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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595EB8 it is the complementary color #A6A147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595EB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595EB8 shade: #5E5EB3, #6F70C6, #8082D9, #9194EC and #A2A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595EB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595EB8 shade: #595EB8, #484CA5, #373A92, #26287F and #15166C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595EB8 shade: #5B60B9, #6F5BB9, #885BB9, #A25BB9 and #B95BB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595EB8 shade: #5B60B9 and #5B5BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595EB8 shade matches the following richer shades: #5B60B9, #484FCC, #353EDF and #222DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595EB8 shade: #5B60B9, #6E71A6, #818293, #949380 and #A7A46D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595EB8 shade: #5B93B9, #5B7AB9, #5B61B9, #6E5BB9 and #875BB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595EB8 shade: #3A3E87, #464BA4, #5B60B9, #787CC5 and #9598D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595EB8 shade: #595EB8, #B95BAC and #87B95B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595EB8 shade: #595EB8, #B95B61 and #61B95B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595EB8 shade: #595EB8, #B95BAC, #B9B25B and #5BB967

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595EB8 shade: #595EB8, #B95B90, #B9B25B and #5BB983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 49 / 0 / 28

HEX #595EB8

RGB 89 94 184

HSL 236.84, 0.4%, 0.54%

LAB 43.64, 23.4, -48.42

 

Complementary color

CMYK 0 / 3 / 57 / 35

HEX #A6A147

RGB 166 161 71

HSL 56.84, 0.4%, 0.46%

LAB 65, -10.21, 46.59

 

CMYK 47 / 47 / 0 / 30

HEX #5E5EB3

RGB 94 94 179

HSL 240, 0.36%, 0.54%

LAB 43.71, 22.98, -45.36

 

CMYK 44 / 43 / 0 / 22

HEX #6F70C6

RGB 111 112 198

HSL 239.31, 0.43%, 0.61%

LAB 50.74, 21.83, -45.09

 

CMYK 41 / 40 / 0 / 15

HEX #8082D9

RGB 128 130 217

HSL 238.65, 0.54%, 0.68%

LAB 57.62, 20.85, -44.88

 

CMYK 39 / 37 / 0 / 7

HEX #9194EC

RGB 145 148 236

HSL 238.02, 0.71%, 0.75%

LAB 64.37, 20.01, -44.72

 

CMYK 36 / 35 / 0 / 0

HEX #A2A6FF

RGB 162 166 255

HSL 237.42, 1%, 0.82%

LAB 70.99, 19.27, -44.61

 

CMYK 52 / 49 / 0 / 28

HEX #595EB8

RGB 89 94 184

HSL 236.84, 0.4%, 0.54%

LAB 43.64, 23.4, -48.42

 

CMYK 56 / 54 / 0 / 35

HEX #484CA5

RGB 72 76 165

HSL 237.42, 0.39%, 0.46%

LAB 36.49, 24.94, -48.76

 

CMYK 62 / 60 / 0 / 43

HEX #373A92

RGB 55 58 146

HSL 238.02, 0.45%, 0.39%

LAB 29.19, 26.82, -49.11

 

CMYK 70 / 69 / 0 / 50

HEX #26287F

RGB 38 40 127

HSL 238.65, 0.54%, 0.32%

LAB 21.81, 29.12, -49.38

 

CMYK 81 / 80 / 0 / 58

HEX #15166C

RGB 21 22 108

HSL 239.31, 0.67%, 0.25%

LAB 14.49, 31.74, -49.24

 

CMYK 51 / 48 / 0 / 27

HEX #5B60B9

RGB 91 96 185

HSL 236.81, 0.4%, 0.54%

LAB 44.37, 22.91, -47.83

 

CMYK 40 / 51 / 0 / 27

HEX #6F5BB9

RGB 111 91 185

HSL 252.77, 0.4%, 0.54%

LAB 44.75, 30.77, -47.12

 

CMYK 26 / 51 / 0 / 27

HEX #885BB9

RGB 136 91 185

HSL 268.72, 0.4%, 0.54%

LAB 47.26, 37.32, -42.97

 

CMYK 12 / 51 / 0 / 27

HEX #A25BB9

RGB 162 91 185

HSL 285.32, 0.4%, 0.54%

LAB 50.29, 44.54, -37.98

 

CMYK 0 / 51 / 2 / 27

HEX #B95BB6

RGB 185 91 182

HSL 301.91, 0.4%, 0.54%

LAB 53.14, 50.52, -31.56

 

CMYK 51 / 48 / 0 / 27

HEX #5B60B9

RGB 91 96 185

HSL 236.81, 0.4%, 0.54%

LAB 44.37, 22.91, -47.83

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BB9

RGB 91 91 185

HSL 240, 0.4%, 0.54%

LAB 43.08, 26.03, -49.89

 

CMYK 51 / 48 / 0 / 27

HEX #5B60B9

RGB 91 96 185

HSL 236.81, 0.4%, 0.54%

LAB 44.37, 22.91, -47.83

 

CMYK 65 / 61 / 0 / 20

HEX #484FCC

RGB 72 79 204

HSL 236.82, 0.56%, 0.54%

LAB 40.13, 36.24, -65.77

 

CMYK 76 / 72 / 0 / 13

HEX #353EDF

RGB 53 62 223

HSL 236.82, 0.73%, 0.54%

LAB 36.99, 50.6, -81.9

 

CMYK 86 / 81 / 0 / 5

HEX #222DF2

RGB 34 45 242

HSL 236.83, 0.89%, 0.54%

LAB 35.26, 64.19, -95.59

 

CMYK 51 / 48 / 0 / 27

HEX #5B60B9

RGB 91 96 185

HSL 236.81, 0.4%, 0.54%

LAB 44.37, 22.91, -47.83

 

CMYK 34 / 32 / 0 / 35

HEX #6E71A6

RGB 110 113 166

HSL 236.79, 0.24%, 0.54%

LAB 49.35, 11.8, -28.77

 

CMYK 12 / 12 / 0 / 42

HEX #818293

RGB 129 130 147

HSL 236.67, 0.08%, 0.54%

LAB 54.8, 3.21, -9.24

 

CMYK 0 / 1 / 14 / 42

HEX #949380

RGB 148 147 128

HSL 57, 0.09%, 0.54%

LAB 60.54, -3.08, 10.2

 

CMYK 0 / 2 / 35 / 35

HEX #A7A46D

RGB 167 164 109

HSL 56.9, 0.25%, 0.54%

LAB 66.42, -7.53, 28.97

 

CMYK 51 / 21 / 0 / 27

HEX #5B93B9

RGB 91 147 185

HSL 204.26, 0.4%, 0.54%

LAB 58.6, -7.7, -25.47

 

CMYK 51 / 34 / 0 / 27

HEX #5B7AB9

RGB 91 122 185

HSL 220.21, 0.4%, 0.54%

LAB 51.43, 6.88, -36.62

 

CMYK 51 / 48 / 0 / 27

HEX #5B61B9

RGB 91 97 185

HSL 236.17, 0.4%, 0.54%

LAB 44.63, 22.29, -47.41

 

CMYK 41 / 51 / 0 / 27

HEX #6E5BB9

RGB 110 91 185

HSL 252.13, 0.4%, 0.54%

LAB 44.66, 30.52, -47.27

 

CMYK 27 / 51 / 0 / 27

HEX #875BB9

RGB 135 91 185

HSL 268.09, 0.4%, 0.54%

LAB 47.15, 37.05, -43.15

 

CMYK 57 / 54 / 0 / 47

HEX #3A3E87

RGB 58 62 135

HSL 236.88, 0.4%, 0.38%

LAB 29.65, 20.9, -41.58

 

CMYK 57 / 54 / 0 / 36

HEX #464BA4

RGB 70 75 164

HSL 236.81, 0.4%, 0.46%

LAB 36.01, 24.84, -48.93

 

CMYK 51 / 48 / 0 / 27

HEX #5B60B9

RGB 91 96 185

HSL 236.81, 0.4%, 0.54%

LAB 44.37, 22.91, -47.83

 

CMYK 39 / 37 / 0 / 23

HEX #787CC5

RGB 120 124 197

HSL 236.88, 0.4%, 0.62%

LAB 54.49, 16.66, -38.55

 

CMYK 29 / 27 / 0 / 18

HEX #9598D1

RGB 149 152 209

HSL 237, 0.39%, 0.7%

LAB 64.52, 11.75, -29.51

 

CMYK 52 / 49 / 0 / 28

HEX #595EB8

RGB 89 94 184

HSL 236.84, 0.4%, 0.54%

LAB 43.64, 23.4, -48.42

 

CMYK 0 / 51 / 7 / 27

HEX #B95BAC

RGB 185 91 172

HSL 308.3, 0.4%, 0.54%

LAB 52.7, 48.76, -26.43

 

CMYK 27 / 0 / 51 / 27

HEX #87B95B

RGB 135 185 91

HSL 91.91, 0.4%, 0.54%

LAB 69.9, -32.76, 42.13

 

CMYK 52 / 49 / 0 / 28

HEX #595EB8

RGB 89 94 184

HSL 236.84, 0.4%, 0.54%

LAB 43.64, 23.4, -48.42

 

CMYK 0 / 51 / 48 / 27

HEX #B95B61

RGB 185 91 97

HSL 356.17, 0.4%, 0.54%

LAB 50.29, 38.47, 14.45

 

CMYK 48 / 0 / 51 / 27

HEX #61B95B

RGB 97 185 91

HSL 116.17, 0.4%, 0.54%

LAB 68.02, -45.38, 39.41

 

CMYK 52 / 49 / 0 / 28

HEX #595EB8

RGB 89 94 184

HSL 236.84, 0.4%, 0.54%

LAB 43.64, 23.4, -48.42

 

CMYK 0 / 51 / 7 / 27

HEX #B95BAC

RGB 185 91 172

HSL 308.3, 0.4%, 0.54%

LAB 52.7, 48.76, -26.43

 

CMYK 0 / 4 / 51 / 27

HEX #B9B25B

RGB 185 178 91

HSL 55.53, 0.4%, 0.54%

LAB 71.49, -9.38, 44.9

 

CMYK 51 / 0 / 44 / 27

HEX #5BB967

RGB 91 185 103

HSL 127.66, 0.4%, 0.54%

LAB 67.95, -45.33, 33.22

 

CMYK 52 / 49 / 0 / 28

HEX #595EB8

RGB 89 94 184

HSL 236.84, 0.4%, 0.54%

LAB 43.64, 23.4, -48.42

 

CMYK 0 / 51 / 22 / 27

HEX #B95B90

RGB 185 91 144

HSL 326.17, 0.4%, 0.54%

LAB 51.62, 44.29, -11.63

 

CMYK 0 / 4 / 51 / 27

HEX #B9B25B

RGB 185 178 91

HSL 55.53, 0.4%, 0.54%

LAB 71.49, -9.38, 44.9

 

CMYK 51 / 0 / 29 / 27

HEX #5BB983

RGB 91 185 131

HSL 145.53, 0.4%, 0.54%

LAB 68.43, -40.36, 19.06

 

Description

Color code: HEX #595EB8 | qconv.com Color code: HEX #595EB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 94 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 94 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 49 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 49% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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