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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59551D it is the complementary color #A6AAE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59551D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59551D shade: #5E5518, #6F672B, #80793E, #918B51 and #A29D64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59551D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59551D shade: #59551D, #48430A, #373100, #261F00 and #150D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59551D shade: #59551D, #59441D, #59341D, #59241D and #591D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59551D shade: #59551D, #4C591D, #3C591D, #2C591D and #1D591D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59551D shade matches the following richer shades: #59551D, #625D13, #6C650A and #756D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59551D shade: #59551D, #4F4C26, #464430, #3C3C39 and #333443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59551D shade: #59351D, #59451D, #59551D, #4D591D and #3D591D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59551D shade: #1A1909, #393713, #59551D, #787227 and #979031

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59551D shade: #59551D, #1D5925 and #3D1D59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59551D shade: #59551D, #1D5955 and #551D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59551D shade: #59551D, #1D5925, #1D2159 and #591D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59551D shade: #59551D, #1D5937, #1D2159 and #591D3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

Complementary color

CMYK 27 / 25 / 0 / 11

HEX #A6AAE2

RGB 166 170 226

HSL 236, 0.51%, 0.77%

LAB 71.11, 10.81, -28.62

 

CMYK 0 / 10 / 74 / 63

HEX #5E5518

RGB 94 85 24

HSL 52.29, 0.59%, 0.23%

LAB 35.87, -4.2, 35.24

 

CMYK 0 / 7 / 61 / 56

HEX #6F672B

RGB 111 103 43

HSL 52.94, 0.44%, 0.3%

LAB 43.14, -5.21, 34.29

 

CMYK 0 / 5 / 52 / 50

HEX #80793E

RGB 128 121 62

HSL 53.64, 0.35%, 0.37%

LAB 50.23, -5.94, 33.04

 

CMYK 0 / 4 / 44 / 43

HEX #918B51

RGB 145 139 81

HSL 54.38, 0.28%, 0.44%

LAB 57.15, -6.49, 31.74

 

CMYK 0 / 3 / 38 / 36

HEX #A29D64

RGB 162 157 100

HSL 55.16, 0.25%, 0.51%

LAB 63.93, -6.92, 30.48

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 0 / 7 / 86 / 72

HEX #48430A

RGB 72 67 10

HSL 55.16, 0.76%, 0.16%

LAB 27.88, -5.18, 32.65

 

CMYK 0 / 11 / 100 / 78

HEX #373100

RGB 55 49 0

HSL 53.45, 1%, 0.11%

LAB 20.08, -3.45, 28.33

 

CMYK 0 / 18 / 100 / 85

HEX #261F00

RGB 38 31 0

HSL 48.95, 1%, 0.07%

LAB 11.9, -1.03, 17.65

 

CMYK 0 / 38 / 100 / 92

HEX #150D00

RGB 21 13 0

HSL 37.14, 1%, 0.04%

LAB 4.04, 1.15, 6.07

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 0 / 24 / 67 / 65

HEX #59441D

RGB 89 68 29

HSL 39, 0.51%, 0.23%

LAB 30.27, 4.06, 26.57

 

CMYK 0 / 42 / 67 / 65

HEX #59341D

RGB 89 52 29

HSL 23, 0.51%, 0.23%

LAB 25.77, 14.17, 21.35

 

CMYK 0 / 60 / 67 / 65

HEX #59241D

RGB 89 36 29

HSL 7, 0.51%, 0.23%

LAB 21.85, 23.85, 16.57

 

CMYK 0 / 67 / 67 / 65

HEX #591D1D

RGB 89 29 29

HSL 0, 0.51%, 0.23%

LAB 20.41, 27.65, 14.75

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 15 / 0 / 67 / 65

HEX #4C591D

RGB 76 89 29

HSL 73, 0.51%, 0.23%

LAB 35.54, -14.84, 32.03

 

CMYK 33 / 0 / 67 / 65

HEX #3C591D

RGB 60 89 29

HSL 89, 0.51%, 0.23%

LAB 34.38, -21.95, 30.44

 

CMYK 51 / 0 / 67 / 65

HEX #2C591D

RGB 44 89 29

HSL 105, 0.51%, 0.23%

LAB 33.5, -28.11, 29.21

 

CMYK 67 / 0 / 67 / 65

HEX #1D591D

RGB 29 89 29

HSL 120, 0.51%, 0.23%

LAB 32.91, -32.64, 28.38

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 0 / 5 / 81 / 62

HEX #625D13

RGB 98 93 19

HSL 56.2, 0.68%, 0.23%

LAB 38.68, -7.2, 40.13

 

CMYK 0 / 6 / 91 / 58

HEX #6C650A

RGB 108 101 10

HSL 55.71, 0.83%, 0.23%

LAB 42.03, -7.25, 46.16

 

CMYK 0 / 7 / 100 / 54

HEX #756D00

RGB 117 109 0

HSL 55.9, 1%, 0.23%

LAB 45.25, -7.68, 51.41

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 0 / 4 / 52 / 69

HEX #4F4C26

RGB 79 76 38

HSL 55.61, 0.35%, 0.23%

LAB 31.74, -4.95, 22.9

 

CMYK 0 / 3 / 31 / 73

HEX #464430

RGB 70 68 48

HSL 54.55, 0.19%, 0.23%

LAB 28.51, -2.94, 12.45

 

CMYK 0 / 0 / 5 / 76

HEX #3C3C39

RGB 60 60 57

HSL 60, 0.03%, 0.23%

LAB 25.22, -0.66, 1.85

 

CMYK 24 / 22 / 0 / 74

HEX #333443

RGB 51 52 67

HSL 236.25, 0.14%, 0.23%

LAB 22.18, 3.45, -9.46

 

CMYK 0 / 40 / 67 / 65

HEX #59351D

RGB 89 53 29

HSL 24, 0.51%, 0.23%

LAB 26.04, 13.54, 21.67

 

CMYK 0 / 22 / 67 / 65

HEX #59451D

RGB 89 69 29

HSL 40, 0.51%, 0.23%

LAB 30.57, 3.44, 26.91

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 13 / 0 / 67 / 65

HEX #4D591D

RGB 77 89 29

HSL 72, 0.51%, 0.23%

LAB 35.62, -14.37, 32.14

 

CMYK 31 / 0 / 67 / 65

HEX #3D591D

RGB 61 89 29

HSL 88, 0.51%, 0.23%

LAB 34.45, -21.53, 30.53

 

CMYK 0 / 4 / 65 / 90

HEX #1A1909

RGB 26 25 9

HSL 56.47, 0.49%, 0.07%

LAB 8.43, -2.64, 8.89

 

CMYK 0 / 4 / 67 / 78

HEX #393713

RGB 57 55 19

HSL 56.84, 0.5%, 0.15%

LAB 22.48, -4.88, 22.41

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 0 / 5 / 68 / 53

HEX #787227

RGB 120 114 39

HSL 55.56, 0.51%, 0.31%

LAB 47.2, -7.55, 40.88

 

CMYK 0 / 5 / 68 / 41

HEX #979031

RGB 151 144 49

HSL 55.88, 0.51%, 0.39%

LAB 58.74, -9.27, 49.35

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 67 / 0 / 58 / 65

HEX #1D5925

RGB 29 89 37

HSL 128, 0.51%, 0.23%

LAB 33, -31.52, 24.27

 

CMYK 31 / 67 / 0 / 65

HEX #3D1D59

RGB 61 29 89

HSL 272, 0.51%, 0.23%

LAB 18.33, 28.33, -30.23

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 67 / 0 / 4 / 65

HEX #1D5955

RGB 29 89 85

HSL 176, 0.51%, 0.23%

LAB 34.11, -20.07, -3.38

 

CMYK 4 / 67 / 0 / 65

HEX #551D59

RGB 85 29 89

HSL 296, 0.51%, 0.23%

LAB 22.06, 34.92, -24.07

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 67 / 0 / 58 / 65

HEX #1D5925

RGB 29 89 37

HSL 128, 0.51%, 0.23%

LAB 33, -31.52, 24.27

 

CMYK 67 / 63 / 0 / 65

HEX #1D2159

RGB 29 33 89

HSL 236, 0.51%, 0.23%

LAB 15.85, 18.11, -34.41

 

CMYK 0 / 67 / 9 / 65

HEX #591D51

RGB 89 29 81

HSL 308, 0.51%, 0.23%

LAB 22.29, 34.53, -18.3

 

CMYK 0 / 4 / 67 / 65

HEX #59551D

RGB 89 85 29

HSL 56, 0.51%, 0.23%

LAB 35.42, -6.32, 32.24

 

CMYK 67 / 0 / 38 / 65

HEX #1D5937

RGB 29 89 55

HSL 146, 0.51%, 0.23%

LAB 33.31, -28.14, 14.14

 

CMYK 67 / 63 / 0 / 65

HEX #1D2159

RGB 29 33 89

HSL 236, 0.51%, 0.23%

LAB 15.85, 18.11, -34.41

 

CMYK 0 / 67 / 29 / 65

HEX #591D3F

RGB 89 29 63

HSL 326, 0.51%, 0.23%

LAB 21.44, 31.52, -7.38

 

Description

Color code: HEX #59551D | qconv.com Color code: HEX #59551D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 85 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 85 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 67 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 67% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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