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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595883 it is the complementary color #A6A77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595883 shade: #5E587E, #6F6A91, #807CA4, #918EB7 and #A2A0CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595883 shade: #595883, #484670, #37345D, #26224A and #151037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595883 shade: #595884, #655884, #705884, #7C5884 and #84587F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595883 shade: #595884 and #585884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595883 shade matches the following richer shades: #595884, #484695, #3734A7, #2622B9 and #1511CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595883 shade: #595884, #6A6972, #7B7B60, #8B8D4E and #9C9F3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595883 shade: #586E84, #586384, #585884, #645884 and #705884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595883 shade: #373752, #48476B, #595884, #6A699B and #8382AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595883 shade: #595883, #84587A and #698458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595883 shade: #595883, #845858 and #588458

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595883 shade: #595883, #84587A, #838458 and #588461

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595883 shade: #595883, #84586D, #838458 and #58846E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 33 / 0 / 49

HEX #595883

RGB 89 88 131

HSL 241.4, 0.2%, 0.43%

LAB 39.14, 11.09, -23.92

 

Complementary color

CMYK 1 / 0 / 26 / 35

HEX #A6A77C

RGB 166 167 124

HSL 61.4, 0.2%, 0.57%

LAB 67.43, -7.53, 22.19

 

CMYK 25 / 30 / 0 / 51

HEX #5E587E

RGB 94 88 126

HSL 249.47, 0.18%, 0.42%

LAB 39.35, 11.35, -20.5

 

CMYK 23 / 27 / 0 / 43

HEX #6F6A91

RGB 111 106 145

HSL 247.69, 0.16%, 0.49%

LAB 46.62, 10.8, -20.62

 

CMYK 22 / 24 / 0 / 36

HEX #807CA4

RGB 128 124 164

HSL 246, 0.18%, 0.56%

LAB 53.69, 10.33, -20.78

 

CMYK 21 / 22 / 0 / 28

HEX #918EB7

RGB 145 142 183

HSL 244.39, 0.22%, 0.64%

LAB 60.59, 9.91, -20.98

 

CMYK 20 / 21 / 0 / 21

HEX #A2A0CA

RGB 162 160 202

HSL 242.86, 0.28%, 0.71%

LAB 67.34, 9.53, -21.2

 

CMYK 32 / 33 / 0 / 49

HEX #595883

RGB 89 88 131

HSL 241.4, 0.2%, 0.43%

LAB 39.14, 11.09, -23.92

 

CMYK 36 / 38 / 0 / 56

HEX #484670

RGB 72 70 112

HSL 242.86, 0.23%, 0.36%

LAB 31.64, 11.81, -23.96

 

CMYK 41 / 44 / 0 / 64

HEX #37345D

RGB 55 52 93

HSL 244.39, 0.28%, 0.28%

LAB 23.86, 12.72, -24.1

 

CMYK 49 / 54 / 0 / 71

HEX #26224A

RGB 38 34 74

HSL 246, 0.37%, 0.21%

LAB 15.75, 13.94, -24.36

 

CMYK 62 / 71 / 0 / 78

HEX #151037

RGB 21 16 55

HSL 247.69, 0.55%, 0.14%

LAB 7.28, 15.57, -24.69

 

CMYK 33 / 33 / 0 / 48

HEX #595884

RGB 89 88 132

HSL 241.36, 0.2%, 0.43%

LAB 39.19, 11.37, -24.45

 

CMYK 23 / 33 / 0 / 48

HEX #655884

RGB 101 88 132

HSL 257.73, 0.2%, 0.43%

LAB 40.27, 15.23, -22.7

 

CMYK 15 / 33 / 0 / 48

HEX #705884

RGB 112 88 132

HSL 272.73, 0.2%, 0.43%

LAB 41.36, 18.92, -20.92

 

CMYK 6 / 33 / 0 / 48

HEX #7C5884

RGB 124 88 132

HSL 289.09, 0.2%, 0.43%

LAB 42.66, 23.05, -18.81

 

CMYK 0 / 33 / 4 / 48

HEX #84587F

RGB 132 88 127

HSL 306.82, 0.2%, 0.43%

LAB 43.39, 24.83, -14.58

 

CMYK 33 / 33 / 0 / 48

HEX #595884

RGB 89 88 132

HSL 241.36, 0.2%, 0.43%

LAB 39.19, 11.37, -24.45

 

CMYK 33 / 33 / 0 / 48

HEX #585884

RGB 88 88 132

HSL 240, 0.2%, 0.43%

LAB 39.1, 11.06, -24.59

 

CMYK 33 / 33 / 0 / 48

HEX #595884

RGB 89 88 132

HSL 241.36, 0.2%, 0.43%

LAB 39.19, 11.37, -24.45

 

CMYK 52 / 53 / 0 / 42

HEX #484695

RGB 72 70 149

HSL 241.52, 0.36%, 0.43%

LAB 33.83, 23.49, -43.38

 

CMYK 67 / 69 / 0 / 35

HEX #3734A7

RGB 55 52 167

HSL 241.57, 0.53%, 0.43%

LAB 29.56, 37.91, -61.28

 

CMYK 79 / 82 / 0 / 27

HEX #2622B9

RGB 38 34 185

HSL 241.59, 0.69%, 0.43%

LAB 26.9, 52.13, -76.47

 

CMYK 90 / 92 / 0 / 20

HEX #1511CB

RGB 21 17 203

HSL 241.29, 0.85%, 0.43%

LAB 26.37, 63.16, -88

 

CMYK 33 / 33 / 0 / 48

HEX #595884

RGB 89 88 132

HSL 241.36, 0.2%, 0.43%

LAB 39.19, 11.37, -24.45

 

CMYK 7 / 8 / 0 / 55

HEX #6A6972

RGB 106 105 114

HSL 246.67, 0.04%, 0.43%

LAB 44.78, 2.3, -4.89

 

CMYK 0 / 0 / 22 / 52

HEX #7B7B60

RGB 123 123 96

HSL 60, 0.12%, 0.43%

LAB 50.95, -4.85, 14.81

 

CMYK 1 / 0 / 45 / 45

HEX #8B8D4E

RGB 139 141 78

HSL 61.9, 0.29%, 0.43%

LAB 57.16, -10.48, 33.23

 

CMYK 2 / 0 / 62 / 38

HEX #9C9F3D

RGB 156 159 61

HSL 61.84, 0.45%, 0.43%

LAB 63.51, -14.23, 49.29

 

CMYK 33 / 17 / 0 / 48

HEX #586E84

RGB 88 110 132

HSL 210, 0.2%, 0.43%

LAB 45.49, -2.45, -14.77

 

CMYK 33 / 25 / 0 / 48

HEX #586384

RGB 88 99 132

HSL 225, 0.2%, 0.43%

LAB 42.25, 4.2, -19.71

 

CMYK 33 / 33 / 0 / 48

HEX #585884

RGB 88 88 132

HSL 240, 0.2%, 0.43%

LAB 39.1, 11.06, -24.59

 

CMYK 24 / 33 / 0 / 48

HEX #645884

RGB 100 88 132

HSL 256.36, 0.2%, 0.43%

LAB 40.17, 14.9, -22.85

 

CMYK 15 / 33 / 0 / 48

HEX #705884

RGB 112 88 132

HSL 272.73, 0.2%, 0.43%

LAB 41.36, 18.92, -20.92

 

CMYK 33 / 33 / 0 / 68

HEX #373752

RGB 55 55 82

HSL 240, 0.2%, 0.27%

LAB 24.17, 7.25, -16.38

 

CMYK 33 / 34 / 0 / 58

HEX #48476B

RGB 72 71 107

HSL 241.67, 0.2%, 0.35%

LAB 31.68, 9.68, -20.74

 

CMYK 33 / 33 / 0 / 48

HEX #595884

RGB 89 88 132

HSL 241.36, 0.2%, 0.43%

LAB 39.19, 11.37, -24.45

 

CMYK 32 / 32 / 0 / 39

HEX #6A699B

RGB 106 105 155

HSL 241.2, 0.2%, 0.51%

LAB 46.36, 12.45, -26.99

 

CMYK 24 / 24 / 0 / 33

HEX #8382AC

RGB 131 130 172

HSL 241.43, 0.2%, 0.59%

LAB 55.86, 9.73, -22.06

 

CMYK 32 / 33 / 0 / 49

HEX #595883

RGB 89 88 131

HSL 241.4, 0.2%, 0.43%

LAB 39.14, 11.09, -23.92

 

CMYK 0 / 33 / 8 / 48

HEX #84587A

RGB 132 88 122

HSL 313.64, 0.2%, 0.43%

LAB 43.2, 23.87, -11.83

 

CMYK 20 / 0 / 33 / 48

HEX #698458

RGB 105 132 88

HSL 96.82, 0.2%, 0.43%

LAB 52.07, -18.28, 20.69

 

CMYK 32 / 33 / 0 / 49

HEX #595883

RGB 89 88 131

HSL 241.4, 0.2%, 0.43%

LAB 39.14, 11.09, -23.92

 

CMYK 0 / 33 / 33 / 48

HEX #845858

RGB 132 88 88

HSL 0, 0.2%, 0.43%

LAB 42.14, 18.2, 7.42

 

CMYK 33 / 0 / 33 / 48

HEX #588458

RGB 88 132 88

HSL 120, 0.2%, 0.43%

LAB 51.02, -24.57, 19.09

 

CMYK 32 / 33 / 0 / 49

HEX #595883

RGB 89 88 131

HSL 241.4, 0.2%, 0.43%

LAB 39.14, 11.09, -23.92

 

CMYK 0 / 33 / 8 / 48

HEX #84587A

RGB 132 88 122

HSL 313.64, 0.2%, 0.43%

LAB 43.2, 23.87, -11.83

 

CMYK 1 / 0 / 33 / 48

HEX #838458

RGB 131 132 88

HSL 61.36, 0.2%, 0.43%

LAB 54.06, -7.74, 23.69

 

CMYK 33 / 0 / 27 / 48

HEX #588461

RGB 88 132 97

HSL 132.27, 0.2%, 0.43%

LAB 51.2, -22.89, 14.2

 

CMYK 32 / 33 / 0 / 49

HEX #595883

RGB 89 88 131

HSL 241.4, 0.2%, 0.43%

LAB 39.14, 11.09, -23.92

 

CMYK 0 / 33 / 17 / 48

HEX #84586D

RGB 132 88 109

HSL 331.36, 0.2%, 0.43%

LAB 42.75, 21.5, -4.57

 

CMYK 1 / 0 / 33 / 48

HEX #838458

RGB 131 132 88

HSL 61.36, 0.2%, 0.43%

LAB 54.06, -7.74, 23.69

 

CMYK 33 / 0 / 17 / 48

HEX #58846E

RGB 88 132 110

HSL 150, 0.2%, 0.43%

LAB 51.5, -20.21, 7.1

 

Description

Color code: HEX #595883 | qconv.com Color code: HEX #595883 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 88 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 88 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 33 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 33% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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