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Color name
HEX #5956AC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5956AC it is the complementary color #A6A953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5956AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5956AC shade: #5E56A7, #6F68BA, #807ACD, #918CE0 and #A29EF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5956AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5956AC shade: #5956AC, #484499, #373286, #262073 and #150E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5956AC shade: #5B58AD, #7158AD, #8858AD, #9F58AD and #AD58A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5956AC shade: #5B58AD and #5858AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5956AC shade matches the following richer shades: #5B58AD, #4843C1, #352FD5, #221BE9 and #0F07FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5956AC shade: #5B58AD, #6D6C98, #808084, #939470 and #A6A85C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5956AC shade: #5882AD, #586BAD, #5A58AD, #7158AD and #8858AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5956AC shade: #3D3B77, #4B4893, #5B58AD, #7673BA and #918FC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5956AC shade: #5956AC, #AD5899 and #77AD58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5956AC shade: #5956AC, #AD5A58 and #58AD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5956AC shade: #5956AC, #AD5899, #AAAD58 and #58AD6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5956AC shade: #5956AC, #AD587F, #AAAD58 and #58AD85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 50 / 0 / 33

HEX #5956AC

RGB 89 86 172

HSL 242.09, 0.34%, 0.51%

LAB 40.83, 24.61, -45.87

 

Complementary color

CMYK 2 / 0 / 51 / 34

HEX #A6A953

RGB 166 169 83

HSL 62.09, 0.34%, 0.49%

LAB 67.36, -13.38, 43.53

 

CMYK 44 / 49 / 0 / 35

HEX #5E56A7

RGB 94 86 167

HSL 245.93, 0.32%, 0.5%

LAB 40.94, 24.3, -42.71

 

CMYK 40 / 44 / 0 / 27

HEX #6F68BA

RGB 111 104 186

HSL 245.12, 0.37%, 0.57%

LAB 48.04, 23.18, -42.46

 

CMYK 38 / 40 / 0 / 20

HEX #807ACD

RGB 128 122 205

HSL 244.34, 0.45%, 0.64%

LAB 54.99, 22.23, -42.27

 

CMYK 35 / 38 / 0 / 12

HEX #918CE0

RGB 145 140 224

HSL 243.57, 0.58%, 0.71%

LAB 61.79, 21.4, -42.13

 

CMYK 33 / 35 / 0 / 5

HEX #A29EF3

RGB 162 158 243

HSL 242.82, 0.78%, 0.79%

LAB 68.47, 20.67, -42.04

 

CMYK 48 / 50 / 0 / 33

HEX #5956AC

RGB 89 86 172

HSL 242.09, 0.34%, 0.51%

LAB 40.83, 24.61, -45.87

 

CMYK 53 / 56 / 0 / 40

HEX #484499

RGB 72 68 153

HSL 242.82, 0.38%, 0.43%

LAB 33.59, 26.09, -46.21

 

CMYK 59 / 63 / 0 / 47

HEX #373286

RGB 55 50 134

HSL 243.57, 0.46%, 0.36%

LAB 26.2, 27.88, -46.55

 

CMYK 67 / 72 / 0 / 55

HEX #262073

RGB 38 32 115

HSL 244.34, 0.56%, 0.29%

LAB 18.73, 29.99, -46.77

 

CMYK 78 / 85 / 0 / 62

HEX #150E60

RGB 21 14 96

HSL 245.12, 0.75%, 0.22%

LAB 11.4, 32.11, -46.42

 

CMYK 47 / 49 / 0 / 32

HEX #5B58AD

RGB 91 88 173

HSL 242.12, 0.34%, 0.51%

LAB 41.56, 24.14, -45.27

 

CMYK 35 / 49 / 0 / 32

HEX #7158AD

RGB 113 88 173

HSL 257.65, 0.34%, 0.51%

LAB 43.52, 29.75, -42.04

 

CMYK 21 / 49 / 0 / 32

HEX #8858AD

RGB 136 88 173

HSL 273.88, 0.34%, 0.51%

LAB 45.95, 36.14, -38.03

 

CMYK 8 / 49 / 0 / 32

HEX #9F58AD

RGB 159 88 173

HSL 290.12, 0.34%, 0.51%

LAB 48.72, 42.8, -33.48

 

CMYK 0 / 49 / 6 / 32

HEX #AD58A3

RGB 173 88 163

HSL 307.06, 0.34%, 0.51%

LAB 50.11, 45.09, -25.31

 

CMYK 47 / 49 / 0 / 32

HEX #5B58AD

RGB 91 88 173

HSL 242.12, 0.34%, 0.51%

LAB 41.56, 24.14, -45.27

 

CMYK 49 / 49 / 0 / 32

HEX #5858AD

RGB 88 88 173

HSL 240, 0.34%, 0.51%

LAB 41.33, 23.43, -45.66

 

CMYK 47 / 49 / 0 / 32

HEX #5B58AD

RGB 91 88 173

HSL 242.12, 0.34%, 0.51%

LAB 41.56, 24.14, -45.27

 

CMYK 63 / 65 / 0 / 24

HEX #4843C1

RGB 72 67 193

HSL 242.38, 0.5%, 0.51%

LAB 36.45, 39.9, -65.38

 

CMYK 75 / 78 / 0 / 16

HEX #352FD5

RGB 53 47 213

HSL 242.17, 0.66%, 0.51%

LAB 33.12, 55.4, -82.54

 

CMYK 85 / 88 / 0 / 9

HEX #221BE9

RGB 34 27 233

HSL 242.04, 0.82%, 0.51%

LAB 31.82, 68.55, -96.2

 

CMYK 94 / 97 / 0 / 1

HEX #0F07FD

RGB 15 7 253

HSL 241.95, 0.98%, 0.51%

LAB 32.58, 77.75, -106.27

 

CMYK 47 / 49 / 0 / 32

HEX #5B58AD

RGB 91 88 173

HSL 242.12, 0.34%, 0.51%

LAB 41.56, 24.14, -45.27

 

CMYK 28 / 29 / 0 / 40

HEX #6D6C98

RGB 109 108 152

HSL 241.36, 0.18%, 0.51%

LAB 47.29, 10.75, -23.75

 

CMYK 3 / 3 / 0 / 48

HEX #808084

RGB 128 128 132

HSL 240, 0.02%, 0.51%

LAB 53.7, 0.81, -2.17

 

CMYK 1 / 0 / 24 / 42

HEX #939470

RGB 147 148 112

HSL 61.67, 0.14%, 0.51%

LAB 60.38, -6.57, 18.98

 

CMYK 1 / 0 / 45 / 34

HEX #A6A85C

RGB 166 168 92

HSL 61.58, 0.3%, 0.51%

LAB 67.19, -11.98, 38.83

 

CMYK 49 / 25 / 0 / 32

HEX #5882AD

RGB 88 130 173

HSL 210.35, 0.34%, 0.51%

LAB 53.01, -2.32, -27.26

 

CMYK 49 / 38 / 0 / 32

HEX #586BAD

RGB 88 107 173

HSL 226.59, 0.34%, 0.51%

LAB 46.45, 11.54, -37.51

 

CMYK 48 / 49 / 0 / 32

HEX #5A58AD

RGB 90 88 173

HSL 241.41, 0.34%, 0.51%

LAB 41.49, 23.91, -45.41

 

CMYK 35 / 49 / 0 / 32

HEX #7158AD

RGB 113 88 173

HSL 257.65, 0.34%, 0.51%

LAB 43.52, 29.75, -42.04

 

CMYK 21 / 49 / 0 / 32

HEX #8858AD

RGB 136 88 173

HSL 273.88, 0.34%, 0.51%

LAB 45.95, 36.14, -38.03

 

CMYK 49 / 50 / 0 / 53

HEX #3D3B77

RGB 61 59 119

HSL 242, 0.34%, 0.35%

LAB 27.99, 18.16, -34.22

 

CMYK 49 / 51 / 0 / 42

HEX #4B4893

RGB 75 72 147

HSL 242.4, 0.34%, 0.43%

LAB 34.47, 22.25, -41.13

 

CMYK 47 / 49 / 0 / 32

HEX #5B58AD

RGB 91 88 173

HSL 242.12, 0.34%, 0.51%

LAB 41.56, 24.14, -45.27

 

CMYK 37 / 38 / 0 / 27

HEX #7673BA

RGB 118 115 186

HSL 242.54, 0.34%, 0.59%

LAB 51.45, 18.42, -37.04

 

CMYK 28 / 29 / 0 / 22

HEX #918FC8

RGB 145 143 200

HSL 242.11, 0.34%, 0.67%

LAB 61.51, 13.46, -29.15

 

CMYK 48 / 50 / 0 / 33

HEX #5956AC

RGB 89 86 172

HSL 242.09, 0.34%, 0.51%

LAB 40.83, 24.61, -45.87

 

CMYK 0 / 49 / 12 / 32

HEX #AD5899

RGB 173 88 153

HSL 314.12, 0.34%, 0.51%

LAB 49.69, 43.37, -20.05

 

CMYK 31 / 0 / 49 / 32

HEX #77AD58

RGB 119 173 88

HSL 98.12, 0.34%, 0.51%

LAB 65.37, -33.33, 37.89

 

CMYK 48 / 50 / 0 / 33

HEX #5956AC

RGB 89 86 172

HSL 242.09, 0.34%, 0.51%

LAB 40.83, 24.61, -45.87

 

CMYK 0 / 48 / 49 / 32

HEX #AD5A58

RGB 173 90 88

HSL 1.41, 0.34%, 0.51%

LAB 48.14, 33.55, 16.59

 

CMYK 49 / 0 / 48 / 32

HEX #58AD5A

RGB 88 173 90

HSL 121.41, 0.34%, 0.51%

LAB 63.92, -43.1, 34.75

 

CMYK 48 / 50 / 0 / 33

HEX #5956AC

RGB 89 86 172

HSL 242.09, 0.34%, 0.51%

LAB 40.83, 24.61, -45.87

 

CMYK 0 / 49 / 12 / 32

HEX #AD5899

RGB 173 88 153

HSL 314.12, 0.34%, 0.51%

LAB 49.69, 43.37, -20.05

 

CMYK 2 / 0 / 49 / 32

HEX #AAAD58

RGB 170 173 88

HSL 62.12, 0.34%, 0.51%

LAB 68.85, -13.31, 42.93

 

CMYK 49 / 0 / 38 / 32

HEX #58AD6B

RGB 88 173 107

HSL 133.41, 0.34%, 0.51%

LAB 64.18, -40.38, 26.2

 

CMYK 48 / 50 / 0 / 33

HEX #5956AC

RGB 89 86 172

HSL 242.09, 0.34%, 0.51%

LAB 40.83, 24.61, -45.87

 

CMYK 0 / 49 / 27 / 32

HEX #AD587F

RGB 173 88 127

HSL 332.47, 0.34%, 0.51%

LAB 48.76, 39.33, -5.96

 

CMYK 2 / 0 / 49 / 32

HEX #AAAD58

RGB 170 173 88

HSL 62.12, 0.34%, 0.51%

LAB 68.85, -13.31, 42.93

 

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

Description

Color code: HEX #5956AC | qconv.com Color code: HEX #5956AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 86 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 86 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 50 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 50% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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