 68 95 17

HSL 80.77, 0.7%, 0.22%

LAB 36.84, -22.5, 38.27

 

CMYK 51 / 0 / 82 / 63

HEX #2F5F11

RGB 47 95 17

HSL 96.92, 0.7%, 0.22%

LAB 35.65, -30.84, 36.72

 

CMYK 8 / 0 / 84 / 90

HEX #171904

RGB 23 25 4

HSL 65.71, 0.72%, 0.06%

LAB 8, -4.89, 10.26

 

CMYK 7 / 0 / 82 / 76

HEX #383C0B

RGB 56 60 11

HSL 64.9, 0.69%, 0.14%

LAB 23.99, -9.13, 28.01

 

CMYK 7 / 0 / 82 / 63

HEX #585F11

RGB 88 95 17

HSL 65.38, 0.7%, 0.22%

LAB 38.37, -13.28, 40.24

 

CMYK 7 / 0 / 82 / 49

HEX #798217

RGB 121 130 23

HSL 65.05, 0.7%, 0.3%

LAB 51.94, -16.64, 51.53

 

CMYK 8 / 0 / 83 / 35

HEX #99A61D

RGB 153 166 29

HSL 65.69, 0.7%, 0.38%

LAB 65.07, -20.77, 62.3

 

CMYK 7 / 0 / 82 / 62

HEX #596011

RGB 89 96 17

HSL 65.32, 0.7%, 0.22%

LAB 38.78, -13.36, 40.64

 

CMYK 82 / 0 / 59 / 63

HEX #115F27

RGB 17 95 39

HSL 136.92, 0.7%, 0.22%

LAB 34.9, -36.02, 25.39

 

CMYK 26 / 82 / 0 / 63

HEX #46115F

RGB 70 17 95

HSL 280.77, 0.7%, 0.22%

LAB 18.05, 37.94, -34.62

 

CMYK 7 / 0 / 82 / 62

HEX #596011

RGB 89 96 17

HSL 65.32, 0.7%, 0.22%

LAB 38.78, -13.36, 40.64

 

CMYK 82 / 6 / 0 / 63

HEX #11595F

RGB 17 89 95

HSL 184.62, 0.7%, 0.22%

LAB 34.17, -18.62, -9.6

 

CMYK 0 / 82 / 6 / 63

HEX #5F1159

RGB 95 17 89

HSL 304.62, 0.7%, 0.22%

LAB 22.14, 42.37, -23.82

 

CMYK 7 / 0 / 82 / 62

HEX #596011

RGB 89 96 17

HSL 65.32, 0.7%, 0.22%

LAB 38.78, -13.36, 40.64

 

CMYK 82 / 0 / 59 / 63

HEX #115F27

RGB 17 95 39

HSL 136.92, 0.7%, 0.22%

LAB 34.9, -36.02, 25.39

 

CMYK 76 / 82 / 0 / 63

HEX #17115F

RGB 23 17 95

HSL 244.62, 0.7%, 0.22%

LAB 12.02, 30.25, -44.73

 

CMYK 0 / 82 / 23 / 63

HEX #5F1149

RGB 95 17 73

HSL 316.92, 0.7%, 0.22%

LAB 21.26, 39.81, -14.4

 

CMYK 7 / 0 / 82 / 62

HEX #596011

RGB 89 96 17

HSL 65.32, 0.7%, 0.22%

LAB 38.78, -13.36, 40.64

 

CMYK 82 / 0 / 34 / 63

HEX #115F3F

RGB 17 95 63

HSL 155.38, 0.7%, 0.22%

LAB 35.33, -31.17, 11.97

 

CMYK 76 / 82 / 0 / 63

HEX #17115F

RGB 23 17 95

HSL 244.62, 0.7%, 0.22%

LAB 12.02, 30.25, -44.73

 

CMYK 0 / 82 / 47 / 63

HEX #5F1132

RGB 95 17 50

HSL 334.62, 0.7%, 0.22%

LAB 20.3, 36.88, 0.11

 

Description

Color code: HEX #596011 | qconv.com Color code: HEX #596011 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 96 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 96 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 82 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 82% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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